Wine of the Week

Grapes for the Elk Cove Pinot Noir 2012, Willamette Valley, Oregon, derive from five estate vineyards, with the addition of a small amount of grapes purchased from trusted growers on long-term contract. The wine aged 10 months in French oak, 20 percent new barrels. The wine is, in other words, a summation of a house-style or region rather than an individual expression of a single vineyard; as such, it succeeds admirably. The color is a glowing medium ruby hue; aromas of rose petals and violets, red currants and plums are buoyed by notes of cranberry and rhubarb, with hints of briers and cloves. Underlying loam and graphite elements support delicious red fruit flavors in a structure enlivened by taut acidity and just enough tannin to provide a modicum of grip; the texture is supple and satiny, while the finish adds more spice. 13.5 percent alcohol. A real crowd-pleaser for drinking through 2016 or ’17. Try with medium rare roasted duck. Excellent. About $29.

Tasted at a wholesaler’s trade event.

Here I go, pushing Spring again, when there’s treacherous snow and ice on the ground and on the roads in many regions between the shining seas. Perhaps it will do us good, though, to think in terms of Spring-like wines. The one of which I speak is the Leo Torrontes 2013, from the Valentin Bianchi winery in Argentina’s well-known Mendoza region, specifically from the estate’s Dona Elsa Vineyard in the San Rafael area, a whopping 2,493 feet above sea level. You probably know that some wines made from the torrontes grape can be overwhelmingly floral to the point of being vapid or crushingly dry and crisp beyond the point of austerity. This wine is not one of those. The quite pale Leo Torrontes 2013, made all in stainless steel, offers delicate notes of jasmine and camellia, with hints of roasted lemon, cloves, lime peel and greengage plum; tingling acidity keeps the wine lively and compelling, with a lovely structure balancing crispness with a moderately lush, talc-like texture. Acidity and limestone minerality win by a hint and a nod, however, keeping the wine glintingly honest, while its spiced citrus and stone-fruit flavors are delicious. 13 percent alcohol. Drink through the end of 2014 into 2015 with grilled fish or seafood risottos. Very Good+. About $17.

Imported by Quintessential, Napa Calif. A sample for review.

The wine is named for Argentine soccer superstar Leo Messi, who plays for FC Barcelona and the Argentine national team. A portion of sales of the wine benefit the Leo Messi Charity Foundation, which focuses on health care and educational development of socially-disadvantaged children.

I’m not rushing Spring by offering as the Wine of the Week the Jean-Luc Colombo Cape Bleue Rosé 2013. Parts of the country are still under snow, and it’s even fairly chilly today in my neck o’ the woods. Rosé, however, can and should be consumed all year around, seasons and weather be damned! Scrambling an egg for lunch? You need a rosé. Laying out some charcuterie for a little snack? Another occasion where rosé shines. Having a vegetarian dinner? Ditto the rosé. The Jean-Luc Colombo Cape Bleue Rosé 2013 is a blend of 67 percent syrah grapes and 33 percent mourvèdre, grown in vineyards in the hills above Marseilles. The color is pale salmon-copper; attractive aromas of fresh strawberries and raspberries are highlighted by notes of peach, white pepper and orange rind. The texture delivers pleasing balance between softness and moderate lushness, on one hand, and fresh, crisp acidity on the other; flavors of red currants and cherries are permeated by hints of dried thyme, caraway and limestone. That minerality builds from mid-palate through the dry, elegant finish. 12.5 percent alcohol. A tasty patio, porch, pool and picnic wine, through 2014. Very Good+. About $13, manifesting Excellent Value.

The appellation for this wine is Indication Géographique Protégée Méditerranée, IGP being the new term for the old Vin de Pays. La Méditerranée, as it’s called, is a vast region, created in 1999 (as a Vin de Pays), that encompasses l’Ardèche, Drôme, Var, les Alpes Maritimes, les Hautes Alpes, les Alpes de Haute Provence and Vaucluse. Corsica was added in 2002 and les Bouches du Rhône in 2003. Under the EU wine region reforms of 2009, Vin de Pays became Indication Géographique Protégée, a rather less salubrious title.

Imported by Palm Bay International, Boca Raton, Fla. A sample for review.

At least in my neck o’ the woods, we’re entering a transitional season between Winter and Spring. The temperature is gradually rising, the wind is occasionally blustery, and the sky is flecked with white, long-tailed clouds. Late nights and early mornings are chilly. Here’s an inexpensive red wine, then, to match the food you might be preparing to placate this state of things. If you live in the Northeast, where the sky still rather gratuitously dispenses heaps of snow, this would be fine for a hearty home-cooked meal, the family seated — as I picture the scene — around a long hand-hewn wood table in a warm kitchen facing steaming bowls of beef stew. The product in question is the Calcu Cabernet Franc 2011, from Chile’s Colchagua Valley. The wine is made completely from cabernet franc grapes and matures mainly in stainless steel tanks with a smaller portion in used French oak barrels. The grape speaks for itself in a dark mulberry-magenta hue and with notes of smoke and wood shavings, lead pencil, cedar and dried thyme and gradually emerging elements of black currants, cherries and blueberries; a few moments in the glass bring out hints of black olives and lavender. There’s no denying that this is a robust and rustic red wine, dense and dusty, a little chunky, deeply spicy and flavorful but not slavishly clinging to ripeness; revel in the stalwart tannic and graphite tinged structure and the vibrant acidity that compels you to take another sip. 13 percent alcohol. Drink through the end of 2014. Very Good+. About $14, representing Good Value.

Imported by Global Vineyards, Berkeley, Calif. A sample for review.

Italian families like Parducci, Pedroncelli and Sebastiani added immeasurably to the development of the California wine industry, particularly in Sonoma County. (And of course Mondavi in Napa Valley.) Today’s Wine of the Week comes from Pedroncelli, family-owned since 1927; ; winemaker is John Pedroncelli. Over the course of its existence, the winery has been noted for red wines, of which the Pedroncelli “Mother Clone” Zinfandel 2011, Dry Creek Valley, is a delicious example. “Mother Clone” refers to the winery’s home vineyard, replanted in the 1970s using original budwood and featuring grapes from some of the vines remaining from 1904. The wine spent a year aging in American oak barrels and includes 10 percent petite sirah grapes. The color is dark ruby with a mulberry tinge at the rim. The bouquet is exactly as racy, as briery, brambly and peppery as you want from a well-proportioned zinfandel that includes notes of wild blueberries, black currants and plums; the wine is gently but persuasively framed by oak and slightly chewy tannins and enlivened by brisk acidity and clean graphite minerality, all going to support tasty, spicy blackberry and black currant flavors touched by hints of lavender and licorice. 14.8 percent alcohol. We drank this wine with a hearty pizza; it would also be appropriate with roasted or braised meat dishes, pork chops with a Southwestern rub or burgers and steaks. Now through 2015 or ’16. Very Good+. About $17, representing Excellent Value.

A sample for review.

The Artesa Pinot Noir 2012, Carneros, hails from a winery founded in the late 1980s by the Raventos family, owners of the giant Codorniu sparkling wine producer in Spain. Originally, the winery turned out a range of sparkling wines, but by the late 1990s, the intention shifted to still wine, particularly chardonnay and pinot noir, yes, natural components in sparkling wine and Champagne, as well as cabernet sauvignon and sauvignon blanc. The winery’s name was changed to Artesa — “handmade,” as in artisan; it has not abandoned bubbles entirely, offering a Codorniu Napa Grand Reserve sparkling wine. Director of winemaking at Artesa is Mark Beringer, whose pedigree includes being the great great grandson of Jacob Beringer, a founder of the venerable winery that bears his name, and a long, successful stint as winemaker at Duckhorn. The Artesa Pinot Noir 2012, Carneros, aged nine months in French oak barrels, 30 percent of which were new, and that seems just right to me. The color is brilliant ruby-magenta, neither too dark nor too light. Enticing aromas of cloves, cinnamon and sassafras, spiced and macerated black cherries and plums, and notes of leather, loam and graphite waft from the glass. The texture is both sinewy and satiny, with brisk acidity cutting a swath on the palate, highlighting ripe and slightly exotic-tasting black cherry, mulberry and plum flavors; oak offers a rounded, buffed shape to the wine, while staying discreetly in the background. 14.5 percent alcohol. Drink now through 2016 or ’17. Excellent. About $25.

A sample for review. Image from

Perhaps you seared a fillet of salmon or tuna crusted with pepper for a simple dinner, served (again perhaps) with rice, a green vegetable and lemon wedges for squeezing over all. Here’s a terrific inexpensive accompaniment, the Dry Creek Vineyard Fumé Blanc 2012, Sonoma County. David Stare founded the winery in 1972, a few years after Robert Mondavi created the name Fumé Blanc, modeled on the Loire Valley’s Pouilly-Fumé region where the sauvignon blanc grape reigns supreme. Sauvignon blanc wasn’t selling as a varietal wine in the United States, and Mondavi thought that “fumé blanc” might entice consumers to try it. He was right. One finds both names in California, with some producers, including Dry Creek Vineyard, making a fumé blanc and a varietally-labeled sauvignon blanc. There was a tendency, in those days, to make a fumé blanc wine — “smoky white” — in a supposed Loire Valley style, while sauvignon blanc wines were made in a supposed white Bordeaux fashion, often with some semillon blended in and a bit of oak-aging; those modes even extended to the bottle shape, but such distinctions disappeared years ago. Anyway, the Dry Creek Valley Fumé Blanc 2012, made all in stainless steel, offers a pale straw-gold color and fresh clean aromas of lemongrass and celery seed, lime peel and grapefruit pith, with notes of green pea and thyme and hints of lilac and lavender. Pretty attractive stuff. Lemon and grapefruit flavors are highlighted by touches of mown grass, caraway and limestone in a bright thread that travels down a line of vibrant acidity. 13.5 percent alcohol. Drink through the end of 2014. Very Good+. About $14, representing Great Value.

A sample for review.

You know how the synergy thing goes: great food, the wine that turns out to be perfect…Bingo! Such a moment occurred last Saturday on Pizza-and-Movie Night, as with a terrific guanciale-green olive-basil-and-radicchio pizza I opened a bottle of the Teunta Sant’Antonio Monti Garbi Ripasso 2010, Valpolicella Superiore, from the Veneto region in northeast Italy. “Monti Garbi” is the Castagnedi family’s estate vineyard. The wine is composed of 70 percent corvina and corvione grapes, 20 percent rodinella and 10 percent croatina and oseleta, all traditional grapes of the Valpolicella area. “Ripasso” refers to the technique of refermenting the young wine on the pomace of the previous year’s more full-bodied and typically higher alcohol Amarone. Aging — usually 15 or 16 months for this wine — is accomplished in 500-liter tonneaux barrels, about twice the size of the standard French barrique; 30 percent of the barrels are new. What’s the result? A robust red wine of medium ruby color and a seductive bouquet of dried spice, dried flowers and dried black and red fruit, with notes of pomegranate and plums; try to imagine a pomander with potpourri, your grandmother’s spice box, macerated black and red cherries and a dose of smoky oolong tea and you get some idea of what I mean. Matters turn a bit more serious, mouth-wise, as the wine exercises its dry, slightly chewy tannins, its swingeing acidity — which contributes liveliness, buoyancy and freshness — and its graphite-tinged minerality, none of which detract from juicy ripe dark cherry and plum flavors (with a hint of sour cherry and orange rind) and rollicking spice. 14 percent alcohol. This was great with the pizza and would also be a treat with hearty pasta dishes and grilled or braised meat or a lunch of salami, olives and dry cheeses. Now through 2017 to 2020. Very Good+. About $19.

Imported by Dalla Terra Winery Direct, Napa, Calif. A sample for review.

When I first started trying a lot of wines in the early 1980s, among the most impressive were zinfandels and petite sirah wines from Fetzer Vineyards, launched when Barney Fetzer, who bought acreage in Mendocino County, released a zinfandel and a cabernet sauvignon from the 1968 vintage. Fetzer expanded hugely over the years and was in the forefront of several movements, for example, organic farming on the one hand, white zinfandel on the other. The family sold the winery and its brands to Brown-Forman in 1992; that company sold Fetzer and related labels to Vina Concha y Toro, the large Chilean producer, in 2011 for a reported $238 million. The wine under consideration today is the Five Rivers Pinot Noir 2012, Santa Barbara County; Five Rivers is a Fetzer brand that was created in the early 2000s. I will say right here that the Five Rivers Pinot Noir 2012 is one of those wines that performs above its station in life. The color is dark ruby with a magenta rim; enticing aromas of black cherries and plums, pomegranate and cola are woven with hints of cranberry and sassafras and traces of smoke, leather and loam. The texture is lovely, lithe and supple and handily supports real presence and personality; vivid black and red fruit flavors are highlighted by touches of cloves and cinnamon, lively acidity and a moderate element of graphite minerality. It’s true that this wine falls a tad short in the finish, but in every other respect it’s worthy of My Readers’ attention. You could sell the hell out of this wine in restaurant by-the-glass programs. 13.5 percent alcohol. Drink now through 2015. Very Good+. About $15, representing Great Value.

A sample for review.

Let’s keep it sparkling, shall we? For today’s post in the “Wine of the Week” category, let’s sashay off to Alsace, in northeastern France, where the sparkling wines termed Crémant d’Alsace, made in the Champagne method of second fermentation in the bottle, tend to be lively, tasty and fairly inexpensive. Such a one is the Clément Klur Brut, nv, Crémant d’Alsace, a blend of pinot blanc and pinot auxerrois grapes. The color is pale but radiant gold, and a steady stream of fine bubbles rises from the bottom of the glass. Notes of apples and pears are highlighted by hints of roasted lemon and lemon balm, with a touch of lime peel for emphasis; a shivery limestone element and chiming acidity lent this sparkling wine vibrancy and resonance, while a touch of chalk grounds it in the earth. Citrus flavors are permeated by ginger and quince, the wine is taut yet juicy and altogether nicely balanced and integrated. 12 percent alcohol. The Clement Klur estate has been completely organic since 1999. The strikingly graphic label is an anomaly in Alsace, where bottle art tends to be conservative and traditional. Very Good+. About $19.

Imported by A.I. Selections, New York. A sample for review.

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