pinot meunier


As if we could forget that tomorrow is the day of Saint Valentine. Which means that today people are rushing around trying to find the exact right gift and the exact right card for their sweetheart or spouse of whatever persuasion, gender or genre. Good luck with that! It’s too late! You should have started back in January! In any gratiencase, here’s a delicious and complex Champagne with which to toast undying love or affection or lust or mere gratuitous acquaintanceship. I mean, whatever floats your boat, n’est-ce pas? The house of Alfred Gratien was founded in 1864, which lends some chops of longevity to the enterprise. A testimony to the loyalty shown the establishment is that the current cellarmaster, Nicolas Jaeger, is the fourth generation of the males in his family to serve in that post. In 2000, a majority of the house was acquired by the German firm Henkell & Co., which also owns the well-known Prosecco producer Mionetto. The Alfred Gratien Brut Rosé, nv, offers an entrancing pale rose-gold hue and a tempest of seething tiny bubbles. The composition is chardonnay, pinot meunier and pinot noir, but the firm’s exceptionally reticent website does not reveal the percentages of the blend nor the amount of time that the wine rests on the lees in the bottle. The bouquet is a beguiling melange of orange blossom and orange rind, toasted almonds, heather, strawberries and raspberries and, in the background, a shelf of damp limestone and flint. A satisfying sense of intensity involves a note that feels like slightly caramelized citrus rind and crystallized orange peel and ginger, evident both in bouquet and on the palate. This is a full-bodied and lively Champagne, though manifestly delicate and elegant, and it concludes in a finish replete with scintillating limestone minerality. 12.5 percent alcohol. Excellent. About $65, but often found at discount.

MW Imports, White Plains, N.Y. A sample for review.

A day late, again, but I hope not a dollar short. I offer, in the last post of this series for 2015/2016, two Brut Réserve Champagnes of somewhat different nature, the first more steely and platinum, the second more substantial and dignified. “Réserve,” by the way, is not a regulated term on labels in France — just as it is not in the USA, but is regulated in Italy and Spain — so while you might think that the designation here implies a higher place on the roster of each house, the truth is that these models are the basic, entry-level products. No denigration suggested, though, because each of these Champagnes delivers a full complement of character and satisfaction.
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Champagne Palmer & Co. is a cooperative, founded in 1947, whose products are being reintroduced to the United palmerStates of America. The grapes derive primarily from Premier and Grand Cru vineyards — not entirely, you understand — and the final effort includes reserve wines from as long as 25 years ago, maybe like a drop or two. This Palmer Brut Réserve is a blend of 50 percent chardonnay, 40 percent pinot noir and 10 percent pinot meunier, aged for four years in bottle on the lees and another sixth months after disgorgement. A profound Champagne? No, but certainly a delightful and charming example that possesses the structure to promote a serious edge. The color is pale straw-gold, a nod to the ethereal, and the tiny bubbles are lively, almost hypnotic in their upward surge. Roasted lemon, spiced pear, notes of apple toasted hazelnuts; hints of fresh-baked bread and almond blossom characterize the attractive bouquet, while frangible sheaves of limestone, seashell and flint (and brisk acidity) build a fairly intense background for subtle stone-fruit flavors. 12 percent alcohol. Excellent. About $55.

Imported by Vin Divino, Chicago, a division of Gonzales Byass. A sample for review.

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Charles-Camille Heidsieck founded his eponymous Champagne house in 1851, when he was 29 years old. A personage of natural ebullience, much like the product he touted, Heidsieck was well-known in the late 19th Century as “Champagne Charlie” and was particularly popular in America. As is the case with many firms in the region, the history of Champagne Charles Heidsieck unfurls a tangled web of marriage, success, decline, success and multiple charlesownership. Suffice to say that it and its sister house Piper-Heidsieck were acquired in 2011 by French luxury goods company EPI.

The Charles Heidsieck Brut Réserve nv (a local purchase) is composed of equal parts chardonnay, pinot noir and pinot meunier, drawing 40 percent — an unusually high amount — on reserve wines that average 10 years old and resting on the lees in bottle for three years. The color is bright medium gold, and the bubbles put on a brilliant show of gratifying foaming effervescence. The first impression is of fresh-baked biscuits, cinnamon toast, brioche, toasted hazelnuts and almond skin, followed by notes of crystallized ginger and spiced pear; a few minutes in the glass bring in hints of heather, delicate toffee and chestnut honey. Yes, it all makes for a wonderfully complex phenomenon. This Brut Reserve offers substance and weight on the palate but carries itself with lightness and elegance; while quite dry, and permeated by layers of limestone and shale minerality, it retains tremendous appeal and elan. 12 percent alcohol. Excellent. About $50.

Imported by Remy Cointreau USA, New York.
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While the trend today is for what’s called “grower Champagne” or sometimes “artisanal” or “farmhouse” Champagne, with implications of a hands-on family approach from vineyard through final disgorgement, don’t forget that the grande marques, the Big Houses, so to speak, which obtain most of their grapes on long-term contract, can still clicquot roseprovide sublime drinking experiences. The Veuve Clicquot Brut Rosé 2004 — an online purchase — may not convey the sense of individuality, intimacy and terroir beloved by foodies, hipsters and others of the obsessive ilk, but damn, it’s a honey of a Champagne that displays gratifying depth and breadth of character and a heap of pleasure. A blend of 62 percent pinot noir, 15 percent chardonnay, 8 percent pinot meunier and 15 percent “red wine,” the Veuve Clicquot Brut Rosé 2004 offers a beguiling robe of smoky topaz flushed with a blaze of light copper and a foaming upward-swirling procession of tiny glinting bubbles; you could stare at this panoply for hours. First come notes of fresh strawberries and raspberries, imbued with hints of orange rind, quince and ginger and touches of dried currants, almond skin and — very quietly — orange blossom. There’s some element of fresh biscuits and lightly-buttered cinnamon toast, but the dominant theme on the palate is played by steel and limestone; the texture is sleek, lithe and lively, with moderate and transparent density. The result is a graceful and elegant brut rosé that reveals innate power and energy. The bottle I bought was disgorged in May 2013, so the Champagne rested on the lees in bottle for about eight years. 12.5 percent alcohol. Drink through 2018 to ’22. Excellent. Look for national prices ranging, realistically, from $90 to $100, though a handful of retail outlets have this product drastically reduced, I mean as low as $65.

Imported by Moet Hennessy USA, New York. Only one product today instead of the usual two. I’ll get caught up soon.
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Oh, what the hell, let’s have a bottle of sparkling wine! Surely you can come up with something to celebrate. Or not. I would just as soon drink Champagne and other forms of sparkling wine for any purpose, any whim, any occasion, even if it’s merely standing around the kitchen preparing dinner. For our category of sparkling wine today, then, I choose the Domaine Chandon Étoile Brut Rosé, a non-vintage blend of primarily chardonnay and pinot meunier grapes with a dollop of pinot noir, the sources being the Carneros regions in Sonoma County (58 percent) and Napa County (42 percent). The wine rested sur lie — on the residue of dead yeast cells — five years in the bottle after the second fermentation that produces the essential effervescence. The color is an entrancing medium copper-salmon hue riven by an upward-surging torrent of glinting silver bubbles. Notes of blood orange, strawberry and raspberry unfold to hints of lime peel, quince and ginger, with, always in the background, touches of limestone, lightly buttered cinnamon toast and orange marmalade; think of the tension and balance between the subtle sweet fruitiness and bitterness of the latter. On the palate, this sparkling wine works with delicacy and elegance to plow a furrow of juicy red berry and citrus flavors — with a bit of pomegranate — into a foundation of slate and limestone minerality and lively acidity for a crisp, dynamic texture and long spicy finish. 13 percent alcohol. Excellent. About $50.

A sample for review.

Come on, you know that your sainted mother deserves some Champagne or sparkling wine on Mother’s Day, especially after all the trouble, toil, stress and tears you put her through. Remember how she bailed you out of jail at 3 a.m. that time? (And then docked your allowance forever.) Remember how she wrote your term paper on Moby Dick after the dog ate your notecards? Remember how she stood up for you against the imprecations of the king your father and ensured your claim to the Throne of the Recalcitrant Kingdoms? You owe her, dude! (Or dudette!) Here, in honor of Mother’s Day, is a roster of seven sparkling wines and Champagnes to tempt every palate and soothe every spirit. Four are from California, three from France, including two real and actual Champagnes. Prices start at about $22, though you can find stores around the country that discount radically. Since this is the Weekend Wine Notes post, I eschew a plethora of technical, historical and geographical data in favor of brief and incisive reviews designed to pique the interest and whet the palate. I will mention that all of these products are made in the Champagne method of second fermentation in the bottle. Unless pointed out specifically, these bottles were samples for review. Enjoy! (In health and moderation.)

Whistler’s “Arrangement in Grey and Black, No. 1” hangs in the Musée d’Orsay, Paris.
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Gloria Ferrer Blanc de Noirs nv, Carneros. 12.2% alc. 92% pinot noir, 8% chardonnay. Very pale copper-onion skin hue; pert and lively, with a pleasing froth of glinting bubbles and attractive aromas of red currants and raspberries, touches of cloves, orange peel and peach, and hints of hazelnuts and cinnamon toast; bracing acidity; very nice intensity and body, with a lively texture and finish. Very Good+. About $22, a local purchase.
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Lucien Albrecht Brut Rosé nv, Crément d’Alsace. 12% alc. 100% pinot noir. Shimmering copper-salmon hue; a fountain of glittering tiny bubbles; raspberries and lime peel, blood orange and orange blossom; spiced tea and limestone; almost tart but full and round; delicate yet steely; slightly austere, saline mineral-laced finish. Real style and racy character. Very Good+. About $22.
Pasternak Wine Imports, Harrison, N.Y.
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Mirabelle Brut Rosé nv, California (from Schramsberg). 12.8% alc. 53% chardonnay, 47% pinot noir. Medium salmon-peach hue; dependable stream of tiny bubbles; notes of strawberries, raspberries and orange zest; very crisp and and animated; very dry and a bit chiseled with elements of limestone and flint but with a lovely texture that deftly balance spareness with moderate lushness. Delightful. Very Good+. About $26.
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Schramsberg Blanc de Blancs 2011, North Coast. 12.5% alc. 100% chardonnay. Platinum blond color, befitting a “white from whites” sparkling wine; a swirling torrent of tiny bubbles; roasted lemon and spiced pear, quince and ginger, cloves and a hint of mango; touches of toasted brioche, lemon balm and almond blossom; decisive limestone minerality and incisive acidity make it fresh and clean, vibrant and lively, all finely-tuned and lithely toned; the finish is fine, elegant, a little austere. Always a favorite in our house. Excellent. About $38.
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Domaine Chandon Etoile Brut nv, Napa and Sonoma counties. 48% chardonnay, 46% pinot noir, 6% pinot meunier. Pale gold color; a fountain of tiny shimmering bubbles; apples and lemons, spiced pear, hint of brioche and a touch of toffee; savory and saline; quite dry but expansive and generous; lots of chalk and limestone minerality; a large-scale sparkling wine that balances tasty roasted lemon and toasted hazelnut flavors with lip-smacking acidity; all devolving to an elegant finish packed with flint, cloves and grapefruit. A great performance, refined, generous and integrated. Excellent. About $40.
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Champagne Canard-Duchêne Authentic Brut nv. 12.5% alc. 45% pinot noir, 35% pinot meunier, 20% chardonnay. Pale gold color; steady stream of tiny bubbles; grapefruit and roasted lemon, lightly toasted brioche and lemongrass, notes of spiced pear, quince and ginger; very dry, heaps of smoke, chalk and limestone but expansively fitted with citrus flavors and hints of peach; crisp, almost tart, certainly lively and engaging. Our new favorite Champagne at home. Excellent. About $40, a local purchase.
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Nicolas Feuillette “D’Luscious” Demi-Sec Rosé nv. 12.5% alc. 60% pinot noir, 30% pinot meunier, 10% chardonnay. Lovely dusty topaz hue; not so much sweet — demi-sec means “half-dry” — as slightly voluptuous in texture and bursting with ripe fruit in the strawberry and raspberry range; the off-set is provided by notes of yeast and fresh biscuits, almond skin, limestone minerality and brisk acidity; a touch of orange zest is a bit candied. More balanced than I would have thought; quite lovely and enjoyable. Excellent. About $59.
Imported by Ste Michelle Wine Estates, Woodinville, Washington.
Image from somminthecity.com.
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The small, family-owned house of Champagne J. Lassalle is named in honor of its founder, Jules Lassalle, who established the firm in 1942 in the village of Chigny-Les-Roses. The patriarch died in 1982, and his wife Olga and her daughter Chantal Decelle-Lassalle took the reins. Chantal Decelle-Lassalle and her daughter, Angeline Templier, now run the house, the latter joining the estate as winemaker in 2006, spanning three generations of mothers and daughters. J. Lassalle produces about 12,500 cases of Champagne annually; the estate’s vineyards are farmed by organic methods. The production is very traditional, all done by hand, and the various cuvées tend to age three to five years in bottle before disgorgement. The wines go through full malolactic fermentation, so they tend to be quite rich.

The J. Lassalle Cuvée Preference Premier Cru Brut in this present disgorgement is a blend of wines from 2009 and 2010. It’s a combination of approximately 60 percent pinot meunier and 20 percent each pinot noir and chardonnay — “approximately,” because the house does not reveal exact percentages — and it aged 48 months on the lees in bottle. The color is pale gold with a cast of slightly tarnished silver, an effect that continues as swirls of tiny glinting bubbles surge to the surface; notes of lemon balm and roasted lemon are buttressed by intriguing scents of roasted grain and lightly buttered cinnamon toast. This is a very dry and stylish Champagne, animated by limestone and chalk elements and given a sense of attentiveness by its fleet-footed acidity; though substantial and fully fleshed out with an array of spicy citrus and stone-fruit flavors, it’s neither heavy nor obvious. In fact, the focus intensifies from mid-palate through the finish tinged with hazelnuts and just-baked bread and hints of sea-salt and grapefruit rind. 12 percent alcohol. Excellent. This was a local purchase, about $45. Prices around the country range from $35 to $50.

Imported by Kermit Lynch Wine Merchants, Berkeley, Calif.

Longtime readers of this blog — bless your tiny pointed heads and may your tribes increase! — know that a great deal of effort goes into the annual “12 Days of Christmas with Champagne and Sparkling Wine” series, but as encompassing as that sequence is, it cannot include all the Champagnes and sparkling wines that I taste from late November through early January. For this edition of Weekend Wine Notes, therefore, I offer an eclectic roster of nine of such products, one from Champagne, a duo from Franciacorta in Lombardy and a Lambrusco, an unusual darker-than-a-rosé sparkler from the far western Loire Valley, and versions from California and Oregon. I deliver as much technical information as might actually be required but concentrate on the essence of the blitzkrieg review: short, incisive and to-the-point. With one exception, these wines were samples for review. Enjoy!
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Antica Fratta Essence Brut 2007, Franciacorta, Lombardy, Italy. 13% alc. 90% chardonnay, 10% pinot noir. A favorite of ours for two Yuletide seasons. Light gold color; a seething horde of tiny bubbles; another year has burnished this sparkling wine; a little spicier, a bit toastier than it was at the previous tasting; roasted lemon and lemon balm, spiced pear; lightly buttered cinnamon toast; keen acidity and a honed limestone element; delicious, with appealing generosity but also a serious edge. Excellent. About $35.
Imported by Masciarelli Wine co., Weymouth, Mass.
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Argyle Brut 2011, Willamette Valley, Oregon. 12.5% alc. 60% pinot noir, 40% chardonnay. Pale gold gold, animated by a shimmer of tiny bubbles; a finely meshed construct of delicate details: lemon balm, verbena and lemon curd, a touch of orange rind; candied quince and ginger and a note of cloves; hint of biscuit; quite dry, bright acidity, lots of flint and limestone; very steely, very steady. Lovely. Excellent. About $27.
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Bonny Doon Sparkling Syrah 2011, Central Coast. 13.8% alc., according to the label, 11.9% alc. says the winery website. 83% syrah, 17% grenache. 378 cases. Opaque purple-black with a violet cast; moderately fizzy; the roasted, meaty and fleshy aspect we expect from syrah, but with vivid elements of deeply spiced and macerated strawberries and raspberries; a high balsamic note; burgeoning hints of violets and lavender; strangely attractive yet very intense, almost demanding, in fact too intense to use as an aperitif; this definitely needs food. Very Good+. About $36, intended for the winery’s club members.
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Cleto Chiarli e Figli Vecchia Modena Premier 2013, Lambrusco di Sorbara Secco, Italy. 11% alc. 100% lambrusco di Sorbara grapes. Bright medium ruby-red cherry hue; definitely and pleasantly effervescent; raspberries, red and black currants; slightly earthy with heather and boxwood; swashbuckling acidity keeps the whole dark, savory package lively and quenching, while a hint of tannin lends body; appealing supple texture balances a touch of dry austerity on the finish. Classic with rabbit pasta, terrines, duck. Very Good+. About $ .
Imported by Dalla Terra Winery Direct, Napa, Calif.
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Contadi Castaldi Brut Rosé 2008, Franciacorta, Lombardy. 15.5% alc. 80% pinot noir, 20% chardonnay. Pale salmon/onion skin hue; quite effervescent; fresh raspberries and strawberries with hints of rose petals and lilac; freshly baked bread, cloves, anise, orange zest; elegant and ethereal; limestone and almond skin on the finish; lovely texture and structure. Very Good+. About $21
Imported by TMT USA, San Antonio, Texas. Image from altissimocento.net.
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Emma 2013, Vin de France. 9% alc. A blend of gamay and grolleau gris grapes, produced by Domaine de la Coche. The Vin de France classification was created in 2009 and allows winemakers to blend grapes and wines from across France, not just those dictated by their appellation. Domaine de la Coche is an organic estate located in the Pays de Retz that lies south of the Loire estuary and north of the Breton marshlands. Bright purple-magenta hue; gently effervescent, just tickles your nose; rose petals and violets, blueberries and raspberries, surprisingly earthy; detectably sweet initially but segues to dry from mid-palate back; a little dusty and raspy but mainly delightful. Very Good+. About $24, an online purchase.
Imported by Fruit of the Vine, Long Island City, N.Y. I think that Emma needs a label makeover.
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Evolution Sparkling Wine nv, America. Produced by Sokol Blosser Winery. 12.5% alc. A proprietary blend of semillon, riesling, muller thurgau, pinot gris, gewurztraminer, muscat, chardonnay. Sokol Blosser, founded in Oregon’s Willamette Valley in 1971, delivered a real hit with its non-vintage Evolution White, now in its 18th “edition.” This sparkling wine, now debuting and made from the same grape varieties in Washington state, seemed like a natural development. It’s essentially a Prosecco-like sparkling wine made in the champagne method of second fermentation in the bottle. Pale gold color; a tidy splurge of tiny bubbles; apples and lemons, a lot of flowers from the muscat and gewurztraminer, it seems, as well as a hint of muscat funkiness; detectably sweet on the entry but slides toward dryness on the finish; fortunately clean acidity and a hint of limestone keep it honest. Very Good. About $22.
Image from urbanblisslife.com.
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Jacquard Brut Rosé nv, Champagne. 12.5% alc. 53% pinot noir, 35% chardonnay, 12% pinot meunier. Enchanting pale copper-salmon color; a tempest of tiny swirling bubbles; wild strawberries and cherries with a hint of red currants, touches of peach and orange zest; biscuits and cinnamon toast; quince and crystallized ginger; delicate, elegant, an ethereal construct buoyed by crisp acidity and a scintillating limestone quality; a finish half chiseled/half softly appealing. Really lovely. Excellent. About $55.
JAD Imports, Manhasset, N.Y.
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Schramsberg Crémant Demi-Sec 2010, North Coast. 13.5% alc. 88% flora grapes, 11% chardonnay, 1% pinot noir. 96% Napa County, 2.5% Mendocino, 1.5% Sonoma, 1% Marin. The flora grape is a cross of semillon and gewurztraminer developed of UC-Davis. Very pale gold hue; a gentle tug of finely-wrought bubbles; lemon balm, spiced pear and a touch of peach; jasmine and camellia; not so much sweet as ripe, soft and cloud-like; the floral and slightly nutty elements burgeon as the limestone character digs deeper, creating attractive tension even as the wine feels integrated and harmonious. Drink with the most simple desserts, nothing flamboyant; a sugar cookie or biscotti, a fruit tart, light cakes. Excellent. About $39.
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… a day for quiet reflection, hangover recovery and preparing the annual dish of blackeyed peas, hog jowl and greens, which I will get to in a few minutes. First, though, the Champagne of the Day, the Besserat de Bellefon Cuvée des Moines Brut Rosé. Champagne Besserat de Bellefon was founded in 1843 by Edmond Besserat. Then, it was simply Besserat; the name of the house was completed in 1927, when Besserat’s grandson, also named Edmond, married the nobly-dubbed Yvonne de Meric de Bellefon. Headquartered in Epernay, the house produces about 40,000 cases annually. It is now owned by Lanson-BCC group, headed by Bruno Paillard.

Besserat de Bellefon Cuvée des Moines Brut Rosé is a multi-vintage blend of 40 percent pinot meunier grapes, 30 percent pinot noir and 30 percent chardonnay. A light copper-salmon pink color looks like the slightly tarnished old rose-gold hue of your grandmother’s wedding ring; bubbles are bountiful and exuberant. Notes of orange zest, cloves, red currants and dried raspberries are imbued with hints of almond skin, acacia, lime peel and a sort of powdered flint aura; this Champagne offers lovely weight and heft, with deftly expressed delicacy and ethereal aspects, though powered by lip-smacking acidity and incisive limestone elements. The texture is lively, lithe and supple, and the whole package exudes tremendous verve and elan. It’s exhilarating, refreshing, ineffable, but displays a serious core of crystalline minerality. 12.5 percent alcohol. Excellent. This was a local purchase, about $63; prices around the country range from $50 to $70.

Imported by Winesellers Ltd., Niles Ill.

New Year’s Eve always seems momentous, if not downright portentous, as well, of course, as being cause for great festivity and celebration. We long ago resigned ourselves to not going out on New Year’s Eve and standing around at a party with a bunch of people we don’t know intoning that lugubrious song or dining at a restaurant on the worst dining-out night of the year. We prefer to stay at home, indulge in fine caviar and Champagne as twilight looms, enjoy a simple dinner and stay up until midnight for a final toast — or maybe not. Whatever the case, I offer today a Crémant d’Alsace and three non-vintage Champagnes for your enjoyment. This is my last post of 2014; tomorrow begins a new year. Be careful out there.
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Domaine l’Agape “Emotion” Crémant d’Alsace is made by Vincent Sipp, who broke away from his family’s firm in 2007 to launch his own estate. This irresistible sparkler, a blend of pinot blanc and pinot noir, offers a pale gold color and a terrific fountain on tiny bubbles; this one is pert, tart and sassy, with so much verve and energy that you can get all emotional about it; delightful notes of spiced pear, lime peel and grapefruit segue into a palate that teems with scintillating limestone and flint minerality; it’s quite dry but fluent and tasty. 13 percent alcohol. Very Good+. About $20.
Imported by Savio Soares Selections, Manhasset, N.Y. A sample for review.
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I’m a fan of the small Champagne producer Roland Champion, and I included two of his products in this series a few years ago. Today offers the opportunity to deal with a charming entry in the portfolio, the Roland Champion Cuvée Aramis Brut, a non-vintage — that is to say, multiple-vintage — blend of 70 percent pinot meunier grapes, 20 percent pinot noir and 10 percent chardonnay. The color is very pale gold, supporting myriad tiny bubbles in their upward surge; this is an elegant, winsome and fairly chiseled Champagne, driven by brisk acidity and deeply faceted limestone minerality; its fresh, saline character admits notes of quince, ginger and red currant, a hint of fresh bread, amid constant and attractive liveliness. 12.5 percent alcohol. Production is 950 cases annually. Excellent. About $50.
Imported by Kysela Pere et Fils, Winchester, Va. A sample for review.
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As is the case with Roland Champion, above, and Veuve Clicquot, below, I included other products from the house of Bruno Paillard in this series in past years, but not the Champagne Bruno Paillard Premiere Cuvée, a blend of 45 percent pinot noir, 33 percent chardonnay and 22 percent pinot meunier. The color is very pale gold; a stream of tiny silvery bubbles swirls effortlessly to the surface. This is a Champagne that epitomizes the marriage of power and elegance; it’s carefully etched and hewn in terms of crystalline limestone minerality and bright acidity, conveying an ineffable elevating sense of exuberance and exhilaration, even as it maintains a tensile quality of delicacy and transparency. Yes, there are notes of spiced pear, candied quince, a hint of grapefruit rind, a touch of brioche, but this is primarily about clean complexity of structure, vibrancy and tone. 12 percent alcohol. Excellent. About $50.
Imported by Fine Wines LLC, Melrose Park, Ill. A sample for review.
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Who does not know the house of Veuve Clicquot, founded in 1772, with its ubiquitous Yellow Label Brut and its luxury cuvee Grande Dame? (And since 1987 a thoroughbred in the stable of LVMH Louis Vuitton Moët Hennessy.) I have written about the Yellow Label Brut, but never about the Veuve Clicquot Brut Rosé, which today gets a turn. The blend for this high-toned production, depending on the year, is 50 to 55 percent pinot noir, 28 to 33 percent chardonnay and 15 to 20 percent pinot meunier; the proportion of reserve wine is generally 25 to 30 percent and can be as high as 40 percent. The color here is a radiant copper-salmon hue; a slender glass barely seems to contain a frothing tempest of tiny bubbles. A bouquet of red currants and raspberries and a hint of wild cherry is permeated by notes of biscuits, cloves, orange zest and oyster shell. The whole effect is clean and crisp and fresh, with a preponderance of limestone minerality and bracing acidity, all framed in the discourse of elegance, class and breeding. 12.5 percent alcohol. Excellent. This was a local purchase, about $80, but prices around the country start as low as $65.
Imported by LVMH USA, New York.
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In the brave annals of vinous experimentation, the J Vineyards Misterra Pinot Noir 2012, Russian River Valley, is one of the strangest. If you are a purist when it comes to pinot noir, the thought of blending other varieties with that grape seems a violation, a stain on the snowy tunic of a Vestal Virgin, like adding a dollop of syrah or cabernet franc to a Chambolle-Musigny. The J Misterra 2012 blends six percent pinotage and four percent pinot meunier to Russian River pinot noir. Pinotage, widely known as “the signature grape of South Africa,” was created in 1925 as a cross between pinot noir and cinsault by Abraham Izak Perold, the first professor of viticulture at Stellenbosch University. While the survival of the seedlings was in doubt, the grape eventually thrived and became the backbone of the South African wine industry, though I’m here to tell you that it’s an acquired taste. Pinot meunier is most familiar as a red grape grown mainly in Champagne as a blending element; it’s a natural for J Vineyards because of their excellent sparkling wine program.

So, what is this pinot + pinot + pinot like? Pinotage is a powerful influence, and even at only six percent tips Misterra 2012 toward the earthy, loamy, rustic camp. The color is medium ruby-magenta with a lighter transparent rim; the whole package is very spicy, deeply fruity and wildly floral, with notes of spiced and macerated black and red currants and cherries with a trace of blueberries and, as a few minutes pass, tobacco and roasted coffee beans. Full-bodied and robust, fairly dense with dusty and graphite-laden tannins, this combines cloves, black cherries, bitter chocolate and rhubarb with spanking acidity and granitic minerality in a robust structure that’s more solid and shaggy than smooth and supple. Though it manifests myriad points of satisfaction, this is not what I want pinot noir to be. 14.3 percent alcohol. Winemaker was Melissa Stackhouse, who previously worked for La Crema and fashioned excellent pinot noirs for that winery. Drink now through 2017 or ’18. Very Good+. About $50.

A sample for review. Image from vivino.com.

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