Sonoma County


In making the Charles Heintz “Searby” Chardonnay 2013, Sonoma Coast, the Wine of the Day, I don’t mean that you should rush right out and buy a case or even a bottle, because the production was very limited. I know, that’s not fair. On the other hand, I don’t mind using this venue or series of posts to inform My Readers of the wines that are out there in the world and available with a telephone call or a visit to a website. The family has owned Heintz Ranch, atop the second ridge back from the Pacific Ocean, since 1912. Charles Heintz is in charge now, growing chardonnay, pinot noir and syrah grapes that he sells to a handful of highly regarded producers, reserving some for his own wines, usually fewer than 1,000 cases annually. Consulting winemaker since 2012 has been Hugh Chappelle, winemaker at Quivira and former winemaker at Flowers Vineyard and Winery. The Charles Heintz “Searby” Chardonnay 2013 was made from grapes grown on 42-year-old dry-farmed vines; it’s the first stainless steel-fermented chardonnay produced at Heintz, and it reveals the delightful, fresh and engaging qualities that such a wine can possess, while offering, in this instance, plenty of depth and dimension. After fermentation, the wine undergoes 11 months of aging in French oak, 35 percent new barrels. The color is pale-straw-gold with a glint of leaf-green at the center; the entry is incredibly clean and attractive, with notes of spiced pear, green apple and lime peel; a few minutes in the glass bring in touches of pineapple and grapefruit, a hint of almond blossom and a slight edge of limestone. Propelled by purposeful acidity and scintillating flint and limestone minerality, the wine nonetheless flows gently and brightly on the palate, its citrus and stone-fruit flavors (deepened by hints of ginger and quince) enhanced by a lively yet supple texture lent subtlety and sleekness by the deft wood influence; this is a chardonnay that illustrates what I frequently say about the relationship between wood and wine: “Oak should be like the Holy Spirit, everywhere present but nowhere visible.” 14.2 percent alcohol. Drink now through 2018 to 2020. Production was 50 cases. Excellent. About $44.

A sample for review.

We had been drinking lots of white wines and rose wines, and finally LL said, “I need something red!” So with medium-rare cheeseburgers from Belmont Cafe — cheddar for LL, Swiss for me — I opened the Stonestreet Estate Cabernet Sauvignon 2011, Alexander Valley, and found a cabernet made exactly the way that I want a cabernet to be made. Stonestreet was launched when Jess Jackson, founder and owner of Kendall-Jackson, acquired the Zellerbach winery and vineyards in Chalk Hill in 1989. This became the prestige label for K-J and was a part of what was called the Artisan and Estates division of Jackson’s growing empire. Between May 1996 and May 1999, for my newspaper column, I reviewed the Stonestreet Chardonnay 1994 and ’95, the Pinot Noir 1994, the Pinnacle Vineyard Sauvignon Blanc 1995, the Merlot 1994, ’95 and ’96, the Cabernet Sauvignon 1995 and ’96, the flagship Legacy 1994, the Sauvignon Blanc 1997 and, oddly, a Gewurztraminer 1997. Many changes have come upon Stonestreet since that period. The winery and estate now occupy 5,100 acres in Sonoma County’s Alexander Valley, ranging from 400 to 2,400 feet up the western flank of the Mayacamas Range. Nine hundred acres are planted in grapes divided into 235 individual vineyard blocks. Winemaker is Lisa Valtenbergs; vineyard manager is Gabriel Valencia. The focus is on chardonnay, sauvignon blanc and cabernet sauvignon.

The Stonestreet Estate Cabernet Sauvignon 2011 is 100 percent varietal; it aged 16 months in French oak, 38 percent new barrels. The color is dark ruby-purple shading to a magenta-violet rim. The immediate impression is of tremendous vitality and vigor, as aromas of cedar and thyme, graphite and lavender, hints of black olive, green peppercorns and bell pepper seethe in the glass, opening to notes of ripe but spare black currants, cherries and blueberries; there are undertones of black tea, iodine, tapenade and flint. I love how on the palate this cabernet reveals stones and bones through its potent and seductive ferrous and sanguinary nature, its wash of roots and branches and underbrush, its granitic aplomb. Give this wine 30 or 40 minutes and it calls up an extraordinary core of violets, black licorice, pomegranate, potpourri and sandalwood, all anchored in sleek, lithe dusty tannins and bright propulsive acidity. Those tannins, and the wine’s granite-backed mineral character, dominate the finish, which grows a bit austere but never astringent or undernourished. 14.5 percent alcohol. Drink now through 2020 to ’22 with such suitable fare as grilled steaks, pork chops, barbecue ribs — or hamburgers. Excellent. About $45.

A sample for review.

A blend of grapes from four vineyards and a plethora of classic clones, the Benovia Pinot Noir 2013, Russian River Valley, offers a medium ruby color that shades into ethereal transparency at the rim; first come smoke and loam, then an earthy briery-brambly quality, followed by touches of black cherry, cranberry and a hint of pomegranate seemingly macerated with cloves and sandalwood, mulberry and rhubarb; yes, that’s quite a sumptuous panoply of effects. The wine is dense and super satiny on the palate, a pretty wine with pockets of darkness and something sleek, polished and intricate that reminded me of the line from Keats’ sonnet “To Sleep”: “turn the key deftly in the oiled wards.” Not that this pinot noir feels too carefully made — winemaker is Mike Sullivan — because it concludes on a highly individual and feral note of wild berries, new leather, fresh linen and finely-milled tannins, all propelled by bright acidity. Alcohol content is 14.1 percent. Drink now through 2018 to 2020 with roasted chicken, seared duck breast, lamb or veal chops. Excellent. About $38.

A sample for review.

Oh, what the hell, let’s have a bottle of sparkling wine! Surely you can come up with something to celebrate. Or not. I would just as soon drink Champagne and other forms of sparkling wine for any purpose, any whim, any occasion, even if it’s merely standing around the kitchen preparing dinner. For our category of sparkling wine today, then, I choose the Domaine Chandon Étoile Brut Rosé, a non-vintage blend of primarily chardonnay and pinot meunier grapes with a dollop of pinot noir, the sources being the Carneros regions in Sonoma County (58 percent) and Napa County (42 percent). The wine rested sur lie — on the residue of dead yeast cells — five years in the bottle after the second fermentation that produces the essential effervescence. The color is an entrancing medium copper-salmon hue riven by an upward-surging torrent of glinting silver bubbles. Notes of blood orange, strawberry and raspberry unfold to hints of lime peel, quince and ginger, with, always in the background, touches of limestone, lightly buttered cinnamon toast and orange marmalade; think of the tension and balance between the subtle sweet fruitiness and bitterness of the latter. On the palate, this sparkling wine works with delicacy and elegance to plow a furrow of juicy red berry and citrus flavors — with a bit of pomegranate — into a foundation of slate and limestone minerality and lively acidity for a crisp, dynamic texture and long spicy finish. 13 percent alcohol. Excellent. About $50.

A sample for review.

Here’s a beautiful rosé wine that you’ll have to make a little effort to find, because it was produced in a limited quantity. The Joon Coryelle
Fields Vineyard Rosé of Syrah 2014, Sonoma Coast, was made by Michael Lancaster at the Tin Barn winery. The grapes derived from the six-acre vineyard — lying at an elevation of 1,000 feet — owned and managed by Carolyn Coryelle. Made all in stainless steel, the wine delivers an entrancing smoky topaz-salmon skin hue that glows like a platonic Summer sunset. Aromas of pomegranate, macerated strawberries and orange rind have a slightly candied effect, while a bracing background of pink grapefruit and lime peel contribute notable zest and character. Unusually dense and satiny for a rosé, the wine, with its flavors of red currants and dried raspberries, nonetheless is animated by brisk acidity and a limestone-like mineral element that burgeons from mid-palate back through the finish, where clean touches of thyme, lavender and loam add depth. 14.1 percent alcohol. Production was 158 cases. A rosé substantial enough to serve as a table-wine and picnic libation. Excellent. About $23.

A sample for review.

For a guy who doesn’t much cotton to chardonnay wines, I have probably been paradoxical in my inclusion of chardonnays in this “Wine of the Day” series, now at its 22nd entry. I won’t bother to extemporize upon the manifold ways in which I think chardonnay wines can be over-done, over-blown, exaggerated and over-oaked; I have done that more than a sufficient numbers of times on this blog. I will say, however, that when I try a chardonnay that seems to touch on all the points of perfection that I will clasp it to my heart as not only an exemplar but a talisman, and I will shout its virtues from the roof-tops. Such a one is the Amapola Creek Jos. Belli Vineyards Chardonnay 2012, Russian River Valley. This wine was made by Richard Arrowood, and if ever a winemaker in California deserved the accolade “legendary,” he is certainly at the top of that brief list. Joseph Belli’s certified organic vineyard lies at the extreme western edge of the Russian River AVA in Sonoma County, where the land begins to slope gently upward. Facing east, the terraced and well-drained acreage receives full sunlight in the morning and early afternoon but is shielded by the hills from the harsh light of late afternoon. The color is pale gold with a faint green cast; the entire impression is of a chardonnay that is clean, pure and fresh, balanced yet forward, fervent, almost emphatic in its intensity; classic notes of pineapple and grapefruit are layered with hints of cloves, yellow plums, baked pear and undertones of ginger, quince and damp limestone; a few moments in the glass bring in touches of jasmine and lilac. The wine flows on the palate with sleekness and subtlety, in a texture almost talc-like in its packed nature yet riven by resonant acidity and a brisk chalk-and-flint mineral quality; though quite dry, it offers juicy, spicy and engaging citrus and stone-fruit flavors that lead to a finish finely-sifted with fruit, acid, oak and minerals. The wine went through barrel-fermentation and aged 11 months in a combination of new and used French oak barrels; its presence is apparent as a shaping element, and its tangible influence emerges primarily through the elegance but powerful finish. 14.1 percent alcohol. Production was 475 cases. Drink now through 2018 to 2020. Excellent. About $45.

A sample for review.

If a pinot noir wine doesn’t touch both the sublime of the ephemeral and the profundity of the chthonic, it is, to me, perhaps not a failure but a gravely lost opportunity in allowing the grape’s complicated and paradoxical virtues to express themselves. Greg Bjornstad, winemaker for Pfendler Vineyards, employs the panoply of craft, art and intuition to make pinot noirs that satisfy my desire for the broad range of the grape’s character and dimension. The winery is owned by Kimberly Pfendler, pictured here. The Pfendler Pinot Noir 2013, Sonoma Coast, aged 11 months in French oak barrels, 50 percent new. The color is a fairly opaque ruby shading to transparent magenta at the rim; what a seductive procession of black cherries and cranberries, with notes of cloves and sassafras, pomegranate, potpourri and sandalwood, emerges from the glass! The texture offers a lovely, dense, satiny drape that flows with lithe and lissome engagement on the palate, while a few moment’s pause for swirling, sniffing and sipping lend the wine hints of smoke and tobacco leaf, rose petals and rhubarb. Earthy, leathery elements burgeon, and the wine takes on more loamy, underbrushy qualities as it leans toward the power of slightly dusty tannins and a flinty mineral structure. 14.5 percent alcohol. Drink now through 2018 to ’20. Production was 350 cases. Excellent. About $45.

A sample for review.


That odor of grills firing up all over the land and wafting scents of steaks, chickens, sausages, pork chops, ribs and legs of lamb roasting over hickory coals puts me in mind of zinfandel, a versatile wine for pairing with red meat that sports savor and spice and a piquant charry-minerally edge. Of course the grape can be made — too often by my reckoning — into over-ripe, hot, unbalanced, high alcohol fruit bombs, but today I offer a more poised version that promises to behave itself while not letting go entirely of its dark, juicy feral side. This is the Quivira Vineyards and Winery Zinfandel 2012, Dry Creek Valley, Sonoma County, a blend of 89 percent zinfandel, 10 percent petite sirah and 1 percent carignane grapes, drawn from the winery’s three estate vineyards as well as smaller portions sourced from other DCV growers. The wine aged for an undisclosed amount of time in a combination of French, American and Hungarian oak, 20 percent new barrels. The color is dark ruby with a magenta rim; magnetic aromas and flavors of blackberries, black currants and plums are permeated by notes of cloves, black pepper and lavender, while a dense, velvety texture is off-set by a chiseled lithic character and a depth of dusty flint-laced tannins, the whole package lent vibrancy and resonance by bright acidity. The finish adds a fillip of pomegranate and wild cherry. 14.5 percent alcohol. Drink now, with the aforementioned grilled meats or a dish of pasta Bolognese, through 2017 or ’18. Excellent. About $26.

A sample for review.

Here’s what I decided to do, after posting a few days ago that this blog would take a hiatus until the cast came off my broken arm and I could write easily again. I don’t actually want to have a long gap in posting, so I will begin today with one brief review of a bottle of wine and continue in this manner every day until the arm heals and I can write more extensively again. This scheme forgoes my preferred method of comparing wines — six Napa Valley cabs, say, or pinot noir and chardonnay from the same producer and so on — but it keeps my (left) hand in and lets My Readers know that I’m still here.

So, first in this temporary series is the Matanzas Creek Chardonnay 2012, Sonoma County. The winery falls under the Jackson Family Wines umbrella. The color is shimmering pale gold; this is a clean and fresh chardonnay, eloquent in its expression of green apples and peaches under classic notes of pineapple and grapefruit, all wreathed by hints of jasmine and crushed gravel. This chardonnay is dense, almost talc-like in texture, but enlivened by brisk acidity and a burgeoning limestone element; the spicy qualities, centered on cloves and ginger, increase through the crystalline, faceted finish, where a touch of oak holds everything together. A wine of lovely balance and animation. 14.5 percent alcohol. Drink now through 2016 or ’17 with grilled salmon, tuna or swordfish. Excellent. About $26.

A sample for review.

I have been reviewing the pinot noir wines of Black Kite Cellars since the vintage of 2007 was released, but recently had the opportunity to try the winery’s chardonnays for the first time, as well as its flagship “Angel Hawk” pinot noir. Winemaker Jeff Gaffner makes the Black Kite wines from separate blocks of the estate vineyards in Mendocino County as well as from vineyards in Sonoma Coast and Monterey County’s Santa Lucia Highlands. Gaffner is also proprietor and winemaker for Saxon Brown, whose wines I have been tasting recently and will report about soon.

These bottles were samples for review.
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Black Kite Soberanes Vineyard Chardonnay 2013, Santa Lucia Highlands, Monterey County. Soberanes Vineyard, nestled in the foothills of the Santa Lucia Range, is owned by Gary Franscioni and Gary Pisoni, both from farming families long rooted in Monterey County. From this vineyard, and others they own in the Highlands, they supply notable wineries with chardonnay, pinot noir and syrah grapes. This aged 10 months in French oak, 40 percent new barrels. It’s a bold, ripe and spicy chardonnay, displaying a medium gold hue and forthright aromas of roasted pineapple, caramelized grapefruit, lightly buttered cinnamon toast, cloves and a hint of toasted coconut, all accumulating in what long-time readers of this blog will recognize as not my favorite manner of chardonnay. It’s quite dry but juicy with citrus flavors, pear and lemon oil; dense, viscous, almost talc-like in texture but saved by a fundamental quality of brisk acidity and limestone minerality. 14.1 percent alcohol. Production was 195 cases. Perhaps this requires a year or two in bottle to calm down a bit and resolve itself. Until then, Very Good+. About $45.
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Black Kite Cellars Gap’s Crown Chardonnay 2013, Sonoma Coast. The 138-acre Gap’s Crown Vineyard lies in the cool and windy Petaluma Gap area in southwest Sonoma County; elevation varies from 300 to 800 feet above sea level. First planted in 2002, it supplies primarily pinot noir grapes (and some chardonnay) to a roster of California’s best pinot producers, Bill Price purchased the vineyard in January 2013. Price owns one of California’s best-known vineyards, Durell Vineyard, which he purchased in 1998. He co-founded the private equity firm Texas Pacific Group in 1992 and sold his share back to the company in 2007, and that, friends, is a lesson in how you get into the vineyard and winery business. Price is chairman of Kosta Brown Winery and Gary Farrell Winery — you know those names — and has interest in Kistler, another name you know. This chardonnay marks the first wine from the vineyard for Black Kite. It aged 10 months in French oak barrels, 40 percent new and presents a more classic restrained version of chardonnay than the example from the Soberanes Vineyard mentioned above. Still, this is quite pronounced in its expression of pineapple and grapefruit scents and aromas, highlighted by notes of ginger, quince and spiced pear. The texture is pleasingly dense, not viscous or oily and it offers more acidity and limestone minerality by several degrees. In fact, this is a chardonnay of crystalline clarity and eloquence that culminates in a long, compelling finish. 14.1 percent alcohol. Production was 236 cases. Drink now through 2020 to ’23. Excellent. About $45.
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Black Kite Cellars “Angel Hawk” Pinot Noir 2012, Anderson Valley, Mendocino County. This wines derives from vines that owners Rebecca and Tom Birdsall and winemaker Jeff Gaffner consider the best of their estate vineyards. And while my heart sinks to read that a pinot noir wine aged 19 months in 100 percent new French oak barrels — I think that’s typically too much new oak for too many months for pinot noir — this model handily absorbed that influence and turned into a deep, supple, lithe and super satiny wine. The color is deep ruby with a transparent rim; rich aromas of spiced and macerated black cherries, currants and plums are permeated by notes of pomegranate, rhubarb and loam; a few moments in the glass bring in hints of cloves, white pepper, leaf smoke and tobacco. This layered panoply of sensation segues smoothly to the palate, where the wine flows purposefully to a graphite-packed, slightly tannic finish. 14.9 percent alcohol. Production was 190 cases. This is obviously no evanescent, ephemeral, elegant pinot noir; rather, it draws on the grape’s potential for power and substance, helped a bit in the cellar, of course, though it still beautifully captures its essential character. Drink now through 2020 to ’22. Excellent. About $85.
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