Pinot noir



I opened this bottle of Champagne Friday night for LL’s birthday eve. The Laurent-Perrier Cuvée Rosé Brut is 100 percent pinot noir from 10 Grand Cru vineyards. The color is medium salmon-copper with a tinge of topaz, like tarnished silver over rose-gold, enhanced by a swirling upward tempest of tiny silver-flecked bubbles. Imagine a compote of strawberries, raspberries and rhubarb, macerated in orange zest, cloves, dried thyme and heather; couple that concept with notes of lightly toasted brioche, Rainier cherries and pink grapefruit, all founded on deeper layers of chalk and flint. Add the dimensions of a savory, resonant and bracing structure that balances sleekness, delicacy and elegance with an essential lithic and earthy character. Altogether fleet-footed yet dignified, evanescent yet enduring — at least until you finish the bottle. 12 percent alcohol. Excellent. About $99.

Imported by Laurent-Perrier U.S., Sausalito, Calif. A sample for review.

If a pinot noir wine doesn’t touch both the sublime of the ephemeral and the profundity of the chthonic, it is, to me, perhaps not a failure but a gravely lost opportunity in allowing the grape’s complicated and paradoxical virtues to express themselves. Greg Bjornstad, winemaker for Pfendler Vineyards, employs the panoply of craft, art and intuition to make pinot noirs that satisfy my desire for the broad range of the grape’s character and dimension. The winery is owned by Kimberly Pfendler, pictured here. The Pfendler Pinot Noir 2013, Sonoma Coast, aged 11 months in French oak barrels, 50 percent new. The color is a fairly opaque ruby shading to transparent magenta at the rim; what a seductive procession of black cherries and cranberries, with notes of cloves and sassafras, pomegranate, potpourri and sandalwood, emerges from the glass! The texture offers a lovely, dense, satiny drape that flows with lithe and lissome engagement on the palate, while a few moment’s pause for swirling, sniffing and sipping lend the wine hints of smoke and tobacco leaf, rose petals and rhubarb. Earthy, leathery elements burgeon, and the wine takes on more loamy, underbrushy qualities as it leans toward the power of slightly dusty tannins and a flinty mineral structure. 14.5 percent alcohol. Drink now through 2018 to ’20. Production was 350 cases. Excellent. About $45.

A sample for review.

Come on, you know that your sainted mother deserves some Champagne or sparkling wine on Mother’s Day, especially after all the trouble, toil, stress and tears you put her through. Remember how she bailed you out of jail at 3 a.m. that time? (And then docked your allowance forever.) Remember how she wrote your term paper on Moby Dick after the dog ate your notecards? Remember how she stood up for you against the imprecations of the king your father and ensured your claim to the Throne of the Recalcitrant Kingdoms? You owe her, dude! (Or dudette!) Here, in honor of Mother’s Day, is a roster of seven sparkling wines and Champagnes to tempt every palate and soothe every spirit. Four are from California, three from France, including two real and actual Champagnes. Prices start at about $22, though you can find stores around the country that discount radically. Since this is the Weekend Wine Notes post, I eschew a plethora of technical, historical and geographical data in favor of brief and incisive reviews designed to pique the interest and whet the palate. I will mention that all of these products are made in the Champagne method of second fermentation in the bottle. Unless pointed out specifically, these bottles were samples for review. Enjoy! (In health and moderation.)

Whistler’s “Arrangement in Grey and Black, No. 1″ hangs in the Musée d’Orsay, Paris.
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Gloria Ferrer Blanc de Noirs nv, Carneros. 12.2% alc. 92% pinot noir, 8% chardonnay. Very pale copper-onion skin hue; pert and lively, with a pleasing froth of glinting bubbles and attractive aromas of red currants and raspberries, touches of cloves, orange peel and peach, and hints of hazelnuts and cinnamon toast; bracing acidity; very nice intensity and body, with a lively texture and finish. Very Good+. About $22, a local purchase.
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Lucien Albrecht Brut Rosé nv, Crément d’Alsace. 12% alc. 100% pinot noir. Shimmering copper-salmon hue; a fountain of glittering tiny bubbles; raspberries and lime peel, blood orange and orange blossom; spiced tea and limestone; almost tart but full and round; delicate yet steely; slightly austere, saline mineral-laced finish. Real style and racy character. Very Good+. About $22.
Pasternak Wine Imports, Harrison, N.Y.
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Mirabelle Brut Rosé nv, California (from Schramsberg). 12.8% alc. 53% chardonnay, 47% pinot noir. Medium salmon-peach hue; dependable stream of tiny bubbles; notes of strawberries, raspberries and orange zest; very crisp and and animated; very dry and a bit chiseled with elements of limestone and flint but with a lovely texture that deftly balance spareness with moderate lushness. Delightful. Very Good+. About $26.
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Schramsberg Blanc de Blancs 2011, North Coast. 12.5% alc. 100% chardonnay. Platinum blond color, befitting a “white from whites” sparkling wine; a swirling torrent of tiny bubbles; roasted lemon and spiced pear, quince and ginger, cloves and a hint of mango; touches of toasted brioche, lemon balm and almond blossom; decisive limestone minerality and incisive acidity make it fresh and clean, vibrant and lively, all finely-tuned and lithely toned; the finish is fine, elegant, a little austere. Always a favorite in our house. Excellent. About $38.
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Domaine Chandon Etoile Brut nv, Napa and Sonoma counties. 48% chardonnay, 46% pinot noir, 6% pinot meunier. Pale gold color; a fountain of tiny shimmering bubbles; apples and lemons, spiced pear, hint of brioche and a touch of toffee; savory and saline; quite dry but expansive and generous; lots of chalk and limestone minerality; a large-scale sparkling wine that balances tasty roasted lemon and toasted hazelnut flavors with lip-smacking acidity; all devolving to an elegant finish packed with flint, cloves and grapefruit. A great performance, refined, generous and integrated. Excellent. About $40.
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Champagne Canard-Duchêne Authentic Brut nv. 12.5% alc. 45% pinot noir, 35% pinot meunier, 20% chardonnay. Pale gold color; steady stream of tiny bubbles; grapefruit and roasted lemon, lightly toasted brioche and lemongrass, notes of spiced pear, quince and ginger; very dry, heaps of smoke, chalk and limestone but expansively fitted with citrus flavors and hints of peach; crisp, almost tart, certainly lively and engaging. Our new favorite Champagne at home. Excellent. About $40, a local purchase.
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Nicolas Feuillette “D’Luscious” Demi-Sec Rosé nv. 12.5% alc. 60% pinot noir, 30% pinot meunier, 10% chardonnay. Lovely dusty topaz hue; not so much sweet — demi-sec means “half-dry” — as slightly voluptuous in texture and bursting with ripe fruit in the strawberry and raspberry range; the off-set is provided by notes of yeast and fresh biscuits, almond skin, limestone minerality and brisk acidity; a touch of orange zest is a bit candied. More balanced than I would have thought; quite lovely and enjoyable. Excellent. About $59.
Imported by Ste Michelle Wine Estates, Woodinville, Washington.
Image from somminthecity.com.
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I have been reviewing the pinot noir wines of Black Kite Cellars since the vintage of 2007 was released, but recently had the opportunity to try the winery’s chardonnays for the first time, as well as its flagship “Angel Hawk” pinot noir. Winemaker Jeff Gaffner makes the Black Kite wines from separate blocks of the estate vineyards in Mendocino County as well as from vineyards in Sonoma Coast and Monterey County’s Santa Lucia Highlands. Gaffner is also proprietor and winemaker for Saxon Brown, whose wines I have been tasting recently and will report about soon.

These bottles were samples for review.
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Black Kite Soberanes Vineyard Chardonnay 2013, Santa Lucia Highlands, Monterey County. Soberanes Vineyard, nestled in the foothills of the Santa Lucia Range, is owned by Gary Franscioni and Gary Pisoni, both from farming families long rooted in Monterey County. From this vineyard, and others they own in the Highlands, they supply notable wineries with chardonnay, pinot noir and syrah grapes. This aged 10 months in French oak, 40 percent new barrels. It’s a bold, ripe and spicy chardonnay, displaying a medium gold hue and forthright aromas of roasted pineapple, caramelized grapefruit, lightly buttered cinnamon toast, cloves and a hint of toasted coconut, all accumulating in what long-time readers of this blog will recognize as not my favorite manner of chardonnay. It’s quite dry but juicy with citrus flavors, pear and lemon oil; dense, viscous, almost talc-like in texture but saved by a fundamental quality of brisk acidity and limestone minerality. 14.1 percent alcohol. Production was 195 cases. Perhaps this requires a year or two in bottle to calm down a bit and resolve itself. Until then, Very Good+. About $45.
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Black Kite Cellars Gap’s Crown Chardonnay 2013, Sonoma Coast. The 138-acre Gap’s Crown Vineyard lies in the cool and windy Petaluma Gap area in southwest Sonoma County; elevation varies from 300 to 800 feet above sea level. First planted in 2002, it supplies primarily pinot noir grapes (and some chardonnay) to a roster of California’s best pinot producers, Bill Price purchased the vineyard in January 2013. Price owns one of California’s best-known vineyards, Durell Vineyard, which he purchased in 1998. He co-founded the private equity firm Texas Pacific Group in 1992 and sold his share back to the company in 2007, and that, friends, is a lesson in how you get into the vineyard and winery business. Price is chairman of Kosta Brown Winery and Gary Farrell Winery — you know those names — and has interest in Kistler, another name you know. This chardonnay marks the first wine from the vineyard for Black Kite. It aged 10 months in French oak barrels, 40 percent new and presents a more classic restrained version of chardonnay than the example from the Soberanes Vineyard mentioned above. Still, this is quite pronounced in its expression of pineapple and grapefruit scents and aromas, highlighted by notes of ginger, quince and spiced pear. The texture is pleasingly dense, not viscous or oily and it offers more acidity and limestone minerality by several degrees. In fact, this is a chardonnay of crystalline clarity and eloquence that culminates in a long, compelling finish. 14.1 percent alcohol. Production was 236 cases. Drink now through 2020 to ’23. Excellent. About $45.
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Black Kite Cellars “Angel Hawk” Pinot Noir 2012, Anderson Valley, Mendocino County. This wines derives from vines that owners Rebecca and Tom Birdsall and winemaker Jeff Gaffner consider the best of their estate vineyards. And while my heart sinks to read that a pinot noir wine aged 19 months in 100 percent new French oak barrels — I think that’s typically too much new oak for too many months for pinot noir — this model handily absorbed that influence and turned into a deep, supple, lithe and super satiny wine. The color is deep ruby with a transparent rim; rich aromas of spiced and macerated black cherries, currants and plums are permeated by notes of pomegranate, rhubarb and loam; a few moments in the glass bring in hints of cloves, white pepper, leaf smoke and tobacco. This layered panoply of sensation segues smoothly to the palate, where the wine flows purposefully to a graphite-packed, slightly tannic finish. 14.9 percent alcohol. Production was 190 cases. This is obviously no evanescent, ephemeral, elegant pinot noir; rather, it draws on the grape’s potential for power and substance, helped a bit in the cellar, of course, though it still beautifully captures its essential character. Drink now through 2020 to ’22. Excellent. About $85.
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Ripped with white hot heat from the pages of my notebooks are these reviews of 10 pinot noir wines, primarily originating in California but including examples from Western Australia and Oregon’s Willamette Valley. I avoid technical, historical or geographical data in these reviews for the sake of brevity and immediacy, hoping to pique your interest and whet your palate. With one exception, duly mentioned, these wines were samples for review. Enjoy!
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Ad Lib Cruel Mistress Pinot Noir 2014, Pemberton, Western Australia. 14% alc. Medium ruby color shading to transparent magenta; pomegranate and cranberry, touch of sour cherry; sassafras and cloves; an intense core of lavender and violets; warm, spicy, satiny. Incredibly charming yet with pleasing heft and substance. Very Good+. About $17, marking Real Value.
Imported by Middleton Family Wines, Shandon, Calif.
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Argyle Spirithouse Pinot Noir 2012, Dundee Hills, Willamette Valley, Oregon. 13.5% alc. 850 cases. Lovely medium ruby-cerise color; enticing aromas of red cherries and currants, rose petals and lavender, cloves and sassafras, a hint of loam; more serious on the palate, very supple and satiny texture, deftly threads a fine line of acidity and flinty minerality, but you feel some austerity from mid-palate back through the finish, in which the oak makes itself known. Try from 2016 through 2019 or 2020. Very Good+ with Excellent potential. About $75.
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J Vineyards and Winery Pinot Noir 2013, Russian River Valley. 14.3% alc. This well-known producer, famous for its sparkling wines, was recently acquired by E&J Gallo. Translucent medium ruby hue; red and black cherries, cranberries; notes of cloves and sandalwood, mocha, tar and loam; nothing plush or opulent here, rather spare and reticent but with lively acidity and a lovely satiny drape on the palate and slightly exotic red and black fruit flavors. Now through 2016 to ’18. Excellent. About $40.
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VML Wines Pinot Noir 2012, Russian River Valley. 14.7% alc. VML is Virginia Marie Lambrix, owner and winemaker. Dark ruby-magenta hue; cranberry and pomegranate, hints of blueberry tart, cloves and cinnamon, notes of violets and rose petals; a little fleshy and meaty; quite lively and dynamic; sweet red cherries, rhubarb; loam and slightly dusty tannins; a finish of spice, sour cherry and graphite. Pinot noir as force of nature, exotic but true. Now through 2017 or ’18. Excellent. About $32.
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Paul Dolan Vineyards Pinot Noir 2012, Potter Valley, Mendocino County. 13.5% alc. Radiant and intense medium ruby color; black and red cherries and currants, touch of plum; cloves and sassafras, violets and potpourri, loam, briers and a top-note of tart cranberry; ripe and a little fleshy; quite dry, and it develops a surprising amount of tannin, becomes rather austere on the finish, with oak taking a dominant role. Now through 2018 or ’19. Very Good+. About $30.
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Les Cousins Pinot Noir 2011, Willamette Valley, Oregon. 13% alc. The second label of Beaux Freres Vineyard. Transparent medium ruby-garnet; macerated red currants and cherries permeated by notes of tobacco and cloves, apple peel, with undertones of cinnamon and sandalwood; supple and very satiny in the mouth, balancing the dry/juicy dichotomy with ripe and slightly roasted red fruit and clean acidity; a dry spicy finish and fillips of moss and loam. A pinot of lovely dimension and detail. Now through 2016 or ’17. Excellent. About $30, a local purchase.
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Reata Three County Pinot Noir 2013, Monterey 53 percent, Sonoma 31 percent, San Benito 16 percent. 14.3% alc. Bright cherry-magenta hue; black and red cherries, pert cranberry and spicy pomegranate, cloves and sassafras; briery and brambly earthiness; a woodsy pinot noir, with notes of allspice and sandalwood, moss and dried porcini; some graphite and mildly dusty tannins; lithe and slightly sinewy texture, quite dry. Now through 2018 to 2020. Very Good+. About $35.
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McIntyre Vineyards Estate Pinot Noir 2013, Santa Lucia Highlands, Monterey County. 14.5% alc. 368 cases. Absolutely entrancing mulberry-magenta color, limpid and transparent; every element that I adore about pinot noir but both generous and intense; ripe black cherries, currants and plums, violets and lavender, notes of cloves and sassafras; a touch of graphite and hints of leather and woodsy aromas; a few minutes in the glass bring in hints of tobacco and leaf smoke; a layer of briers and brambles underlies spicy and succulent black and red fruit flavors ensconced in a lithe and supple texture through which bright acidity cuts a swath; a sleek and elegant pinot but with a feral edge. Now through 2018 to 2020. Exceptional. About $42.
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Dolin Estate Pinot Noir 2012, Sta Rita Hills, Santa Barbara County. 14.3% alc. 485 cases. Transparent medium ruby color; smoke, cinnamon toast, rhubarb and sassafras, red currants and cranberries; underbrush and loam, vital and vibrant acidity, juicy with red and black fruit flavors yet spare, a bit chiseled; gradually unfolds notes of cloves and sandalwood, leather and slightly creamy oak, and you feel the oak influence etched along the circumference; lovely and dynamic presence and heft yet with a beguiling ephemeral quality, a bit elusive and tantalizing. Now through 2017 to ’19. Excellent. About $ .
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Kukeri Pinot Noir 2012, Russian River Valley, Sonoma County. 13.9% alc. 61 cases produced. Limpid medium ruby color; sandalwood, violets and cloves, macerated red currants and cherries with a hint of strawberries and some dried fruit in the background, notes of mint and tobacco leaf; sleek, subtle and satiny, quite dry; a few moments in the glass bring up touches of pomegranate and rhubarb, loam and old leather; an autumnal, woodsy feeling as the oak comes up through the finish. Not quite Excellent, because the oak in some measure mutes the wine’s sensual aspects; otherwise it’s quite beguiling, so, Very Good+, with final judgment withheld. About $42.
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In days gone by, we legions of wine-writers would lament the fact that nobody but us appreciated rosé wines and how wonderful they are and how versatile. We would deplore the notion that everyone in America associated rosé wines with sweetness — and the worst were sweet — when actually the best rosés are quite dry. That’s not the case now, when rosés have grown immensely popular and many wineries all over the world turn out the things as major or side projects, sometimes very seriously. Rosé wines have improved too, being generally made in clean, fresh, crisp mineral-infused fashion. Don’t worry about rosés, friends, they can take care of themselves. I offer today 10 examples of rosé wines made from a variety of grapes in differing styles, most tending toward pleasure and delight, although a couple invite more thoughtful contemplation. They’re not just for Spring and Summer either; several of these models carry enough heft and character to be consumed throughout the year, though you can’t beat them for picnics and backyard fetes in fine weather. Enjoy! In moderation, of course.

These wines were samples for review.
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Domaine Saint-Aix AIX Rosé 2014, Coteaux d’Aix en Provence, France. 12.5% alc. Grenache, cinsault, syrah, counoise. Very pale pink, like the inside of a seashell; ineffable fragrance of dried strawberries and red currants assisted by mild notes of cloves and thyme; brisk acidity blows through it like a sea-breeze on damp limestone; lavender and orange zest in the background, all delicately chiseled and faceted. Excellent. About $19.
Imported by Massanois LLC, Scarsdale, N.Y.
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Chateau Notre Dame du Quatourze Rosé 2014, Languedoc, France. 13% alc. Cinsault, grenache, syrah. Salmon-peach color; peach and strawberry, nicely ripe, slightly dusty terra cotta touch; pomegranate with a notes of cloves; limestone and dried herbs. Tasty and attractive. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Chateau de Jonquieres Cuvee Cersius Rosé 2014, Languedoc, France. …% alc. Cinsault, grenache, syrah. A pale pink shimmer; delicate and elegant, fine bones; rose hips and strawberries, notes of raspberries and orange zest; crystalline acidity and gravel-like minerality; quite dry but distinctly though ethereally flavorful. Lovely. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Los Vascos Rosé 2014, Colchagua, Chile. Les Domaines Barons de Rothschild (Lafite) 13.5% alc. 90% cabernet sauvignon, 10% syrah. Light salmon-pink color with a tinge of magenta; a summery burst of pure strawberry and raspberry; warm and spicy, racy acidity; a touch of plums garnished with dusty graphite and a dash of dried thyme; lovely shape and presence. Excellent. About $14, representing Great Value.
Pasternak Wine Imports, Harrison, N.Y.
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MacPhail Family Wines Rosé of Pinot Noir 2014, Sonoma Coast. 14.5% alc. 100% pinot noir. 492 cases. Brilliant copper-salmon color; tomato skin and lime leaf, strawberries, raspberries and rose petals, hints of graphite and sea-salt, briers and brambles; a spicy, savory and fairly robust rose that doesn’t neglect delicacy and elegance in the upper register; lively, supple finish drenched with red fruit (hinting at the tropical) and mineral undertones. A superior rose. Exceptional. About $22.
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Il Poggione Brancato 2014, Rosato di Toscana, Italy. 12.5% alcohol. 100% sangiovese. Vivid smoky topaz hue; strawberries, raspberries and peaches; a dusty, dusky minerality, like paving stones warmed by the sun; hints of cloves and dried thyme; beautiful balance between bright acidity and a moderately lush texture, but altogether spare and elegant. A gorgeous rosé, very much a presence on the palate. Excellent. About $18.
Imported by Terlato Wines International, Lake Bluff, Ill.
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Chateau Ribaute “Senhal d’Aric” Rosé 2014, Corbiéres. 12.5% alc. Carignane, grenache, syrah, mourvèdre. Smoky topaz hue, slightly darker than onion skin; peach and strawberry, with a touch of raspberry in the background; warm and stony, damp roof tiles drying in sunlight — the whole “South of France” thing; ethereal but with a grounding in loam. Nicely layered for a rose. Excellent. About $NA.
Imported by Val d’Orbieu America, New York.
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Stemmari Rosé 2014, Sicily. 12% alc. 100% nero d’avola grapes. Entrancing light ruby color with violet undertones; red fruit all round, with prominent strawberry and raspberry followed by notes of cherries and currants and touches of tart pomegranate and pink grapefruit; sunny, leafy, warm and spicy; refreshing and attractive; finish emphasizes brisk acidity and limestone-like crispness (with a hint of orange candied orange peel). Very Good+. About $10, a Real Bargain.
Prestige Wine Imports, New York.
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Toad Hollow Vineyards “Eye of the Toad” Dry Rosé of Pinot Noir 2014, Sonoma County. 11.5% alc. 100% pinot noir. Vivid salmon-copper hue; notably fresh, clean and crisp; strawberries and rose petals, notes of pert cranberries and pomegranate; hint of orange rind; flinty texture for under-tones of minerality but lovely satiny flow on the palate. Very Good+. About $12, marking Great Value.
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Two Shepherds Grenache Rosé 2014, Sonoma Coast. % alc. 100% grenache. 90 cases. The blissful incarnadine of bright ruby-cherry hue; pure raspberry with a suffusion of cherry-berry, melon ball and sour cherry; marked limestone minerality, very dry yet drenched with tart, slightly candied red fruit flavors; almost tannic yet never less than delightful and ethereal in the high notes and gradually unfolding depth unusual in a rose; finish brings in hints of apple, dried cranberry and thyme. Perfection. Exceptional. About $24.
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The history of Youngberg Hill is as complicated as such things often are in the West Coast wine industry. This land in Oregon’s Willamette Valley was farmed by a Swede named Youngberg until 1987, when Norman Barnett, a financier from Boston, rolled in, bought the acreage and built an inn. In 1989, the legendary Ken Wright planted two vineyards here and used those grapes for his Panther Creek pinot noirs. Wayne Bailey, originally from Iowa but nurtured on the wines of Burgundy and his work there, bought the property in 2003, and 10 years later he is still the owner and winemaker of this family-owned business, which includes the inn — now renovated — that Barnett established 26 years ago. The winery has practiced organic methods since 2003. The property includes a bed-and-breakfast facility that looks absolutely splendid.

I am a fan of the winery’s pinot blanc, one of the best made on the West Coast, so I was happy to receive samples of the three pinot noir wines under consideration today. These turned out to be bigger, more highly structured and earthy pinots that I had expected, but fall entirely within the parameters of the grape and of the Willamette Valley. They are produced in small quantities, so I encourage a search on the internet or a visit to the Youngberg Hill website.
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The Youngberg Hill “Cuvée” Pinot Noir 2012, Willamette Valley, is the winery’s entry-level pinot noir, a blend of grapes from three vineyards, including the Youngberg Hill estate vineyard. It offers an entrancing mulberry-magenta hue and arousing aromas of loam and graphite, ripe and slightly smoky black and red cherries, currants and plums, and a profound reservoir of exotic spices in the form of cloves and sassafras and a wisp of sandalwood. The wine is quite dry on the palate, satiny and raspy together in texture, but juicy with red and black fruit flavors and lively with bright acidity and a refreshing granitic mineral element. As moments pass, it becomes more spiced and macerated, finding more depth but getting a touch austere through the finish. 14.5 percent alcohol. Production was 298 cases, says the label; 290 cases according to the winery website. Drink now or from 2016 through 2020 to ’22. Excellent. About $35.
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The Youngberg Hill Natasha Block Pinot Noir 2012, Willamette Valley, originates from a 6.6-acre parcel of vines that faces southeast toward the morning sun. The color is an intense purple-magenta; vivid scents of red raspberries and blueberries are permeated by hints of cloves and allspice, sour cherry and melon ball and a back-note of pomegranate, all arrayed over a foundation of loam and new leather. These qualities segue seamlessly to the mouth, where sleek, supple tannins and lip-smacking acidity cut a swath on the palate. Nothing ephemeral here, this pinot noir is lithe and muscular, but not chunky or clunky; you feel the power and dimension of the structure as well as its energy and liveliness. The wine evolves toward more dryness in the glass, and you feel the oak and tannin injecting serious claims on the finish. 13.8 percent alcohol. Try from 2016 through 2022 to ’24. Production was 137 cases, printed on the back-label, 327 cases from the winery website. Huh? Excellent. About $40.
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Of this trio, the Youngberg Hill Jordan Block Pinot Noir 2012, Willamette Valley, came closest to my ideal of greatness in the grape, and that is a marriage of powerful earthy dimension to details of ineffable and ethereal delight. The vines form a 3.3-acre block that faces south on a steeper slope than the rest of the vineyard. The color is dark ruby-magenta; the bouquet is aggressively loamy, briery and brambly, with hints of moss and mushrooms, but entwined with high notes of lavender and rose petals, black cherries and currants and an undertone of pomegranate. “Jordan” is even more muscular than “Natasha,” more lithe and sinewy, deeply rooted in its rooty, woodsy character yet never relinquishing trust in its spiced and macerated black fruit flavors and the fleet acidity that lends fruit and structure their vibrant nature. The finish is all polished graphite and flowers. 13.4 percent alcohol. Production was 300 cases (or 270 cases). Try from 2016 through 2022 to ’25. Excellent. About $50.
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Newspaper reporter Davis Bynum began making wine at home in Berkeley in 1951. He became sufficiently adept that in 1973 he purchased 84 acres in Sonoma County’s Russian River Valley that turned into the home of his eponymous winery. Ready to retire in 2007, after making wine for some 60 years, Bynum sold the brand to Tom Klein, owner of Rodney Strong Vineyards. Present winemaker is Greg Morthole, with the ubiquitous David Ramey serving as consulting winemaker. The Davis Bynum winery today focuses on pinot noir and sauvignon blanc from Jane’s Vineyard and chardonnay from the River West Vineyard. I’m a fan of the pinot noirs, both the “regular” bottling and the clonal selections, and the cool, clean, crisp and herbal sauvignon blanc from Virginia’s Block; I am not a fan of the over-wrought chardonnay, as you will see in the review that follows. Jane’s Vineyard lies on Fulton Road, west of Highway 101, northwest of the city of Santa Rosa. The soil is gravelly loam, shallow and fast-draining. The vine rows run east-west, so clusters on the south side receive more sunlight than those on the shadier north side of the rows. These sorts of nuances of exposure lend complexity to the final product.

These wines were samples for review.
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Let’s get the unpleasantness out of the way first. The Davis Bynum River West Vineyard Chardonnay 2012, Russian River Valley, was made in exactly the manner that produces chardonnays that set my teeth on edge. The grapes were barrel-fermented; the wine went through full malolactic fermentation, the chemical process that transforms crisp malic (“apple-like”) acid into soft creamy lactic (“milk-like”) acid; the wine aged 11 months in French oak barrels, of which 29 percent were new, not a bad regimen, but the wine rested sur lie, on the residue of spend yeast cells, and received “plenty of batonnage,” that is, stirring to agitate the lees and promote richness in the wine. The result is a chardonnay that is bold, bright, brassy, stridently spicy and imbued with dessert-like qualities of creme brulee, lemon meringue pie and caramelized pineapple. At the same time, a paradoxical austerity from mid-palate through the finish contributes to the wine’s fundamental lack of balance, integration and integrity. This is a chardonnay that’s not about a vineyard and the grapes but about pumping up an extraneous character through the devices of its making. 14.5 percent alcohol. Not recommended. About $25.
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Now, on to happier matters.
The Davis Bynum Jane’s Vineyard Pinot Noir 2012, Russian River Valley, derives from selected blocks within the vineyard. The wine spent 10
months in French oak barrels, 30 percent of which were new. The color is a limpid medium ruby-garnet hue; aromas of black and red cherries and plums are highlighted by notes of sour cherry candy and melon ball, with hints of cloves, sassafras and exotic sandalwood and a burgeoning element of violets and rose petals, altogether a most enticing bouquet. On the palate, the wine offers a super satiny and polished texture for its spicy and moderately succulent cherry and currant flavors, while earthy underpinnings in the form of fresh loamy qualities provide foundation. 14.5 percent alcohol. Drink now through 2016 or ’17. A real pleasure. Very Good+. About $ .
_____________________________________________________________________________________________________________________The Davis Bynum Dijon Clone 115 Jane’s Vineyard Pinot Noir 2012, Russian River Valley, aged 10 months in French oak, 31 percent new barrels. The color is an entrancing medium ruby with a light cerise robe; scents and flavors of cranberries and pomegranate, with a hint of cherry and plum compote, are riven by bristling elements of briers and brambles and undertones of loam; a few moments in the glass bring up notes of violets and lilac and a beguiling whiff of talcum powder. Lovely drag and flow over the tongue induce a feeling like silky static, and while the wine is darkly tasty, it’s quite dry and almost tannic in effect; the wine grows earthier and more burnished as time passes. 14.5 percent alcohol. Production was 480 cases. Drink now through 2018 to 2020. Excellent. About $55.
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The oak treatment for the Davis Bynum Dijon Clone 667 Jane’s Vineyard Pinot Noir 2012, Russian River Valley, is slightly different from that of its Clone 115 stablemate mentioned above; for this wine, it’s 11 months in French oak, 32 percent new barrels. Another difference is that this pinot noir is a bit more reticent, rather more spare and structured than the 115. The color is medium ruby with a transparent rim; aromas of cranberries, black cherries and plums open to subtle notes of lavender and sage and nuances of violets and cloves. Surprisingly, the wine is fairly tight on the palate, with a prominent display of slightly dusty tannins and an earthy, almost granitic and austere finish. 14.5 percent alcohol. Production was 507 cases. Try from 2016 or ’17 through 2020 to ’24. Excellent. About $55.
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I have used Wordsworth’s lines so often — “The world is too much with us, late and soon, getting and spending, we lay waste our powers” — that I won’t allude to them on this occasion but merely issue an apology and assert that sometimes I just can’t keep up with tasting and writing. In fact, this post is probably the first in a series of “mea culpa” catch-up entries that I will issue over the next few weeks — if I have time. Ha-ha! These wines, a miscellaneous dozen from California, 11 red, one white, were all samples for review.
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Amapola Creek Monte Rosso Vineyard “Vinas Antiguas” Zinfandel 2011, Sonoma Valley. Winemaker Dick Arrowood mixed 5 percent petite sirah to this zinfandel derived from one of Sonoma County’s legendary vineyards, where the zinfandel vines are 118 years old. The wine aged 15 months in a combination of new and used French and American oak barrels. Generally, I have been a fan of Arrowood’s efforts at Amapola Creek, rating everything I have tasted either Excellent or Exceptional. The exception, however, will be this example, because the heat and sweetness from 15.5 percent alcohol tip the wine off balance and render it into a clunky blockbuster. That’s a shame, because such details as its melange of ripe and spicy black currants and blueberries, cloves, sandalwood and smoked fennel and a chiseled granitic quality would have been gratifying in a different package. Production was 310 cases. Not recommended. About $42.
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Amici Pinot Noir 2012, Russian River Valley, Sonoma County. There’s an aspect of darkness about this (nonetheless) winsome pinot noir: a dark ruby color; a certain dark shading in its spicy elements of cloves and sandalwood; the smokiness of its black cherry scents and flavors hinting at currants and raspberries; the earthiness of its brier-brambly structure. The lovely texture, though, is all warm satin, while bright acidity keeps it lively and quaffable. Alcohol content is 14.8 percent. Production was 1,300 cases. Very Good+. About $35.
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Bonny Doon Vineyards Le Cigare Blanc reserve 2011, Arroyo Seco. The blend for this highly aromatic wine is 62 percent grenache blanc and 38 percent roussanne, from the Beeswax Vineyard; the grapes were fermented together in stainless steel and aged in five-gallon glass carboys, also called demijohns or bonbonnes, of the sort typically employed in home brewing and winemaking. The color is very pale gold, and it seems to shimmer in the glass. All of the lemon kingdom has assembled here in its guises of roasted lemon, lemon balm and lemon curd, highlighted by notes of quince and ginger, lanolin, lilac and camellia. It’s a savory and saline wine, spare, lean and supple and quite dry yet generous with its citrus flavors that delve a bit into stone-fruit. The entire package is animated by crystalline acidity and crackling limestone minerality. Alcohol content is a pleasing 12.5 percent. Production was 480 cases. Excellent. About $54.
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Daou Reserve Cabernet Sauvignon 2011, Paso Robles. The wine is a blend of 79 percent cabernet sauvignon, 7 percent cabernet franc, 5 percent merlot and 9 percent petit verdot that spent 19 months in French oak barrels, 80 percent new. The color is very dark ruby-purple, almost opaque; seductive aromas of spiced, macerated and slightly roasted black cherries and raspberries are permeated by notes of graphite, cedar and tobacco and a hint of rosemary’s brash resiny quality; a few moments in the glass bring in touches of black olive and loam. This is a solid, tannic, granitic-based wine, spare and dusty and quite dry but with plenty of ripe black and blue fruit flavors; fairly rock-ribbed presently, it needs a lot of air to unfurl its attractions. 14.2 percent alcohol. Try from 2016 or ’17 through 2021 to ’25. Excellent. About $56.
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Davies Vineyards Nobles Vineyard Pinot Noir 2012, Sonoma Coast. This pinot noir, which aged 15 months in 41 percent new French oak barrels, originated from an area of the Sonoma Coast region recently designated as the Fort Ross-Seaview AVA. Don’t be surprised if in the coming years we see more segments of the vast Sonoma Coast fragmented into smaller AVAs; Petaluma Gap, anyone? The color is a beguiling medium ruby hue, though that limpidity is belied by the wine’s sense of power and muscularity; this is intensely spicy, bursting with ripe and macerated black cherry and plum fruit, while a few minutes in the glass bring up pungent notes of old leather and pomegranate. It’s a fairly dense and chewy wine, displaying incisive graphite minerality and acidity that I can only call flaring and buoyant. Quite a performance on pinot noir’s dark side. 14 percent alcohol. Production was 550 cases. Drink now through 2018 to 2020. Excellent. About $55.
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Davies Vineyards Ferrington Vineyard Pinot Noir 2012, Anderson Valley, Mendocino County. Here’s a pinot that’s a bit more to my taste than the Davies Vineyards Nobles Vineyard Pinot Noir 2012 mentioned above, at least in terms of style. This spend 15 months in French oak, 22 percent new barrels. The color is a transparent medium ruby, and the first impression is of the earth, with rooty and loamy aspects under briers and brambles; then come black and red cherries and currents segueing to dusty plums, smoky sassafras and exotic spices like sandalwood and cloves. Within this sensual panoply expands a core of nuance — lavender, violets, a bare hint of beet-root — and clean bright acidity. 14 percent alcohol. Production was 400 cases. Drink now through 2018 to 2020. Excellent. About $55.
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Dunstan Durell Vineyard Pinot Noir 2011. Sonoma Coast. The color is dark ruby with a mulberry tinge. I would say that this pinot noir displays glorious purity, intensity and clarity, but “glorious” implies an emphatic nature that I want to avoid; let’s say, instead, that it’s perfect and adorable in the expression of those qualities. Aromas of red and black cherries and currants are imbued with notes of cloves and sandalwood, sassafras, rose petals and violets, with undertones of briers, brambles and loam, all amounting to a seamless marriage of elegance and power. The texture is supremely satiny, rolling across the palate like liquid money, but the wine’s ripe and spicy black and red fruit flavors are buoyed by slightly leathery tannins and back-notes of polished oak, the whole effect enlivened by fleet acidity. 14.5% alcohol. Excellent. About $55.
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Gallo Signature Series Pinot Noir 2011, Santa Lucia Highlands, Monterey County. Gina Gallo employed grapes from the family’s Olson Ranch Vineyard to craft this well-made but not compelling pinot noir that aged eight months in a mixture of new and used French oak barrels. The color shades from dark to medium ruby at the rim; aromas of black cherries and cranberries, smoke and loam, cloves and pomegranate characterize the attractive bouquet, while on the palate the wine is satiny smooth and supple; a few minutes in the glass bring out pretty floral elements. 14.2 percent alcohol. Drink now through 2016 or ’17. Very Good+. About $35.
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Pedroncelli Mother Clone Zinfandel 2012, Dry Creek Valley, Sonoma County. The “mother clone” of this wine is a vineyard planted to zinfandel vines since 1904; some of those grapes are included here. Other parts of the vineyard represent the second generation of vines cloned from the original plants, all blended here with six percent petite sirah grapes. The wine aged 11 months in American oak, 30 percent new barrels. The color is dark ruby with a magenta rim; pungent aromas of black currants, blackberries and blueberries feel warm and spicy but with edges of graphite, briers and brambles. Bright acidity brings liveliness to dense dusty tannins and a slightly chiseled granitic minerality that testifies to the wine’s origin in an old hillside vineyard; however, black fruit flavors are equally bright and faceted, gradually opening to touches of lavender, licorice and bitter chocolate. Alcohol content is 14.8 percent. Drink now through 2018 to 2020. Excellent. About $18, representing Great Value.
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Sanctuary Bien Nacido Vineyard Pinot Noir 2012, Santa Maria Valley. This is a beautiful pinot noir in every sense, from its lovely transparent medium ruby-cherry hue, to its bouquet permeated by notes of spiced and macerated red and black currants and cherries, with hints of rhubarb and cranberry, tobacco leaf and cigarette paper, to its subtle undertones of loam and moss and brambles, to its seductive satiny texture. 14.5 percent alcohol. Production was 841 cases. Drink now through 2017 or ’18. Excellent. About $40.
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Silverado Vineyards Mt George Merlot 2010, Napa Valley. This classically balanced and structured wine is a blend of 77% merlot, 19% cabernet sauvignon, 4% malbec, 1% petit verdot. (Yeah, that’s 101 percent.) The color is very dark ruby-purple, verily, verging even unto motor-oil black; it’s quite pungent, unleashing penetrating aromas of ripe, meaty and fleshy black cherries and raspberries bursting with notes of cassis and black olives, bell pepper and tobacco. Chiseled and polished graphite rules the day, with hints of iodine and saline qualities, earth and loam; the texture is supple, lithe, dense and chewy, yet somehow refined and elegant, never forgetting its obligation to beautiful but not showy black and red fruit flavors. 14.9 percent alcohol. A terrific, finely-honed and tuned merlot that displays great character. Drink now through 2018 to 2022. Excellent. About $35.
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Steven Kent Winery Cabernet Sauvignon 2011, Livermore Valley. The blend here is 88 percent cabernet sauvignon, 5
percent each petit verdot and merlot and 2 percent cabernet franc; the wine aged 24 months in 60 percent new oak barrels, mostly French with a small portion of American oak from the Appalachians. A dark ruby hue transcends inky purple; the bouquet is clean and fresh, very cherry-berry with some raspberries and their sense of faint raspiness, briers and brambles in the background, with an intensifying element of violets, lavender and potpourri. This panoply of sensual pleasures doesn’t quite prepare your palate for the rush of dusty tannins, the wheatmeal and walnut-shell austerity, the espresso and graphite elements that characterize the wine’s passage through the mouth. Still, coming back to it in an hour or so reveals its expression of a more approachable side, so give it a chance. A nicely manageable 13.5% alcohol. Production was 983 cases. Excellent potential, 2016 or ’17 through 2020 to ’24. About $48.
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Sojourn Cellars was launched in 2001 with 100 cases of cabernet sauvignon. The winery, based in the town of Sonoma, was founded by Craig and Ellen Haserot with winemaker Erich Bradley. The (not uncommon) idea was to produce limited quantities of pure and intense chardonnay, cabernet sauvignon and pinot noir wines from excellent vineyards. Judging from my experience with a selection of chardonnays and pinot noirs from 2010 — link to my reviews here — and these examples from 2012, the team succeeds in their aim. As you will see, the chardonnay from the Durell Vineyard in the Sonoma Coast AVA was a bit flamboyant for my palate, but I find the pinot noirs to be perfect models of the grape’s delicate yet tensile marriage of power and elegance. All the wines are fermented by native yeasts; the pinots see 50 percent new French oak barrels. Though the length of time in oak was not specified in the technical information I received with these samples, the influence of the span spent in the new and used barrels resulted in wines of lovely suppleness and nuance.
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The Sojourn Cellars Durell Vineyard Chardonnay 2012, Sonoma Coast, is a “3 Bs” chardonnay: Not Bach, Beethoven and Brahms, but bold, bright and brassy. The color is luminous medium gold; forthright aromas of lightly roasted and caramelized pineapple and grapefruit are permeated by notes of cloves and ginger and hints of mango and orange rind; a quadrille of ripe and macerated stone-fruit parades across the palate, and I wish it revealed a bit more of a limestone and flint element and brisk acidity to balance the richness. Still, it’s not blatantly tropical, it’s not dessert-like, it’s not stridently spicy, though it’s a little over the top for my taste. The wine was barrel-fermented in 40 percent new French oak and underwent malolactic fermentation while aging. 14.3 percent alcohol. Production was 275 cases. Very Good+. About $54.
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The color of the Sojourn Cellars Wohler Vineyard Pinot Noir 2012, Russian River Valley, is an entrancing medium ruby-mulberry hue, while the hypnotic bouquet wreathes notes of cranberry and sassafras, black and red cherries, lavender and crushed violets with undertones of oolong tea and orange rind and hints of loam and mushrooms. These intoxicating elements segue seamlessly onto the palate, where they drape and flow like a dense satiny fabric of luxurious cost, though there’s nothing heavy or obvious here; this is a pinot noir that whatever its heft retains an essential grasp on the ineffable. The aromas deepen as an hour or so passes, and the wine grows increasingly floral and spicy; it’s quite dry, however, with a long finish that’s surprisingly mineral-flecked and tannic. Exquisite proportions, 14.2 percent alcohol. Production was 550 cases. Drink now through 2017 to ’20. Excellent. About $40.
____________________________________________________________________________________________________________________ The Sojourn Sangiacomo Vineyard Pinot Noir 2012, Sonoma Coast, is characterized by racy acidity, and while the wine is delicate and elegant, it offers plenty of vitality and cut. The color is medium ruby-magenta; aromas of cloves and sassafras, red cherries and currants blend with hints of pomegranate and cranberry and notes of dried fruit and sandalwood, yes, there’s incense-like pungency in the glass. Despite a touch of cherry-berry succulence, the wine pulls up an element of briery-brambly earthiness and underbrush-infused loam for depth under its savory, slightly macerated black and red fruit flavors. Despite those factors, the wine feels poised, graceful and delectable. 14.5 percent alcohol. Production was 1,150 cases. Drink now through 2017 or ’18. Excellent. About $54.
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The Sojourn Ridgetop Vineyard Pinot Noir 2012, Sonoma Coast, offers a limpid medium ruby-mulberry hue with a transparent rim; this is the earthiest of this trio of single-vineyard pinot noirs, displaying a full complement of briers, brambles and loam under layers of redness: I mean red cherries and raspberries, a hint of cranberry, a touch of red licorice. Vibrant acidity cuts a swath on the palate, making for a texture that’s spare and lithe though not meager; this, like its stablemates, remains generous and expansive in terms of fruit and spice while making rather serious demands in terms of its tannic and mineral-flecked structure, making it the most Burgundian of these examples, not that the comparison matters, but it indicates to me a certain style and philosophy. 14.4 percent alcohol. Production was 450 cases. Best from 2016 through 2020 to ’22. Excellent. About $59.
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