Sauvignon blanc


As CEO of Merryvale Vineyards from 1997 to 2009, Peter K. Huwiler developed contacts with all sorts of growers and owners of top-quality vineyards and wineries in the disparate regions of Napa Valley. As president and CEO of Napa Station, he draws on those contacts for grapes and wine that make up the small range of products offered by Napa Station, a family concern that he operates with his son Peter Huwiler II, who handles sales and marketing. Huwiler, originally from Switzerland, left a worldwide career in the restaurant business to work in wine, first for Stimson Lane in Washington, then, beginning in 1990, as head of national accounts and exports for Kendall-Jackson. Napa Station, so far, is almost minuscule compared to what is now Ste. Michelle Wine Estates and K-J; total production for Napa Station is about 10,000 cases annually. There’s still a connection with Merryvale; Napa Station’s winemaker is Faith Armstrong-Foster, who is married to Sean Foster, Merryvale’s senior winemaker. Armstrong-Foster was previously assistant winemaker at Frank Family Vineyards; she also has her own label, Onward. The Napa Station wines are very well-made, clean, balanced and harmonious, and prices are reasonable. Deriving grapes from as many as five growing areas of the Napa Valley, these wines strive, it seems, for a sort of authentic “Napa Valleyness” in terms of ripeness and structure without being identified with a specific region like Rutherford or Howell Mountain. Oak is managed very carefully, and as far as I am concerned, Armstrong-Foster could give lessons to many winemakers in California that seem to throw oak at their wines with reckless abandon.
These wines were samples for review. Image of Faith Armstrong-Foster from napastation.com.
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The Napa Station Sauvignon Blanc 2009 draws grapes from three areas of Napa Valley: Oak Knoll (predominantly), Carneros and Rutherford. Most of the wine remains in stainless steel tanks for fermentation and aging, though 18 percent goes into neutral — meaning used several times — French oak barrels for four months. No malolactic process occurred, so the wine retains considerable freshness and immediate appeal. The wine includes 2 percent semillon grapes. The color is medium straw-gold; bright aromas of apple and roasted lemon curl around elements of pear and melon and ginger, with touches of grass, dried thyme and tarragon. A lovely texture that nicely balances moderate richness with pert and sassy acidity delivers flavors of lemon and pear that open to hints of leafy fig and a finish that combines a note of grapefruit bitterness with burgeoning limestone minerality; here, one feels the slight sway of burgeoning spicy oak. A pretty suave and sophisticated sauvignon blanc for the price. 13.5 percent alcohol. 1,610 cases. Very Good+. About $15, representing Good Value.
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Again, as with the Sauvignon Blanc 09, there’s no new oak in the Napa Station Chardonnay 2008; the wine is made primarily in stainless steel (73 percent) with the rest aging six months in one- and two-year old French barriques. Twenty-three percent of the wine goes through malolactic, lending smoothness and touches of lushness, yet the balance leans toward crisp acidity and a scintillating minerality. The color is moderate straw-gold with a tinge of green; the nose is bright and clean, an attractively fresh amalgam of green apple, pineapple and grapefruit pungent with cloves, lime peel and limestone and a fleeting nuance of Chablis-like gunflint. While it’s quite dry, this chardonnay rolls across the palate like money, offering tasty lemon, peach and baked pear flavors as it simultaneously builds the case for spicy wood and spry acidity. It’s dense and chewy for an inexpensive chardonnay, with more lime peel and a note of grapefruit skin on the finish. A really well-made chardonnay for the price. 13.5 percent alcohol. 1,615 cases. Excellent. About $16, a Great Value.
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The Napa Station Merlot 2008 is a blend of 77 percent merlot, 21 percent cabernet sauvignon and 2 percent petit verdot, sourced from three areas of Napa Valley but mainly Los Carneros. The wine aged 22 months in a combination of small oak puncheons (which is to say larger than the standard 59-gallon barrique) and French barriques, 22 percent new. The color is dark ruby with a violet rim, meaning where the surface of the wine touches the glass when you tilt the glass away from you. Intense and concentrated aromas of black currants, cherries and raspberry are permeated by hints of cedar and tobacco, a little toasty/caraway quality and a touch of briers and brambles. This is firm, savory merlot endowed with finely knit, velvety tannins, vivid acidity and a deep graphite-tinged minerality joined by a plethora of foresty/underbrush elements; an hour or so mellows and smooths it out nicely and brings out the spicy black fruit/black tea flavors. Drink now through 2013. Alcohol content is 14.5 percent. 525 cases. Excellent. About $22.
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Presently, the Napa Station Cabernet Sauvignon 2007 is defined by structure. The wine is a blend of 88 percent cabernet sauvignon grapes, 9 percent merlot, 2 percent malbec and 1 percent petit verdot; the Huwiler boys draw these grapes from five Napa Valley areas: Rutherford, Oakville, Stags Leap, Atlas Peak and Carneros. The wine aged 20 months in small puncheons and French barriques, 21 percent new. A reflection of a year that produced deep, intense and concentrated cabernets, the Napa Station Cabernet Sauvignon 2007 is quite substantial, a wine packed with dense tannins and all the elements of walnut shell, dried porcini, forest and underbrush that indicate the necessity of additional time in the bottle, say two years, to become more approachable. Even tasted 24 hours later, this wine asserted its compositional prowess and its dominance over fruit, though I bet if you opened a bottle tonight and served it with a great medium-rare steak, a porterhouse for two, say, hot and crusty from the grill, you would be quite happy. 14.5 percent alcohol. 2,525 cases. Very Good+ with Excellent potential. About $23.
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Classic Medoc in style — that is to say, it feels like Left Bank Bordeaux — the Napa Station Cabernet Sauvignon 2008 is the wine to drink while waiting a year or two for its cousin from 2007 to gentle down and learn company manners. Slight differences in origin and production: As a grape source, Atlas Peak is dropped in favor of Howell Mountain; the composition is 87 percent cabernet sauvignon, 8 percent merlot, 4 percent petit verdot and — where did this “unclassic” dollop come from? — 1 percent petite sirah; the wine aged 22 months in small puncheons and barriques, 23 percent new. The color is dark ruby with an almost opaque center; nicely-defined aromas of black currants and cherries, with cedar and thyme, black olive and a touch of bell pepper set the stage for a well-balanced and integrated cabernet that displays lively acidity, firm but pliant tannins (embodying some dusty, graphite-like minerality) and macerated black fruit flavors bolstered by a flourish of spicy oak. No edges, no surprises, but thoroughly enjoyable; restaurants could sell the hell out of this wine at $10 in by-the-glass programs. 14.5 percent alcohol. Production was 3,450 cases. Very Good+. Price not available; to be released Sept. 1.
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The theme today, such as it is, is diversity. I chose eight wines that were either 100 percent varietal (or a little blended) from eight different regions as a way of demonstrating, well, I guess the amazing range of places where wine can be made. Eight examples barely scratch the surface of such a topic, of course, and a similar post could probably be written in at least eight variations and not use the same grapes as primary subjects. Another way would be to create a post called “1 grape, 8 Places,” to show the influence that geography has on one variety. That topic is for another post, though. All the whites were made in stainless steel and are perfect, each in its own manner, for light-hearted summer sipping. The reds, on the other hand, would be excellent will all sorts of grilled red meat, from barbecue ribs to steaks.
All samples for review or tasted at trade events.
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Sauvignon blanc:
The Long Boat Sauvignon Blanc 2009, Marlborough, from Jackson Family Wines, is the archetypal New Zealand model that bursts with pert notes of gooseberry, celery seed, new-mown grass, thyme, tarragon and lime peel; it practically tickles your nose and performs cart-wheels on your tongue. It’s very dry, very crisp, a shot of limestone and chalk across a kiss of steel and steely acidity that endow with tremendous verve flavors of roasted lemon, leafy fig and grapefruit. That touch of grapefruit widens to a tide that sends a wave of bracing bitterness through the mineral-drenched finish. Truly scintillating, fresh and pure. 12.8 percent alcohol. Very Good+. About $15.
Sovereign Wine Imports, Santa Rosa, Ca.
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Riesling:
The Gunderloch “Jean-Baptiste” Riesling Kabinett 2009, Rheinhessen, Germany, is a fresh, clean and delicate wine that opens with hints of green apple and slate and slightly spiced and macerated peaches and pears; a few minutes in the glass bring out a light, sunny, almost ephemeral note of petrol and jasmine. Ripe peach and pear flavors are joined by a touch of lychee and ethereal elements of lime peel, grapefruit and limestone that persist through the finish; the texture is sleek, smooth and notably crisp and lively. Really charming. 11 percent alcohol. Very Good+. About $18.
Rudi Wiest for Cellars International, San Marcos, Ca.
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Chenin blanc:
Made from organically-grown grapes, the Heller Estate Chenin Blanc 2009, Carmel Valley, California, is refined, elegant, almost gossamer in its exquisite melding of tart apple and ripe peach with spiced pear and a hint of roasted lemon; there’s a touch of chenin blanc’s signature dried hay-meadowy effect as well as a hint, just a wee hint, of riesling’s rose petal/lychee aspect. (This wine typically contains 10 to 15 percent riesling, but I can’t tell you how much for 2009 because I received not a scrap of printed material with this shipment, and the winery’s website is a vintage behind; hence the label for 2008. Hey, producers! It doesn’t take much effort to keep your websites up-to-date!) Anyway, the wine is crisp and lively with vibrant acidity and offers a beguilingly suave, supple texture. It’s a bit sweet initially, but acid and subtle limestone-like minerality bring it round to moderate dryness. Lovely. 13.5 percent alcohol. Excellent. About $25.
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Chardonnay:
Roland Lavantureux makes two wines, a Chablis and a Petit Chablis. Both are matured 2/3 in stainless steel tanks and 1/3 in enamel vats; the Petit Chablis for eight months, the Chablis for 10. The domaine was founded in 1978 and is family-owned and operated. The Roland Lavantureux Petit Chablis 2009 makes you wonder how the French wine laws differentiate between “little” Chablis and “regular” Chablis. This rated a “wow” as my first note. It feels like a lightning stroke of shimmering acidity, limestone and gun-flint tempered by spiced and roasted lemon and hints of quince, mushrooms and dried thyme. This wine serves as a rebuke to producers who believe that to be legitimate a chardonnay must go through oak aging; it renders oak superfluous. (Yes, I know, oak can do fine things to chardonnay used thoughtfully and judiciously.) The Roland Lavantureux Petit Chablis 09 radiates purity and intensity while being deeply savory and spicy; it’s a natural with fresh oysters or with, say, trout sauteed in brown butter and capers. A very comfortable 12.9 percent alcohol. Very Good+. About $19 to $23.
Kermit Lynch Imports, Berkeley, Ca.
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Pinot noir:
Bodega Chacra, which makes only pinot noir wines, was established in Argentina’s Patagonia region — the Rio Negro Valley in northern Patagonia — in 2004 by Piero Incisa della Rochetta, the grandson of Mario Incisa della Rocchetta, the creator and proprietor of Sassicaia, one of the most renowned Italian wineries, and nephew of Niccolo’ Incisa della Rocchetta, who currently manages the family’s winemaking enterprises. Bodega Chacra produces three limited edition pinot noirs, one from a vineyard planted in 1932, one from a vineyard planted in 1955, and the third made from a combination of these old vineyards and grapes from two 20-year-old vineyards. The vineyards are farmed on biodynamic principles; the wines are bottled unfiltered. The Barda Pinot Noir 2010, Patagonia, is an example of the third category of these wines. It spends 11 months in French oak barrels, 25 percent new. Barda Pinot Noir 2010 is vibrant, sleek, stylish and lovely; the bouquet is bright, spicy and savory, bursting with notes of black cherry, cranberry and cola highlighted by hints of rhubarb, sassafras and leather. It’s dense and chewy, lithe and supple; you could roll this stuff around on your tongue forever, but, yeah, it is written that ya have to swallow some time. Flavors of black cherry and plum pudding are bolstered by subtle elements of dusty graphite and slightly foresty tannins, though the overall impression — I mean, the wine is starting to sound like syrah — is of impeccable pinot noir pedigree and character. 12.8 percent alcohol. Drink now through 2014 or ’15. Excellent. About $30.
Imported by Kobrand Corp., Purchase, N.Y.
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Zinfandel:
If you grow weary, a-weary of zinfandel wines that taste like boysenberry shooters, then the Grgich Hills Estate Zinfandel 2008, Napa Valley, California, is your cup of, as it were, tea. No bells and whistles here, just the purity and intensity of the zinfandel grape not messed about with. Grgich Hills is farmed entirely organically and by biodynamic principles, and winemaker Ivo Jeramaz uses oak judiciously, in this case 15 months in large French oak casks, so there’s no toasty, vanilla-ish taint of insidious new oak. The color is medium ruby with a hint of violet-blue at the rim; the nose, as they say, well, the nose offers a tightly wreathed amalgam of deeply spicy, mineral-inflected black and red currants and plums with a swathing of dusty sage and lavender, wound with some grip initially, but a few minutes in the glass provide expanse and generosity. Amid polished, burnished tannins of utter smoothness and suppleness, the black and red fruit flavors gain depths of spice and slate-like minerals; the whole effect is of an indelible marriage of power and elegance and a gratifying exercise in ego-less winemaking. 14.7 percent alcohol. We drank this with pizza, but it would be great with any sort of grilled or braised red meat or robustly flavored game birds. Excellent. About $35.
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Cabernet sauvignon:
You just have to rejoice when you encounter a cabernet, like the Susana Balbo Cabernet Sauvignon 2008, Mendoza, Argentina, that radiates great character and personality — yes, those are different qualities — and maintains a rigorous allegiance to the grape while expressing a sense of individuality and regionality. The vineyards average 3,510-feet elevation; that’s way up there. Five percent malbec is blended in the wine; it aged 15 months in French oak, 80 percent new barrels, and while that may seem like a high proportion of new oak, that element feels fully integrated and indeed a bit subservient to the wine’s strict high-altitude tannins and granite-like minerality. Aromas of black currants and black plums are ripe and fleshy, a bit roasted and smoky, yet iron-like, intense and concentrated; a few moments in the glass bring up classic touches of briers and brambles, cedar and wheatmeal, thyme and black olive, a hint of mocha. This is a savory cabernet, rich, dry, consummately compelling yet a little distant and detached, keeping its own counsel for another year or two, though we enjoyed it immensely with a medium rare rib-eye steak. What’s most beguiling are the broadly attractive black and blue fruit flavors permeated by moss and loam and other foresty elements married to muscular yet supple heft, dimensional and weight. 14 percent alcohol. Drink now through 2016 to ’18. Excellent. About $25.
Imported by Vine Connections, Sausalito, Ca.
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Tempranillo:
Here’s a terrific, slightly modern version of Rioja, by which I mean that it’s not excessively dry, woody and austere, as if made by ancient monks putting grapes through the Inquisition. Bodegas Roda was founded by Mario Rotillant and Carmen Dautella in 1991, in this traditional region that abuts Navarra in northeastern Spain. The deep and savory Roda Reserva 2006, Rioja, Spain, blends 14 percent graciano grapes and five percent garnacha (grenache) with 81 percent tempranillo; the wine is aged 16 months in French oak, 50 percent new barrels, and spends another 20 months in the bottle before release. The color is rich, dark ruby, opaque at the center; aromas of black currant and black raspberry are infused with cloves and fruit cake, sage and thyme, bacon fat, leather and sandalwood, with something clean, earthy and mineral-drenched at the core. That sense of earth and graphite-like minerality persists throughout one’s experience with the wine, lending resonant firmness to the texture, which also benefits from finely-milled, slightly dusty tannins and vibrant acidity, all impeccably meshed with smoky, spicy flavors of black and red fruit and plum pudding. 14 percent alcohol. An impressive, even dignified yet delicious wine for drinking now, with grilled meat and roasts, or for hanging onto through 2016 to ’18. Excellent. About $45.
Imported by Kobrand Corp., Purchase, N.Y.
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When I was a kid, I thought that picnics must be pretty damned cool and racy events, because I was familiar with Manet’s great painting Dejeuner sur l’herbes that hangs in the Musee d’Orsay in Paris. In the book of reproductions that I looked at constantly, the two men and two women depicted in the work were described as “dining al fresco,” and since one of the women was nude and the other partially so, I thought that a picnic meant eating outside naked. Well, it didn’t turn out that way, damnit, but naked or not, picnics (under controlled conditions) can be quite charming. The foods I favor at these occasions include deviled eggs, cold roasted chicken, cucumber sandwiches, potato salad and strawberry shortcake; I don’t normally cotton to strawberries, the stupidest of the berry line, but in the picnic situation, they’re allowed. What’s also allowed are young, fresh, attractive wines that we can enjoy without worrying our pretty little heads too much; wines that offer an interesting level of complexity without being ponderous or demanding or shrill. That’s what I bring to you today, because as the temperature moderates slightly in some parts of the United States of America, My Readers might be contemplating picnics, even if they occur on the safety of their own porch or patio or backyard, rather than say, Yosemite.

None of these wines sees the least smidgeon of oak; none has an alcohol content higher than 13 percent; all slide across the counter at a reasonable price. The primary motifs are charm, delight, drinkability. With one exception, these wines are from vintage 2010; one is from 2009. All rate Very Good+ with one exception, and that’s a superb rosé that I scored Excellent. These are versatile wines intended to match with all sorts of casual fare, not just my ideal picnic menu. Samples for review, except for one that I bought.

Image from artchive.com.
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Let’s start with a delightful sip of something just a little sweet. Innocent Bystander Moscato 2010, Yarra Valley, from an area just northeast of Melbourne in Australia’s Victoria region, is exactly the color in your glass as you see in this illustration: a very pale melon/bubble gum pink. It’s what Italians call frizzante, which is to say sparkling but more of a light fizz than gushing effervescence. The wine is a blend of 65 percent muscat of Alexandria and 35 percent muscat of Hamburg. Here is pure raspberry and strawberry notched up by a spike of lime with delicate scents of watermelon and rose petals and something slightly earthy and foxy. In the mouth, Rainier cherries and orange zest come into play and a hint of cloves enveloped in chiming acidity and a bit of limestone-like minerality. The wine is slightly sweet initially, but it quickly goes bone-dry, while retaining a sense of ripe softness and talc-like lushness balanced by that crisp structure and gentle, fleeting bubbles. Absolutely charming and — a word I seldom employ apropos wine — fun. 5.5 percent alcohol, so you can drink a lot! Very Good+. Half-bottles about $10 to $12.
Old Bridge cellars, Napa, Ca.
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Torres Vina Esmeralda 2010, Catalunya, Spain. Well, now, what a sweetheart this one is! The color is pale straw-gold with a slight green sheen. The wine is composed of 85 percent muscat of Alexandria grapes and 15 percent gewurztraminer, so it’s not surprising that what you first notice about the bouquet are aromas of jasmine and honeysuckle, followed by peach and pear, and then a hint of lychee and petrol. The wine is sprightly, spicy, snappy, quite dry; it’s permeated by prominent strains of limestone and shale (though the texture is moderately lush) that bolster flavors of roasted lemon, canned lychee and some of its juice and a touch of peach nectar, all devolving to a stony, acid-lashed finish that reveals a hint of bracing grapefruit bitterness. Really charming. 11.5 percent alcohol. Very Good+. About $15.
Imported by Dreyfus, Ashby & Co., N.Y.
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Albariño is Spain’s white grape of the moment, and the Martin Códax Albariño 2010, Rías Baixas (in Galicia in northwest Spain) is a worthwhile interpretation. I found this wine’s invigorating dry grass-sea salt-roasted lemon-limestone character irresistible, and it immediately put me in mind of trout seared in an iron skillet with butter and capers over a camp fire (or Coleman stove), though that example truly sounds more like a cook-out on a camping trip than a halcyon picnic in a bosky dell. Add to those qualities hints of dried thyme and tarragon, yellow plums, quince and ginger, touches of fennel and cloves and a late-comer bloom of jasmine, and you get a well-nigh perfect picnic or patio wine. 13 percent alcohol. Very Good+. About $15.
Imported by Martin Codax USA — i.e., Gallo — Haywood, Ca.
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Grapes for the Chamisal Vineyards Stainless Chardonnay 2010, Central Coast, derive from all up and down the vast Central Coast region of California, but include a portion from the winery’s estate vineyard in the Edna Valley of San Luis Obispo. I love the name of this wine — “Stainless Chardonnay,” as if it were a product of immaculate conception — but the free-of-sin cuteness makes a point; this wine is made all in stainless steel and goes through no malolactic process in tank, so it functions as an epitome of freshness, bright flavors, vibrancy and minerality; it’s not just “no-oak” but “anti-oak.” My first note is “Lovely.” Pineapple and grapefruit scents and flavors are imbued with hints of mango and guava (though the wine seems not a whit tropical) and touches of quince and lime. The texture is shapely and supple; it just feels beguiling sliding through the mouth, while plenty of limestone and steel and a hefty dose of jazzy acidity keep the keel on a purposeful cutting path across the palate. Thoughtful winemaking here from New Zealand native Fintan du Fresne. 13.5 percent alcohol. Very Good+. About $18.
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With its engaging manner, crisp liveliness and lovely tone and presence, the Domaine du Salvard Cheverny 2010 seduces the nose and gladdens the mouth. Made all in stainless steel from 100 percent sauvignon blanc grapes, this product of a small appellation south of the city of Blois and the Loire River offers notes of fresh-mown grass, dried thyme and tarragon, roasted lemon and ripe pear and heaps of lime and limestone. Lemon and lime flavors are touched by hints of sunny, leafy fig with a bell-tone echo of black currant at the center. Juicy and spicy, yes, but dry, stony, steely, deftly balanced between scintillating acidity and a delicately ripe, rich texture. The domaine was founded in 1898 by the Delaille family and has been owned by them since then; it is operated by Gilbert Delaille and his sons Emmanuel and Thierry. 12 percent alcohol. Very Good+. About $15 to $18.
Imported by Kermit Lynch, Berkeley, Ca.
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Befitting a white wine that hails from an island, the Sella & Mosca La Cala 2009, Vermentino di Sardegna, is savory and spicy, brisk as a sea-wind fledged with brine, replete with notes of pear and almond skin, a sort of sunny lemony quality, and underlying hints of bees’-wax and jasmine. The winery was founded in 1899 by two friends from Piedmont named — ready? — Sella and Mosca. The wine is made from 100 percent vermentino grapes, some of which, after harvest, are allowed to dry before being pressed, a process that adds some richness and depth to the wine without detracting from its notable freshness and immediate appeal. Ringing acidity keeps La Cala 09 vibrant and resonant as a bow-string, yet the tautness is balanced by a texture of almost powdery softness. Completely lovely. 12.5 percent alcohol. Very Good+. About $12, an Absolute, Freaking Bargain.
Palm Bay International, Boca Raton, Fla.
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Boy, is this pretty! The Bindi Sergardi Oriolus 2009, Bianco di Toscana, made in stainless steel, is a blend of trebbiano, malvasia Toscana and chardonnay grapes, to produce an unusual and very attractive combination. “Bianco di Toscana” is a basic designation that means, as if you didn’t know, “white wine of Tuscany,” so producers can do just about anything they want with it. In the case of Oriolus 09, we have a light straw color with a sort of ghostly green tone and a bouquet of almond and almond blossom, spicy lemon and lemon balm, cloves and shale and limestone. A few minutes in the glass bring up elements of spiced peach and pear, which provide high-notes in the aromas but dominate flavors bolstered by clean, fresh acidity and subtle touches of dried herbs, tangerine and steely limestone. 12 percent alcohol. Very Good+. About $15.
Imported by Le Vignoble, Cordova, Tenn.
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Luna Mater Franscati Superiore Secco 2009, produced by Fontana Candida, represents a rendition of the famous “wine of Rome” that is indeed superior. Such quality might not be such a difficult task to attain considering that most Frascati is bland and innocuous, but efforts are being made, and Luna Mater — “Mother Moon” — is among the best. Made all in stainless steel, the wine is a blend of 60 percent malvasia bianca di Candia, 30 percent trebbiano Toscano and 10 percent malvasia del Lazio, from vineyards that average 50 years old. What’s here? Almond and almond blossom with a touch of almond skin bitterness; green apples, roasted lemon and a bit of peach; dried thyme and lemon verbena; a very dry, steely and minerally effect in the mouth, with taut acidity, a rousing note of breeze-borne sea-salt and salt-marsh; rollicking spiciness from mid-palate back through a finish flecked with quince and ginger. 12.5 percent alcohol. Very Good+. About $23.
VB Imports, Old Brookville, N.Y.
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Chateau des Annibals “Suivez-moi-jeune-homme” 2010, Coteaux Varois en Provence, from the area of Provence between Marseilles and Toulon, an absolutely classic South-of-France-style rosé, a blend of 60 percent cinsault grapes and 40 percent grenache, with a lovely pale onion skin color slightly tinted with very pale copper; dried raspberries and red currants with a tinge of melon and peach; bone-dry, scintillating acidity, a spicy finish flush with limestone; wonderful tautness and presence, a little electrifying yet pleasantly supple and nuanced. The best rosé I’ve had this summer. 13 percent alcohol. Excellent. About $18 to $20.
Bourgeois Family Selections, Asheville, N.C. I bought this one.
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That’s probably the most obvious and the lamest title anyone could come up with for this post, but so be it. The point is that these blended wines from X Winery will, um, hit the spot for your many wine needs this weekend, and in many states and cities, where wine and liquor stores stay open until 10 or 11 p.m., you have half a day in which to shop. X Winery released its first wines in 2001, beginning with 1600 cases. The result of Reed Renaudin’s thesis at Cal Poly-San Obispo, where he obtained an MBA, X Winery draws on highly-sought vineyards, such as Truchard and Sangiacomo in Carneros, Spring Mountain in Napa Valley and Roach Vineyards in St. Helena, for its reasonably priced wines. Its flagship wines, the Amicus Cabernet Sauvignon and Amicus Special Blend, at $55 and $45 respectively, are still reasonably priced for the quality and the competition. Today though, we’re looking at the bargain-priced White X and Red X wines. Winemakers are Reed Renaudin and Gina Richmond. These were samples for review.
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The X Winery White X 2010, North Coast, is a blend of 55 percent sauvignon blanc, 18 percent chardonnay, 16 percent riesling and 11 percent malvasia bianca. This is indeed a North Coast wine, deriving from Lake (43%), Mendocino (25%), Napa (18%) and Sonoma (14%) counties. White X is made in stainless steel. This is a fresh, crisp and perky wine that offers a bouquet of melon and pear, touches of quince, ginger, orange zest and roasted lemon, and beguiling notes of honeysuckle and jasmine. What’s interesting about this wine, besides the fact that it’s downright delicious, is the way in which you identify its components as you drink: “Ah, there a bit of sauvignon blanc herbaceousness and leafy fig. And there’s a hint of chardonnay’s body and grapefruit-pineapple character; riesling’s lime, peach and limestone; malvasia bianca’s spice and flowers,” and it all rolls seamlessly over your grateful taste buds to a dry, tart, slightly austere finish. We drank this one night with Jamie Oliver’s Fennel Risotto with Ricotta and Dried Chili; the wine was charming, but the risotto was not as good as the first time I made it, something about the barometric pressure and my bad mood, I guess, risotto is so damned sensitive. 13.9 percent alcohol. Drink through 2012. Very Good+. About $15.
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The X Winery Red X 2009, North Coast, is a robust, wild and woolly blend of 52 percent syrah, 19 percent mourvèdre, 17 percent zinfandel and 12 percent grenache, drawn from Los Carneros (48%) and Mendocino (21%), Napa (16%) and Lake (15%) counties. Red X 09, as did its predecessors — the brand debuted in 2003 — delivers exuberant elements of black currants and cherries, blueberry and a touch of tart cranberry woven with briers and brambles, cloves and allspice and deep notes of black olive and dried thyme; think of it as a Côtes-du-Rhône with the addition of some bold and spicy California zinfandel. Though juicy black and blue fruit flavors dominate in the mouth, touches of leather, underbrush, graphite-like minerals and slightly toasty oak bolster the depths. The texture is supple and smooth, with a bit of litheness and sinew in structure and finish. The wine aged 21 months in oak, 20 percent new French and 10 percent new American barrels, the rest of the barrels being neutral, that is well-used. We drank this quite successfully with a charcuterie spread for dinner last night. 14.5 percent alcohol. Drink through 2012 or ’13. Very Good+. About $15.
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Two French wines made from blends of grapes, a white from Bordeaux’s Graves region and a red from Corbieres in Languedoc.
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Chateau Graville-Lacoste is owned by Hervé Dubourdieu, whose family roots in Graves and Sauternes, southeast of the city of Bordeaux along the Garonne river, go back to 1890. His other properties are Chateau Ducasse, for Bordeaux Blanc, and Chateau Roûmieu-Lacoste, where he makes a lovely, sweet, nervy but delicate Sauternes; the irresistible 2005, made from 100 percent semillon grapes, is available in half-bottles for about $22 (Very Good+).

The dry white Graville-Lacoste 2010 — fresh, clean, pure and intense — is a blend of 60 percent semillon grapes (a high percentage for dry Graves), 35 percent sauvignon blanc and 5 percent muscadelle. Produced all in stainless steel, the wine is lively and compelling, with fetching aromas of celery and tarragon, sage and thyme woven with roasted lemon and pear and hints of leafy fig; in the mouth, the citrus-and-fig-flecked flavors carry a deep bell-tone of black currant bolstered by an earthy character shot through with shattering acidity and scintillating limestone elements. This is an elegant, buoyant Graves, sleek and stylish, that finishes in a wash of austere limestone and chalk. Drink through 2012 or ’13 with trout sauteed with brown butter and capers or grilled shrimp. 12 percent alcohol. Excellent. About $19 to $22.

Imported by Kermit Lynch, Berkeley, Cal. Tasted at a wholesaler’s trade event. The label image says 2009, but it is the 2010 under review here.
___________________________________________________________________________________________________________________ The distance from the city of Bordeaux to the city of Narbonne in Languedoc is 352.37 kilometers or 219 miles; a train ride takes 3 hours and 14 minutes. While in geological terms that’s not much of a stretch — one hardly needs Seven-League-Boots — in the realm of geography these are different worlds. As diverse as it is in micro-climates, the Bordeaux’s Left Bank is relatively flat and influenced by Atlantic winds and moisture; Languedoc is hilly, occasionally even mountainous, and its dry, stark climate is definitely Mediterranean. A good area then for Rhône-style grapes and wine, so our red Wine of the Week is Blason d’Aussières 2008, from the region of Corbières, a vast area to the west and southwest of Narbonne. The property is ancient, going back to the Roman days of grape-growing in southern France, but no, the vineyards are not that old. The estate was acquired by Domaines Barons de Rothschild (Lafite) in 1999, and much replanting and upgrading have occurred.

Blason d’Aussières 2008, which matured 20 percent in barrels and 80 percent in large vats for 18 months, is composed of 45 percent syrah grapes, 40 percent grenache and 15 percent mourvèdre. The wine is rich and dark and deep but balanced by dusty, mineral-laden tannic austerity and vibrant acidity. Blackberries, blueberries and spicy mulberries define the aromas and flavors, to which a few minutes in the glass bring notes of roses and lavender, licorice and bitter chocolate and a hint of tar; a bit more time unfolds touches of thyme, sage and black olive. Despite its sense of depth and gravity, the wine flows in smooth and mellow fashion across the tongue and palate, making for a drink that offers delight as well as levels of seriousness. We opened this wine with Jamie Oliver’s Pasta alla Norma, a robust dish with eggplant, tomatoes, oregano, basil and a bit of red pepper flakes. 14 percent alcohol. Now through 2013. Very Good+ About $20.

Pasternak Wine Imports, Harrison, N.Y. A sample for review.
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There really is a Mount Beautiful in New Zealand’s Canterbury region, on the South Island, and one can hardly blame David and Leigh Teece for borrowing the name for their label, produced at Teece Family Vineyards in the Cheviot Hills, from this geographical feature. Canterbury lies to the south of New Zealand’s best-known wine area, Marlborough, which produces about 70 percent of the nation’s wine. The Treeces’ bios read like triumphant stories to inspire and abash all the tribe of ill-paid ink-stained wretches: He, a native New Zealander, is Tusher Professor of Global Business at University of California, Berkeley, and a founder and vice chairman of Law & Economics Consulting Corp., while in New Zealand he is known as the co-owner of the CCC rugby brand and so on; she, from California, has degrees in international relations and business from USC and University of Michigan and worked in international banking and venture capital. I admire the decision of these wildly successful people to locate a winery not in a bustling region but in one of New Zealand’s youngest and least-known areas. That said, I found only one of the Mt. Beautiful wines that I tried truly compelling, while the other two were attractive and enjoyable but not essential. The winemaker is Sam Weaver.

Mistarr Wine Importers, Orinda, Cal. Samples for review.
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Refreshing as all get-out, the Mt. Beautiful Sauvignon Blanc 2009, Cheviot Hills, North Canterbury, was delightful with tequila-lime salmon burgers from Whole Foods. More restrained than most sauvignon blancs from New Zealand, or at least from Marlborough, this all stainless steel wine delivers subtle traces of lime and grapefruit, dusty shale, pea shoot, tarragon and guava before segueing to flavors that feel even more spare with tones of pineapple and roasted lemon wrapped in tingling acidity and a moderately silky texture. The finish pumps up the spicy and stony aspect a bit and brings in a flash of lime and grapefruit crispness. 14 percent alcohol. Drink through the end of 2011. Very Good+. About $18.
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The best of this trio is the all stainless steel Mt. Beautiful Riesling 2009, Cheviot Hills, North Canterbury, which displays pinpoint varietal qualities and exactitude of character — one might even call it rectitude –in nose and mouth. The color is very pale straw/gold with faint green highlights; aromas of softly spiced and macerated peach and pear, lychee and mango are accented by touches of petrol (or rubber eraser) and limestone, that admit, after a few moments, a spare hint of honeysuckle. The spareness is built-in to the spicy lime and peach flavors all a-tremble at the portals of neon-bright acidity and bastions of limestone and shale, which do not, however, come across as formidable but deftly, riskily, ultimately perfectly balanced and integrated. I served this wine at a dinner party with an entree of salmon roasted with leeks, bacon and shiitake mushrooms; talk about perfection! Drink through 2013 or ’14. Excellent. About $19, Good Value for the Price.
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The Mt. Beautiful Pinot Noir 2009, Cheviot Hills, North Canterbury, offers an attractive bouquet of black cherry and cranberry, cloves and cola and rhubarb with a touch of brown sugar. The wine aged 11 months in French oak barrels. The appealing texture is supple and satiny and enfolds black cherry and red currant flavors that grow spicier and earthier as the minutes pass. Hints of potpourri emerge, along with foresty elements of briers and brambles; some fine-grained tannins lend the necessary substance. 14 percent alcohol. Tasty, correct, drinkable. Very Good+. About $23.
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While the 2010 version of the St. Supéry Sauvignon Blanc is slowly making its way toward retail stores across the country, don’t neglect the St. Supéry Sauvignon Blanc 2009, Napa Valley, still widely available and often now priced at discount. “But FK,” you’re thinking, “it’s early May of 2011. Should we be drinking this white wine from 2009?” Would I lead you astray, you innocents of heart? Tasting this at a wholesaler’s trade event a few days ago (and slyly copping another small pour), I could not have asked for a sauvignon blanc any more clean, crisp and fresh, any more scintillating or exhilarating. That sense of freshness so immediate that it’s almost startling is a habitual signature of this wine made all in stainless steel. Dashing aromas of new-mown grass, grapefruit, lime peel, green pea and crushed tarragon explode from the glass, calming down after a moment (or at least pausing for breath) to unfurl hints of pear and roasted lemon. A texture nicely poised among chiming acidity, nervy steeliness and seductive softness both buttress and cushion flavors of leafy fig, caraway and spicy pear and peach. This riot of sensation is bone-dry and a tad austere with chalk and limestone on the finish, though the primary impression is of complete delicious delight. 13.7 percent alcohol. Consume through the end of 2011. Excellent. About $20, officially, but found around the country as low as $15.

My Readers can tell from the title of this post that I’m a fan of Twomey Cellars, three of whose wines I encountered a few weeks ago at a local wholesaler’s trade tasting.

Raymond Duncan, an oilman from Colorado, partnered with former Christian Brother Justin Meyer, as winemaker, to start Silver Oak Cellars in 1972. Concentrating on cabernet sauvignon from Napa Valley and Sonoma County’s Alexander Valley, the winery quickly acquired a cult following, a situation that continues today. In 1999, Duncan, with his four sons, launched Twomey Cellars with winemaker Daniel Baron. The winery’s range is not quite as restricted at that of Silver Oak, though still pretty rigorous; Twomey makes only sauvignon blanc, pinor noir and merlot-based wines in limited quantities. Two of Duncan’s sons, Tim and David, are the estate’s managing partners. Winemaker for pinot noir is Ben Cane. Twomey has wineries in Calistoga, Napa Valley, and Healdsburg, Sonoma County.

Sampled at a wholesaler’s trade event.
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With the Twomey Sauvignon Blanc 2009, Napa Valley, you feel as if you’re drinking the grape in its most concentrated and distilled character, though despite the intensity, the wine is generous, approachable and delicious. No zingers or palate-whiplash here; oh, yes, the acidity is crystalline and quenching, but it lends the wine appropriate structure and authority without the audacious citric/grapefruit snap that so many other sauvignon blancs deliver. The tale this sauvignon blanc tells is of balance and harmony, with just enough of a keen limestone edge and whiff of gunflint to get your attention in the finish. Tangerine and stone fruit, a whisper of baked pear, hints of fresh-mown grass and dried thyme form a seamless amalgam in bouquet, while similar flavors emphasize the grape’s slightly spicy, leafy, curranty side. The wine aged in oak barrels, steel drums and tanks, so any wood influence is almost subliminal. Drink through 2013. Alcohol content is 13.9 percent. Excellent. About $25.
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The Twomey Pinot Noir 2008, Sonoma Coast, is frankly exquisite, revealing the delicate and necessary equilibrium between power and elegance, between deceptive lightness and satiny grace that distinguishes the best pinot noir wines. The color is radiant cerise with a slight bluish-magenta cast; ethereal aromas of black cherry, red and black currants and mulberry are etched with tracings of cranberry, cola and cloves. Despite its purity and intensity, this pinot noir feels transparent, its draping texture more supple and sensuous than obvious or weighty; it doesn’t hurt that vibrant acidity cuts a cleansing swath across the palate. The spicy aspect emerges more prominently through the finish, where a bit of oak — from 13 months in French barrels, 40 percent new — brings in some polish and grain. 14.3 percent alcohol. Drink now through 2013 or ’14. Excellent. About $50.
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Occasionally, in whatever setting and with whatever intention, I take a sniff and sip of a wine and think, “Oh yes, this is the grape with all its virtues revealed, intensified and concentrated.” That was my thought on first encountering the Twomey Merlot 2006, Napa Valley, a flawlessly, impeccably balanced wine of remarkable depth and surface appeal; it includes six percent cabernet franc grapes. The initial whiffs of mint and iodine, graphite and ripe black currants and blueberries give way to hints of cedar, black olive and dried thyme. This is truly a sizable wine, almost awesome in dimension, and deeply earthy and minerally (in the granite and slate realm), yet it moves, as it were, on little cat feet, utterly deft and refined and elegant. It aged 16 months in French oak, 45 percent new barrels, 55 percent once- and twice-used, but there’s no interference of toasty wood here, only a firm yet resilient shapeliness throughout as support to spice-infused black and blue fruit flavors and dense chewy dusty tannins. A great merlot. 14.1 percent alcohol. Now through 2016 to ’18. Exceptional. About $50.
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In 1429, during the Hundred Years’ War, Joan of Arc made her headquarters in Blois, a city that maintains a good deal of its Medieval and Renaissance character. Not that such a fact has tremendous bearing on today’s Wine of the Week, except that Blois lies on the north bank of the Loire River, and if you cross the river at this point and drive south, you soon find the charming village of Cheverny, home of a notable chateau (in a region bursting with such edifices) and sleepy — I’ve been there — little seat of a minor winemaking region. This is not Sancerre or Pouilly-Fume, not Anjou or Saumur, yet the white wines — made primarily from sauvignon blanc — command respect for their liveliness and subtly woven delicacy as well as for their generally inexpensive nature. Today’s Wine of the Week is the Monmousseau Cheverny 2009, a blend of 70 percent sauvignon blanc and 30 percent chardonnay that offers hints of lemon balm and tangerine, almond and orange blossom and, as the wine spends a few moments in the glass, a strain of ginger and quince. Flavors of lime peel and grapefruit, animated by sassy acidity (and a brisk bite of spiced pear), are neatly poised with a tinge of dried grass and herbs and a finish that sends up a taut flag of limestone and gun-flint. Drink through 2012. Alcohol content is 13 percent. Very Good+. I paid $14, but it can be found around the country for $12.
Chardonnay is relatively rare in the Loire Valley, by the way, employed only as a blending grape and usually in restricted quantity.
USA Wine Imports, New York.


Old Bridge Cellars is one of the country’s best importers of wines from Australia. Founded in 1990 by Rob McDonald and based in the city of Napa, Old Bridge bring to the United States such impressive labels as d’Arenberg, Bass Phillip, Brokenwood, Chambers, Jasper Hill, Leeuwin Estate and Plantagenet, among others. Many importers, after some period of time, begin to think about not just being the middleman but of actually producing their own wines — as Terlato does — so Old Bridge has debuted its line of wines from Napa Valley and Sonoma County dubbed Stickybeak, a name that has that inimitable Australian ring to it. “Stickybeak” in Australian parlance apparently means a busybody or, as a verb, “to have a look,” hence the winery’s logo of a rather Magritte-like personage wearing a black suit and bowler having a gaze across a white picket fence at an expanse of “wine country” beyond. Winemaker for Stickybeak is Wayne Donaldson; general manager is Gavin Speight.

I recently tried four of the Stickybeak wines and was impressed by two but, I’m sorry to say, disappointed by the others. These were samples for review.
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Of this quartet, the wine I enjoyed most was the Stickybeak Semillon Sauvignon Blanc 2009, Sonoma County, an all-stainless steel blend of 72 percent semillon and 28 percent sauvignon blanc that’s clean and fresh and intensely floral. Notes of apple and grapefruit, spicy pear and a bit of fig waft from the glass in a welter of lime peel, jasmine and honeysuckle; yes, it’s as irresistible as it sounds. Hints of new-mown grass and dried thyme and tarragon overlay flavors of lemon curd and roasted lemon, a further dollop of leafy fig, all swathed in a jazzed texture of crystalline acidity and a dry, chalky, limestone-washed finish. Super attractive and exhilarating. 13.5 percent alcohol. Drink through the summer of 2012. Very Good+. About $17.
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The other Stickybeak wine I liked was the Stickybeak Pinot Noir 2009, Sonoma Coast, which is fermented in stainless steel and open vats and then aged in French oak, 20 percent new barrels. Here’s another fresh, bright wine — sporting a radiant medium ruby color — a pinot bursting with requisite tones of red currants and plums with hints of rhubarb and cola, cloves and potpourri, a warm and spicy wine with touches of wheatmeal, briers and brambles in its depths, which a few minutes in the glass devolve to clean, earthy minerality. If the wine has a flaw it’s that the finish turns not just dry but austere; perhaps it requires another year to find better balance. 14.3 percent alcohol. Very Good+. About $20.
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The Stickybeak wines that seemed problematic to me were the Chardonnay 2009, Russian River Valley, and the Syrah 2008, Napa County. The Chardonnay 09 was too much in every sense: too oaky, too spicy, too much toffee and brown sugar qualities, too dense and cloying; quite dry yet unpleasantly viscous. Call it a stylistic quarrel if you like, but I don’t recommend it. Avoid. About $17. I could find little of its titular grape in the Syrah 08, which seemed so over-ripe, so juicy and jammy and vanilla-ish and toasty that it could have been an over-ripe, jammy, vanilla-ish and toasty cabernet or zinfandel; California is filled with such wines. Again, no recommendation here. About $20.
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