Semillon


With Thanksgiving dinner’s apple-walnut pie and pumpkin pie — from Whole Foods; not baking made for a relaxing morning — we sipped the Renaissance Late Harvest Semillon 2006, North Yuba, Sierra Foothills. Though labeled “semillon,” the wine contains only 57 percent of that grape, the rest of the blend consisting of 33 percent sauvignon blanc, 7 percent roussanne and 2 percent viognier. The color is radiant medium-gold with hints of green at the center. You smell the nectar-like sweetness in the rich baked apricot and peach aromas that carry undertones of roasted grapefruit and pineapple and hints of honeysuckle and jasmine; something exotic wafts up, cloves and sandalwood, lemongrass and papaya. Fermentation took place predominately in stainless steel tanks (75 percent) with the rest in oak barrels; aging occurred in neutral German and French oak. The wine is incredibly dense and chewy, with slick and sleek viscosity — the residual sugar is 5 percent — and while the entry is terrifically sweet and honeyed (does the concept of roasted honey seem beyond the pale?), the finish is startlingly dry. This is not refined or elegant; rather, the effect is frontal, high performance and a bit rustic; baked apple, ginger and quince, again the lemongrass, a sheen of crackling caramel and with the caramel a twist of sea-salt and white pepper; toffee and taffy. The finish is long, very dry, with thyme and green tea. Quite remarkable in its way. 14.8 percent alcohol. Winemaker Gideon Beinstock made 128 cases of half-bottles (375 milliliters) and 30 cases of standard 750 ml bottles. Drink through 2016 or ’18. Excellent. About $35 for the 375s.

A sample for review.


We made a quick trip to New York — up Friday morning, back Sunday afternoon — to celebrate a friend’s birthday with other friends we had not seen in three or four years. Naturally the festivities included a great deal of eating and drinking, as in a small dinner Friday, a large birthday bash dinner Saturday and brunch on Sunday. Here are notes, some brief and some not so brief, on the wines we tried.

Image of NYC skyline in the 1950s from airninja.com.
________________________________________________________________________________________________________________
This was a hit. For dinner we were having a casserole of chicken and sausage and onions and fresh herbs — which was deeply flavorful and delicious — at the B’day Girl’s place, and I thought “Something Côtes du Rhône-ish is called for.” She is fortunate enough to live right around the block from Le Dû’s Wines, the store of Jean-Luc Le Dû, former sommelier for Restaurant Daniel, and we traipsed over to see what was available. She wanted to buy a mixed case of wines, and I wanted to pick up a bottle of Champagne and whatever else piqued my interest.

l’Apostrophe 2009, Vin de Pays Méditerranée, caught my eye. The wine is made by Chante Cigale, a noted producer of Chateauneuf-du-Pape, a pedigree that reveals itself in its full-bodied, rustic savory qualities. A blend of 70 percent grenache, 20 percent cinsault and 10 percent syrah and made all in stainless steel, the wine sports a dark ruby-purple hue and burgeoning aromas of spiced and macerated blackberries, red and black currants and plums. Black and blue fruit flavors are potently spicy and lavish, wrapped in smoky, fleshy, meaty elements and bolstered by a lithe, muscular texture and underlying mossy, briery and graphite qualities. I mean, hell, yes! This was great with the chicken and sausage casserole. Drink through 2013 or ’14. Excellent. About $15-$16, representing Real Value.

Imported by David Bowler Wine, New York. (The label image is one vintage behind.)
___________________________________________________________________________________________________________________

Also at Le Dû’s Wines, I gave the nod to Domaine de Fontenille 2009, Côtes du Luberon, a blend of 70 percent grenache and 30 percent syrah produced by brothers Jean and Pierre Leveque. Côtes du Luberon lies east of the city of Avignon in the Southern Rhone region. This wine was a tad simpler than l’Apostrophe 2009, yet it packed the same sort of spicy, savory, meaty, fleshy wallop of macerated black and blue fruit scents and flavors ensconced in the earthy loaminess and soft but firm tannins of briers and brambles and underbrush. Now that prices for Côtes du Rhône and Côtes du Rhône-Villages have edged above $20 (and $30 even), wines such as Domaine de Fontenille and l’Apostrophe offer reasonable and authentic alternatives. Drink through 2012 or ’13. Very Good+. About $14-$15.

Imported by Peter Weygandt, Washington D.C. (The label image is many vintages laggard but it’s what I could find.)
___________________________________________________________________________________________________________________
With poached fennel-stuffed salmon, we drank the At Riesling 2009, Colli Orientale del Friuli, from Aquila dei Torre — eagle of the tower — which at two years old is as clean as a whistle, fresh and lively, and gently permeated by notes of spiced peach, pear and quince with a background of lychee, lime peel and limestone; there’s a hint of petrol or rubber eraser in the bouquet and a touch of jasmine. Made in stainless steel and spending nine months in tanks, At Riesling 09 offers crisp acidity and a texture cannily poised between ripe, talc-like softness and brisk, bracing, slightly austere spareness; the finish focuses on scintillating minerality in the limestone-slate range. The designation means “the eastern hills of Friuli.” Now through 2013. Very Good+. About $22.

Domenico Selections, New York.
___________________________________________________________________________________________________________________
We drank the Campo San Vito 2004, Valpolicella Classico Superiori Ripasso, with roast beef at the B’Day Girl’s Big Dinner Bash. I first reviewed the wine in July 2009; here are the notes:

For wine, I opened the Campo San Vito Valpolicella 2004, Classico Superiore Ripasso, a wine that also conveyed a sense of intensity and concentration. Ripasso is a method in which certain Valpolicella wines are “refermented,” in the March after harvest, on the lees of Amarone wines; the process lends these wines added richness and depth. The color here is almost motor-oil black, with a glowing blue/purple rim; the bouquet is minty and meaty, bursting with cassis, Damson plums, smoke, licorice and lavender and a whole boxful of dried spices. Yes, this is so exotic that it’s close to pornographic, but the wine is not too easy, on the one hand, or overbearing, on the other, because it possesses the acid and tannic structure, as well as two years in oak, to express its purposeful nature and rigorous underpinnings. Flavors of black currant and plum, with a touch of mulberry, are permeated by spice, potpourri and granite, as if all ground together in a mortar; the finish, increasingly austere, gathers more dust and minerals. Quite an experience and really good with our dinner. Limited availability in the Northeast. Excellent. About $25.

What was the wine like two years later, at the age of seven? A lovely and beguiling expression of its grapes — corvina, molinara, rondinella — still holding its dark ruby hue and all violets and rose petals, tar and black tea and lavender, stewed plums and blueberries with an almost eloquent sense of firmness, mellow, gently tucked-in tannins and vivid acidity, but after 30 or 40 minutes, it began to show signs of coming apart at the seams, with acid taking ascendancy. Drink now. Very Good+ and showing its age, but everyone should hope to do so in such graceful manner.

Imported by Domenico Selections, New York.
___________________________________________________________________________________________________________________
And two rosé wines:

The house of Couly-Dutheil produces one of my favorite Loire Valley rosés, so it’s not surprising that I found the Couly-Dutheil “René Couly” Chinon Rosé 2010 to be very attractive. This is 100 percent cabernet franc, sporting a classic pale onion skin hue with a blush of copper; so damned pretty, with its notes of dried strawberries and red currants over earthy layers of damp ash and loam and a bright undertone of spiced peach, all resolving to red currant and orange rind flavors and shades of rhubarb and limestone. Dry, crisp and frankly delightful. 13 percent alcohol. Drink through Spring 2012. Very Good+. About $19.

Imported by Cynthia Hurley, West Newton, Mass.

Ah, but here comes what could be the best rosé wine I have tasted. O.K., not to be extreme, one of the best rosés I have ever tasted.

L’audacieuse 2010, Coteaux de l’Ardeche, comes in a Big Deal heavy bottle with a deep punt (the indentation at the bottom); instead of being in a clear bottle, to show off the pretty rosé color, L’audacieuse 2010 is contained within a bottle of serious dark green glass. The producers of this prodigy, a blend of 50 percent syrah, 30 percent grenache and 20 percent cinsault, are Benoit and Florence Chazallon. The estate centers around the Chateau de la Selve, a fortified house built in the 13th Century. The grapes for L’audacieuse 2010 are grown under organic methods and fermented with natural yeasts, 1/2 in barriques and 1/2 in concrete vats; it aged six months in barriques. The color is pale but radiant onion skin or what the French call “eye of the partridge.” An enchanting yet slightly reticent bouquet of apples, lemon rind, orange zest and dried red currants wafts from the glass; in the mouth, well, the wine feels as if you were sipping liquid limestone suffused with some grapey-citrus-red fruit essence, enlivened by striking acidity and dry as a sun-bleached bone. While that description may make the wine sound formidable, especially for a rosé — and it is as audacious as its name — its real character embodies elegance and sophistication, integration and balance of all elements, but with something ineffably wild and plangent about it. This is, in a word, a great rosé. 13 percent alcohol. Production was all of 2,100 bottles and 80 magnums. Drink through Summer 2012. Excellent. About $30 and Worth a Search.

Imported by Metrowine Distribution Co., Stamford, Conn.
__________________________________________________________________________________________________________________
I bought the Billecart-Salmon Brut Rosé so LL and I could toast our friend Saturday evening before going to her Big B’Day Bash. The house was founded in 1818, but the Billecart family has roots in Champagne going back to the 16th Century. According to Tom Stevenson, in the revised and updated edition of World Encyclopedia of Champagne & Sparkling Wine (Wine Appreciation Guild, 2003, and really needing another revision and updating), the blend of the Brut Rosé is 35 percent each pinot noir and pinot meunier and 30 percent chardonnay. What can I say? This is a bountifully effervescent rosé Champagne of the utmost refinement, elegance and finesse, yet its ethereal nature is bolstered by an earthy quality that encompasses notes of limestone and shale and by a dose of subtle nuttiness and toffee, while exquisite tendrils of orange rind, roasted lemon and red currants are threaded through it; zesty acidity keeps it fresh and lively. 12 percent alcohol. Excellent. I paid $78; prices around the country vary from about $75 to $90.

Imported by T. Edward Wines, New York.
___________________________________________________________________________________________________________________

If you know anything about Renaissance, located near the town of Oregon House, north of Sacramento in the North Yuba area of the Sierra Foothills, you’ll know that the use of the word “rarities” means that these wines are rare indeed, since the winery usually makes only a few hundred cases, and certainly fewer than a thousand, of most of the wines it produces.

Winemaker Gideon Beinstock is uncompromising in his avoidance of new oak barrels and in advocating a strictly “less-is-more” attitude in the cellar, and the result tends to be wines that may be understated but are decisively authentic and expressive.

Take the Renaissance Carte d’Or Sauvignon Blanc Semillon 2009, Sierra Foothills, a blend of 60 percent sauvignon blanc and 40 percent semillon, fermented in stainless steel and aged 6 months in “neutral French puncheons,” that is, very large, often-used oak barrels. Now we all know what a sauvignon blanc-semillon blend should be like, right? Grapefruit! Lime peel! Green bean! Fig! Grass ‘n’ herbs! Not this glittering shaft of spare elegance. The color is medium straw-gold with a slight green tint; aromas of quince and quinine, roasted lemon and almond skin, teas both green and orange pekoe devolve to a wisp of spiced pear. This is quite dry and sleek, unemphatic in its serene balance yet crisp and lively with almost crystalline acidity; a touch of fig and leafiness, yes, but mostly this is citrus and stone-fruit and a texture riskily poised between taut and talc. I tried the wine, recorked it, stuck it in the fridge and served it with dinner; the clean camellia-tinged floral element was in high gear. LL pronounced it beautiful. 13.2 percent alcohol. Production was — sorry! — 58 cases. Drink through 2013. Excellent. About $20 and definitely Worth a Phone Call. How can they sell such a wine so inexpensively?

I’m sorry to say that Beinstock produced even less of his Renaissance Rosé 2010, Sierra Foothills. Made from 100 percent syrah grapes and, unusually for a rosé, aged four months in neutral French oak barrels, the wine displays the classic pale onion skin hue of a Provençal rosé. The bouquet offers notes of dried strawberries and peaches, a touch of apple, hints of woodsy spice, orange rind and watermelon. These qualities are consistent in the mouth, where the wine is delicate, subtle and supple, though after a few minutes in the glass it gains a bit of weight, becoming more ripe, a little fleshy. Overall, though, this rosé is an elegant and evanescent tissue of grace and charm — spare, deliberate, exquisite. 12.6 percent alcohol. Production? Well, 23 cases don’t go very far; again, this is a matter of calling the winery and seeing if they’ll send a few bottles. Drink through 2013. Excellent. About $18.

These were samples for review.

In the indispensable Grand Vins: The Finest Chateaux of Bordeaux and Their Wines (University of California Press, 1995), Clive Coates unravels the long and tangled familial, political and financial history of Sauternes’ three “Doisy” estates: the two most prominent, Doisy-Védrines and Doisy-Daëne, and the seldom-seen Doisy-Dubroca, which produces only about 500 cases annually. All three were awarded Second Growth ranking in the 1855 Classification of the wines of Sauternes and Barsac; arguments could be made for or against that status now, but certainly Védrines and Daene often make superb sweet wines, while Dubroca would be difficult to make a case for since it is so rarely encountered. Suffice to say that Doisy was once a single and ancient vineyard that was divided in the 1830s or ’40s. Our concern today is Chateau Doisy-Védrines, because I recently tried Doisy-Védrines 2005, two glasses of which, in an untypical fit of decadence, I consumed with a lunch of pan perdu, maple syrup and blackberries. The property has been owned by the Castéja family since 1840. The estate covers just over 66 acres; the vineyards are planted with 80 percent semillon grapes, 15 percent sauvignon blanc and 5 percent muscadelle. For 2005, the wine spent 18 months in oak, 70 percent new barrels.

Chateau Doisy-Védrines 2005, Sauternes, sports a radiant medium gold color that goes quite delicate and limpid around the rim. The first impression is of ripe, spiced, macerated and roasted peaches, apricots and pineapple infused with honey, vanilla and cloves and a burgeoning element of honeysuckle, camellia and bees’-wax; the sense is of filigrees upon filigrees of scents layered in ethereal jewel-like proximity. Some dessert wines feel as heavy as money in the mouth; this, while not attaining elegance, is more refined than weighty, more supple than o’ermastering. Upon entry, Doisy-Védrines 05 is powerfully sweet and honeyed, with the super-ripe, earthy, creamy character we expect from a vintage that was rich in flavor but a little low in acid; this lacks somewhat the essential tension and ultimate resolution between enveloping richness and piercing acidity — I first wrote “squinching” acidity; do you get it? — that mark the best products of Sauternes and Barsac. This is, still, as lovely as it gets, and the acid does plow a moderate swath on the palate and the (slightly rotten) luscious peach and apricot flavors are tempered by a hint of bright green apple and toasted hazelnuts, all of this panoply leading to a finish that’s dry and a little austere and permeated by limestone. 14 percent alcohol. Drink now through 2015 to ’18, well-stored. While my French toast may have been an extreme pairing — it really shivered my timbers — you could try this wine with simple fruit desserts, or just a plain shortbread cookie, or a piece of fine bleu cheese. Excellent. Prices on the Internet reveal a ludicrously wide range from about $30 to $60; look, realistically, for $45 to $50.

A sample for review. Image of Chateau Doisy-Védrines by Neal Martin at Wine Journal.

Two French wines made from blends of grapes, a white from Bordeaux’s Graves region and a red from Corbieres in Languedoc.
_____________________________________________________________________________________________________________________
Chateau Graville-Lacoste is owned by Hervé Dubourdieu, whose family roots in Graves and Sauternes, southeast of the city of Bordeaux along the Garonne river, go back to 1890. His other properties are Chateau Ducasse, for Bordeaux Blanc, and Chateau Roûmieu-Lacoste, where he makes a lovely, sweet, nervy but delicate Sauternes; the irresistible 2005, made from 100 percent semillon grapes, is available in half-bottles for about $22 (Very Good+).

The dry white Graville-Lacoste 2010 — fresh, clean, pure and intense — is a blend of 60 percent semillon grapes (a high percentage for dry Graves), 35 percent sauvignon blanc and 5 percent muscadelle. Produced all in stainless steel, the wine is lively and compelling, with fetching aromas of celery and tarragon, sage and thyme woven with roasted lemon and pear and hints of leafy fig; in the mouth, the citrus-and-fig-flecked flavors carry a deep bell-tone of black currant bolstered by an earthy character shot through with shattering acidity and scintillating limestone elements. This is an elegant, buoyant Graves, sleek and stylish, that finishes in a wash of austere limestone and chalk. Drink through 2012 or ’13 with trout sauteed with brown butter and capers or grilled shrimp. 12 percent alcohol. Excellent. About $19 to $22.

Imported by Kermit Lynch, Berkeley, Cal. Tasted at a wholesaler’s trade event. The label image says 2009, but it is the 2010 under review here.
___________________________________________________________________________________________________________________ The distance from the city of Bordeaux to the city of Narbonne in Languedoc is 352.37 kilometers or 219 miles; a train ride takes 3 hours and 14 minutes. While in geological terms that’s not much of a stretch — one hardly needs Seven-League-Boots — in the realm of geography these are different worlds. As diverse as it is in micro-climates, the Bordeaux’s Left Bank is relatively flat and influenced by Atlantic winds and moisture; Languedoc is hilly, occasionally even mountainous, and its dry, stark climate is definitely Mediterranean. A good area then for Rhône-style grapes and wine, so our red Wine of the Week is Blason d’Aussières 2008, from the region of Corbières, a vast area to the west and southwest of Narbonne. The property is ancient, going back to the Roman days of grape-growing in southern France, but no, the vineyards are not that old. The estate was acquired by Domaines Barons de Rothschild (Lafite) in 1999, and much replanting and upgrading have occurred.

Blason d’Aussières 2008, which matured 20 percent in barrels and 80 percent in large vats for 18 months, is composed of 45 percent syrah grapes, 40 percent grenache and 15 percent mourvèdre. The wine is rich and dark and deep but balanced by dusty, mineral-laden tannic austerity and vibrant acidity. Blackberries, blueberries and spicy mulberries define the aromas and flavors, to which a few minutes in the glass bring notes of roses and lavender, licorice and bitter chocolate and a hint of tar; a bit more time unfolds touches of thyme, sage and black olive. Despite its sense of depth and gravity, the wine flows in smooth and mellow fashion across the tongue and palate, making for a drink that offers delight as well as levels of seriousness. We opened this wine with Jamie Oliver’s Pasta alla Norma, a robust dish with eggplant, tomatoes, oregano, basil and a bit of red pepper flakes. 14 percent alcohol. Now through 2013. Very Good+ About $20.

Pasternak Wine Imports, Harrison, N.Y. A sample for review.
___________________________________________________________________________________________________________________

« Previous Page