Sonoma County


There are rosés, and then there is the Inman Family “Endless Crush” Rosé of Pinot Noir 2013, Russian River Valley, Sonoma County. The wine’s nickname commemorates the long relationship between winery owner and winemaker Kathleen Inman and her husband, Simon. At first, she made the wine only for them and the family, but you can’t keep a great wine hidden endlessly. This rosé derives from Inman’s Olivet Grange Vineyard, from pinot noir vines dedicated to that purpose. It is fashioned, of course, completely in stainless steel. The color is the true Provençal rosé hue of light salmon-copper, more gris than pink; delightful and enticing aromas of dried currants and strawberries are buoyed by thyme, damp gravel and a tinge of ripe tropical fruit. This is a zesty rosé, layered with notes of peaches, watermelon and cloves riven by crisp acidity and a lacy limestone element that seems to lend tensile strength to what might be ephemeral and evanescent. The total effect is dry, spare, elegant, lively, irresistible. 12.8 percent alcohol. Production was 1,350 cases. Drink now through the Summer of 2015 with such picnic fare as cold fried or roasted chicken, deviled eggs, watercress and cucumber sandwiches, rabbit terrine. I don’t often rate rosé wines Exceptional, but this one is an exception. About $25.

A sample for review.

Actually, it’s unseasonably chilly today in my neck o’ the woods, but that doesn’t stop me from drinking rosé wines and posting about them. Here we touch the South of France, Spain’s Rioja region and two areas of California for pale wines that are light-hearted yet versatile, quaffable yet good with all manner of fare, especially if you’re on a picnic or sitting on the porch or patio. These are quick notices, not intended to bother your pretty little heads about technical, historic or geographical data but desiring to picque your interest and whet the ol’ palate. Enjoy! These wines were samples for review.
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Marc Roman Rosé 2013, Vin de France; the postal code on the bottle indicates Caunes-Minervois, northeast of Carcassonne. 12.5% alc. 100% syrah. Pale pink-salmon color; ripe and fleshy, strawberries and raspberries, fairly spicy; notes of potpourri and orange rind; quite dry, with snappy acidity and a hint at a stony structure. I like this version of 2013 a bit better than the 2012. Very Good. About $11, a Fine Value.
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Pedroncelli Signature Selection Dry Rosé of Zinfandel 2013, Dry Creek Valley, Sonoma County. 13.2% alc. Bright rosy-pink color with a magenta tinge; robust for a rose, very spicy and floral, scents and flavors of red currants, raspberries and red cherries; hints of limestone and flint, enlivened by vibrant acidity; medium body woven of delicate supple strands; tasty, thirst-quenching; lots of personality and appeal. Excellent. About $12, a Great Bargain.
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El Coto Rosado 2013, Rioja, Spain. 13% alc. A 50/50 blend of tempranillo and garnacha. Medium salmon-copper hue; rose and violets, lightly macerated strawberries and raspberries with a touch of tea and orange zest; hint of dried thyme; clean, fresh, dry; good acidity though a moderately lush texture; could you a bit more tautness, still quite enjoyable and better than I remember. Very Good. About $13.
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Paul Jaboulet Aîné Parallèle 45 Rosé 2013, Côtes du Rhône. 13% alc. Grenache 50%, cinsault 40%, syrah 10%. Pale salmon-copper color; tender and robust, lithe, taut and tart; nervy, attractive; raspberries and red currants, blood orange, touch of what Keats calls “the warm South” in its dried herb, sunny, slightly saline nature; all qualities strung on a line of limestone and flint buoyed by brisk acidity. Very tasty. Excellent. About $15.
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M. Chapoutier Belleruche Rosé 2013, Côtes du Rhône. 13% alc. Unspecified blend of grenache, syrah and cinsault. Slightly ruddy onion skin hue; lively and engaging; cloves, spiced tea, orange zest; ripe and dried red currants, raspberries, hint of cherry; rose petal and lilac; good body, even a bit lush yet light on its feet and fleet with vibrant acidity; very clean and refreshing. Excellent. About $15.
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Bonny Doon Vin Gris de Cigare 2013, Central Coast. 13% alc. Grenache 55%, mourvèdre 23.5% roussanne 10%, cinsault 7% carignane 2.5%, grenache blanc 2%. Very pale pink color; beguiling aromas and flavors of strawberries, raspberries and red currants with a faint flush of blood orange and violets; a transparent filigree of limestone lends a crisp yet talc-like aura to the structure while tense acidity keeps it lively and appealing. Beautifully made. Excellent. About $18.
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Our ideal of and faith in the minuteness of soil variations is formed by Burgundy, where vineyards separated by only a stone wall or the width of a country lane are assumed to evince subtle differences in wines made from the same grapes, either pinot noir or chardonnay. Why, then, wouldn’t a difference in 200 feet elevation produce some deviation in wines made from cabernet sauvignon grapes, all other aspects being equal?

That’s the question that two 100 percent cabernet wines from Anakota in Knights Valley asks. Winemaker Pierre Seillan, who also makes the Verite wines for Jackson Family, produces these wines from the Helena Dakota vineyard, which lies at 750 feet elevation, and the Helena Montana vineyard, 200 feet higher at 950 feet elevation. Knights Valley, nestled in the western reaches of the Mayacamas range, is the warmest AVA in Sonoma County as well as the most isolated and least populated, at least by wineries and vineyards. The landscape is dominated by the 4,339-foot peak of Mount St. Helena, located just west of the cusp where Lake, Sonoma and Napa counties meet. In the 1840s, the vast area of what was then Mallacomes Valley formed the hunting grounds of Jose de los Santos Berryessa, whose lodge still stands. When California became part of the United States in 1850, Berryessa returned to Mexico; Thomas B. Knight purchased a large portion of the ranch and eventually the valley was named after him. Beringer and Kendall-Jackson own most of the vineyard acreage. Just north of Anakota is the Peter Micahel Winery and its Les Pavots Estate Vineyard.

While only 200 feet — 2/3 of a football field — separate Helena Dakota and Helena Montana, they are also divided by Yellowjacket Creek and a rocky ridge, geographical or geological factors that must have some influence on the make-up of the vineyards. Below the creek, Helena Dakota consists of red-brown silty loam, and vine roots tend to be deeper; above the creek, Helena Montana contains yellow-white sandy soil and gravelly loam, and the vines are shallow and stressed. Both wines — this pair is from 2009 — see 15 months aging in new French oak barrels; both exhibit 14.5 percent alcohol. The first vintage of these wines was 2001.

These wines were samples for review. The label images below display previous years.
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The color of the Anakota Helena Dakota Vineyard Cabernet Sauvignon 2009, Knights Valley, is deep ruby-purple with an opaque center; aromas of dust, briers and graphite, cloves and allspice, lavender and bitter chocolate are tightly wound around notes of intense and concentrated dark plums, currants and cherries. This is a deep, dark and dusty cabernet, gird by polished tannins, granitic minerality and a slightly austere finish with a hint of a charcoal edge, yet the whole package is vibrant and resonant. I knocked the cork back in the bottle and reopened the wine 24 hours later; it had opened beautifully, adding more spice, more graphite minerality, though also softer and more macerated fruit and a touch of anise. Still, the structure was forthright and rigorous. Try from 2015 or ’16 through 2025 to ’30. Excellent. about $75.
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So, a clamber over the rocks, jumping the mountain stream and a short stroll upward, and here’s the Anakota Helena Montana Vineyard Cabernet Sauvignon 2009, Knights Valley, not so much a different wine as an intensification of all the virtues of its lower elevation cousin. The same opaque ruby hue, yes, but a wine that’s deep and powerful yet expressive, almost elegant in its litheness and sleekness, its chiseled minerality — this sounds like the guy you don’t want to work out next to at the gym; you certainly feel the dusty mountain roots, translated as leather and loam and earth, and something cool and distant, aloof, even; yet the wine is wrapped around a seductive ash, lavender, bitter chocolate core that only hints, sparely and obliquely, 24 hours later, at the ripeness of its intense black and blue fruit character. Try from 2016 or ’17 through 2028 to ’30. Excellent. About $75.
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Three pinot noirs, two cabernet sauvignons, one syrah; a nice sense of symmetry, n’est-ce pas? Five from California, one from Oregon’s Willamette Valley. All rated Excellent. One more costly than most of us can afford, the others more reasonable. All offering many virtues and confidences of the vineyard, the grape, the winemaker’s gentle and genial art. Quick notices here, eschewing technical matters and such geographical and historical information as much stimulate our fancies; the idea is that these notes — not as full-bodied as actual reviews — will inspire your interest and whet your palates. Enjoy!

These wines were samples for review.
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Olema Pinot Noir 2012, Sonoma County. 14.2% alc. (The second label of Amici Cellars.) Radiant ruby-magenta color; plums, mulberries and cranberries, brier rose; hints of cloves, rhubarb and pomegranate; dense, supple and satiny; ripe and lightly spiced red and blue fruit flavors; a few moments in the glass bring in notes of roses and violets, leather and tobacco; undertones of graphite, earth and mild tannins. Really lovely. Now through 2016. Excellent. About $20, marking Great Value.
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Elizabeth Chambers Cellar Winemaker’s Cuvée Pinot Noir 2011, Willamette Valley, Oregon. 13.9% alc. Transparent medium ruby color; quite spicy and lively, with macerated red currants and cherries, seductively ripe but balanced by a spare structure and long elegant lines; hints of cloves, cola and rhubarb, leather and loam, subdued oak; lovely satiny texture, but again that sense of reserve and delicacy, with acidity that lays an arrow across the palate. I could drink this one all day long and almost did. Now through 2015 or ’16. Excellent. About $32.
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Ramey Wine Cellars Syrah 2011, Sonoma Coast. 14.5% alc. With 5% viognier. 780 cases. Dark ruby color; deliriously spicy; notes of
macerated and slightly fleshy black currants, blackberries and raspberries, roughened by brambles and underbrush elements; robust, dynamic, powered by bright acidity, graphite minerality and sleek tannins; quite dry but flavorful, deft balance of spareness and rigor with generosity and expressiveness; finish packed with woody spices, granite and lavender. Perfect with pork chops coated with cumin, urfa pepper and chili powder. Now through 2017 or ’18. Excellent. About $40.
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Gary Farrell Russian River Selection Pinot Noir 2011, Russian River Valley. 14.2% alc. Entrancing ruby-magenta hue; nicely layered aromas of cloves and allspice, hint of sandalwood; macerated red currants, plums and cranberries; notes of rhubarb and pomegranate; gently sifted tannins over loam and slightly granitic minerality; a touch of lightly candied red cherry; lithe, supple, sinewy; exhibits terrific confidence and authority without being ostentatious. Now through 2016 or ’17. Excellent. About $45.
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Smith-Madrone Cabernet Sauvignon 2009, Spring Mountain District, Napa Valley. 13.9% alc. With 8% each merlot and cabernet franc. 1,302 cases. Dark ruby color; rigorous structure with mountain roots but such a pretty surface, violets and lavender, cassis, plums and black cherries, note of licorice; stout, robust tannins and dusty oak bastions; walnut shell and underbrush; gets dustier and more austere but still scrumptious; lithic chambers of blueberries, sweet smoke, soy sauce and barbecue; iodine, iron, resonant acidity. Drink 2015 or ’16 through 2025 to ’30. Always one of Napa Valley’s best and most characterful cabernets. Excellent. About $45, representing Great Value for the Quality.
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Hestan Vineyards Cabernet Sauvignon 2010, Napa Valley. 14.7% alc. 400 cases. An exemplary Napa Valley cabernet, and at the price it ought to be. Dark ruby-purple hue; iron and iodine, lavender and violets; black currants, black cherries and raspberries with a graphite/ancho chili edge, a hint of black olive, a dusting of dried rosemary; glossy tannins and a polished oak superstructure, all enlivened with brisk and elevating acidity; a long, dense yet lithe finish. If you have on hand a medium-rare ribeye steak, hot and crusty from the charcoal grill, introduce it to this wine. Now through 2020 to 2025. Excellent. About $110.
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Building on last week’s Weekend Wines Notes devoted to cabernet sauvignon or cabernet-based wines from California, here are 10 more. Several are absolutely splendid, several more are well-made and enjoyable, a couple I do not wholeheartedly recommend and there are a couple of disappointments, but I’ll get over it. That’s the breaks in BTYH Land. These are brief reviews, ripped, as it were, from the cramped and crabbed penmanship of my notebooks, not intended to go into complete technical, historical or geographical detail but to pique your interest and, where appropriate, whet your palate. These were samples for review, and in the case of a few of them, I’m damned lucky that they were. Enjoy!
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Amapola Creek Cabernet Sauvignon 2009, Sonoma Valley. 14.9% alc. 1,475 cases. With 7% petit verdot. Deep ruby-purple color with a mulberry rim; pure iodine and iron, sanguine and savory; unfolding layers of licorice and lavender, cassis, black cherries and raspberries, cloves and sandalwood; a paradoxical marriage of remarkable intensity and concentration with generosity and expressiveness; smoke, graphite minerality; acidity plows a furrow through bastions of sleek dense tannins; brings up notes of bitter chocolate, loam and shale; a long finish packed with spice and fruit compote; pinpoint balance and integration. Now through 2022 to ’25. Exceptional. About $70.
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Atalon Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. (Jackson Family Wines) 76.2% cabernet sauvignon, 14.8% merlot, 4.9% malbec, 2.8% petit verdot, 1.3% cabernet franc. Lovely transparent ruby color; bouquet of graphite, lavender and violets, black currants and red cherries, hints of cedar, black olive and plum; mild tannins but very dry, bitter chocolate and exotic spice at the core, fairly austere finish, ending on a woody note; not badly-made but not compelling. Now through 2018 to ’20. Very Good+. About $35.
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Beaulieu Vineyards Rutherford Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. With 4% petit verdot, 3% merlot. Dark ruby purple color; a cool and confident cabernet, very well-balanced and harmonious, every element under control; needs a bit of wildness and recklessness to be really interesting, something to ruffle the feathers and wake it up. Now through 2018 to ’20 Very Good+. About $32.
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Flora Spring Trilogy 2011, Napa Valley. 14.2% alc. 75% cabernet sauvignon, 10% each merlot and petit verdot, 5% malbec. Dark ruby color; very intense and concentrated, very dry, highly structured, defined by stalwart grainy tannins and lots of dusty oak; the finish is austere, densely packed with wood and graphite elements; doubtless a well-made wine but so typically Napa Valley that you want to give it a shake. Try from 2016 through 2025. Very Good+. About $75.
The label image is one vintage behind.
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Gallo Signature Series Cabernet Sauvignon 2010, Napa Valley. 14.8% alc. With 2% petit verdot. The signature on the label is that of winemaker Gina Gallo. Deep ruby-purple with an opaque center; ripe, fleshy, pungent; cassis and plums, notes of black raspberry, lively with cloves and allspice, lots of graphite minerality; pinpoint tannins and acidity bolster moderately dense and pliable tannins; really lovely depth and breadth; gratifying personality and character. Now through 2019 to ’22. Excellent. About $40.
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Halter Ranch ancestor Estate reserve 2010, Paso Robles. 15.5% alc. 900 cases. 39% cabernet sauvignon, 35% petit verdot, 26% malbec. I’m generally a fan of Halter Ranch’s products, but this wine is a disappointment. Dark ruby tinged with magenta; very intense, very concentrated, quite powerful; needs a moderating component and some coherence; lots of toasty oak, slightly over-ripe black and blue fruit flavors and sweet with alcohol; not much pleasure here, perhaps a few years aging will bring out the nuances. Very Good. About $50.
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Hooker Rugby Club “Old Boys” Cabernet Sauvignon 2010, Napa Valley. (Lawler Family Winery) 15.4% alc. 203 cases. Deep ruby-purple color; a real mouthful of lavender and violets, graphite, smoke and bitter chocolate; black currants, raspberries and plums with a touch of blueberry; quite rich, robust and plush, and you feel the oak too much from mid-palate through the finish, with that almost gritty charcoal-like edge; the 15.4% alcohol creates some heat on the finish too. If that’s yer cuppa tea, go ahead. About $32.
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J. Davies Cabernet Sauvignon 2010, Diamond Mountain District, Napa Valley. 14.5% alc. With 9% malbec. (From the owners of Schramsberg Vineyard, the sparkling wine producers.) Profound in every sense. Deepest of ruby-purple hues with a violet rim; earth, loam, black tea, cocoa powder; intense and concentrated cassis, black cherry and plum scents and flavors; penetrating graphite and granitic minerality; rich, expansive, enveloping yet shapely and supple, a monument with elegantly rounded edges chiseled by keen acidity; dusty, rock-ribbed tannins that manage to provide foundation and framework without being ponderous or austere. A real beauty. Try from 2015 through 2025 to ’30. Exceptional. About $90.
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Steven Kent Winery Home Ranch Cabernet Sauvignon 2010, Livermore Valley, Alameda County. 14.1% alc. 100% cabernet. 189 six-pack cases. Dark ruby color but not opaque or extracted; spiced and macerated black currants and plums; graphite, leather, loam; lavender and licorice, oolong tea and sandalwood; dense and almost chewy, solidly built, spicy oak in the background, yet not heavy or obvious; notes of winsome wildness, mint, black pepper, rose petal; long steady finish. Both profound and delightful. Now through 2020 to ’24. Excellent. About $65.
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Steven Kent Winery Folkendt Vineyard Cabernet Sauvignon 2010, Livermore Valley. 14.2% alc. 100% cabernet. 143 six-pack cases. Definitely darker ruby (than the preceding SKW cabernet) with a mulberry edge; piercing minerality of graphite and ferrous elements; firm, powerful, lithe and muscular; tremendous presence and vivacity; black currants and plums, bitter chocolate, cedar, black olive and dried thyme; ascendent oak spreads its dusty influence, grainy tannins penetrate deep; a finish densely packed, sleek and supple. Try from 2016 through 2025 to ’28. Excellent. About $65.
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After the repeal of Prohibition in 1933, the cabernet sauvignon grape, in the hands of winemakers at Beaulieu Vineyards, Inglenook, Louis M. Martini and other Napa Vallery estates, raised California to world renown. Cabernet sauvignon continues to dominate the state’s prestige winemaking efforts, as properties established in the 1970s, ’80s and ’90s and some more recently, command top prices at retail, in restaurants and, in terms of wineries like Harlan Estate and Screaming Eagle, at auction. New labels appear every year; it’s a crowded and competitive field. Today, I offer nine examples of cabernet and cabernet-blend wines from producers that range from venerable (Mount Veeder, founded in 1973) to brand-new (Mt. Brave, on its third release) to an impressive debut wine with an impressive pedigree. Common threads include the fact that alcohol levels are comparatively low (compared to 20 and 30 years ago) at 13.7 to 14.7 percent; that none of these wines feels heavy with oak; that the emphasis is mainly on structure rather than ripeness. We touch several climes in Napa Valley, Sonoma County and, far to the south, Paso Robles. As usual in these Weekend Wine Notes, I primarily avoid technical, historical, geographical and personnel matters for the sake of immediacy, hoping to spur your interest and whet your palates. Enjoy!

These wines were samples for review.
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Amici Cellars Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. 100% cabernet sauvignon. Dark ruby with a magenta-violet rim; black currants, raspberries and cherries, juicy, spicy, lots of graphite and lavender; that gratifying blend of ripe fruit and a rigorously tannic and mineral-tinged structure; oak providing a firm framework and foundation; lithe, almost sinewy, quite dry, even a little austere but lively, attractive, with an engaging personality. Now through 2018 to ’20. Excellent. About $45.
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Cenyth 2009, Sonoma County. 14.5% alc. 47% cabernet sauvignon, 28% merlot, 10% cabernet franc, 8% petit verdot, 7% malbec. The debut release from this collaboration between Julia Jackson, daughter of the late Jess Jackson and his wife Barbara Banke, and Helene Seillan, daughter of Pierre Seillan, winemaker of Verite. You know how some wines just hit you first thing, and you know they’re great; such a one is this. Opaque purple, almost more a force that a color; brilliant purity and intensity, scintillating and penetrating graphite and granitic minerality, very intense and concentrated black and blue fruit; lean and supple, lively and energetic yet with a brooding, inward cast; broad, deep tannins but a deftly poised marriage of power and elegance. Try from 2015 through 2025 to ’30. Exceptional. About $60.
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Cornerstone Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. With 13% merlot and 2% cabernet franc. 973 cases. Impenetrable dark ruby color; graphite, violets and lavender, bitter chocolate and walnut shell; very intense and concentrated black currant and raspberry fruit; densely packed with dusty tannins, dried spice and granitic minerality; yet manages to be open and generous, almost seductive, a sweet-talking brute, rigorous but buoyant. Try from 2015 through 2020 to ’25. Excellent. About $65.
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Cornerstone Howell Mountain Cabernet Sauvignon 2010, Napa Valley. 14.7% alc. With 10% merlot. 470 cases. Dark ruby-purple, motor-oil black at the center; ripe, fleshy and meaty on the one hand, rock-ribbed, granitic, intense and concentrated on the other; lavender, potpourri, sandalwood, black currants, raspberries and plums; dense dusty tannins, fluent acidity, lithe and supple texture; tremendous presence, vibrancy and resonance. Try from 2015 or ’16 through 2028 to ’30. Were I the sort of person who bought wine by the case to drink it over the years of its development and maturity, this would be one. Exceptional. About $80.
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Daoa Cabernet Sauvignon 2012, Paso Robles. 13.9% alc. 78% cabernet sauvignon, 8.5% merlot, 7.5% cabernet franc, 6% petit verdot. Dark ruby-purple color; clean, intense, concentrated; very earthy, with piercing graphite minerality; mint, eucalyptus, dried sage and rosemary; black cherries and currants and plums, ripe, macerated and roasted; hint of plum pudding; dusty tannins, quite dry, a little austere but well-balanced; great structure and personality, pretty damned irresistible. Try 2015 through 2020 to ’22. Excellent. About $28.
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Mt. Brave Cabernet Sauvignon 2010, Mt. Veeder, Napa Valley. 14.4% alc. With 3.5% merlot, 3% cabernet franc. (The former Chateau Potelle property.) Intense purple-black color, opaque at the center, a magenta rim; ripe and fleshy with black currants, raspberries and plums, notes of rosemary and cedar, lavender and licorice, hint of new leather; very dense and chewy, laden with graphite and polished, grainy tannins, deeply flavorful over a foundation of penetrating granitic minerals and bright vibrant acidity; brings in notes of moss, loam and underbrush; great presence and resonance. Try from 2015 or ’16 through 2025 to ’30. Excellent. About $75.
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Mount Veeder Cabernet Sauvignon 2011, Napa Valley. 14% alc. With 5% merlot, 2% petit verdot, 1% each malbec and syrah. Dark ruby-purple color, slightly lighter rim; cloves and sandalwood, bay leaf and sage, black olive and rosemary; intense and concentrated notes of black currants and plums; deeply, stalwartly tannic, dense and dusty; graphite and shale, but well-knit and balanced; a nicely done if predictable performance. Try from 2015 or ’16 through 2020 to ’22. Very Good+. About $40.
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Olema Cabernet Sauvignon 2010, Sonoma County. 14.5% alcohol. Second label of Amici Cellars. With 7% merlot. Dark ruby color, lighter at the rim; graphite, cloves, black currants and plums, an undertow of briers, underbrush, dusty tannins and keen acidity; ripe and flavorful, goes down smoothly. Now through 2015 or ’16. Very Good+. About $22.50.
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Ravenswood Pickberry Red Wine 2011, Sonoma Mountain. 13.8% alc. 750 cases. 66% merlot, 35% cabernet sauvignon, 9% malbec. Medium ruby color with a light magenta cast; a seamless and gratifying blend, ripe, spicy, floral and deeply fruity, all edged by graphite and dusty tannins and dense oak that emerges after an hour in the glass; elements of loam, briers and brambles bring in the earthy note. I didn’t find this as exciting as some of the other selections in this post, but it’s immensely enjoyable as well as revealing a serious character. Now through 2018 or ’19. Excellent. About $50.
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When Constellation purchased Ravenswood for $148 million in 2001, the consensus was: “Uh-oh.” No way, we thought, will the giant alcoholic beverage company allow Joel Peterson to make those single-vineyard old vine zinfandels with the same individuality, if at all. These fears proved groundless, as a decade shows. Peterson founded the winery in 1976, and it’s a measure of his dedication — and the slim profits that the winery generated — that he kept his day-job as head of a medical laboratory at Sonoma Valley Hospital until 1992, when the success of the Ravenswood Vintner’s Blend wines enabled him to devote what must be his every waking moment to making wine and running the facility. Under review today are three samples of Peterson’s genuinely old vine products, as in each vineyard — Old Hill Ranch, Barricia, Belloni — contains at least part of the original vines planted more than a century ago. What I like about these zinfandels is that they deliberately eschew the blockbuster qualities of high alcohol, deep extraction and super-ripe fruit; don’t look for anything plummy and jammy in these wines, no cloying boysenberry flavors or alcoholic heat. Peterson’s hallmarks are purity and balance in terms of structure and fruit. He succeeds admirably.
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When one steps into Old Hill Ranch, in what is now the Sonoma Valley AVA, there’s a feeling of being on sacred ground. The vineyard was planted around 1880 by William McPherson Hill, who established his farm in 1851. The property passed through his descendents until Otto and Anne Teller acquired it in 1981 and decided not to uproot the historic but abandoned overgrown vines but to restore the vineyard to productivity, working with Joel Peterson, who released Ravenswood’s first Old Hill zinfandel in 1983. The vineyard contains more than 30 varieties of red grapes, the majority zinfandel but also a remarkable array of the well-known and the obscure. It is now farmed by Otto Teller’s stepson, Will Bucklin, who has his own label.

The Ravenswood Old Hill Zinfandel 2011, Sonoma Valley — 75 percent zinfandel, 25 percent mixed black grapes — offers a medium ruby-magenta color and pungent aromas of fresh raspberries and blueberries infused with lavender and graphite, with hints of dried thyme and cedar, all highlighted by some clear wild berry notes. The wine is quite dry but balanced and integrated, its moderately dense but supple tannins and lithe acidity providing support for black and blue fruit flavors inflected by pepper, cloves and a touch of mint. The wine aged 19 months in French oak, 30 percent new barrels, but the influence stays firmly in the background. The finish is clean and well-knit, packed with spice and graphite minerality. 14.9 percent alcohol. Production was 1,200 cases. Drink now through 2018 to ’21. Excellent. About $60.
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Barricia looks Italian or Spanish, but it’s a combination of the first names of Barbara Oleson and Patricia Herron, who bought the historic property in 1978. How historic is it? In the 1840s, the land belonged to Sonoma pioneer General Mariano Vallejo, who traded it to his children’s music teacher for piano lessons. Of the 10 acres of zinfandel vines on the estate, six were planted before 1892, the rest in 1995; two acres of petite sirah were planted in 1998. The vineyard now belongs to Mel and Angela Dagovitz.

The Ravenswood Barricia Zinfandel 2011, Sonoma Valley, is a blend of 75 percent zinfandel and 25 percent petite sirah grapes. Fermentation is by indigenous yeasts; the wine aged 19 months in French oak, 40 percent new barrels. The color is intense medium ruby; the wine is bright, clean, fresh and spicy, roiling with notes of macerated raspberries, plums and mulberries wreathed with hints of white pepper, leather and loam. In the mouth, this is, characteristically, muscular and sinewy but light on its feet and enlivened by brisk acidity; still, the tannins build incrementally, chiseled and faceted, along with granitic minerality, leading to a very dry, almost austere finish. 14.8 percent alcohol. Production was 1,250 cases. Try from 2015 through 2020 to ’22. Excellent. About $35.
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The property that became Belloni Vineyard was planted around 1900 and acquired by Italian immigrant Ricardo Belloni in 1971. Joel Peterson started making zinfandel from the vineyard after meeting Belloni in 1991. The owner died in 1997, but his widow, his children and grandchildren keep the legacy going. This is a flat, sea-level site in a cool foggy Russian River Valley climate.

The Ravenswood Belloni Vineyard Zinfandel 2011, Russian River Valley, is a blend of 75 percent zinfandel and 25 percent mixed black grapes — Peterson’s magic numbers; the wine is fermented on native yeasts and aged 19 months in French oak, 25 percent new barrels. The color is glowing medium ruby; the vivid bouquet offers spiced and macerated black and red cherries and raspberries with notes of sandalwood and fruitcake, licorice and lavender, staying just on this side of the exotic. As with its sister wine from Barricia, the Belloni ’11 gradually layers its sleek tannins, its granitic core and its seething acidity in seamless balance, while the oak component provides supple framework and foundation. 14.5 percent alcohol. Production was 800 cases. From 2015 through 2019 or ’20. Excellent. About $35.
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Call me a romantic, but I was raised on Keats and Tennyson, Chopin and Brahms; how could I be anything else? So, here I am again, offering a roster of brut rosé Champagne and sparkling wines for your Valentine’s celebration. Yes, the idea is trite, but it’s also right for the occasion. We hit Italy, Spain, France and California in this post and offer prices that range from a highly manageable $15 to the elusive $100. Whatever the differences in price and character, these are all very satisfying — and in some instances, exciting — products. Pop the cork (carefully) and pour (carefully) into tall flute-style glasses, gaze upon the vivid colors, revel in the effervescence, enjoy the lively flavors and the tingle on your palate. Above all — share with someone you love.

These products were samples for review. Image from clipartguide.com.
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When a sparkling wine bottle comes robed in pink, my first thought is “Gack, sweet!” The Anna Codorníu Brut Rosé, Penedès, Catalonia, Spain, however, feels crisp and bone-dry. Composed of 70 percent pinot noir grapes and 30 percent chardonnay, “Anna” is made is the champagne method of second fermentation in the bottle, as the regulations for Cava dictate. The color is fiery copper; aromas of blood oranges, raspberries and dried red currants are heightened by notes of cloves and orange rind; dry and crisp, yes, but leavened by juicy orange, lemon and strawberry flavors that arrow in to a lively grapefruit zest, lime peel and limestone finish. 12 percent alcohol. This estate goes back to 1659, when Anna Codorníu married Miquel Raventos; their descendants still run the company. Very Good+. About $15, a Distinct Value.

Imported by Aveníu Brands, Baltimore, Md.
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Juvé y Camps Brut Rosé, Penedès. Made from 100 percent pinot noir grapes in the champagne method of second fermentation in the bottle, this crowd-pleaser offers a brilliant ruby-garnet hue and a fount of tiny bubbles; notes of pure strawberry and raspberry with a hint of pomegranate lead to a dry, crisp yet juicy and delicious sparkler that provides plenty of crisp acidity and flint-like minerality for body and structure. 12 percent alcohol. Very Good+. About $16 and Worth the Price.

Imported by Winebow, New York.
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Cavicchioli & Figli Vigna del Cristo 2011, Lambrusco di Sorbara, is made completely from lambrusco di Sorbara grapes in Italy’s Emilia- Romagna region. The grapes derive from the Cavicchioli family’s original 12.5-acre vineyard; though in the grape-growing business for over a century, the family first bottled its own wines in 1928. For this example, 50 percent of the free-run juice undergoes second fermentation in tank, lending the wine a mild but very pleasing effervescence. Unlike many lambrusco wines, which manifest a dark ruby-purple hue, the color of the Cavicchioli & Figli Vigna del Cristo 2011 is a ruddy copper-flame color; enticing aromas of ripe strawberries and rose petals open to a background of raspberries and a slight earthy rasp to the texture; the wine is very dry, and a surprising limestone and flint element emerges, as well as an autumnal aura, just a touch over-ripe and mossy. All this adds up to a delightful wine with a hint of seriousness. 11.5 percent alcohol. Drink through the end of 2014. Very Good+. About $17.

Imported by Frederick Wildman & Sons, New York.
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The latest release of the J Vineyards Brut Rosé, Russian River Valley, Sonoma County, is a blend of 66 percent pinot noir, 33 percent chardonnay and 1 percent pinot meunier; it’s made in the Champagne method of second fermentation in the bottle. The color is a radiant coral-topaz hue, energized by a gentle upward swirl of tiny silver bubbles. Strawberry shortcake in the bouquet is balanced by notes of raspberries, cloves and orange zest with hints of floral astringency and spiced pears. The stones-and-bones structure is both powerful and elegant, dry and crisp, with a halo of dried red currants and raspberries supported by pert acidity and an impressive limestone character. A lovely sparkler. Winemaker was Melissa Stackhouse. 12.5 percent alcohol. Excellent. About $38.
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The Ronco Calino Radijan Rosé, Franciacorta, Lombardy, is dedicated to owner Paolo Radici’s father. The color is slightly ruddy, smoky salmon-pink; the bubbles are exceedingly tiny, fine and persistent; first impression is pure strawberry and raspberry but highlighted by notes of orange rind and grated lemon peel, limestone and steel. This is a very lively, spicy sparkling wine, truly effervescent; ripe and macerated red berry flavors are wrapped around a spine of bright acidity and clean flint-like minerality. The whole effect is sensual, charming and appealing yet with dark earthy undertones. 13 percent alcohol. Production was 500 cases. The image of a piano on the label is an homage to the great pianist Arturo Benedetti Michelangeli (1920-1995), to whom the estate once belonged. Excellent. About $31.

Imported by Michael Skurnik Wines, Syosset, N.Y.
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The Domaine Chandon Étoile Brut Rosé, North Coast (Napa and Sonoma counties), is one of the prettiest sparkling wines you’ll find, though it has a serious, even a dramatic side too. A blend of 49 percent chardonnay, 45 percent pinot noir and 6 percent pinot meunier (slightly different than the previous release), it displays an entrancing fiery copper-peach color and a steady pulse of infinitesimal glinting bubbles. The bouquet is characterized by strawberries and red currants enlivened by orange zest and cloves and hints of fresh-baked bread, flint and steel. There’s very agreeable tension among slashing acidity, taut and crisp-edged limestone-like minerality and an almost luxurious sense of round citrus and stone-fruit nuances and irresistible seductive power. This would be a great special occasion — i.e., romantic — sparkling wine. 13 percent alcohol. Winemaker was Tom Tiburzi. Excellent. About $50.
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Delamotte is owned by Champagne Laurent-Perrier (see below), and as such is a sister house to Champagne Salon, one of the greatest, rarest and most expensive of all Champagnes. Don’t worry, though, the Delamotte Brut Rosé is a special brut rosé Champagne priced reasonably for the type. The pinot noir grapes for this blend derive from Grand Cru vineyards at Montagne de Reims; the chardonnay is from Le Mesnil-sur-Oger, superior pedigree all round. The color is shimmering copper-salmon, like a deepening sunset; tiny bubbles surge swirling to the surface. This is a high-toned and austere rose, built on strains of steel and limestone wreathed with orange zest, camellia, quince, ginger and lightly buttered cinnamon toast; chiming acidity and an almost crystalline flint and limestone element lend frosty if not glacial elegance, but the effect is more thrilling than forbidding. 12 percent alcohol. Winemaker was Michel Fauconnet, also cellar-master at Laurent-Perrier. Excellent. About $70, though online there’s a wide range of prices.

Imported by Vineyard brands, Birmingham, Ala.
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The entrancing color of the Laurent-Perrier Cuvée Rosé Brut, Champagne, France, is a ruddy copper-salmon color, like tarnished silver over rosy-gold, enlivened by a constant upward froth of tiny glinting bubbles; this is all pinot noir, from 10 Grand Cru villages, presented in an old-fashioned bell-shaped bottle. The initial impression is of raspberries, red currants, orange zest and lightly toasted brioche, quickened by high notes of something wildly berry-like and broadened by bass tones of flint and chalk. The balance between fleetness and suppleness is exciting, and while the whole package is beautifully woven, elegant and sleek, it harbors depths of limestone minerality and bright acidity for resonance. Intense yet buoyant and sophisticated. 12 percent alcohol. Excellent. About $100 suggested retail price but can be found for far less on the Internet.

Imported by Laurent-Perrier U.S., Sausalito, Cal.
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Italian families like Parducci, Pedroncelli and Sebastiani added immeasurably to the development of the California wine industry, particularly in Sonoma County. (And of course Mondavi in Napa Valley.) Today’s Wine of the Week comes from Pedroncelli, family-owned since 1927; ; winemaker is John Pedroncelli. Over the course of its existence, the winery has been noted for red wines, of which the Pedroncelli “Mother Clone” Zinfandel 2011, Dry Creek Valley, is a delicious example. “Mother Clone” refers to the winery’s home vineyard, replanted in the 1970s using original budwood and featuring grapes from some of the vines remaining from 1904. The wine spent a year aging in American oak barrels and includes 10 percent petite sirah grapes. The color is dark ruby with a mulberry tinge at the rim. The bouquet is exactly as racy, as briery, brambly and peppery as you want from a well-proportioned zinfandel that includes notes of wild blueberries, black currants and plums; the wine is gently but persuasively framed by oak and slightly chewy tannins and enlivened by brisk acidity and clean graphite minerality, all going to support tasty, spicy blackberry and black currant flavors touched by hints of lavender and licorice. 14.8 percent alcohol. We drank this wine with a hearty pizza; it would also be appropriate with roasted or braised meat dishes, pork chops with a Southwestern rub or burgers and steaks. Now through 2015 or ’16. Very Good+. About $17, representing Excellent Value.

A sample for review.

Perhaps you seared a fillet of salmon or tuna crusted with pepper for a simple dinner, served (again perhaps) with rice, a green vegetable and lemon wedges for squeezing over all. Here’s a terrific inexpensive accompaniment, the Dry Creek Vineyard Fumé Blanc 2012, Sonoma County. David Stare founded the winery in 1972, a few years after Robert Mondavi created the name Fumé Blanc, modeled on the Loire Valley’s Pouilly-Fumé region where the sauvignon blanc grape reigns supreme. Sauvignon blanc wasn’t selling as a varietal wine in the United States, and Mondavi thought that “fumé blanc” might entice consumers to try it. He was right. One finds both names in California, with some producers, including Dry Creek Vineyard, making a fumé blanc and a varietally-labeled sauvignon blanc. There was a tendency, in those days, to make a fumé blanc wine — “smoky white” — in a supposed Loire Valley style, while sauvignon blanc wines were made in a supposed white Bordeaux fashion, often with some semillon blended in and a bit of oak-aging; those modes even extended to the bottle shape, but such distinctions disappeared years ago. Anyway, the Dry Creek Valley Fumé Blanc 2012, made all in stainless steel, offers a pale straw-gold color and fresh clean aromas of lemongrass and celery seed, lime peel and grapefruit pith, with notes of green pea and thyme and hints of lilac and lavender. Pretty attractive stuff. Lemon and grapefruit flavors are highlighted by touches of mown grass, caraway and limestone in a bright thread that travels down a line of vibrant acidity. 13.5 percent alcohol. Drink through the end of 2014. Very Good+. About $14, representing Great Value.

A sample for review.

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