Sonoma County


Landmark Vineyards was founded in 1974, in Windsor, Sonoma County, California, by Bill Mabry. In 1988, with the winery threatened by urban sprawl, operations were moved to a new facility in Sonoma Valley near Kenwood, at the western base of the Mayacamas range. At some point control of the winery passed to one of its investors, Damaris Deere Ford, great-great-granddaughter of inventor John Deere. The winery concentrated on chardonnay, with its proprietary “Overlook” Chardonnay first produced in 1991. The timeline on the winery’s website skips from 1997 to 2014. At least part of what occurred in that interval was that the winery was sold, in 2011, to Roll Global, owner of Fiji Water and Pom Wonderful, among other brands, including Justin Vineyards and Winery. An addition to the Landmark roster is an Overlook Pinot Noir, released this year from the 2012 vintage. The Overlook Chardonnay and Pinot Noir are multi-county blends, intended, therefore, not to showcase a particular region, much less a single vineyard, but to create a sense of one-variety wines in their purity and complexity, with the various sites contributing different factors. The wines are fermented by native yeasts; each ages 10 months in French oak barrels. I regularly gave high ratings to the Landmark Overlook through the 1990s into the early 2000s, but had not tasted the wine in at least a decade before this 2012 showed up at my door. I’m pleased to find that the style remains consistent, from the time that Helen Turley was consulting winemaker in the early and mid 1990s. Winemaker now is Greg Stach.

These wines were samples for review as I am required to disclose by ruling of the Federal Trade Commission.
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Landmark Vineyard Overlook Chardonnay 2012, Sonoma County 83 percent, Monterey County 11 percent, Santa Barbara County 6 percent. This multi-county chardonnay draws on 22 separate vineyards for its grapes; it spent 10 months in French oak barrels, percentage of new barrels not specified. The color is medium gold; aromas of smoke with a hint of toffee permeate slightly spiced and roasted stone-fruit and citrus in the pineapple-grapefruit range and touches of mango, peach and banana. This is, in other words, a bright, bold and rather florid chardonnay that displays rich, vivid flavors reined in by striking acidity and a clean limestone-and-flint element, all qualities nestled in a supple talc-like structure molded by slightly dusty oak. However bold it is, though, the wine is precisely balanced and integrated. 14.3 percent alcohol. Drink now through 2016 to ’18 with seafood risottos, grilled or broiled fish. Excellent. About $22.50.
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Landmark Vineyard Overlook Pinot Noir 2012, San Luis Obispo County 53 percent, Sonoma County 40 percent, Monterey County 7 percent; aged in French oak barrels 10 months. The color is medium ruby-magenta; penetrating scents of rose petals and violets, cloves and sassafras are woven with notes of slightly stewed red and black currants and cherries and a touch of briers and brambles. The texture is supernally satiny, dense and flowing as drapery yet somehow light and lissome; spicy red and black fruit flavors open to elements of earth and loam and a hint of graphite minerality, though the overall effect is of grace and elegance, balance and proportion. 14.5 percent alcohol. Consume now through 2018 to ’20 with roasted chicken or veal chops. Excellent. About $25.
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The history of Respite Wines goes back to 1948, when Corinne Reichel’s grandfather purchased 400 acres high in what would become the Alexander Valley AVA of Sonoma County, high as in 2,400 to 2,600 feet elevation. Corinne and Charles Reichel began growing grapes on 20 acres of that land in 1985 but decided a decade ago to shift from just growing grapes to producing wine. Winemakers for this small enterprise are Denis and May-Britt Malbec (pictured in this image). Denis was born on the property of Chateau Latour, the world-famous Bordeaux estate in Pauillac, and was the third generation, going back to 1920, of his family to work there, being cellar master from 1994 to 2000, after his father’s retirement. May-Britt Malbec is an award-winning sommelier from Sweden. She and Denis formed an international winemaking consultant business in 2000 and joined Respite in 2004.

Not surprisingly, these three cabernet sauvignon-based wines combine power and elegance in packages energized by relatively moderate alcohol levels and mountain-vineyard acidity and minerality. Production is tiny, even for the least expensive “entry” wine, and distribution is limited, so try the winery’s website for information about purchasing.

These wines were samples for review. Image of Denis and May-Britt Malbec from wine-blog.org.
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The Respite Antics Cabernet Sauvignon 2011, Alexander Valley, is a blend of 84 percent cabernet sauvignon, 12 percent cabernet franc and 4 percent malbec; it sees 50 percent new French oak. The color is consistent dark ruby from center to rim; aromas of cassis, black cherries and plums are wreathed with elements of dusty graphite, bitter chocolate and lavender. This is a solid, dense and chewy wine, not rustic by any means, but a little blocky and rough-hewn; intense and concentrated black fruit flavors are permeated by notes of tar, loam, cedar and tobacco-leaf. The whole effect is of something sprung wildly from the mountain soil. 14.4 percent alcohol. Production was 112 cases. Very Good+. About $26.
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The Respite Reichel Vineyard Cabernet Sauvignon 2009, Alexander Valley, is a blend that includes 4 percent cabernet franc and 2 percent malbec; 60 percent new French oak was used in aging. A dark ruby hue is opaque at the center; the bouquet seethes with notes of black raspberry and black currant, touches of cedar, caraway and sandalwood, with a pungent strain of graphite, rosemary, black olives and caramelized fennel. This is an earth-bound, rock-carved cabernet sauvignon, settled on a deep foundation of loamy granitic minerality, resonant acidity and dense, finely-milled and sifted tannins; there’s no neglect of thoroughly spiced and macerated black currants, cherries and plums, though they take a back seat to the wine’s burgeoning oaken and tannic character. 14.1 percent alcohol. Production was 325 cases. Drink now (with hearty braised meat dishes) through 2020 to ’25. Excellent. About $48.
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The Respite winery’s flagship Reichel Vineyard product is Indulgence, for 2010 a proprietary blend of 65 percent cabernet sauvignon, 22 percent malbec and 13 percent cabernet franc, aged in 60 percent new French oak and feeling like a pure expression of a high-elevation vineyard in its intensity and concentration of iron and iodine, graphite and walnut shell, underbrush and graham meal. The color is vibrant dark ruby with a magenta rim; the bouquet teems with notes of cassis, black raspberry, blueberry and kirsch permeated by sandalwood, lavender, bitter chocolate and tobacco. This wine is dense and chewy, and it not only slides through the mouth with tremendous tannic, mineral and acid presence but it inhabits the tongue and palate, staking claims on your attention and sensibility. It’s the epitome of Alexander Valley cabernet sauvignon. 14.1 percent alcohol. Production was 77 cases. Best from 2016 or ’17 through 2025 to ’30. Exceptional. About $75.
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I love the sauvignon blanc grape, and given my druthers I would chose sauvignon blanc wines over chardonnay any day of the week. Oh, sure, you can get bland sauvignon blancs but usually not over-oaked, buttery, super-ripe fruit-bombs, as can happen with chardonnay. Today I present brief reviews of 15 sauvignon blanc wines, mainly from different regions of California, but also two from Sancerre, in France’s Loire Valley, one from New Zealand and a surprisingly delightful example from the state of Virginia. With the exception of the Sancerre wines, these were samples for review. Enjoy!
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Amici Cellars Sauvignon Blanc 2013, Napa Valley. 14.2% alc. 50% sauvignon blanc/50% sauvignon musque. 10% barrel-fermented in French oak and malolactic. Pale gold; quite fresh and clean; lemon and tangerine, hint of mango and lemongrass; hint of honeysuckle; moderately lush but crisply balanced; river-rock minerality; lime peel and flint finish. Quite attractive. Very Good+. About $25.
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Terroir Coquerel Sauvignon Blanc 2012, Calistoga, Napa Valley. 12.5% alc. Seven months in French oak, 10% new barrels. Very pale gold color; grapefruit, tangerine, lime peel, hint of peach, notes of lilac, lavender and fennel; a few moments in the glass bring up touches of roasted lemon and celery seed; a little leafy and herbal; taut, crisp, vibrant, loads of personality and presence; tensile slightly dusty grapefruit-limestone finish. Just terrific. Excellent. About $32.
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Cornerstone Cellars Sauvignon Blanc 2012, Napa Valley. 14.1% alc. 853 cases. Five months in mature French oak barrels. Pale gold hue; lemongrass, green olive, lime peel, smoked grapefruit: a sauvignon blanc for grown-ups; very dry, crisp, packed with limestone and flint elements and enlivened by crystalline acidity; almost talc-like texture but lithe and lean; roasted lemon, preserved lemon rind, spiced pear; chalk and flint finish. Drink through 2017 or ’18. Excellent. About $30.
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Davis Bynum Virginia’s Block-Jane’s Vineyard Sauvignon Blanc 2013, Russian River Valley, Sonoma County. 13.5% alc. Four months 74% old French oak barrels, 26% stainless steel. Pale gold; almost glistens with liveliness and crispness; pineapple, grapefruit, cloves and thyme; wholly clean and fresh but a touch exotic with lavender, lilac and roasted fennel; sunny and leafy, hints of figs and hay; scintillating limestone and grapefruit finish, brings up some earthiness. Drink through 2016. Excellent. About $25.
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Dry Creek Vineyard Fume Blanc 2013, Sonoma County. 13.5% alc. Pale gold color; lemon, lime and grapefruit, hints of figs and yellow plums; leafy, slightly grassy, a bit saline; very dry, crisp and lively with bright acidity and limestone minerality; nothing complicated but tasty and delightful. Very Good+. About $14, an Unbeatable Bargain.
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Dry Creek Vineyard Sauvignon Blanc 2013, Dry Creek Valley, Sonoma County. 14.1% alc. Pale gold; grapefruit and lime peel, spiced pear, jasmine and lilac; pert, tart and sassy; lots of limestone and flint minerality; nicely balanced and integrated. Standard style but tasty. Very Good. About $18.
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Galerie Equitem Sauvignon Blanc 2013, Knights Valley, Sonoma County. 14.5% alc. 55% neutral French oak, 45 percent stainless steel. Pale gold color; lemongrass, celery seed, smoke, hint of cumin; lemon drop and lime peel, hints of jasmine and lilac; lovely almost powdery texture riven by bright acidity; quite vibrant and resonant; limestone-packed finish. Drink through 2016 or ’17. Excellent. About $30.
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Galerie Naissance Sauvignon Blanc 2013, Napa Valley. 13.5% alc. 51% neutral French oak, 49% stainless steel. Pale gold; delicate peach, pear and tangerine aromas, notes of lemongrass, grapefruit and honeysuckle; back note of guava; clean, bright acidity, lovely taut, lithe texture, vivid citrus and stone fruit flavors slightly subdued by limestone minerality. Through 2016 or ’17. Excellent. about $30.
Image from vivino.com.
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Niner Sauvignon Blanc 2013, Paso Robles, San Luis Obispo County. 14.4% alc. 90% sauvignon blanc, 5% semillon, 5% sauvignon musque. Certified sustainable. Very pale straw color; honeysuckle and acacia, roasted lemon and spiced pear, touch of fig and fennel; very dry, earthy, almost loamy for a sauvignon blanc; dense, vibrant, resonant; unusually intense style. Very Good+. About $22.
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Paul Dolan Vineyards Sauvignon Blanc 2013, Potter Valley, Mendocino County. 14% alc. (Organic) Pale gold; subtle, supple, mildly grassy and herbal — think hay and thyme — roasted lemon and grapefruit, hints of lime peel and spiced pear; very dry, with brisk acidity and a chalk/limestone finish; lovely presence and texture. Very Good+. About $18, representing Good Value.
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Pierre Cherrier et Fils Domaine de la Rossignole Cuvee Vieilles Vignes 2012, Sancerre, Loire Valley. 13% alc. Pale gold; quince and ginger, jasmine and lemon balm, grapefruit and lime peel, hints of smoke and limestone; very dry, dense and almost malleable, packed with chalk, flint and damp limestone; a few minutes in the glass bring up notes of yellow plums and (faintly) sage and camellias; lovely complexity and dimension. Excellent. About $25.
Imported by The Country Vintners, Ashland, Va.
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Phifer Pavitt Date Night Sauvignon Blanc 2013, Napa Valley. 14.5% alc. 588 cases. Pale gold; lemongrass and lime peel, roasted lemon; almond blossom and lemon balm; ginger and quince, yellow plum; piercing acidity and penetrating limestone minerality; exquisite balance between a soft, petal-like texture and dynamic leanness and litheness; finishes with grapefruit, pear skin and bitter almond; tremendous personality and presence. Drink through 2016 to ’18. Exceptional. About $30.
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Jean Reverdy et Fils La Reine Blanche 2013, Sancerre, Loire Valley. 13% alc. Very pale gold color; lime peel and roasted lemon with high notes of ginger and quince and a tinge of grapefruit; very dry, taut, vibrant, teems with chalk and limestone minerality; brings in hints of lilac and spiced pear; great balance and tone through the slightly austere mineral-packed finish. Through 2016 or ’17. Excellent. About $25.
Imported by Kysela Pere et Fils, Winchester, Va.
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Stinson Vineyards Sauvignon Blanc 2013, Virginia. 12% alc. 150 cases. Pale gold; very delicate, subtle, delightfully wreathed with jasmine, peach, green grass and gooseberry; hedge and heather; back notes of cloves and crystallized ginger; quite dry, taut, bright and clean yet with an attractive element of moderate lushness and a spicy finish. Loveliness. Excellent. About $23.
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Wairau River Sauvignon Blanc 2013, Marlborough, New Zealand. 13% alc. Very pale gold hue; typical NZ with its lime peel, celery seed, bell pepper, gooseberry and grapefruit snappiness but quite clean and well-balanced, nothing exaggerated; crisp, lively scintillating, a touch leafy and figgy; bright zippy finish. Irresistible personality. Excellent. About $18, a Great Bargain.
Imported by Terlato Wines International, Lake Bluff, Ill.
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The pinot noirs of Kosta Browne Winery regularly earn the highest ratings from reviewers for the big publications, an occurrence that brings a great deal of attention to these highly allocated wines. In fact, the winery’s waiting list comes with a two- to three-year wait for the “Appellation” wines and — I’m not kidding — a five- to six-year wait for the Single Vineyard wines, of which there may be up to 10 separate bottlings depending on the vintage. The idea for the winery was born in 1997 when Dan Kosta and Michael Browne, then working at a restaurant in Santa Rosa, in Sonoma County, decided to venture into winemaking. They began with a half-ton of pinot noir grapes, a used barrel and a surplus stemmer-crusher. In 2001, Kosta and Browne brought in Chris Costello, from a family involved in commercial real estate and development, as the business end of the enterprise; through the Costello family, the partnership gained contacts, contracts and management acumen. Browne is executive winemaker, with assistant winemakers Jeremiah Timm and Nico Cueva. Kosta Browne draws on vineyards in the Russian River Valley and Sonoma Coast AVAs in Sonoma County and Santa Lucia Highlands AVA in Monterey County. There is no tasting room, and the winery in Sebastopol is closed to the public.

Under consideration today are two of Kosta Browne’s Appellation wines, the One Sixteen Chardonnay 2012 and the Sonoma Coast Pinot Noir 2012, in this series dedicated to the examination of chardonnay and pinot noir wines from the same producer. These wines were samples for review.
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The Kosta Browne One Sixteen Chardonnay 2012, Russian River Valley, is a blend of grapes derived from seven vineyards that total 12 different chardonnay clones, the notion being a sort of ideal balance of all the attributes those clones contribute to the wine. It’s named for the Gravenstein Hwy. 116 that cuts through the town of Sebastopol in the Russian River Valley sub-appellation of Green Valley. This AVA is the coolest and foggiest vineyard area of Russian River Valley, situated in the southwest corner where the Pacific Ocean influence is readily apparent. When I tell My Readers that this chardonnay went through barrel-fermentation and aged 15 months in oak, they will respond, “Uh-oh, FK is not going to like this chardonnay.” I’ll admit, though, that I was surprised at how much I liked this wine, and while I don’t normally find words of praise for what I think of as the Bold California Style of Chardonnay, this example was little short of thrilling.

Kosta Browne One Sixteen Chardonnay 2012 was indeed barrel fermented, 93 percent, the other 7 percent being in concrete. The wine did age 15 months, but only in 41 percent new oak. The color is medium gold, and the aromas define this chardonnay as bold, bright and rich, with ripe, slightly caramelized pineapple, grapefruit and mango highlighted by notes of cloves, vanilla, lightly buttered cinnamon toast and — faintly — lime peel and flint. The wine is supple and boisterously fruity and spicy on the palate, with hints of creme brulee, roasted lemon and baked pear. This sensuous panoply is both abetted and balanced by clean, vibrant acidity and a scintillating limestone element. My favorite style of chardonnay? No, but certainly a model of the type that I found surprisingly poised, energetic and delicious. Now through 2017 or ’18. Excellent. About $58.
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The Kosta Browne Pinot Noir 2012, Sonoma Coast, derives from three vineyards in the south of the Sonoma Coast AVA, lying straight in the path of the Petaluma Wind Gap that allows a distinct maritime influence, and one vineyard in the northwestern coastal area of the AVA. The wine aged 16 months in French oak, 46 percent new barrels. The color is medium ruby with an almost transparent rim; the amazingly complex and layered nose offers a seamless amalgam of cloves and menthol, violets and rose hips, with hints of loam, briers and iodine bolstering macerated black and red cherries and currants with a touch of cranberry. On the palate? Imagine supernal satin infused with velvet through which vivid acidity cuts a swath and earthy graphite minerality stakes a supporting claim; the influence of oak and tannin, both feeling slightly sanded and dusty, gradually seeps in, providing firm foundation for spicy black and red fruit flavors that seem ripe and juicy yet spare, elegant, a bit exotic. I re-corked the wine and tried it eight hours later, at which time it had closed down a bit, becoming more reticent, quite dry, with emphasis on structure. Even the next day, now open for more than 24 hours, this pinot noir kept its integrity and balance. 14.5 percent alcohol. Now through 2018 to 2020. Excellent. About $64.
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Take your choice. Either at our backs we always hear Time’s winged chariot hurrying near OR the world is too much with us, late and soon, getting and spending, we lay waste our powers. Choice, did I say?! Or, did I say?! Heck no, it’s both, incessant, ceaseless, seemingly infinite! So, anyway, it’s difficult to keep up with all the wines I need to review, so here, today, I offer 12 wines, rated Very Good+ to Exceptional, that I should have written about this year but didn’t have the time or space. I’m trying to make amends. There should be something in this post to appeal to a variety of palates. Most of these wines are from California, but we also touch on Oregon’s Willamette Valley; Baden, in Germany; France’s Alsace region; and Clare Valley in South Australia. With one exception today, I purposely avoid technical and geographical information in favor of quick, incisive reviews designed to pique your aching interest and whet your anticipatory taste-buds. These wines were samples for review. Enjoy — in moderation, of course.
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Josmeyer Pinot Blanc 2009, Alsace. 12% alc. Bright medium gold color; slightly honeyed ginger and quince, papaya and mango, quite floral with hints of jasmine and honeysuckle; slightly dusty limestone minerality, a touch of diesel; a sweet impression because of the ripe juicy roasted lemon and stone-fruit flavors but actually very dry, enlivened by bright acidity and that scintillating limestone element. Taut yet generous, a real beauty. Now through 2017 to ’19. Excellent. About $20 to $22.
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Steven Kent Winery “Lola” Ghielmetti Vineyard Sauvignon Blanc 2013, Livermore Valley. 13.9% alc. 100% sauvignon blanc. 401 cases. Very pale straw-gold hue; gorgeous aromas of honeysuckle and camellia, tangerine, lime peel and lemongrass, cloves and ginger, hints of hay and thyme; lemony with a touch of peach and guava; wonderful talc-like texture riven by bristling acidity and bright limestone minerality; touch of celery seed and grapefruit bitterness on the finish. Irresistible. Now through Summer 2015. Excellent. About $24.
Image from cuveecorner.blogspot.com.
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McCay Cellars Tres Blanc 2013, Lodi. 14.5% alc. Blend of vermentino, verdelho, muscat and pinot noir. 218 cases. Pale gold color; intensely floral with jasmine and lilac; celery seed, fennel, roasted lemon, spiced pear, slightly leafy, with notes of fig and lime peel; dry but juicy, keen acidity and lovely viscosity; limestone and grapefruit finish. Very charming. Drink through Summer 2015. Very Good+. About $24.
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Grgich Hills Estate Fume Blanc 2012, Napa Valley. 13.55 alc. 100% sauvignon blanc. Pale gold color, shimmering; grapefruit, lime peel, roasted lemon, hint of peach; lemongrass and thyme; exotically floral, lilac, hyacinth; extraordinary texture, tense and tensile with steely acidity, limestone and damp rocks but contrastingly soft, silky, caressing, all this in perfect balance, along with notes of yellow plum, quince, ginger and just a hint of mango. Consistently one of the best sauvignon blanc wines made in California. Now through 2017 or ’18. Exceptional. About $30.
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Alexander Laible “Chara” Riesling trocken 2012, Baden, Germany. 13% alc. 100% riesling. Medium gold color; peach and pear, lychee and jasmine, wet stones, touch of apricot and diesel; very ripe entry, just a brush with sweetness but quickly turns dry; huge limestone element and chiming acidity give it tautness and resonance; lovely, lively delicate texture, yet plenty of lithe muscularity. Just terrific and delicious. Now through 2018 to 2020. Excellent. About $40.
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Waterstone Pinot Noir 2011, Carneros. 14.5% alc. 100% pinot noir. 868 cases. Medium ruby color; red currants and cranberries, cloves and cinnamon; touch of candied cherries; rhubarb and pomegranate; very warm and spicy; mild tannins and a subtle oak presence; slightly foresty and briery, hints of leaf smoke, moss, a bit autumnal but fresh and clean. Quite appealing. Now through 2015. Very Good+. About $22.
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McCay Cellars Carignane 2011, Lodi. 13.5% alc. 100% carignane from a vineyard planted in 1908. 218 cases. Medium ruby-mulberry color; briery red currants and cranberries; rose petals, sandalwood, potpourri, brings up an infusion of red and black cherries; a little sappy and loamy; the whole package grows more expansive, generous and exotic as the minutes pass; supple but slightly smacky tannin and straight-arrow acidity; grows richer and more powerful through the brambly, flinty finish. Tasty and individual. Well worth a search. Now through 2016 or ’17. Excellent. About $32.
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Eyrie Vineyards Pinot Noir 2012, Willamette Valley, Oregon. 13.5% alc. 100% pinot noir. Lovely, limpid medium ruby-mulberry hue; raspberries and plums, touch of black cherry, with a slightly raspy character; rose hips, violets, exotic with potpourri, lavender and sandalwood; rooty, loamy and a bit leathery; lithe and sinewy with lively acidity that cuts a swath on the palate; spare, savory, somehow like autumnal bounty slightly withheld. Tremendous integrity and authority, yet graceful, elegant, thoughtful. A pinot noir such as we do not often see made in the United States of America. Now through 2020 to ’22. Excellent. About $35.
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Eponymous Syrah 2009, Napa Valley. 14.4% alc. With 4% cabernet sauvignon. Dark ruby-purple with a magenta rim; a syrah of real class and purpose; blackberries, blueberries and plums; clean earth, loam, graphite and new leather; hints of violets and lavender, dried rosemary and roasted fennel; touch of fruitcake; very dry, iron-like tannins and dusty oak; long spice-packed and granitic finish. Tremendous tone and presence yet sleek, elegant, light on its feet. Now through 2020 to ’24. Excellent. About $38.
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Grgich Hills Estate Merlot 2009, Napa Valley. 14.8% alc. 100% merlot. Dark to medium ruby color; smolders with lavender and licorice, meaty and fleshy black currants and black raspberries, cloves and allspice; there’s a pungent dusty charcoal-graphite edge; a sizable, vibrant, resonant mouthful of merlot, with elements of leather, briers and brambles, underbrush and tannins of deep deliberation, all in all intense and concentrated yet sleek, well-balanced and integrated. Drink now through 2019 to ’22. Excellent. About $42.
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Jordan Cabernet Sauvignon 2010, Alexander Valley. 13.5% alc. With 16% merlot, 7% petit verdot, 1% malbec. I typically don’t mention technical details in these Weekend Wine Notes, but I highly approve of the thoughtful oak regimen for this wine: 12 months aging in 74% French and 24% American oak barrels, of which, collectively, only 39% of the barrels were new. How sane! How rational! Thank you! Deep ruby-purple color; utterly classic, suave, delicious, well-structured; blackberries, black cherries and plums, hints of fennel, lavender, licorice and violets; though the wine is characterized by velvety, cushiony tannins, the tannic nature firms up in the glass and builds a sort of walnut shell-briers-and-brambles austerity through the finish; a perfect display of power and elegance. Now through 2020 to ’24. Excellent. About $53.
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Wakefield “The Visionary” Exceptional Parcel Release Cabernet Sauvignon 2009, Clare Valley, South Australia. 14% alc. 100% cabernet sauvignon. Dark ruby color; mint, iodine and iron, spiced and macerated black currants, plums and cherries; graphite and granite minerality that accumulate like a coastal shelf; dusty tannins, walnut-shell and loam; dense, chewy. A powerhouse of presence, tone and resonance, yet not in the least overwhelming or ponderous. Try from 2016 through 2030. Excellent. About $120.
Image from wineanorak.com
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Three Sticks Wines was founded by Bill Price III — get it? his surfer handle was Billy Three Sticks — who also owns one of California’s best-known vineyards, Durell Vineyard, which he purchased in 1998. He co-founded the private equity firm Texas Pacific Group in 1992 and sold his share back to the company in 2007, and that, friends, is a lesson in how you get into the vineyard and winery business. Price is chairman of Kosta Brown Winery and Gary Farrell Winery — you know those names — and has interest in Kistler, another name you know. He met winemaker and fellow-surfer Don Van Staaveren (image at right) in 1996 when TPG acquired Chateau St. Jean from Suntory, and in 2004 Price asked Van Staaveren to come aboard as winemaker at Three Sticks. (I’m condensing history quite a bit here.) The “winery” occupies space in an industrial/warehouse area in Sonoma, a practical measure since no one has to worry about tasting rooms, landscaping, high-end facilities, jazz concerts, picnic grounds, executive chefs and so on, though a great deal of organizational logistics is required. Van Staaveren, who created the sensational Cinq Cepage cabernet sauvignon for Chateau St. Jean, indeed resembles nothing more nor less than a gracefully aging, if slightly craggy, California boy; when I visited Three Sticks in the Summer of 2013, he wore a cast on one arm, the result of a surfing mishap. The wines he creates from the Durell Vineyard and other vineyards are thoughtfully made and embody tremendous personality and character. Unfortunately, they are produced in limited quantities and are available only on an allocation list. They are worth a visit to the winery’s website threestickswines.com to sign up. These examples were samples for review.

This post is the fourth in a series devoted to wines made from two grapes that seem to occur together, chardonnay and pinot noir, on the model of Burgundy.
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The Three Sticks One Sky Chardonnay 2012, Sonoma Mountain — the first Three Sticks release for this wine from a vineyard that remains anonymous — was treated in a manner traditional for California chardonnay: barrel fermentation; 14 months aging in French oak barrels, 50 percent new; full malolactic fermentation. The color is medium straw-gold; classic aromas of ripe pineapple and grapefruit feel infused by quince and ginger, spiced pear and toasted hazelnuts, amid a background of limestone minerality. This is a supremely rich chardonnay, slightly creamy but not buttery or tropical, and its lusciousness is tempered by bright acidity and that scintillating limestone element; citrus and stone-fruit flavors are highlighted by notes of orange marmalade and a hint of grapefruit pith. Altogether, this is a round, supple, mouth-filling chardonnay that displays lovely, if a bit florid, balance and tone. 14.8 percent alcohol. Production was 222 cases. Drink now through 2017 or ’18. Excellent. About $50.
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The winemaker took a completely opposite approach to the Three Sticks Durell Vineyard Origin Chardonnay 2012, Sonoma Valley. This wine was fermented in giant concrete egg-shaped vessels and aged 14 months in small steel barrels; not a smidgeon of oak touched it, and it did not go through malolactic. The grapes derived from two areas in the Durell Vineyard, “Old Wente 5,” on a northwest-facing slope of light soil, and “V9,” one of the rockiest and windiest parts of the vineyard. The color is medium straw-gold; the first impression is of something earthy, highly structured, almost tannic in effect, but with a core of remarkable resonance and vitality that animates captivating scents and flavors of quince jam and crystallized ginger, candied grapefruit and spiced pear with hints of lemon oil and lime peel, the whole package conveying the feeling of a lacy transparency of fruit over a dense, almost talc-like texture and a vibrant structure of limestone, damp gravel and chiming acidity. All in all, amazing energy, presence and tone, a wine that gives new meaning to “no-oak chardonnay.” 14.6 percent alcohol. Production was 266 cases. Drink now through 2020 to ’22. Exceptional. About $48.
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The Three Sticks Durell Vineyard Pinot Noir 2011, Sonoma Coast, took grapes from three blocks of the estate vineyard, all of which greet the sunrise: The Extension, a steep slope that falls mainly east but a little to the south; the Terraces, an area of slightly terraced rows running north-south and with an eastern exposure; Block R, a cool, windy location of light soil with red volcanic deposits that falls on a slight slope to the east. The grapes fermented in open-top vessels, and the wine aged 14 months in French oak barrels, 50 percent new. The color is a translucent and luminous medium ruby hue; beguiling aromas of pomegranate, rhubarb and cranberry are permeated by notes of cloves and allspice, loam, briers and brambles and a hint of graphite; a few moments in the glass bring up hints of smoky red and black cherries, rose petals and sandalwood. This is a substantial pinot noir, blessed with a sense of total confidence and completion, though whatever character it possesses of power and dynamism is complemented by qualities of grace, delicacy and elegance. 13.5 percent alcohol. Production was 170 cases. Drink now through 2018 to 2020. Exceptional. About $65.
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I wrote about Kathleen’s Inman’s wines produced under the Inman Family Wines label last year in October; check out that post for information about the history of the winery and Inman’s philosophy. Suffice to say that in this second entry in my “Pinot and Chardonnay” series, I offer a pair of wines that strike, to my palate, the perfect notes of balance and integration, purity and intensity, power and elegance. These wines were samples for review.
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The Inman Family Chardonnay 2012, Russian River Valley, is not made from estate vines but from grapes purchased from the Pratt-Irwin Lane Vineyard. Native yeast was employed. The wine matures 40 percent in new French oak and 60 percent in small stainless steel barrels, both portions going through malolactic fermentation. The color is pale gold; aromas of ripe pineapple and grapefruit are highlighted by notes of quince and ginger, jasmine and acacia, limestone and flint. The whole package is characterized by perfect tone and balance, with its spare and elegant qualities poised against scintillating limestone minerality and bright acidity. The kind of chardonnay that makes me happy to drink chardonnay. 11.6 percent alcohol; you read that correctly. Drink now through 2016. Production was 493 cases. Excellent. About $35.
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Allow me to say right here that 21 months in oak seems like doom to pinot noir to me, but the Inman Family OGV Pinot Noir 2011, Russian River Valley, displays, as I said about its stablemate mentioned above, perfect tone and balance of all elements, while retaining, as Kathleen Inman’s pinot noirs tend to do, something wild and exotic. The color is dark to medium ruby-magenta; beguiling and ineffable scents of cranberry, pomegranate and rhubarb are permeated by heartier, earthier notes of briers, brambles and loam, while after a few moments in the glass a whiff of intense black cherry and cloves comes out. On the palate, the wine is warm and spicy, with a wonderfully satiny drape to the texture that’s bolstered by straight-arrow acidity, a hint of graphite minerality and moderate yet certainly present tannins. Another minute or two of swirling and sipping produces touches of rose petals, lilac and sandalwood. Criminy, what a beautiful pinot noir! 14.2 percent alcohol. Production was 517 cases. Drink through 2017 to ’19 with roasted chicken, veal or seared duck. Excellent. About $68.
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Need I say more? Half-a-dozen very attractive, lively, spicy and savory — some more spicy than savory, some more savory than spicy — white wines designed to quench the thirst, caress and engage the palate, and accompany all sorts of the imaginative cuisine you’re so good at creating — or, you know, a package of fish sticks from the freezer (the only form of seafood we ate when I was a child). Anyway, quick reviews here, meant to tease your interest and whet your taste-buds. All were samples for review. Enjoy!
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Villa Robles Huerhuero Albarino 2013, Paso Robles. 14.5% alc. Very pale gold hue; jasmine and clover, roasted lemons and lemon balm,
cloves and ginger; very dry and crisp with zingy acidity but delivering a pleasing almost talc-like texture; tangerine with a note of peach and pine; juicy, saline, savory, mouth-watering. Now through 2015. Very Good+. About $18, online and tasting-room only.
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Rocca Sveva Castelerino 2012, Soave Superiore Classico, Italy. 13% alc. Very pale gold color; quite fresh and clean; pineapple, mango, lemongrass, almond blossom, lime peel, but with a spareness and savory quality married to slight astringency; lively, spicy, slightly dusty limestone effect. Now through 2015 to ’16. Very Good+. About $20.
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Jean Ginglinger Cuvee George Pinot Blanc 2011, Alsace, France. 12.5% alc. Bright medium gold color; crisp, clean, lean, blade-like but filled with notes of lychee and slightly over-ripe peaches and tangerines and hints of lime peel and little white flowers; chiseled, incisive limestone minerality and scintillating acidity; brings in touches of cloves, flint and loam on the finish. Quite a performance. Now through 2017 to ’18. Excellent. About $17, representing Great Value.
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MacMurray Estate Vineyards Pinot Gris 2013, Russian River Valley. 14.4% alc. This Gallo label was formerly known as MacMurray Ranch. Pale gold hue; citrus and stone-fruit, spare and lean; cloves, quince and ginger; dry but juicy with a very attractive mouth-feel; bright acidity and limestone/flint minerality; a dry, spicy, slightly austere finish; fine-grained complexity on the palate. Now through 2016. Excellent. About $20.
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Cadaretta SBS 2012, Columbia Valley, Washington. 70% sauvignon blanc, 30% semillon. Very pale gold hue; melon and lime peel, lemongrass and fig, slightly grassy and hay-like, herbal in the thyme sense, musky and dusky; tantalizing hints of lavender and lilac; crisp and lively but silky smooth texture; savory, mouth-filling but limpid with crystalline purity and intensity and a limestone finish. Now through 2015 or ’16. Excellent. About $23.
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Mar de Frades Albarino 2012, Rias Baixas, Spain. 12.5% alc. You can’t miss the cobalt-blue bottle. Pale straw-gold color; decisively saline and savory, thrilling vitality; roasted lemon and spiced pear; intensely floral with notes of jasmine, almond blossom and some wild fragrance; very dry, with a citrus tang, clean acidity and heaps of vivid limestone minerality. Now through 2015. Excellent. About $25.
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I started this post as a way of commemorating my 30th anniversary in wine-writing, reached, as My Regular Readers know — bless your little pointy heads and may your tribes increase — early in July. Initially, the concept was “Fifty Great Wines,” but I decided that choosing 50 “great” wines from 30 years of tasting would be an impossible and probably just stupid and futile task. In three decades, I tasted thousands and thousands and more thousands of wines — you writers know how it is — so choosing the 50 “greatest” from this immense group would be a Sisyphian exercise.

Then I realized that what would be more significant anyway would be 50 wines that, as the title states, shaped my palate, the wines that shook me to the core, that shifted my perspective about how wine is made and its various effects, that achieved a level of purity and intensity that befit the divine; the wines, in short, that were not only definitive but created me as a writer. Yes, just that. So I spent the past few weeks combing through dozens of old notebooks, through the electronic archives of the newspaper for which I wrote a weekly column for 20 years and of course through the pages of this blog.

Now let’s be frank about some issues. As a wine reviewer, I am dependent on the practice of samples provided by producers, importers, marketers and (to a lesser extent) local distributors; I depend on the occasional trade tasting, lunch with a touring winemaker, on sponsored travel to wine regions in this country and abroad. You will not, therefore, see a list that emphasizes the great wines of Bordeaux or Burgundy, though some are included, more Burgundy than Bordeaux, because I have few opportunities to encounter such wines. Perhaps, however, you will discover here wines that you had forgotten or overlooked; certainly there will be surprises. To those of my wine-writing/blogging/tasting friends who might say, “Cripes, FK, I can’t believe you didn’t put [whatever legendary fabuloso wine] on this list!” I can only reply, “I never had the chance to taste that wine and if you want to send me a bottle, I’ll be grateful but not humbled.” This is about my experience as an individual, as, you might say, a palate.

I benefited early on from the generosity of two people in Memphis, the restaurateur-wine collector John Grisanti and a figure important in wholesale, retail and wine education, Shields Hood. Many of the wines they offered me, exposed me to and sent in my direction truly changed my life and made me what I am today.
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1. Simi Pinot Noir 1974, Alexander Valley. Purchased at a local store, tasted at home March 1984 and still, at least in memory, one of the greatest California pinots I ever encountered.

2. Mercurey Clos des Myglands 1971, Faiveley. Tasted at John Grisanti’s private cellar, September 16, 1984. As in “Ah, so that’s what Burgundy is all about.”

3. Moët & Chandon Cuvée Dom Perignon 1976, Champagne. At a wholesaler’s tasting, with Shields Hood, September 17, 1984.

4. Chateau St. Jean Late Harvest Johannesburg Riesling 1978, Belle Terre Vineyards, Alexander Valley. Last week of September, 1984.

5. Chateau La Grange 1926, St Julien Third Growth, Bordeaux. At a special wine dinner at the long-departed American Harvest Restaurant in Germantown, east of Memphis, October 1984. As in, “Ah, so this is what an aged Bordeaux wine is all about.” I love the label.

6. Simi Reserve Vintage Cabernet Sauvignon 1974, Alexander Valley. My then father-in-law bought a case of this wine at $16 a bottle. High-living in those days. At 10 years old, it was perfect, expressive, eloquent. This was at Christmas dinner, 1984.

7. Clos Vougeot Grand Cru 1971, Grivelet. At John Grisanti’s cellar, June 9, 1985, a great afternoon.

8. Sonoma Vineyards Alexander’s Crown Cabernet Sauvignon 1976, Sonoma County. July 27 and 28, 1985. Fine balance, harmony and integration, a sense of confidence and authority expressed with elegance and restraint. This winery was not renamed for its founder Rodney Strong until after he sold it in 1984.

9. Chateau Latour 1982, Pauillac, Bordeaux. Definitive for the vintage and the chateau; tasted at a trade event in Memphis sometime in 1985; tasted again in New York, October 1991.

10. Diamond Creek Red Rock Terrace Cabernet Sauvignon 1980, Napa Valley. Purchased at Sherry-Lehmann in NYC, for $20.50(!); consumed with Easter dinner in Memphis, April 1986.

11. Silver Oak Cabernet Sauvignon 1977, Alexander Valley. At a tasting in Memphis of Silver Oak cabernets, sometime in 1986.

12. Chateau Haut-Brion 1937, Graves, Bordeaux. At a tasting with collectors in Memphis in 1987; this 50-year-old wine was, incredibly and from a dismal decade in Bordeaux, even better than the fabulous ’59 and ’66.

13. Paul Jaboulet Aîné La Chapelle 1949, Hermitage, Rhone Valley, France. One of a mixed case of wonderful wines I received for annotating a cellar, drunk at a dinner in the Fall of 1988. At 39 years old, one of the best wines I have ever tasted.

14. Beaune Clos des Ursules 1952, Louis Jadot. At lunch with Gagey pere et fils at the maison in Beaune, March 1990. When I mentioned this to a friend back in the U.S., he said, “Oh, yeah, they pull out that wine for all the Americans.” No matter.

15. Domaine de la Romanée-Conti Montrachet Grand Cru 1983. Tasted in New York, October 1991.

16. Gaja Barbaresco 1955, Piedmont, Italy. Made by Angelo Gaja’s father, tasted in New York, October 1991.

17. Chateau Beychevelle 1928, St. Julien Fourth Growth, Bordeaux. At a large tasting of multiple vintages of Chateau Branaire-Ducru and Chateau Beychevelle going back to 1893, with collector Marvin Overton and British writer Clive Coates, in Nashville. This ’28 was even better than the examples from the god-like years of ’47, ’45 and ’29; just writing that sentence made me feel like Michael Broadbent.

18. Freemark Abbey 1978, Napa Valley. At a vertical tasting in Chicago, January 1993.

19. Beaulieu Vineyard Georges de Latour Private Reserve Cabernet Sauvignon 1974, Napa Valley. I bought six half-bottles of this splendid perfectly aged cabernet from a FedEx pilot who was divesting his cellar and served them at a dinner party in 1996.

20. Chalone Chardonnay 1981, Monterey. A revelation at almost 15 years old; I bought this and some other California chardonnays from the late ’70s and early ’80s out of a cellar that had been kept at 40 to 45 degrees; tasted with LL and a friend at Cafe Society in Memphis, May 1996.

21. Mount Horrocks Cordon Cut Riesling 1998, Clare Valley, Australia. Tasted at the property, October 1998, very young, filled with power and otherworldly grace.

22. Bass Phillip Reserve Pinot Noir 1997, Gippsland, Australia. Tasted in Melbourne, October 1998; they’re not shy with oak at Bass Phillip, but this was a thrilling monument to pinot noir purity and intensity.

23. Clos Apalta 1996, Rapel Valley, Chile, 95 percent merlot, 5 percent cabernet sauvignon. The initial release, tasted at the hacienda of Don Pepe Rabat, who owned the oldest merlot vineyard in Chile, with Alexandra Marnier-Lapostolle and Michel Rolland, April 1998.

24. Chambolle-Musigny Les Amoureuses Premier Cru 1998, Domaine G. Roumier. From the barrel at the property, December 7, 1999, my birthday. The earth seemed to open under my feet.

25. Chateau Petrus 1998, Pomerol, Bordeaux. Barrel sample at the property, December 1999. One of the most profound wines I have ever experienced.

26. Robert Mondavi To Kalon 1 Block Fume Blanc 2000, Napa Valley. June 2002, a sample for review.

27. Robert Mondavi Marjorie’s Sunrise Cabernet Sauvignon 1999, Oakville District, Napa Valley. June 2002, a sample for review.

28. Sineann Reed and Reynolds Vineyard Pinot Noir 2000, Willamette Valley, Oregon. Tasted at the International Pinot Noir Conference, McMinnville, August 2002.

29. Nicolas Joly Clos de la Bergerie 1999, Savennières-Roches-aux-Moines, Loire Valley, France. New York, at La Caravelle, January 2003, with the line-up of Joly’s wines.

30. Penfolds Grange Hermitage 1966, South Australia. At a comprehensive tasting of this iconic wine, 1996 back to 1955, at Spago in L.A., April 2003.

31. Chateau d’Epiré 1964, Savennières Moelleux, Loire Valley, France. At a dinner associated with the Loire Valley Wine Fair, February 2004.

32. Domaine de la Pepière Clos des Briords 1986, Muscadet Sevre et Maine, Loire Valley, France. At the estate with proprietor Marc Ollivier, one of the great tasting experiences of my life, February 2004.

33. Domaine Leflaive Chevalier Montrachet Grand Cru 2001. Tasted in New York, June 2004.

34. Tres Sabores Zinfandel 2003, Rutherford, Napa Valley. Tasted in New York, March 2006.

35. Salon Le Mesnil Blanc de Blancs Brut 1996, Champagne, France. Tasted in New York, September 2006; fabulous but not nearly ready to drink.

36. Chassagne-Montrachet Les Caillerets Premier Cru 2004, Domaine Jean-Noël Gagnard. New York, September 2006, trade tasting.

37. Corton Grand Cru 2002, Domaine Comte Senard. New York, September 2006, trade tasting.

38. Chateau Montelena The Montelena Estate Cabernet Sauvignon 1998, Napa Valley. New York, September 2007.

39. Porter-Bass Chardonnay 2004, Russian River Valley. New York, September 2007.

40. Pommard Les Epenots Premier Cru 2004, Dominique Laurent. New York, September 2007.

41. Phifer Pavit Date Night Cabernet Sauvignon 2005, Napa Valley. Sample for review, tasted at home October 2008. The best first-release cabernet I ever encountered.

42. Smith-Madrone Cabernet Sauvignon 2000, Napa valley. Sample for review, tasted at home December 2008.

43. Heyl zu Herrnsheim Niersteiner Pettenheim Riesling Spätlese halbtrocken 1991, Rheingau, Germany. At the estate, July, 2009.

44. Quinta da Roameira Vintage Porto 2007. In Douro Valley, August 2009, at a comprehensive tasting of the 2007 ports at Niepoort.

45. Bruno Giacosa Barbaresco Asili 2007, Piedmont, Italy. Tasted in Piedmont, January, 2010, with winemaker Giorgio Lavagna and a ragtag gaggle of American bloggers.

46 & 47. Catena Zapata Adrianna Vineyard Malbec 2007, Mendoza, & Catena Zapata Adrianna Vineyard Chardonnay 2006, Mendoza. Tasted at the property — the chardonnay with lunch — October 2010.

48. Taittinger Comtes de Champagne Blanc de Blancs Brut 1998. Purchased locally and consumed on New Year’s Eve 2010, with Imperial Osetra caviar from Petrossian.

49. Pfeffingen Ungsteiner Herrenerg Riesling Beerenauslese 2004, Pfalz, Germany. A sample for review, tasted December 2011.

50. Müllen Kinheimen Rosenberg Riesling Kabinett 2002, Mosel-Saar-Ruwer, Germany. Tasted with Lyle Fass in New York, December 2013.

Well, I already see a couple of wines that I should have included in this roster — Chateau d’Yquem 1975, Sauternes, for example — but 50 is a good wholesome round number with an air of closure about it, so let’s leave it alone. And for the future? The process of learning, having our minds changed, our ideas and consciousness expanded never ends. Perhaps there will be candidates for this list from 2014, among them the Clos Saron Stone Soup Vineyard Syrah 2011, Sierra Foothills, made by Gideon Beinstock, and, oddly enough, the Inwood Estates Vineyards Chardonnay 2012, Dallas County, Texas, made by Dan Gatlin. We’ll see how I feel in another 30 years.

Today’s notes feature eight rosé wines, four from France, three from California and one from the state of Virginia. In style they range from ephemeral to fairly robust. I have to take shots at a couple of these examples, but those are the breaks in the realm of wine reviewing. No attempt at technical, historical, geographical or personal information here (you know, the stuff I really dote on); instead, the intent is to pique your interest and whet your palate. Except for the Calera Vin Gris of Pinot Noir 2013, these were samples for review. Enjoy!
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Chateau de Berne Terres de Berne Rosé 2013, Côtes de Provence, France. 13% alc. 50% each grenache and cinsault. Very pale onion skin hue, almost shimmers; light kisses of strawberry, peach and orange rind, hints of dried thyme; bone-dry, crisp and vibrant, loads of scintillating limestone minerality. Really well-made and enjoyable but packaged in an annoying over-designed bottle that’s too tall to fit on a refrigerator shelf. Excellent. About $20.
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Bila-Haut Rosé 2013, Pays d’Oc, France. 13.5% alc. Cinsault and grenache. (From M. Chapoutier) Pretty copper-salmon color; orange zest and raspberries, dusty minerals, notes of rose petals and lavender; quite dry, with limestone austerity, a fairly earthy, rustic style of rose, not in the elegant or delicate fashion. Very Good. About $13.
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Calera Vin Gris of Pinot Noir 2013, Central Coast. 14.7% alc. 466 cases. Bright copper-peach color; think of this as a cadet pinot noir in the form of a rosé; currants and plums, raspberry with a bit of briery rasp; notes of smoke and dried Provencal herbs, hints of pomegranate and orange zest; very clean, fresh and vibrant with a damp limestone foundation. Excellent. About $17.
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Dunstan Durell Vineyard Rosé of Pinot Noir 2013, Sonoma Coast. 13% alc. 92 cases. Light but bright copper-salmon-topaz hue; strawberries and red currants, both fresh and dried, blood orange, note of pomegranate; lovely, lithe and supple but energized by brisk acidity; floral element burgeons and blossoms in the glass, as in rose petals and camellias; very dry, delicate, ethereal yet with a real bedrock of limestone minerality; a touch earthier than the version of 2012. Excellent. About $25.
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Domaine de la Mordorée “La Dame Rousse” 2013, Tavel, France. 14.5% alc. 60% grenache, 10% each cinsault, syrah and mourvèdre, 5% each bourboulenc and clairette. Brilliant strawberry-copper color; strawberries, raspberries and red currants with a touch of peach; very dry and fairly robust for rosé; notes of dried herbs and summer flowers, dominant component of limestone and flint, almost tannic in effect, but overall high-toned and elegant. Excellent. About $30.
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Notorious Pink 2013, Vin de France. Alc% NA. 100% grenache. (Domaine la Colombette) Better to call this one Innocuous Pink. Carries delicacy to the point of attenuation; very pale onion skin color; faintest tinge of strawberry, bare hint of orange zest and limestone; fairly neutral all the way round. Comes in an upscale frosted bottle, woo-hoo. Good. About $20.
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Stinson Vineyards Rosé 2013, Virginia, USA. 12% alc. 100 percent mourvèdre. 120 cases. Ruddy onion skin hue; fresh strawberries and raspberries with cloves and slightly dusty graphite in the back; notes of orange pekoe tea and dried red currants; a little fleshy and floral; bright acidity and a mild limestone-like finish. Very Good+. About $18.
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Robert Turner Wines Mosaic Rosé of Pinot Noir 2013, Santa Lucia Highlands. 14% alc. With 15% cabernet franc. 25 cases. Pale copper-onion skin color; musky and dusky melon, raspberry and strawberry with notes of pomegranate and rhubarb; finely-knit texture, delicate, elegant, lively, with a honed limestone finish. Excellent. About $22.
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