While other wineries attempt to be all things to all consumers — “Maybe we better make a moscato, they’re hot now!” — Jordan Vineyard and Winery goes right on doing what it has always done since starting in 1976, producing chardonnay and cabernet sauvignon wines from its estate vineyards, Alexander Valley for cabernet, Russian River Valley for chardonnay. These are not opulent, flamboyant, super-ripe or over-oaked wines. Alcohol levels are kept low — see the wines reviewed below — and new oak is employed thoughtfully. Jordan’s wines drink exceptionally well with food, and while in some quarters such an assertion is greeted with disdain, that factor seems to me to be the highest purpose and achievement of wine. Jordan also fields a website almost unparalleled in California for its usefulness, range and flow of information and accessibility. Pay heed, all you wineries that cannot manage to get your latest releases on your websites.

These wines were samples for review.
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Two-thirds of the Jordan Chardonnay 2013, Russian River Valley, was barrel-fermented, one-third fermented in stainless steel. The wine aged six months in French oak, 40 percent new barrels; only 18 percent of the wine went through “malo” — the so-called malolactic fermentation that transforms sharp malic (“apple-like”) acid to creamier lactic (“milk-like”) acid — thus retaining most of the wine’s crisp, vibrant character. The color is bright but pale gold; classic aromas of pineapple and grapefruit are highlighted by notes of cloves, quince and ginger, with tinges of mango and jasmine lingering in the background. This is quite fresh, lively and appealing, poised among spicy citrus and slightly roasted stone-fruit flavors, a scintillating limestone element and a texture just lush enough to add some sensuality to its spare elegance. 13.7 percent alcohol. Drink now through 2019 or 2020 with seared salmon or swordfish, trout with brown butter and capers, seafood risottos. Excellent. About $30.
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The Jordan Cabernet Sauvignon 2011, Alexander Valley, is a blend of 79 percent cabernet sauvignon, 17 percent merlot, 3 percent petit verdot and 1 percent malbec. Interesting that 85 percent of the grapes derived from Alexander Valley; 14 percent came from Mendocino County and a scant 1 percent from Dry Creek Valley; this is called choosing your sources carefully. The wine aged 12 months in 73 percent French oak barrels and 27 percent American oak, a total of 37 percent being new barrels; it spent 22 months resting in bottle before being released. The color is a transparent medium ruby with a slightly lighter rim; the wine is unusually intense and concentrated on structure, with aromas of briers and brambles and loam permeating notes of black currants, cherries and plums, accented by hints of cloves and allspice, with the latter’s element of exotic woodsy astringency. On the palate you taste the spicy black fruit flavors wrapped around a firm core of iodine and iron etched with lavender and violets and a touch of bitter chocolate; the texture is lithe and supple, while the whole package, animated by bright acidity, is dense and chewy with dusty, graphite-tinged tannins. While this cabernet may display a tad less elegance than Jordan cabernets typically do, it feels imbued with more dignity and character; consider it a triumph from a difficult year. 13.8 percent alcohol. Try with steak or grilled veal or pork chops from 2016 through 2022 to ’25. Excellent. About $53.
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By “all over the map,” I don’t mean that every sub-AVA of the Napa Valley is represented in this post, seventh in a series. True, Mount Veeder is here and Howell Mountain and Rutherford, but what I actually refer to is the technical and stylistic map upon which these examples of Napa Valley cabernet sauvignon play their part. Seven of these wines are from 2012, one each from 2011 and 2010. The alcohol levels range from a mild 14.2 percent to a soaring and unmanageable 15.7. The use of oak barrels for aging varies enormously. The intention of the wines feels vastly different, with some wineries going whole-hog for the opulent and super-ripe, others tracking more toward the structured and elegant. In this panoply of approaches, do we discern a Napa Valley style? It’s difficult to say. To my mind — and my palate — the Sequoia Grove, Robert Mondavi and S.R. Tonella 2012s and the Napa Vintage 2011 adhere to a kind of general Napa-ness in their balance of fruit, tannin, acidity and mineral qualities and their pleasing herbal qualities, texture and depth. The other five feel more anomalous, marred by high alcohol or strenuous deployment of oak barrels. Of course no one would want Napa Valley to be homogenous nor its many wineries to operate on identical practices. We celebrate the place and the individuality together. These wines were samples for review.

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Sequoia Grove Cabernet Sauvignon 2012, Napa Valley. There really are towering sequoias — I guess that’s redundant — at Sequoia Grove Winery; one feels rather dwarfish in their company. The winery, founded in 1979, occupies salubrious geography in the Rutherford appellation, in the heart of Napa Valley. President and director of winemaking Mike Trujillo has been at Sequoia Grove since the early 1980s, was appointed assistant winemaker in 1998 and in 2001 took the position he has now. Winemaker is Molly Hill. The winery is owned by its national distributor, Kobrand Corp. Sequoia Grove, while making a variety of wines, focuses on chardonnay and cabernet sauvignon, and it’s to the latter that we turn today.

The blend for the Sequoia Grove Cabernet Sauvignon 2012 is 77 percent cabernet sauvignon, 11 percent cabernet franc, 10 percent merlot and 1 percent each petit verdot and malbec, meaning that it employs, even if only in dollops, all five of the classic Bordeaux grape varieties. The wine aged 20 months in barrels, 60 percent French oak, 40 percent American oak. The color is opaque ruby with a tinge of magenta at the rim; the aroma profile begins with dusty leather and graphite and unfolds notes of ripe black currants and plums with a hint of blueberry, all permeated by cloves and allspice and a background of walnut shell and wheatmeal; top-notes are wild and slightly exotic. This is a dense, chewy and dry cabernet that coats the palate with dusty, velvety tannins; it’s loamy and rooty, a bit granitic, and yet bright acidity keeps it lively and boldly ripe and slightly fleshy and roasted black and blue fruit flavors make it delicious. Still, it could use a year or two to meld. 14.2 percent alcohol. Drink from 2016 or ’17 through 2022 to ’24. Beautifully crafted and balanced. Excellent. About $38.
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Flora Springs Winery and Vineyard Trilogy 2012, Napa Valley. Trilogy is the flagship wine for Flora Springs. The winery was founded in 1978 on the site of an abandoned 19th Century “ghost winery” by Jerry and Flora Komes, though the real work of establishing the facility and vineyards went to their children John Komes and his wife Carrie and Julie Garvey and her husband Pat Garvey; now the third generation is poised to take command. Winemaker is Paul Steinauer. I generally enjoy the wine of Flora Springs and last year made the Chardonnay 2012 and the Soliloquy Sauvignon Blanc 2013 Wines of the Week. I have a quibble, however, with the Trilogy 2012.

The blend is 82 percent cabernet sauvignon, 6 percent each merlot, malbec and petite verdot. The wine aged 22 months in French oak barrels, 60 percent new, 40 percent one-year-old. The color is dark but vivid ruby-magenta with an opaque center. The bouquet — indeed the entire package — is centered to an obtrusive degree on the graphite, smoke and charcoal-tinged character of oak. You know how I feel about these matters; if a wine smells like oak and tastes like oak, there’s too much oak! Bright glimmers of ripe and spicy black currants, cherries and raspberries emerge, with notes of lavender and licorice and undertones of loam and aged fruitcake, and the wine certainly offers an almost rapturously supple and lithe texture, verging on plush but balanced by clean acidity, dusty tannins and a slightly chiseled granitic structure, but the oak kills it for me. 14.2 percent alcohol. Perhaps a few years in bottle will tame it; try from 2016 or ’17 through 2022 to ’24. Very Good+. About $75.
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Napa Vintage Cabernet Sauvignon 2011, Howell Mountain, Napa Valley. Sean Piper grew up in Napa Valley, and after a career in the Coast Guard, he returned to, first, start Wine Consumer Magazine and, now, establish his own wine label, Napa Vintage. The initial outing is sourced from Howell Mountain and is an example of a successful cabernet sauvignon produced in a chilly rainy year. The wine is 100 percent cabernet sauvignon, aged 20 months in all new French oak barrels. The color is inky ruby-purple, and the whole package reflects the intensity and concentration available from mountain-grown fruit, with its attendant notes of walnut shell and dried porcini, classic touches of cedar and rosemary (with the herb’s hint of resiny earthiness) and burgeoning elements of black currants and plums highlighted by a hint of pomegranate; a few minutes in the glass bring in notes of cloves and allspice, with the latter’s touch of exotic astringency. This is, no surprise, quite dry, replete with densely buttressed tannins, and thoroughly oaked, yet well-balanced and integrated. All these elements are wrapped around a fervent core of lavender, licorice and bitter chocolate. 14.3 percent alcohol. Production was 414 cases. The Napa Vintage Cabernet Sauvignon 2011 seems to me to be a model of an upper-altitude Napa cabernet, displaying its rooted firmness and supple flexibility in fine style. Drink now with a medium rare rib-eye steak, hot and crusty from the grill, through 2020 or ’21. Excellent. About $42.
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S.R. Tonella Cellars Cabernet Sauvignon 2012, Rutherford, Napa Valley. There’s little doubt that Napa Valley’s Rutherford Bench is one of the most advantageous pieces of earth on which to grow cabernet sauvignon grapes. Lying at the heart of the Napa Valley, west of Highway 29 and bordered (approximately) on the north by Zinfandel Lane, just above the town of Rutherford, and on the south by Oakville Grade, just below the town of Oakville, this area backs up to the foothills of the Mayacamas range in the west. The soil on this alluvial fan is well-drained gravelly loam. André Tchelistcheff, famed winemaker for Beaulieu Vineyards and guiding spirit of its George de Latour Private Reserve, called wines from the bench “dusty,” a term now accepted, perhaps too easily, as “Rutherford dust.” The cabernet wines that originate from the area undeniably often display a dry, dusty granitic aspect but not so uniformly as to make that characteristic applicable in every instance.

Steve Tonella’s heritage goes back a century in Rutherford. His great-uncle, Joseph Ponti, came from Italy to San Francisco after the earthquake in 1906, traveled up to Napa Valley, and became superintendent and winemaker at Beaulieu Vineyards, founded in 1900. Ponti’s nephew, Louis Tonella, joined Ponti at BV when he was 17. From his uncle, Louis Tonella inherited vineyards in the Rutherford area to which his son, Raymond Tonella, added purchased acreage. The Neibaum-Tonella Vineyard in Rutherford is the winery’s estate vineyard; Morisoli-Borges, owned by Mike Morisoli, a fourth-generation grower, lies at the heart of the Rutherford Bench. From these sources, Steve Tonella makes his cabernet-based wine.

There’s five percent merlot in the S.R. Tonella Cellars Cabernet Sauvignon 2012; the wine aged 28 months in French oak, 75 percent new barrels. The color is opaque ruby-magenta; the wine is deep in its dimensions, intense and concentrated, full-bodied and flush with dense, dusty, lithic tannins. Aromas of walnut-shell, dried porcini, loam and graphite yield little space to hints of ripe black currants and black cherries that carry classic notes of cedar, tobacco and mocha. It’s a cool yet savory and spicy cabernet wrapped around a tight core of bitter chocolate and lavender buoyed by vibrant acidity; the finish, not surprisingly, is focused, dynamic and granitic. 14.4 percent alcohol. Despite it’s size and substance, the S.R. Tonella Cellars Cabernet Sauvignon 2012 feels well-balanced, filled with energy and personality. Fewer than 500 cases were made. Try from 2017 or ’18 through 2028 to ’30. Excellent potential. About $74.
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Robert Mondavi Cabernet Sauvignon 2012, Napa Valley. Robert Mondavi wasn’t the first person to think that the Napa Valley was capable of producing world-class cabernet sauvignon wines, but after he founded his winery in 1966, he brought the full force of his conviction, enthusiasm and larger-than-life personality to the task. Barrels of ink and puncheons of pixels have been spilled in outlining and commenting on the history of Robert Mondavi — the man, the family and the winery — so I will forgo that endeavor for this post. The winery continues to turn out excellent products under the ownership of Constellation (since late in 2004) and the tutelage of winemaker Genevieve Janssens, though I’ll say that this admittedly well-made cabernet felt almost too typical of its place and intention; it could have used a bit more individuality. On the other hand, it’s not a single vineyard or sub-appellation cabernet, so perhaps we should all just enjoy it.

The wine employs all five of the “classic” Bordeaux red wine varieties: 88 percent cabernet sauvignon, 6 percent cabernet franc, 4 percent merlot and 1 percent each petit verdot and malbec. Thirty percent of the grapes came from the famous To Kalon vineyard in the Oakville AVA, with 14 percent derived from Mondavi’s Wappo Hill vineyard in the Stags Leap District, with the rest, I assume, grown in other estate or nearby vineyards; the intention obviously was to create a “Napa Valley” style cabernet sauvignon without reference to a particular sub-AVA. The wine aged a very sensible 16 months in French oak, only 15 percent new barrels. The color is a rich dark ruby with a magenta tinge; aromas of cassis and black cherry are permeated by notes of cedar, tobacco and dried thyme, with deeper hints of lead pencil, briers and brambles and loamy graphite. Tannins are dry, a bit earthy and leathery, firm yet unobtrusive; fleet acidity keeps the wine energetic and thirst-quenching; a subtle oak influence shows up in the wine’s supple, lithe texture and in a wafting of exotic spice.The sense of balance and integration is well-nigh perfect. Alcohol content is the now New World average of 14.5 percent. What’s not to like? Drink now through 2020 or ’22. Excellent. About $29.
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Petar Kirilov made 50 cases of his Kukeri Cabernet Sauvignon 2010, Mount Veeder, Napa Valley, aging it 36 months — yes, My Readers, three years — in French oak. Come now, sir, this is not Brunello di Montalcino, but Kirilov believes in oak, so oak it is, and the inky dark wine wears its oak on its sleeve. Aromas of cedar, tobacco and dried rosemary are drenched with notes of walnut shell, dried porcini, leather and loam, with all the attendant resinous, foresty, underbrushy elements we would expect. Fruit? Yes, there are glimmers. Acidity? Oh, sleek and dynamic. I still wouldn’t touch this wine, though, for five more years. The 2011 is the current release, made in 79 cases. 14.5 percent alcohol. Rating? Anybody’s guess, but time will be the ultimate judge, as it is in all matters concerning these sublunary precincts. About $79.
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Jamieson Ranch Double Lariat Cabernet Sauvignon 2012, Napa Valley. Jamieson Ranch Vineyards is the southernmost winery in the Napa Valley. Formerly known as Kirkland Ranch Winery and Reata Vineyard, the company changed its name to Jamieson Ranch in 2013. The history of the property is tangled, involving dubious business decisions going back to the late 1990s and bankruptcy filings, but it is owned now by Madison Vineyard Holdings of Greenwood Village, Colorado, a company involved in myriad enterprises including high-end art storage in New York. Jamieson Ranch produces about 35,000 cases annually under its eponymous label, retaining the Reata name for some pinot noirs and chardonnays, and uses the Light Horse brand for inexpensive products. Winemaker is the Chilean Juan Jose Verdina.

About 2/3s of the grapes for this wine went through “flash détente,” a process much used in Europe, South America and Australia but fairly new to California. Before fermentation, grapes are heated to about 180 degrees and then sent to a vacuum chamber where they are cooled and the grape skins burst from the inside. The result — don’t ask me how — is better extraction of skin tannins and anthocyanins, the phenolic compounds responsible for the color of red grapes. That’s the simplified version, believe me, and doesn’t begin to approach the complications inherent in the process or the opportunities for manipulation they present.

The blend for the Jamieson Ranch Double Lariat Cabernet Sauvignon 2012 is 86.5 percent cabernet sauvignon, 9 percent merlot, 4.5 percent — surprise! — petite sirah. The wine aged 18 months in French oak barrels, amount of new oak not specified. A dark ruby-purple color is fresh and vibrant; aromas of ripe and spicy black currants, raspberries and plums are wreathed with notes of leather and lavender and a touch of graphite. Slightly dusty and granite-tinged tannins are well-integrated in a lithe texture that’s animated by bright acidity, while black fruit flavors are deep and rich; the finish brings in the oak influence. 14.8 percent alcohol. A well-made and enjoyable but not compelling cabernet sauvignon. Drink now through 2019 to ’22. Very Good+. About $40.
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Priest Ranch Somerston Estate Cabernet Sauvignon 2012, Napa Valley.

Perhaps it’s the 14.9 percent alcohol, but I found this cabernet to be inchoate and unbalanced. It’s 100 percent cabernet sauvignon grapes, aged 22 months in French oak, 35 percent new, 65 percent neutral, a regimen with which I fully agree. It displays a dark ruby-mulberry hue and all the austere elements of wheatmeal, walnut shell and dried porcini mushrooms over loam, dusty tannins and a startlingly high yet hollowed-out level of acidity. On the other hand, the black and blue fruit flavors are not only very ripe but sweet and jammy, making, altogether, for a package that does not cohere. Perhaps a few years in bottle will calm the wine down, but I’m not hopeful. Not recommended. About $48.
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Signorello Estate Cabernet Sauvignon 2012, Napa Valley. The story begins in 1977, with Ray Signorello’s purchase of 100 acres on the Silverado Trail in eastern Napa Valley. Originally intending to grow grapes to sell to other wineries, the emphasis shifted to making wine in 1985. Ray Senior died in 1998, and Ray Signorello Jr. operates the estate now. He is listed as proprietor/winemaker and Pierre Bierbent as winemaker/vineyard manager. This is a luxury wine estate, with packaging and prices to match its aspirations.

A touch of cabernet franc — 6.5 percent — completes what is otherwise all cabernet sauvignon in this large-framed and fairly lumbering wine. Fermented with native yeast, yes, that’s nice; aged 21 months in French oak. all new barrels, okey-dokey, but 15.7 percent alcohol? Please! The color is motor-oil-opaque with a purple-violet rim; it’s a vivaciously ripe wine, with sweet scents and succulent notes of cassis, black raspberry jam, brandied cherries, fruitcake and a hint of zinfandel-like blueberry tart. By contrast, potent tannins and truckloads of dusty graphite define a structure that becomes formidably dry and austere, leading to a feeling that the wine is at war with itself; imbalance and lack of integration personified. Give it a few years if you so desire, but don’t invite me when you eventually open a bottle. Not recommended. About $90.

What’s disheartening about this wine is that I rated the Signorello Estate Cabernet Sauvignon 2009 (the last I tasted) as Excellent and named it as one of my “50 Great Wines of 2012.” It came in at 14.7 percent alcohol. The cabernet under review today feels as if it had been given different marching orders.
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Here’s a quite beautiful blended white wine from France’s Coteaux du Languedoc region. Chateau Paul Mas Belluguette 2013 combines 40 percent vermentino grapes — known by that name in Italy but usually called rolle in the South of France — 30 percent roussanne, 20 percent grenache blanc and 10 percent viognier. The wine is barrel-fermented, half of it goes through malolactic fermentation and it all aged for four months in 2/3 French and 1/3 American oak barrels. The color is moderate gold with a pale green shimmer; enticing aromas of honeysuckle and camellia are twined with notes of peaches and roasted lemons, quince and ginger, undercurrents of cloves, pineapple and lightly buttered cinnamon toast. Give the wine a few moments in the glass and it unfurls touches of cantaloupe, lychee and almond skin. Pretty heady stuff, n’est-ce pas? On the palate, the wine is dense and silky but enlivened by bright acidity and an element of scintillating limestone minerality; by such means, it thankfully avoids being merely sumptuous. Ripe citrus and stone-fruit flavors are nicely balanced and offer a sheen of exotic spice, while the finish, with a hint of grapefruit bitterness, adds a necessary quality of elegance and spareness. 14 percent alcohol. We happily drank this with a delicious gratin of endive and potatoes with walnuts and thyme. Consume now through 2016 or ’17. Excellent. About $24.

Esprit du Vin/Palm Bay International, Boca Raton, Florida. A sample for review.

Marketers and trade groups, of course! Do you think that notions like “National Riesling Month” and “Grenache Day” are carved in stone on the lintels of the Sanctuary of Holy Days? You know better than that. And I’ll bet dollars to doughnuts, as my late mother used to say, that Argentina is behind “World Malbec Day” like white on rice and ducks on June bugs. Usually I ignore these marketing and PR feints because life is too short and I have plenty of other matters to attend to, but I decided, oh what the hell, I’ll mention “World Malbec Day” on the 17th and that will allow me to taste the dozens of malbec wines that doubtless litter my shelves and racks. Surprisingly, I only had a few examples on hand, though a couple came in the mail, all these, of course, from Mendoza, Argentina.

For many years, malbec played a minor role in Bordeaux as one of the five “classic” red grapes, along with petit verdot, cabernet franc and the more important merlot and cabernet sauvignon. Malbec, however, suffers from a susceptibility to various forms of disease and rot, and particularly after the historic frost of 1956 it began to disappear from the vineyards of Bordeaux. The grape is widely grown, under a number of pseudonyms, all over Southwest France and is especially useful in Cahors, where it is called Cot and must make up 70 percent of the blend. Malbec was first planted in Argentina in 1852, and despite vicissitudes — thousands of acres of old vines were stupidly pulled out in the 1980s — it became synonymous with red wine in that country. Now let’s be honest. Argentina turns out oceans of mediocre malbec wines and sells them cheaply in North America. On the other hand, the grape also receives its apotheosis there, especially when grown in the dry, mile-high vineyards of Mendoza, backed up against the Andes. If you ever get a chance to try the Catena Zapata Adrianna Vineyard Malbec, throw caution and credit card to the winds and see how transcendent malbec can be when it is carefully cultivated and thoughtfully made in precisely the right location.

Of these Argentine models, one rates only Good, one Very Good, one Excellent and the others fall into the solid, well-made and enjoyable Very Good+ level.
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The Trapiche Oak Cast Malbec 2013, Mendoza, wears its titular oak on its sleeve and can’t seem to tear it off to reveal anything other than a warm spicy feeling and vague elements of black fruit scents and flavors. It’s the most generic and innocuous of this bunch. 14 percent alcohol. Good. About $14.

The previous wine’s stablemate, the Trapiche Broquel Malbec 2012, Mendoza, is another creature altogether. The color is inky purple with a magenta rim; quite ripe, almost jammy, with plenty of lavender, graphite and black pepper supporting brights scents and flavors of blueberries, black currants and plums; a lively and vivacious wine, it coats the palate with dusty, velvety tannins. Very Good+. About $18.
These wines are imported by Universal Wine Network, Livermore, Calif.
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The Alamos brand is the inexpensive and broadly available label from the Catena Zapata family. The label is imported and marketed not by Winebow, which deals with the estate’s more expensive, rarer and more classy wines, but by an arm of E.&J. Gallo. Medium ruby-cherry color; spicy red and black fruit scents and flavors buoyed by pert acidity and a modicum of spice; drinkable and appealing but I wish it displayed more personality. 13.6 percent alcohol. Very Good. About $13.
Imported by Alamos USA, Hayward, Calif.
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Gallo also imports the wines of Don Miguel Gascon. I’m happy to state that for 2013, the Gascon Malbec, from Mendoza, is clearly more varietal and authentic than in the past few vintages. The color is medium ruby-cherry; a seam of spice, smoke and graphite runs through ripe plum, cherry and black currant scents and flavors, highlighted by notes of mint and iodine; structure and acidity are firm and lively, tannins are moderately dense, all making for a pleasurable experience. 13.8 percent alcohol. Very Good+. About $15.
Gascon USA, Hayward, Calif.
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The Nieto Senetiner “Camila” Malbec 2013, Mendoza, offers a vibrant dark ruby hue and bright aromas of ripe plums and black and red cherries with undertones of cloves, black tea and leather. Though tannins are dusty, dense and chewy, the wine is nicely balanced, supple and lively and displays an attractive forthright personality. 13.5 percent alcohol. Very Good+. About $10, a Remarkable Bargain.
Imported by Foley Family Wines, Sonoma Calif.
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OK, here’s the one to look for. El Malbec de Ricardo Santos 2012, La Madras Vineyard, Mendoza, exhibits an inky purple-magenta hue and feels pretty damned “inky” in every respect; the wine is rife with streams of graphite, cloves, black pepper and espresso that bear up ripe aromas and flavors of black currants and plums wrapped around an intense core of lavender, violets and bitter chocolate. This panoply of sensations unfolds to a lithic, tarry edge and clean acidity that cut through and enliven moderately velvet-like tannins. 14 percent alcohol. Drink now through 2018 to 2020. Excellent. About $19.
Global Vineyard Imports, Berkeley, Calif.
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The Zenato estate was founded in 1960 by Sergio and Carla Zenato, just east of Lake Garda, and focused from the beginning on the white trebbiano di Lugana grape. Today, the property makes a variety of wines, including the red Valpolicella Classico and Amarone. The estate is now operated by Sergio and Carla’s daughter Nadia and son Alberto, who have introduced a new wine to the Zenato roster is the Alanera Rosso Veronese, today’s Wine of the Week. Alanera means “black wing.”

So, the Zenato Alanera 2012, Rosso Veronese, is a blend of 55 percent corvina grapes, 25 percent rondinella, 10 percent corvinone and 5 percent each merlot and cabernet sauvignon. That latter percentage of grapes associated more with Bordeaux or California or indeed Tuscany instead of the Veneto is why this wine carries a Rosso Veronese designation rather than Valpolicella; merlot and cabernet sauvignon are not allowed in “official” Valpolicella at any level. Fifty percent of the grapes were dried. The wine aged 12 months in 300 to 500-liter tonneaux and 100 to 150-hectoliter tanks, meaning fairly large to quite large vessels — 100 HLs equal 2,641.7 gallons — and no new oak, these barrels all being two or three years old. The wine is a dark ruby color with a purple tinge at the rim; scents of ripe black currants, blueberries and plums are permeated by notes of licorice, lavender and violets, with a penetrating graphite element, the overall impression being spicy, roasted and a little fleshy. It’s quite dry but succulent, a bit velvety on the palate but buoyed by bright acidity and pert flint-like minerality; and boy is it tasty, with its black fruit flavors touched with fruitcake and oolong tea. Moderate and slightly chewy tannins lend heft from mid-palate back through the clean, chiseled finish. A very manageable 13.5 percent alcohol. Drink now through 2017 or ’18. Excellent. About $20, representing Great Value.

Imported by The Winebow Group, New York. A sample for review.

In days gone by, we legions of wine-writers would lament the fact that nobody but us appreciated rosé wines and how wonderful they are and how versatile. We would deplore the notion that everyone in America associated rosé wines with sweetness — and the worst were sweet — when actually the best rosés are quite dry. That’s not the case now, when rosés have grown immensely popular and many wineries all over the world turn out the things as major or side projects, sometimes very seriously. Rosé wines have improved too, being generally made in clean, fresh, crisp mineral-infused fashion. Don’t worry about rosés, friends, they can take care of themselves. I offer today 10 examples of rosé wines made from a variety of grapes in differing styles, most tending toward pleasure and delight, although a couple invite more thoughtful contemplation. They’re not just for Spring and Summer either; several of these models carry enough heft and character to be consumed throughout the year, though you can’t beat them for picnics and backyard fetes in fine weather. Enjoy! In moderation, of course.

These wines were samples for review.
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Domaine Saint-Aix AIX Rosé 2014, Coteaux d’Aix en Provence, France. 12.5% alc. Grenache, cinsault, syrah, counoise. Very pale pink, like the inside of a seashell; ineffable fragrance of dried strawberries and red currants assisted by mild notes of cloves and thyme; brisk acidity blows through it like a sea-breeze on damp limestone; lavender and orange zest in the background, all delicately chiseled and faceted. Excellent. About $19.
Imported by Massanois LLC, Scarsdale, N.Y.
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Chateau Notre Dame du Quatourze Rosé 2014, Languedoc, France. 13% alc. Cinsault, grenache, syrah. Salmon-peach color; peach and strawberry, nicely ripe, slightly dusty terra cotta touch; pomegranate with a notes of cloves; limestone and dried herbs. Tasty and attractive. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Chateau de Jonquieres Cuvee Cersius Rosé 2014, Languedoc, France. …% alc. Cinsault, grenache, syrah. A pale pink shimmer; delicate and elegant, fine bones; rose hips and strawberries, notes of raspberries and orange zest; crystalline acidity and gravel-like minerality; quite dry but distinctly though ethereally flavorful. Lovely. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Los Vascos Rosé 2014, Colchagua, Chile. Les Domaines Barons de Rothschild (Lafite) 13.5% alc. 90% cabernet sauvignon, 10% syrah. Light salmon-pink color with a tinge of magenta; a summery burst of pure strawberry and raspberry; warm and spicy, racy acidity; a touch of plums garnished with dusty graphite and a dash of dried thyme; lovely shape and presence. Excellent. About $14, representing Great Value.
Pasternak Wine Imports, Harrison, N.Y.
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MacPhail Family Wines Rosé of Pinot Noir 2014, Sonoma Coast. 14.5% alc. 100% pinot noir. 492 cases. Brilliant copper-salmon color; tomato skin and lime leaf, strawberries, raspberries and rose petals, hints of graphite and sea-salt, briers and brambles; a spicy, savory and fairly robust rose that doesn’t neglect delicacy and elegance in the upper register; lively, supple finish drenched with red fruit (hinting at the tropical) and mineral undertones. A superior rose. Exceptional. About $22.
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Il Poggione Brancato 2014, Rosato di Toscana, Italy. 12.5% alcohol. 100% sangiovese. Vivid smoky topaz hue; strawberries, raspberries and peaches; a dusty, dusky minerality, like paving stones warmed by the sun; hints of cloves and dried thyme; beautiful balance between bright acidity and a moderately lush texture, but altogether spare and elegant. A gorgeous rosé, very much a presence on the palate. Excellent. About $18.
Imported by Terlato Wines International, Lake Bluff, Ill.
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Chateau Ribaute “Senhal d’Aric” Rosé 2014, Corbiéres. 12.5% alc. Carignane, grenache, syrah, mourvèdre. Smoky topaz hue, slightly darker than onion skin; peach and strawberry, with a touch of raspberry in the background; warm and stony, damp roof tiles drying in sunlight — the whole “South of France” thing; ethereal but with a grounding in loam. Nicely layered for a rose. Excellent. About $NA.
Imported by Val d’Orbieu America, New York.
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Stemmari Rosé 2014, Sicily. 12% alc. 100% nero d’avola grapes. Entrancing light ruby color with violet undertones; red fruit all round, with prominent strawberry and raspberry followed by notes of cherries and currants and touches of tart pomegranate and pink grapefruit; sunny, leafy, warm and spicy; refreshing and attractive; finish emphasizes brisk acidity and limestone-like crispness (with a hint of orange candied orange peel). Very Good+. About $10, a Real Bargain.
Prestige Wine Imports, New York.
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Toad Hollow Vineyards “Eye of the Toad” Dry Rosé of Pinot Noir 2014, Sonoma County. 11.5% alc. 100% pinot noir. Vivid salmon-copper hue; notably fresh, clean and crisp; strawberries and rose petals, notes of pert cranberries and pomegranate; hint of orange rind; flinty texture for under-tones of minerality but lovely satiny flow on the palate. Very Good+. About $12, marking Great Value.
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Two Shepherds Grenache Rosé 2014, Sonoma Coast. % alc. 100% grenache. 90 cases. The blissful incarnadine of bright ruby-cherry hue; pure raspberry with a suffusion of cherry-berry, melon ball and sour cherry; marked limestone minerality, very dry yet drenched with tart, slightly candied red fruit flavors; almost tannic yet never less than delightful and ethereal in the high notes and gradually unfolding depth unusual in a rose; finish brings in hints of apple, dried cranberry and thyme. Perfection. Exceptional. About $24.
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It’s not easy to grow European wine grapes in hot and humid Brazil, and in fact the center of the vast country’s wine industry lies in the southernmost state of Rio Grande do Sul, as far as you can get away from the Equator (marked in red on the accompanying map) and still be in Brazil. In that state, most of the vineyards and wineries are in the hilly region of Serra Gaúcha. Wherever grape-growing occurs in Brazil, mostly what is produced are table grapes of American origin; the most widely grown grape in the country is Isabelle, a cultivar of the species Vitis labrusca, the native American grapes. Attempts made to introduce European or Vitis vinifera grapes beginning in the 16th Century were largely unsuccessful. The advent of Italian immigrants in the 1870s brought greater success to establishing vineyards and making wine, but it took another 100 years before truly serious efforts began, mainly because of the infusion of capital from European companies like Moët & Chandon, Seagrams, Domecq and Martini & Rossi.

Another problem that winemakers face in Brazil is that it is not a wine-drinking nation, suffering from low per-capita consumption and a general attitude that wine is not part of everyday culinary culture. In addition, the different taxing situations among Brazil’s states make dealing with logistics difficult.

Still, the industry seems to be growing, and perhaps because of that factor, I introduce the first Brazilian wines that I have ever reviewed, not only on this blog but in my entire career writing about wine. This pair issued from the country’s oldest winery, Vinicola Salton, which traces its origin to 1878, when Antonio Domenico Salton, an immigrant from Italy’s Veneto region, arrived in Rio Grande do Sul. His seven sons took over the business in 1910 and established the winery and vineyards on a firmer viticultural basis. Salton is still operated by the family, in its fourth generation. The products of Vinicola Salton are brought to American by A & M Imports in Baltimore. These wines were samples for review.

So, the Salton Intenso Brut, Serra Gaúcha, is a delightful but not particularly intense blend of 70 percent chardonnay and 30 percent riesling grapes. Made in the Charmat method in which the second fermentation is induced in large tanks, this sparkling wine displays a pale gold color and a constant stream of small bubbles. Aromas of green apples and spiced pear, with hints of seashell and roasted lemon, tantalize the nose; the wine is crisp and lively, slightly tropical — guava and pineapple — and just off-dry on the palate though the finish is a bit drier; a few moments in the glass bring in notes of almond and almond blossom. Similar to prosecco but with more body and presence. 12.5 percent alcohol. Very Good. About $15 to $17.

The Salton Classic Tannat 2013, Serra Gaúcha, is pretty much what you would expect from a red wine at the price — robust, acidic, a bit rough around the edges but a decent drink with the right food. The color is dark ruby, the bouquet delivers vivid notes of blueberries and red and black currants with touches of graphite, violets and bitter chocolate, and in the mouth the wine strikes a swath of tannin and acid on the tongue. 13 percent alcohol. Reserve this for burgers, barbecue, braised meat and rustic pasta dishes. Good+. About $10 to $12.

“Brazil State RioGrandedoSul” by Raphael Lorenzeto de Abreu – Own work. Licensed under CC BY 2.5 via Wikimedia Commons – http://commons.wikimedia.org/wiki/File:Brazil_State_RioGrandedoSul.svg#/media/File:Brazil_State_RioGrandedoSul.svg

The red grape variety lagrein dates back at least to the 17th Century in Italy’s Alto Adige region and is generally recognized as one of the oldest varieties grown there. This is in the country’s northeastern reaches, up where speakers of Italian and speakers of German segue rather seamlessly and place names and other nomenclature are often given in both languages. For example, the producer of today’s Wine of the Week is listed on the label as Kellerei-Cantina Andrian. The cantina, founded in 1893, was the first cooperative in Alto Aldige, a cool climate mountainous area of calcareous soil also referred to as Sud — or South — Tirol. Andrian was absorbed into the cooperative Cantina Terlano in 2008, though the wines are made separately to preserve their individuality. Winemaker for Andrian is Rudi Kofler.

The Andrian Rubeno Lagrein 2013, Alto Adige, ages briefly in large, old oak casks that lend the wine some shape and dimension. The color is an intense dark ruby with a slightly lighter garnet edge. Full-fledged aromas of spicy red and black currants and plums are buoyed by notes of sour cherry and brambles and a hint of mocha-like richness. These elements slip easily to the palate, where the wine feels robust and vibrant in character but displays soft tannins and appealing dusty graphite minerality. This is, in other words, a pleasurable and easy-drinking red wine that you don’t have to worry your pretty little head about and just enjoy with grilled sausages, simple pasta dishes and pizzas, a burger; you get the idea. 13 percent alcohol. Drink now through 2016 or ’18. Very Good+. About $12 to $14.

Imported by Banville Wine Merchants, North Bergen, N.J. A sample for review.

The history of Youngberg Hill is as complicated as such things often are in the West Coast wine industry. This land in Oregon’s Willamette Valley was farmed by a Swede named Youngberg until 1987, when Norman Barnett, a financier from Boston, rolled in, bought the acreage and built an inn. In 1989, the legendary Ken Wright planted two vineyards here and used those grapes for his Panther Creek pinot noirs. Wayne Bailey, originally from Iowa but nurtured on the wines of Burgundy and his work there, bought the property in 2003, and 10 years later he is still the owner and winemaker of this family-owned business, which includes the inn — now renovated — that Barnett established 26 years ago. The winery has practiced organic methods since 2003. The property includes a bed-and-breakfast facility that looks absolutely splendid.

I am a fan of the winery’s pinot blanc, one of the best made on the West Coast, so I was happy to receive samples of the three pinot noir wines under consideration today. These turned out to be bigger, more highly structured and earthy pinots that I had expected, but fall entirely within the parameters of the grape and of the Willamette Valley. They are produced in small quantities, so I encourage a search on the internet or a visit to the Youngberg Hill website.
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The Youngberg Hill “Cuvée” Pinot Noir 2012, Willamette Valley, is the winery’s entry-level pinot noir, a blend of grapes from three vineyards, including the Youngberg Hill estate vineyard. It offers an entrancing mulberry-magenta hue and arousing aromas of loam and graphite, ripe and slightly smoky black and red cherries, currants and plums, and a profound reservoir of exotic spices in the form of cloves and sassafras and a wisp of sandalwood. The wine is quite dry on the palate, satiny and raspy together in texture, but juicy with red and black fruit flavors and lively with bright acidity and a refreshing granitic mineral element. As moments pass, it becomes more spiced and macerated, finding more depth but getting a touch austere through the finish. 14.5 percent alcohol. Production was 298 cases, says the label; 290 cases according to the winery website. Drink now or from 2016 through 2020 to ’22. Excellent. About $35.
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The Youngberg Hill Natasha Block Pinot Noir 2012, Willamette Valley, originates from a 6.6-acre parcel of vines that faces southeast toward the morning sun. The color is an intense purple-magenta; vivid scents of red raspberries and blueberries are permeated by hints of cloves and allspice, sour cherry and melon ball and a back-note of pomegranate, all arrayed over a foundation of loam and new leather. These qualities segue seamlessly to the mouth, where sleek, supple tannins and lip-smacking acidity cut a swath on the palate. Nothing ephemeral here, this pinot noir is lithe and muscular, but not chunky or clunky; you feel the power and dimension of the structure as well as its energy and liveliness. The wine evolves toward more dryness in the glass, and you feel the oak and tannin injecting serious claims on the finish. 13.8 percent alcohol. Try from 2016 through 2022 to ’24. Production was 137 cases, printed on the back-label, 327 cases from the winery website. Huh? Excellent. About $40.
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Of this trio, the Youngberg Hill Jordan Block Pinot Noir 2012, Willamette Valley, came closest to my ideal of greatness in the grape, and that is a marriage of powerful earthy dimension to details of ineffable and ethereal delight. The vines form a 3.3-acre block that faces south on a steeper slope than the rest of the vineyard. The color is dark ruby-magenta; the bouquet is aggressively loamy, briery and brambly, with hints of moss and mushrooms, but entwined with high notes of lavender and rose petals, black cherries and currants and an undertone of pomegranate. “Jordan” is even more muscular than “Natasha,” more lithe and sinewy, deeply rooted in its rooty, woodsy character yet never relinquishing trust in its spiced and macerated black fruit flavors and the fleet acidity that lends fruit and structure their vibrant nature. The finish is all polished graphite and flowers. 13.4 percent alcohol. Production was 300 cases (or 270 cases). Try from 2016 through 2022 to ’25. Excellent. About $50.
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I’ll admit that choosing the Belleruche 2014, Côtes-du-Rhône Rosé, for Wine of the Week is a pretty obvious move. After all, it’s widely-known and available, and it’s fairly priced. Sometimes obvious choices, however, are the only ones to make, at least when they involve quality and consistency. The Belleruche Côtes-du-Rhône wines — there are also a red and a white — emerge from the M. Chapoutier stable, where their humble presence does nothing to tarnish the reputation of the company’s thoroughbreds; these are all exceedingly well-made wines, at whatever level. Belleruche 2014, Côtes-du-Rhône Rosé, is composed of grenache, syrah and cinsault grapes purchased from throughout this region of France’s southern Rhône Valley. The wine is made completely in stainless steel vats to ensure freshness and immediate appeal. The color is light but radiant salmon-peach; aromas of slightly spiced and macerated strawberries and raspberries are wedded to notes of pomegranate and pomander, with a delicate structure of lavender and limestone in the background. This is a rose that melds its delicate nature to a moderately lush texture supported by bright acidity for a thirst-quenching character; on the palate, it adds a touch of peach and tart cranberry to the red berry flavors. It’s an attractive and tasty wine in every aspect. 13 percent alcohol. Drink now through the end of 2015. If your household goes the route of baked ham for Easter luncheon, Belleruche 2014, Côtes-du-Rhône Rosé, would be perfect. Also good for such picnic fare as fried chicken, deviled eggs and (for the Anglophiles) cucumber or watercress sandwiches, crusts trimmed, if you please. Very Good+. About $16.

Imported by Terlato Wines International, Lake Bluff, Ill. A sample for review. I borrowed this image from my wine-blogger pal Benito.

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