Pinot blanc


Ernest Hemingway’s short story, “A Clean, Well-Lighted Place,” revolves around the notion that places exist that represent the epitome of decency and decorum. I hope the late, great (but deeply troubled) author doesn’t mind if I borrow the term to apply to a group of wines that represent, for me, the epitome of clarity and crystalline transparency, wines that seem to radiate light and chiseled elegance. The six wines under review today hail from the roster of Alois Lageder, an estate founded in 1823 and now operated by the fifth generation. The vineyards from which these wines derive — all white, though reds are also produced — lie in Italy’s Alto Adige region and in the foothills of the Dolomiti — the Dolomites — where the Alps render national and regional boundaries inconsequential. The wines of Alois Lageder, the eponymous leader of the estate, are divided into two groups: Alois Lageder and Tenutae Lageder. Under the former label, the wines are produced partly from the company’s own biodynamically-farmed vineyards and partly from grapes purchased on long-term contracts with local estates. The second group encompasses wines made solely from biodynamic single vineyards owned by the estate. A third tier is Cantina Riff, a pinot grigio and a merlot-cabernet blend made from selected growers in the “Tre Venezie” region; these are the least expensive of the offerings. Winemaker is Luis von Dellemann.

Samples for review from Dalla Terra Winery Direct, Napa, Calif. Image of the Dolomites from adventourus.com

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The Riff Pinot Grigio Terra Alpina 2012, della Venezia, is as delicate and crisp as a snowflake and just as faceted. The color is very pale gold; piquant aromas of lemons, apples and lime peel unfurl to backnotes of grapefruit and almond blossom and a hint of almond skin. In the mouth, this wine feels chiseled from green apples, limestone and crystalline acidity, bolstered by touches of ripe peach and spiced pear; the finish is lean and spare. 12 percent alcohol. Drink through the end of 2014 as aperitif, with seafood and vegetarian appetizers or fish stews. Very Good+. About $10, an Amazing Bargain.
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Higher on the quality and price scale is the Alois Lageder Pinot Grigio 2012, Dolomiti, deriving from more specific locations in Trentino than the generalized Riff Pinot Grigio Terra Alpina ’12. The color is radiant straw-gold with faint green highlights; jasmine and honeysuckle dominate a bouquet inflected by notes of cloves, lilac, pomander, roasted lemons and yellow plums. Surprisingly full-bodied, ripe and spicy with citrus and stone-fruit, but leavened by crisp acidity and a shimmering limestone element; the texture is lovely and buoyant, the finish of medium length, packed with spice and minerals. 12.5 percent alcohol. Now into 2015. A superb aperitif, with seafood terrines, dry cheeses, green olives, or with grilled fish. Excellent. About $15, a Fantastic Bargain.
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The grapes for the single-vineyard Tenutae Lageder Porer Pinot Grigio 2012, Sudtirol, Alto Adige, derive from biodynamic-farmed vines certified by the Demeter organization. (I’m not advocating for biodynamic principles; just informing those who are interested.) The color is pale gold; the whole package feels like tissues of delicate froth seamlessly woven with tensile strength; jasmine and camellia dominate a nose that features notes of greengage, lime peel and lemon lightly spiced and touched with almond. The wine offers delicious citrus and pear flavors and moderately full body, almost creamy, but brightened by crisp acidity and streamlined limestone and flint qualities; the whole effect is of lovely transparency and elegance. 12.5 percent alcohol. Drink now through 2016. Excellent. About $25.
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Now we go to pinot blanc, first with the “regular” Alois Lageder Pinot Blanc 2012, Dolomiti. The color is pale pale straw-gold; there’s a burst of floral energy, a seductive strain of jasmine and honeysuckle, then roasted lemon and lemon balm, lime peel and a hint of grapefruit. That grapefruit element persists through the wine’s striking acidity and its note of bitterness on the finish. In between, this is bracing and saline, shot through with limestone and river-rock minerality in lovely crystalline filigree. 12.5 percent alcohol. Drink through the end of 2014. Quite delightful. Very Good+. About $14, an Attractive Price.
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The Alois Lageder Haberle Pinot Blanc 2011, Alto Adige, derives from the Haberlehof estate vineyard that ranges in altitude from 1,500 to 1,710 feet. This is a cool-climate vineyard that sees extremes of day and night temperature variation. The color is mild gold; the wine overall is more subdued than its cousin mentioned immediately above, but is also more expressive and expansive. Yes, it is saline and bracing, as if it had feasted on seashells; yes, it features elements of roasted lemons and lime peel but adds spiced pear, a hint of lychee and dried thyme. The aura here is elevating and balletic, elegant, transparent; bright acidity arrows through to a finish heightened by notes of ginger and quince and a touch of grapefruit bitterness. 13 percent alcohol. Drink through 2015 or ’16 with seafood pastas or risottos or grilled fish. Excellent. About $22.
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Last in this roster is the Alois Lageder Müller Thurgau 2012, Dolomiti, made from a grape that we tend to associate with Germany (where it’s the second-most widely planted grape) and Austria but is grown all over Eastern Europe as well as in New Zealand, England and the United States. It was created in 1882 as a cross between riesling and madeleine royale grapes by Hermann Müller of the Swiss canton of Thurgau, hence the name. The wine derives from Alois Lageder’s highest vineyards, at 1,960 to 2,780 feet altitude. The color is pale gold; the bouquet is notably floral and spicy, weaving cloves and ginger with jasmine and camellia, as well as hints of roasted lemon, grapefruit pith and lime peel and a faint wash of musk. It’s more straightforward in the mouth, quite tasty, a bit savory and saline, very crisp and lively with acid and limestone minerality, but the real attraction is in the nose. 12.5 percent alcohol. Now through 2015. Very Good+. About $15.
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Well, the first one is a cheat; it’s $22, but the rest are $20 and under, I promise, with prices starting at $13. Every wine on this list is rated Excellent, and it’s an eclectic roster, first geographically, with five wines each for California and Argentina, three each for Italy and Spain, two each for Oregon and France, one each for Germany, Portugal, Chile, Austria and Australia, and by genre; there are no dominant cabernet sauvignons, merlots or pinot noirs on this list and only one chardonnay, but you will find pinot blanc and riesling and gruner veltliner, albariño and carménère, loureiro and treixadura, as well as sangiovese and syrah and the ever-popular bobal. These are wines that performed above their price range in terms of intensity and satisfaction, a quality that is, I suppose, what we wish from every wine we encounter.
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Balthasar Ress Schloss Reichartshausen Riesling Spätlese 2009, Rheingau, Germany. Excellent. About $22.
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Balverne Rosé of Sangiovese 2012, Chalk Hill, Russian River Valley, Sonoma County. Excellent. About $20.
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Brooks Runaway White Pinot Blanc 2011, Willamette Valley, Oregon. 244 cases. Excellent. About $15.
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Catena High Mountain Vines Chardonnay 2012, Mendoza, Argentina. Excellent. About $20.
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Cleto Chiarli Vigneto Enrico Cialdini 2011, Lambrusco Grasparossa di Castelvetro, Emilia-Romagna, Italy. Excellent. About $15.
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Colognole Chianti Rufina 2007, Tuscany, Italy. Excellent. About $19.
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Cono Sur Reserva Especial Sauvignon Blanc 2011, Casablanca Valley, Chile. Excellent. About $15.
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Davis Bynum Virginia’s Block Sauvignon Blanc 2012, Russian River Valley, Sonoma County. Excellent. About $18.
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Finca La Linda Malbec Rosé 2012, Lujan de Cujo, Mendoza, Argentina. Excellent. About $13.
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Fred Loimer “Lois” Grüner Veltliner 2012, Niederösterreich, Austria. Excellent. About $16.
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Greg Norman Shiraz 2010, Limestone Coast, Australia. Excellent. About $15.
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Harney Lane Albariño 2012, Lodi. 716 cases. Excellent. About $19.
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Inama Carménère Piú 2010, Colli Berici, Veneto, Italy. With 25 percent merlot. Excellent. About $20.
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Kopke Vinho Branco 2011, Douro, Portugal. 50 percent arinto grapes, 45 percent gouveio, 5 percent rabigato. Excellent. About $16.
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Lee Family Farm Albariño 2010, Monterey County. 213 cases. Excellent. About $18.
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Lucien Albrecht Brut Rosé, nv, Crémant d’Alsace, France. Excellent. About $20.
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Manuel Manzaneque Nuestra Selección 2005, Finca Elez, La Mancha, Spain. Cabernet sauvignon 40 percent, tempranillo 40 percent, merlot 20 percent. Excellent. About $16.50.
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Domaine de Reuilly Les Pierres Plates 2012, Reuilly, Loire Valley, France. 100 percent sauvignon blanc. Excellent. About $20.
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Santiago Ruiz 2011, Riax Baixas, Spain. 70 percent allero grapes, 15 percent loureiro, 10 percent caino, 5 percent treixadura and godello. Excellent. About $17.
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Una Seleccion de Ricardo Santos Semillon 2013, Mendoza, Argentina. Excellent. About $16.
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Sierra Norte Pasión de Bobal 2010, Utiel-Reguene, Spain. Excellent. About $15.
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Tinto Negro Co-Ferment Malbec 2011, Mendoza, Argentina. With 7 percent cabernet franc and 3 percent petit verdot. Excellent. About $20.
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Tolentino Pinot Grigio 2011, Uco Valley, Mendoza, Argentina. Excellent. About $15.
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Vina Robles Sauvignon Blanc 2012, Paso Robles, San Luis Obispo County. Excellent. About $14.
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Youngberg Hill Pinot Blanc 2012, Willamette Valley, Oregon. 160 cases. Excellent. About $18.
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If you’re hosting hordes of revelers tonight and wish for a tasty and inexpensive sparkling wine to lubricate the path toward “Auld Lang Syne,” you can’t go wrong with the Gran Sarao Cava Brut, a descending blend of 40 percent xarel-lo grapes, 30 percent macabeo, 20 percent parellada and 10 percent chardonnay. The color is medium gold, and the bubbles are finely threaded and active. Notes of green apple, lemon, lime peel and grapefruit are buoyed by delightful effervescence and crisp acidity, with an undertone of spiced and roasted lemon. It spends 12 to 15 months in the bottle on the lees, so it delivers a pleasing full-body for the price. Thoroughly charming. 11.5 percent alcohol. Very Good. Look for prices from $10 to $16, and buy a case.

A Steve Miles Selection, Denver, Colo.
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From an estate founded in 1824 comes the Klipfel Brut Cremant d’Alsace, a blend of chardonnay and pinot blanc grapes that offers a pale gold color and a steady, swirling array of tiny gleaming bubbles. I love this Cremant d’Alsace for its foxy muscat-like aromas of orange blossom, spiced pear, damp leaves and slightly over-ripe lychee; its — by contrast — steely backbone of scintillating limestone minerality and crisp, brisk acidity; its delectable spicy citrus flavors; and the lovely balance and integration of these elements. 12.5 percent alcohol. Very Good+. About $16.

Imported by Wein-Bauer, Inc., Franklin Park, Ill. A sample for review.
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All right, let’s say that your New Year’s Eve gathering is more exclusive and intimate, perhaps a small dinner party. Try, in that case, one of my favorite sparkling wines — we’ve had it twice this year — the Argyle Knudsen Vineyard Julia Lee’s Block Blanc de Blancs Brut 2008, Dundee Hills, Oregon. From its shimmering pale gold color and constant confident upward flow of tiny bubbles, to its delicacy and elegance and, on the other hand, its authoritative expression of a grape — it’s 100 percent chardonnay — and a place, this sparkling wine exudes character and breeding. Meadowy aromas of jasmine and honeysuckle are entwined with notes of toasted hazelnuts, slightly roasted grapefruit, limestone and chalk; this is fresh, clean and ardently lively, but it gains body and power in the glass, adding a hint of caramel and toast, and it finishes with steely hauteur and touches of almond and grapefruit rind. 13 percent alcohol. Production was 883 cases. Drink through 2016 or ’18. Excellent. About $50.
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On the other hand, what if tonight’s celebration is just for two? Some caviar, a perfect little supper, a toast at midnight. Splurge on the Domaine Chandon Étoile Téte de Cuvée 2003, a world-class sparkling wine that’s a blend of 70 percent chardonnay grapes and 30 percent pinot noir, originating in Napa County (52 percent) and Sonoma County (48 percent). The color is pale platinum blond, and the bubbles surge in a headstrong froth. This sparkling wine is fresh, clean, racy and nervy; you feel its dynamic energy in every sniff and sip. Notes of roasted lemon, quince and crystallized ginger overlay elements of biscuits, almond skin, lime peel and limestone; a lovely creamy texture is balanced by vibrant acidity and lambent minerality, while a few moments in the glass bring in touches of smoke, lilac and chalk. A splendid marriage of elegance and power and one of California’s great sparkling wines. 13 percent alcohol. Production was 1,000 cases. Drink through 2018 to 2020. Exceptional. About $100.

A sample for review.
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Let’s keep it sparkling, shall we? For today’s post in the “Wine of the Week” category, let’s sashay off to Alsace, in northeastern France, where the sparkling wines termed Crémant d’Alsace, made in the Champagne method of second fermentation in the bottle, tend to be lively, tasty and fairly inexpensive. Such a one is the Clément Klur Brut, nv, Crémant d’Alsace, a blend of pinot blanc and pinot auxerrois grapes. The color is pale but radiant gold, and a steady stream of fine bubbles rises from the bottom of the glass. Notes of apples and pears are highlighted by hints of roasted lemon and lemon balm, with a touch of lime peel for emphasis; a shivery limestone element and chiming acidity lent this sparkling wine vibrancy and resonance, while a touch of chalk grounds it in the earth. Citrus flavors are permeated by ginger and quince, the wine is taut yet juicy and altogether nicely balanced and integrated. 12 percent alcohol. The Clement Klur estate has been completely organic since 1999. The strikingly graphic label is an anomaly in Alsace, where bottle art tends to be conservative and traditional. Very Good+. About $19.

Imported by A.I. Selections, New York. A sample for review.

My Readers can probably tell by the Italian words in the title of this post that we’re back in Italy for the Fifth Day of Christmas, specifically in Lombardy, where we find the sparkling wine region of Franciacorta, about halfway between the cities of Bergamo to the northwest and Brescia to the southeast. These products are made in the Champagne method of second fermentation in the bottle. Franciacorta was accorded the official status of DOCG — Denominazione di Origine Controllata e Garantita — in 1995. The Montenisa estate has been in the hands of the Conti Maggi family since the late 16th Century. In 1999, the Maggi family entered an agreement with Marchesi Antinori of Tuscany to share in the operation of the vineyards. Montenisa Brut is composed of chardonnay and pinot bianco grapes with a touch of pinot noir. The grapes are fermented partly in stainless steel tanks and partly in oak barriques; after second fermentation, the wine rests on the lees for 30 months. The color is pale gold, and the fountain of bubbles forms a gratifying torrent in the glass. Montenisa Brut is fresh and clean with notes of apple and spiced pear and hints of yeasty bread and roasted lemon, lime peel and grapefruit. This is a zesty, vibrant, savory and botanical sparkling wine — I mean by botanical slightly minty and floral — with a prominent background of limestone and flint minerality for a lithe and elegant structure, though it does not stint on subtle ripeness and a sense of moderately mouth-filling lushness. 12.5 percent alcohol. Excellent. About $35.

Imported by Ste Michelle Wine Estates. A sample for review.


The holiday season stretching from Thanksgiving to Twelfth Night, with Christmas and New Years monumental stops on the road, is almost upon us. If you’re looking for a house sparkling wine that’s far better than cheap tank-generated sparklers but nothing as expensive and thought-provoking as the more luxurious examples from California and Champagne, here’s a candidate. The Laetitia Brut Cuvée, a nonvintage sparkling wine from San Luis Obispo County’s Arroyo Grande Valley, is a blend of pinot noir, chardonnay and pinot blanc grapes, produced in the traditional champagne method by a winery noted for its precisely made single-vineyard pinot noirs. The color is pale gold with a slight shimmer of silver in the upward surge of tiny bubbles. This feels like steel and snow, biscuits and lemon curd, apples and pears, with cloves and almond skin in the background and a foundation of scintillating limestone. A few moments in the glass bring in notes of tangerine and grapefruit, the whole package enlivened by crisp and vibrant acidity. Laetitia Brut Cuvée spend 24 months en tirage – no, not triage — that is, two years in the bottle resting on the lees of the yeast cells and touch of sugar that stimulated the second fermentation. 12.5 percent alcohol. Production was 3,600 cases. Thoroughly enjoyable and engaging, close to elegant. Very Good+. About $25.

A sample for review.

We continue Italian Wine Week on BTYH with a superb food and wine pairing. LL and I made the Orecchiette Carbonara with Charred Brussels Sprouts a couple of nights ago, and to sip with it I opened the Manincor Réserve della Contessa 2010, Terlano Alto Adige, a blend of 60 percent pinot bianco, 30 percent chardonnay and 10 percent sauvignon blanc. I had not heard of this producer or wine, nor had I heard of the wine’s importer, Angels’ Share Wine Imports, nor of Adrian Chalk Selections. The wine came to my threshold courtesy of FedEx or UPS with no letter or technical material included, so I have no idea who actually sent me the wine. A little consultation with my research staff, Miss Google, revealed that the currant release of the wine is the 2012, so why was I sent the 2010? And why does the label use the French Réserve instead of the Italian Riserva? I was provoked almost to a state of existential quandrariness by these imponderables, though whatever qualms and questions weighed my spirit down were eased somewhat by the terrific quality of the wine, which, I think, at not quite three years old is drinking perfectly. The color is medium golden-yellow; super attractive aromas of roasted lemon and jasmine, orange blossom and wild thyme — “I know a bank where the wild thyme blows” — yellow plums and orange blossoms are highlighted by a sort of mountain meadow freshness and rosemary/pine resinous quality. The wine is sleek, spare and elegant, savory and saline, woven of citrus and stone-fruit flavors heightened by baking spices and limestone, lilac and flint, all shot through by crystalline acidity. Wonderful personality and presence. 13 percent alcohol. Drink now through 2015 or ’16. Excellent. About — close as I can figure — $28.

The pasta dish is from the September issue of Bon Appetit, and my advice is to get the ingredients and cook it right now. Here’s a link to the recipe. It’s from the restaurant Rolf and Daughters in Nashville. The wine was a sample for review.

The history of Youngberg Hill is as complicated as such things often are in the West Coast wine industry. This land in Oregon’s Willamette Valley was farmed by a Swede named Youngberg until 1987, when Norman Barnett, a financier from Boston, rolled in, bought the acreage and built an inn. In 1989, the legendary Ken Wright planted two vineyards here and used those grapes for his Panther Creek pinot noirs. The first time I visited Willamette Valley, in 1993, Wright was making the Panther Creek wines as well as the wines of Domaine Serene; he launched Ken Wright Cellars in 1994. Anyway, Wayne Bailey, originally from Iowa but nurtured on the wines of Burgundy and his work there, bought the property in 2003, and 10 years later he is still the owner and winemaker of this family owned business, which includes the inn — now renovated — that Barnett established 26 years ago. The winery has practiced organic methods since 2003.

So, the Youngberg Pinot Blanc 2012, McMinnville, Willamette Valley, is the wine I opened with last night’s dinner: smoked salmon with a coffee rub; sugar-snap peas; boiled and bashed new potatoes. This is a wine of lovely purity and intensity, offering a radiant medium gold color and beguiling aromas and flavors of roasted lemon, peach and yellow plum, with an almost tea-like and rooty kind of earthiness combined with an elegant, spare, ethereal structure; a few minutes in the glass add hints of cloves, quince and ginger. Lip-smacking acidity and a burgeoning element of limestone minerality balance the wine’s moderately lush texture, while the finish brings in a savory, tangy note of grapefruit and a touch of the woody bitterness of the peach stone. The wine fermented half in stainless steel tanks, half in neutral oak barrels. 13.5 percent alcohol. Drink now through 2015. Production was 160 cases. Excellent. About $18, an Astonishing Bargain, though obviously, with its small production, the wine also Merits a Search.

A sample for review.

This post of Weekend Wine Sips isn’t exactly a Mother’s Day edition, but I did receive a press release about wines for Mom from a Major Wine Publication that listed only sauvignon blancs (as if mothers drink only that grape variety), so in this roster of white wines for spring and summer I omit sauvignon blanc entirely. Each of these wines is 100 percent varietal; each is from a different region or country; each is made in stainless steel or receives minimal oak treatment including no new oak. (Actually I think that criterion applies to only one of these.) As usual, I eschew detailed technical, geographical and historical information in these brief Weekend Wine Sips reviews the better to whet your curiosity and thirst with incisiveness and immediacy. Prices here range from about $11 to $25; each wine marks a good value wherever it falls within that range. The motivation is delight, freshness, elegance, balance and appeal. These wines were samples for review. Enjoy!
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Plantagenet Omrah Unoaked Chardonnay 2011, Great Southern, Western Australia. 13.5% alc. Pale gold color; a really pretty chardonnay — lemon, lime, lime peel and grapefruit; smoke and a hint of mango, touch of jasmine — but crisp acidity, oyster-shell and limestone all the way through the finish; dry with a bit of austerity. Very Good+. About $15.
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Protea Chenin Blanc 2012, Wine of Coastal Region, South Africa. 13% alc. Pale straw color; beguiling aromas of hay, thyme and tarragon, pears and yellow plums; lovely satiny texture but bristly and prickly, fleet acidity and heaps of limestone and chalk, dry, crisp, refreshing and appealing. Very Good+. About $18.
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Principessa Gavia Gavi 2012, Piedmont, Italy. 12% alc. Pale straw color with a hint of green; sweetly expressive bouquet: pears and greengage, cloves and thyme, hints of leafy fig and sea-salt, jasmine and lemon balm; squinching acidity, lustrous elements of chalk and limestone and flint; deftly balanced between bone-dry and almost winsomely attractive floral and citrus qualities. Very Good+. About $14.
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Grooner Grüner Veltliner 2012, Niederösterreich, Austria. (Produced by Weingut Meinhard Forstreitter) 12% alc. Very pale straw-gold; melon and pears with hints of lemon, lime peel and grapefruit, touch of green pea and thyme; pert, tart, taut and sassy; hint of grapefruit bitterness on the limestone-laced finish. Delightful. Very Good. About $11.
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St. Supéry Estate Moscato 2012, Napa Valley, California. 10.5% alc. Very very pale gold color; apple and apple blossom, pear and peach, hint of lime peel and orange zest; soft, almost cloud-like texture but crisp acidity cuts a swath to the limestone-inflected finish; ripe and sweet on entry, but the acid and mineral elements tone down the sweetness to a sort of blanched dryness, so the finish comes out clean and elegant, delicate and balanced; stands out in the sea of vapid moscato presently engulfing the country; begs for dessert of fresh berries. Excellent. About $25.
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Brooks Runaway White Pinot Blanc 2011, Willamette Valley, Oregon. 11.3% alc. Pale pale straw-gold color; pure lemon with a lime peel twist, hints of jasmine and slightly over-ripe peaches and an elusive scent of lavender; a little earthy and smoky; scintillating acidity and limestone-flint minerality, lots of energy and vitality and a sense of flaking schist and flint; very dry, all stones and bones from mid-palate back; marked spareness and austerity in the vigorous finish. An argument for planting more pinot gris in the appropriate areas and treating it right. 244 cases. Excellent. About $15.
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Villa Wolf Pinot Gris 2011, Pfalz, Germany. 12.5% alc. (Produced by Dr. Loosen) Medium gold-straw color; roasted lemon and lemon balm, quince and ginger, hints of cloves and smoke, slightly earthy; highly animated acidity and spicy qualities fuel this wines liveliness, while a silken texture and underlying limestone elements give it pleasing heft. Delicious. Very Good+. About $14.
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Greywacke Riesling 2011, Marlborough, New Zealand. 12% alc. Brilliant pale gold color; lychee and a touch of petrol, roasted lemon, spiced pear and honeysuckle, hint of lilac face powder; very dry, lean and clean, irresistible texture combining brisk acidity with lovely soft ripeness that does not preclude the glacial authority of crystalline limestone minerality. Excellent. About $25.
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It has not been Spring-like at all, these days after that buoyant season should have sprung, but a couple of days ago I really wanted to cook something Spring-like, so I concocted a risotto with fresh English peas, shiitake mushrooms, prosciutto and basil, using whole-grain or brown rice, which takes about an hour to cook, stirring, stirring, stirring, adding broth, stirring, stirring, stirring, but one can get a lot of the New York Times read, one-handed, while that’s going on. (You have, of course, already shelled the peas, blanched them and given them an ice-water bath to retain the bright green color and sauteed the onions or shallot.)

So, what to serve? An equally Spring-like wine, the Paul Blanck Pinot Blanc 2011, from Alsace. Something about pinot blanc reminds me of Spring, and not just the name, which could be construed as colorless but I perceive as delicate and inviting; there are many pinots, but this is the white one, not so much a blank as filled with sunshine and light. And there is about the wines made from this grape a similar sense of sunlight, rare understated elegance and innate decorum and delight. That delight was manifest in the pairing of the risotto and the wine, and while it may have been chilly and blustery outside, in our house it felt like a far more balmy and bountiful season.

Such a one is the all stainless steel Paul Blanck Pinot Blanc d’Alsace 2011, from an estate that traces its history to the 17th Century — not unusual for Alsace. Naturally there are holdings in Grand Cru vineyards and wines made from other single-designated vineyards, but the wine we look at today falls under the “Classique” rubric of everyday table wines, “everyday” but not ordinary. The color is very pale straw-gold; the bouquet blithely blends notes of lime peel and roasted lemon, honeysuckle and lilac, a touch of quince and a hint of cloves, this panoply of effects set neatly into a background of slightly earthy minerality in the limestone and damp shale range. Juicy and cloud-like lemon and yellow plum flavors are bolstered by fleet acidity that keeps the wine crisp and lively and a vigorous yet quicksilver mineral element that never asserts too much gravity on what is essentially a ripe luminously tasty wine. A refreshing 12.5 percent alcohol. Drink through 2014. Very Good+. About $15, meaning Excellent Value.

Imported by Michael Skurnik Wines, Syosset, N.Y. A sample for review.

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