Just because the country is held firm in the grip of a Polar Vortex or Siberian Express or, as we like to say, “a damned freaking cold deep 3774bernardus-griva-vineyard-sauvignonfreeze,” doesn’t mean that My Readers should eschew white wines. I mean, we’re still eating such fare as seafood risottos and seafood soups and we still need a better-than-decent quaff to sip while cooking. Here’s today’s candidate, the Bernardus Winery Griva Vineyard Sauvignon Blanc 2015, Arroyo Seco, a spiffy, spanking-fresh sauvignon blanc that we drank last night with a Filipino chicken and rice stew called lugaw. While Bernardus is in Carmel, the grapes for this sauvignon blanc come from a vineyard in the Arroyo Seco AVA, in Monterey County’s Salinas Valley. Made in stainless steel but with a dollop of oak-aged semillon, the wine offers a delicate pale gold hue and entrancing aromas of lime peel, tangerine and orange blossom, fig, talc and camellia. It’s quite dry but juicy with citrus and stone-fruit flavors that are slightly leafy and grassy and energized by bright acidity and a limestone element that burgeons from mid-palate back through the finish furnished with heather and grapefruit rind. Delicious and fun to drink. The alcohol level is an exceedingly comfortable 12.8 percent.Winemaker was Dean DeKorth. Drink now through 2017. Excellent. About $22.

A sample for review from the local distributor.

Do you think they sell Nerthe Balls in the gift shop at Chateau La Nerthe? Hahaha, no, of course not! I was kidding! Wineries and estates in Europe, especially those that trace their history back to 1560, as La Nerthe does, see no need to follow the California model of wineries offering tasting rooms and gift shops, picnic grounds and play grounds, jazz concerts and movie series. Not that no estates in France, Italy, Germany and so on indulge in these consumer-oriented activities, but there’s a sense that the business at hand is growing the best grapes and turning them into the best wines, no need to hire a staff visitor-resources coordinator. You could spend days in Burgundy or the Rhone Valley and not see a corkscrew for sale at a winery.

Anyway, Chateau La Nerthe occupies 225 acres, certified organic since 1998, in the southern Rhone region of Chateauneuf-du-nerthe-09-1280x600Pape, named for a summer palace that Pope John XXII, one of the alternative popes, built north of Avignon in the 14th Century (not pictured here). It was somewhat like the “Heather has two mommies” situation, except that in 14th Century Europe Heather had two Papas. Wine has been produced in the southern Rhone Valley since times immemorial, or at least since the wine-swilling Romans established vineyards, but Chateauneuf-du-Pape as we know it was only codified in 1923 by Baron Le Roy of Chateau Fortia (and amended in 1936), thus setting into motion the momentum toward the organization of the French A.O.C. system. Chateauneuf-du-Pape is unique for the number of grape varieties allowed into its blended red and white wines, 13 types originally but increased to 18 in 2009 by counting black, pink and white variations of the same grapes separately. The percentage of grapes in each wine is not regulated, and red and white wines may utilize both red and white grapes, though the number of estates that cross-color grapes in now very few. Sticking to the primary (and slightly or severely diminished) varieties the red grapes are grenache — the primary grape in these vineyards — syrah, mourvedre, cinsault, counoise and the little encountered muscardin, vaccarese, picpoul and terret noir; the whites are grenache blanc, roussanne, clairette, bourboulenc and picardin.

Vines at La Nerthe average 40 years old. The vineyard surrounds the winery and mansion (pictured above) and features the classic Chateauneuf-du-Pape characteristic of large, round stones — galets — on the surface. Winemaker is Christian Voeux.

Pasternak Wine Imports, Harrison, N.Y. These wines were samples for review.
Chateau La Nerthe 2012, Chateauneuf-du-Pape, is a blend of 48 percent grenache, 29 percent syrah, 22 mourvedre and a scant 1 percent nerthecinsault; no white grapes for this one. The wine aged 12 months in a combination of 63 percent barriques and 37 percent large wooden casks and vats. The color is dark ruby with a lighter, transparent rim; this is rich and ripe, pungent with scents of black cherries and currants with hints of wild berries, cloves and allspice and, after a few minutes in the glass, strains of graphite, smoke, black pepper and damp ashes. At first, the wine is quite mellow and palatable, but it builds power and structure, as the fruit flavors add macerated red berries to the black fruit and dusty, velvety tannins assert themselves; the finish feels rather chiseled and honed from the stones of the vineyard. 14.5 percent alcohol. Drink now through 2020 to 2024. Excellent. About $65.
Chateau La Nerthe 2014, Chateaunuef-du-Pape blanc, is a blend of 40 percent each grenache blanc and roussanne, 10 percent each clairette nerthe-2and bourboulenc. The wine aged in a combination of 228-liter oak foudres and 62 percent stainless steel tanks. The color is mild, medium gold; classic aromas of bee’s-wax and lanolin, yellow plums and peaches, heather, hay and camellia wreathe themselves into a beguiling bouquet; the wine is quite dry, offering plenty of body and stuffing in the way of bright acidity and scintillating limestone minerality, as well as yellow fruit flavors tinged with quince preserves and crystallized ginger, yet it demonstrates a sort of Southern languor and allure, a kind of low-cut gown and tanned shoulders effect that makes it irresistible. The finish, however, is notably spare, brisk and saline, bracing with limestone minerality and grapefruit pith. 13 percent alcohol. Now through 2019 to ’21. Excellent. About $65.

Hahaha, Readers, it’s a trick question, the answer to which is not “yes or no” but “yes and no.” It’s a truism of the wine industry that German wine regulations are the most confounding and confusing in the world. Since 1971, when the laws were codified, revisions have occurred several times, including in 2009 under the dictates of the European Union. Every wave of alterations promises to make matters easier on consumers, but those good intentions tend to fly out the window and leave things just as muddled as they were before. My goal today is not to give My Readers a complete lesson on German wine regulations and how to read the label on a bottle of German wine but simply to clarify the points of the so-called Prädikatswein, renamed from Qualitätswein mit Prädikat (QmP) (superior quality wine) in 2007. The catch is that this category dies not guarantee the “superior quality” of the wine in the bottle but indicates the level of ripeness of the grapes and the relative time of harvest, giving consumers a rough guide to the sweetness of the wines.

Kabinett – implies fully ripened grapes from the main harvest, meaning not late-harvest, typically semi-sweet with crisp acidity, but can be dry if designated so.
Spätlese – meaning “late harvest,” typically half-dry, often (but not always) sweeter and fruitier than Kabinett. The grapes are picked at least 7 days after normal harvest, so they are riper.
Auslese – meaning “select harvest,” made from very ripe, hand selected bunches, typically semi-sweet or sweet, sometimes with some noble rot character.
Beerenauslese – meaning “select berry harvest,” made from overripe grapes individually selected from bunches and often affected by noble rot, making rich sweet dessert wines.
Eiswein (ice wine) — made from grapes that have been naturally frozen on the vine, making a very concentrated and indubitably sweet wine.
Trockenbeerenauslese – meaning “select dry berry harvest” or “dry berry selection,” made from overripe shriveled grapes often affected by noble rot making extremely rich sweet wines. “Trocken” in this phrase refers to the grapes being dried on the vine rather than the resulting wine being a dry style.

So, the five wines discussed today all carry the Kabinett designation, all exhibit various levels of sweetness on the entry but slide into dryness from mid-palate back through the finish because of the sometimes exquisitely bright acidity and the presence of mitigating limestone and flint minerality.

Unless otherwise indicated, these wines were samples for review.
Dr. Pauly Bergweiler Wehlaner Sonnenwehr Riesling Kabinett 2014, Mosel. The color, so to speak, is pale pale bergweilerephemeral gold; aromas balance green apple, peach and pear, lychee and honeysuckle. In the mouth, this hovers delicately between medium dry and medium sweet; the texture floats cloud-like softness riven by bright acidity to a dry, faceted finish laden with hints of loamy earthiness and intense limestone minerality. 8.5 percent alcohol. Now through 2018 to 2020. Very Good+. About $22.
Winesellers Ltd., Niles, Ill.
Weingut Darting Durkheimer Hochbenn Riesling Kabinett 2014, Pfalz. The overall impression of this very pale dartinggold-hued riesling is of fine-boned delicacy and chiseled elegance; notes of peach, lychee and petrol offer petals — as it were — of lilac and jasmine, while lively acidity keeps the wine animated and flowing on the palate and nicely balanced with a tendency toward dryness. Drink up. Very Good+. About $20, a local purchase.
A Therry Theise Selection, Skurnick Wines, New York.
Dr. H. Thanisch Bernkasteler Badstube Riesling Kabinett 2015, Mosel. The color is very pale straw-gold; notes of lychee and peaches are highlighted by jasmine and honeysuckle, quince and crystallized ginger, with undertones of petrol and cloves. It’s slightly honeyed, a bit over-ripe but well-balanced by chiming acidity and a dry finish etched with limestone; currents of earth keep it grounded. 8.2% alcohol. Now through 2019 or ’20. Excellent. About $22.
Winesellers Ltd., Niles, Ill.
Georg Albrecht Schneider Niersteiner Paterberg Riesling Kabinett 2013, Rheinhessen. A golden wine, vibrant in its schneiderpale gold color, rich in aromas of apples, pears and spiced peaches, jasmine and honeysuckle; yes, it’s sweet, like a nectar of honeydew and apricots, but it glides into dryness across the palate, where it funnels into a finish hewn from limestone and flint; a few moments in the glass add notes of rubber eraser, ginger and quince. It’s a lively, vibrant, irresistible wine packed with personality. 8.5 percent alcohol. Now through 2021 to ’23. Excellent. About $15, an Incredible Bargain.
Winesellers Ltd., Niles, Ill.
Joh. Jos. Prüm Graacher Himmelreich Riesling Kabinett 2011, Mosel. Opens with a shimmering pale gold color and continues with a nose that’s earthy and musky, distinctive with notes of green apples and spiced pears, with a burgeoning effect of ripe peaches, jasmine and a whiff of petrol; the pungency and redolence are beguiling and authoritative. A moderately sweet entry segues into total dryness, abetted by blazing acidity, from mid-palate back through the finish, where a scintillating limestone and flint element dominates. 9.5 percent alcohol. Now through 2020 to ’23. Excellent. About $36, a local purchase.
A Rudi Wiest Selection, Cellars International, San Marcos, Calif.

Here’s a delightful sparkling wine from Germany’s Rheingau region, produced by the Barth family in the traditional Champagne method of barth-sektkollektion-riesling-brutsecond fermentation in the bottle. The enterprise, established in 1948, makes a full range of still and sparkling wines, the latter of which are all estate-grown and produced. The Barth Brut Riesling Sekt, non-vintage, is 100 percent varietal and spent two years in the bottle resting on the lees of spent yeast cells. The color is medium gold, highlighted by a steady upward stream of tiny golden bubbles. The bouquet, well, the bouquet smells like a melange of everything we love about apples — fresh-cut Granny Smiths, spiced and baked apples, apple cider and a touch of slightly astringent red apple skin, all abetted by notes of pears and peaches, heather and honeysuckle. This sparkler is lively and effervescent on the palate, and though there’s something a bit honeyed about its richness, like candied quince and crystallized ginger, it’s quite dry and enters the finish with an element of fleet spareness. Not your usual sparkling wine. 12 percent alcohol. Excellent. About $28.

Imported by Truly Fine Wines Inc., San Diego, Calif. A sample for review.

Thomas George Estates specializes in pinot noir and chardonnay wines from single vineyard sites in Sonoma County’s george-pnRussian River Valley, but winemaker John Wilson also produces these varieties under a general Russian River designation. Our Wine of the Day is the pinot noir from that overall AVA, and, Readers, it’s a honey. The Thomas George Estates Pinot Noir 2012, Russian River Valley, aged 11 months in French oak, only 37 percent new barrels — in oak except for six percent in concrete. The color is transparent medium ruby that shades infinitesimally to an invisible rim; aromas of sweet black and red cherries and currants are permeated by piquant notes of pomegranate and cranberry, sassafras and sage, with tantalizing hints of tobacco and wood-smoke. It’s all just really lovely, and it gets lovelier, as some time in the glass brings in touches of red licorice and lavender, new leather and oolong tea. On the palate, this pinot noir is lithe, supple and satiny, flowing across the tongue in a manner that’s a little quiet and studied yet also animated by bright acidity; red and black fruit flavors carry a slight graphite edge that precedes a glimpse of lightly dusted and sanded tannins. Exquisitely balanced, with grace and elegance. 14.3 percent alcohol. Drink now through 2018 to 2020. I have not tasted the single vineyard offerings from Thomas George Estates, but I cannot imagine them being any better than this. Production was 2,398 cases. Excellent. About $43.

A sample for review.

Lordy, I haven’t posted a “Whither Napa Valley Cabernet” entry since June 30. That’s totally remiss for two reasons: First, I receive a ton of samples in that genre, and, second, California’s Napa Valley is one of the best places in the world for producing excellent cabernet sauvignon wines. Not that Napa Valley has a lock on delivering great cabernet-based wines in California; such an assessment would be unfair to Sonoma County’s Alexander Valley, Sonoma Valley and Knights Valley, to Paso Robles in San Luis Obispo County, and other pockets of congenial micro-climate here and there in the Golden State. Today’s post looks at nine examples of cabernet sauvignon and cabernet-based wines, mostly from 2013, with a few from 2012 and one from 2014. It’s a miscellaneous group falling under the general Napa Valley designation; two of these display more specific appellations, Oakville and Rutherford. Prices range from $45 to $90, an upper range that reflects not only supposed standards of quality but perceived reputation and the cost of doing business, as in the prices of grapes, cultivated acreage and new French oak barrels. The wines also reflect similarities and differences in philosophy and winemaking techniques. Oak regimens and blending percentages vary widely as does the scale of alcohol content. As with any consumer product, you pays yer money and you takes yer choice.

These wines were samples for review.
The Acumen Wines Mountainside Red Wine 2013, Napa Valley, feels indeed as if it had been hewn from granite outcroppings, and in fact the grapes derive from organically farmed vineyards in Atlas Peak. The wine is a blend of 74 percent cabernet sauvignon, 14 percent malbec and 12 percent merlot that aged 18 months in French oak, 72 percent new barrels. The color is dark ruby with a glowing purple rim; notes of black currants, black cherries and blueberries are imbued with elements of graphite, iodine and iron that after a few minutes in the glass emit hints of rosemary, cedar and celery seed and an intense aroma of wood smoke. Steep gritty tannins and profound granitic minerality make for an experience that feels as if you’re drinking architecture, and these qualities inform the austere finish. Still, you sense the balance here, the shifting tectonic plates of structure gradually transforming itself to something equitable. A refreshing 13.3 percent alcohol. Try 2018 or ’19 through 2029-’33. Production was 1,200 cases. Winemaker was the well-known Steve Matthiasson. Excellent potential. About $45.
The Amici Cellars Cabernet Sauvignon 2012 carries a Napa Valley designation but the grapes derive from specific AVAs amici_cs_napawithin the valley: 67 percent from Rutherford, 20 from Atlas Peak, 9 from Coombsville, 3 percent from Calistoga and a smidgeon of 1 percent from Spring Mountain. In other words, the wine is a canny blend of grapes from cool and warm districts, from flat areas and mountain slopes, all helping to establish a general “Napa Valley’ character to the wine. The blend is 85 percent cabernet sauvignon, 11 merlot, 3 cabernet franc and 1 petit verdot; the wine aged 20 months in French oak, 50 percent new barrels. Winemaker was Tony Biagi. The color is very dark ruby-purple with a magenta rim; while the emphasis is on dimension and circumference defined by dusty, velvety tannins, burnished oak and vibrant acidity, the wine allows classic notes of black olive, cedar and tobacco, ripe black currants and raspberries to assert themselves. A few moments in the glass bring in hints of plums and cloves, black pepper and mocha, as well as a graphite edge, so the wine feels both warm with spice and cool with minerals, all etched by chiseled minerality that extends through the finish. 14.5 percent alcohol. Drink now — with a medium-rare ribeye steak, hot and crusty from the grill — through 2022 to ’24. Excellent. About $45.
One of the flagship wines for Franciscan Estate is the Magnificat red wine blend based on cabernet sauvignon with franciscan-estate-2012-magnificat-meritage-label-frontcontributions from the other “noble” Bordeaux grape varieties. For 2012 and 2013, the wines received the same oak treatment, 20 months in French oak, 70 percent new barrels. The blends differ slightly, with the 2012 being 73 percent cabernet sauvignon with 19 percent merlot, three percent each petit verdot and malbec and two percent cabernet franc; the 2013 is also 73 percent cabernet sauvignon, with 24 percent merlot, two percent malbec and one percent cabernet franc, eliminating the dollop of petit verdot. Winemaker was Janet Myers. Not surprisingly, or perhaps disappointingly, these “meritage” wines are quite similar, the ’12 being slightly softer and more approachable than the ’13 but both focused on structure and foundation to a degree that feels not only solid but stodgy. The Magnificat 2012 displays real depth and breadth in its dark granitic minerality and sturdy tannins but not much in the way of the detail that makes a wine compelling and alluring, even at a relatively young age. The Magnificat 2013 feels like an ancient cathedral of a wine, very dense and intense, with dry austere tannins and profound granitic minerality; something slightly warm and spicy lends a touch of appeal but this is essentially a stout, rock-ribbed edifice established on palate-scouring tannins and acidity. After tasting this pair of cabernets, I wanted to say, “Hey, lighten up, even powerful and structured wines can be made with more deftness than these were.” Each features 14.5 percent alcohol. Each I rate Very Good+ with the admonition not to touch for five years. Each costs about $55.
In the Galerie “Pleinair” Cabernet Sauvignon 2013, Napa valley, Laura Diaz Muñozcrafted a 100 percent varietal wine whose potential lies two or three years ahead. Aged 20 months in French oak, 53 percent new barrels, bottled unfined and unfiltered, this cabernet displays a deep opaque ebony hue and profound intensity and concentration. Its initial phase of iodine, iron and graphite segues into spiced and macerated currants, raspberries and plums opening to notes — after an hour — of walnut shell, cloves and allspice, roasted fennel and caraway seed. The wine is dense and chewy but lithe and supple, dark with rooty-loamy elements, woodsy and mushroomy, and a little knotty with aspects of briers, brambles and forest floor; the black and red berry flavors course over the palate animated by bright acidity. 14.5 percent alcohol. 2018 through 2028 to ’30. Production was 1,616 cases. Excellent. About $50.
The Grgich Hills Estate Cabernet Sauvignon 2013, Napa Valley, reveals a gratifying consistency cs-2013-front_750-alcwith its cousins from previous vintages, while expressing a sense of individuality accorded by a great year. The blend is 79 percent cabernet sauvignon, 11 percent merlot, 5 petit verdot, 4 cabernet franc; the wine aged 21 months in French oak, 60 percent new barrels. The color is dense ruby-purple, while the whole package reflects that intensity and concentration; the initial impressions are all structural: earth, loam and walnut shell; dusty, graphite-laden tannins; a dense and chewy texture; a deep austere finish. Yet the wine is also vibrant, dynamic, resonant and strangely appealing, with its hints of tightly-packed and spicy black fruit flavors. Try from 2018 through 2028 to ’30. 14.6 percent alcohol. Excellent potential. About $69.
The Grgich Hills Estate Miljenko’s Selection Cabernet Sauvignon 2013, Rutherford, is 100 percent2013-csrf_front_with-alc cabernet sauvignon that aged 18 months in French oak, 80 percent new barrels. The color is motor oil opaque shading to a medium ruby-hued rim; as with its stablemate mentioned just above, this wine is immense in structure, deep, intense and concentrated, which character does not prevent it from delivering classic notes of cedar, rosemary and tobacco, black olive and a hint of bell pepper, all buoying a finely-chiseled melange of black currants, raspberries and plums. In fact, for all its size and dimension, this cabernet offers a ripe, spicy, meaty and fleshy aspect not quite belied by its formidable dusty, loamy tannins and its tremendous dignity and authority. 14.3 percent alcohol. Try 2018 or ’19 through 2030 or ’33. Excellent potential. About $90.
The Jayson label is the second line from Pahlmeyer Vineyards and comes in as slightly less jay-cabexpensive than the top tier, though these are not inexpensive by any means. The Jayson Cabernet Sauvignon 2014, Napa Valley, sees 5 percent cabernet franc with the balance cabernet sauvignon; the wine aged 17 months in French oak, 65 percent new barrels. The color epitomizes the entire experience of this wine, from its intense inky center fading to the transparent ruby-tinged rim, that is, from tremendous depth and dimension to an element of elegance and even delicacy. Most apparent, though, is the wine’s immense honed and chiseled granitic structure, abetted by polished oak and plush, dusty, rigorous tannins; it feels carved from mountainsides. Aromas of iodine and iron open to deliriously attractive notes of black currants, cherries and plums, highlighted by hints of blueberry and pomegranate, tapenade and ancho chili and wild notions of cedar and rosemary, wood smoke, lilac and lavender. Yes, this is damned heady stuff, richly layered and nuanced. The whole project is, not surprisingly, quite serious on the palate, yet its structure of wood and acidity, tannin and graphite-infused minerality does not advance on the punishing scale; the totality is balanced and integrated, though deep and multi-dimensional. 15.1 percent alcohol. Try from 2018 or ’19 through 2030 to ’34. Winemaker was Kale Anderson. This wine feels to me like the essence and apex of Napa Valley cabernet sauvignon. Exceptional. About $75.
The Robert Mondavi Oakville Cabernet Sauvignon 2013, Napa Valley, utilizes the five classic Bordeaux red grapes: 81 percent cabernet sauvignon, 13 percent cabernet franc and 2 percent each malbec, merlot and petit verdot; the wine aged 22 months in French oak, 72 percent new barrels. The color could not be a more dark, dense and radiant ruby-purple that shades to a glowing magenta rim; in its incisive granitic minerality and dusty graphite-tinged tannins, the wine feels absolutely true to the Oakville model; it offers ripe and slightly fleshy notes of currants, raspberries and plums infused with cedar and rosemary — with a hint of the latter’s feral, woodsy astringency — black olives and lavender melded in a seamless array of superb balance and integration. It’s quite dry, and the chiseled mineral aspects bolster the long finish. 14.5 percent alcohol. Now through 2022 to ’25. Director of winemaking for Robert Mondavi is Geneviève Janssens. Excellent. About $60.
More time in oak but less new oak than the previous wine was the regimen for the Robert Mondavi BDX 2013, Oakville, aging 29 months in French wood, 32 percent new barrels. BDX stands for Bordeaux; this wine is a blend of 68 percent cabernet sauvignon and 32 percent cabernet franc. I was impressed by the wine’s lovely balance and integration, for all its size and substance. A dark ruby hue shades to a bright magenta rim; aromas of ripe black currants, raspberries and plums are permeated by notes of iodine, iron and mint, making for a ferrous, sanguinary and slightly herbaceous red wine highlighted by touches of lavender and violets, cedar and tobacco. Yep, it’s a big one, quite dry and cushioned by supple dusty tannins, while animated by a beaming line of bright acidity; the finish is packed with graphite tinged minerality and an array of spicy black fruit flavors. 14.5 percent alcohol. You could drink this wine tonight with a steak or braised short ribs or wait a couple of years; it should develop beautifully through 2027 to ’30. Excellent. About $65.

If readers live in the New York area or perhaps in New England generally, they should look for lenzthe Lenz Winery Cuvee 2012, from an estate founded in 1978 in the North Fork of Long Island. (That’s the AVA.) Made from 100 percent pinot noir grapes, hence technically a blanc de noirs, this well-made sparkling wine offers a pale gold hue shimmering with an energetic fountain of tiny glinting bubbles; notes of roasted lemons and spiced pears, quince and ginger are lent pertness by lively acidity and a scintillating seashell-limestone element; these contribute a bit of bracing salinity to the finish. Touched with slightly yeasty brioche, but clean, fresh and vivid, this sparkler is quite dry though tasty with hints of lemon balm and willow, smoke and steel, ultimately delicate and elegant. 12 percent alcohol. Winemaker was Eric Fry. Drink now through 2018 to ’20. Excellent. About $40.

A sample for review.

Wines under the “Coltibuono” label from the Badia a Coltibuono winery are not made from estate grapes but from vineyards throughout Tuscany with which the Stucchi Prinetti family has long-term relationships. That estate, by the way, has been owned by the family since 1846, though the monastery on which it is founded goes back more than a thousand years. So, the Coltibuono “RS” Chianti Classico 2014 — the initials stand for Roberto Stucchi — is composed of 100 percent sangiovese grapes and aged briefly in a combination of French oak casks and barriques. The wine brings its sangiovese character right to the front, with a lovely light transparent ruby hue and enticing aromas of red cherries and raspberries, black tea, orange rind and cloves, with undertones of leather, loam and graphite. These qualities segue seamlessly onto the palate, where the wine is quite dry, even a bit austere from mid-point back, and freighted with a texture that’s lithe and sinewy and animated by bright acidity. A few moments in the glass bring in hints of talc, lilac and violets. 13.5 percent alcohol. We drank this wine with spaghetti and meatballs — not exactly a Tuscan dish — to which it made a fine accompaniment. Now through 2018. Very Good+. About $15, representing Real Value.

Dalla Terra Winery Direct, Napa, Calif. A sample for review.

Beaujolais, like all of Gaul, is divided into three parts, or perhaps the better word would be categories. The basic level is just “Beaujolais,” widely available, the darling of the bistro carafe, and made from grapes grown on the flatter areas in the western part of the region. (This is south of Burgundy, abutting the Côte Mâconnais.) Straight Beaujolais should be simple, grapy and agreeable. Next higher on the scale and presumably better quality is the category of Beaujolais-Villages, made from vineyards in the hills to the north. Best are the Cru Beaujolais, derived from 10 communes that occupy privileged locations in these northern hills. The red grape here is the Gamay Noir à Jus Blanc; a minuscule amount of Beaujolais Blanc is made from chardonnay grapes. Also, of course, there is Beaujolais Nouveau, the fresh, just-after-harvest quaffer of which altogether too much is made every November. The Cru commune wines are Brouilly, Chénas, Chiroubles, Côte de Brouilly, Fleurie, Juliénas, Morgon, Moulin-à-Vent, Regnié and Saint-Amour. The name on the label will be the name of the commune; the term “Beaujolais” frequently is not mentioned. Today, we look at two examples from Côte de Brouilly and Juliénas, each representing Good Value.

Imported by Kermit Lynch Wine Merchants, Berkeley, Calif. Samples for review.
The grapes for the Domaine Chignard “Beauvernay” Juliénas 2014 were grown in vineyards 60 years old and more. The estate was founded in julienas_12_web 1900 and produces only 3,000 cases annually. The wine aged 13 months in old foudres, that is to say, large barrels of various dimensions. The color is light transparent ruby; on the nose, a glorious melange of strawberries and mint, iodine and loam, smoke, briers and brambles weaves a spell, unfolding, as the moments pass, notes of red licorice and a distillation of rose petals. Yeah, it’s pretty damned heady stuff, but with undertones of darkness, the rasp of raspberry leaf, the tug of graphite on the palate and brisk acidity, yet, withal, a model of elegance and delicacy. 12.5 percent alcohol. Drink now through 2019 to ’21. Excellent. About $22.
Established in 1877, this domaine harvests grapes from vineyards that average 50 years in age and are situated on slopes of 48 degrees; thivin_cotedebrouilly_novintage10_12dot5alc_web
people, that’s steep. The Chateau Thivin Côte de Brouilly 2014 aged six months in old foudres. A medium ruby hue fades to a lighter, almost transparent rim; the wine features a fresh cherry-berry nose that deepens with aspects of iodine, loam and dried thyme, raspberries and black cherries. On the palate, the wine displays appealing silky heft and substance; it’s lively and dynamic, imbued with earthy, rooty notes of leather and oolong tea and bringing in shadings of woody spices, heather, forest flowers and blueberries. 13 percent alcohol. A lovely Cru Beaujolais that shyly offers a serious side. Drink now through 2020 to ’22. Excellent. About $22.

As we head into the biggest sparkling wine season of the year, I’ll remind My Readers from time to time about Champagnes and other albrechtsparkling products worthy of consideration. An annual treat for us is the Cremant d’Alsace Brut Rose from the venerable estate of Lucien Albrecht, established in 1425, among the oldest family-owned wineries in Europe and still in the hands of the founding family. This non-vintage — i.e., multi-vintage — sparkling wine is made from 100 percent pinot noir grapes in the Champagne method of second fermentation in the bottle; this one spends 14 to 16 months in the bottle on the lees before being disgorged and resealed. The color is a lovely ruddy copper-salmon hue, highlighted by a surging fountain of tiny glittering bubbles; aromas of fresh raspberries and lime peel, blood orange and orange blossom are infused by notes of heather, spiced tea and limestone. Bright, brisk acidity lends this an almost tart character, though it flows on the palate with a full, round quality; the whole effect is delicate, elegant and steely, concluding in a slightly austere, saline, mineral-laced finish. Pure delight, with real style and a racy nature. 12 percent alcohol. Winemaker was Jerome Keller. Excellent. About $22, representing Good Value.

Pasternak Imports, Harrison, N.Y. A sample for review.

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