New York

Eve’s Cidery was founded in 2002, occupying a site south of the Finger Lakes region of New York, home-tree_01near the town of Van Etten (pop., 1,557). This is in Chemung County, the lower line of which runs along the border with Pennsylvania. The proprietors of Eve’s Cidery are James Cummins, Autumn Stoscheck and Ezra Sherman. From a wide variety of heirloom apples, the names of which sound like a roll-call of militia from the Revolutionary War, they fashion a series of sparkling and still ciders that range from tasty and engaging to downright profound. I recently went through three sparkling and one still cider from the 2014 harvest and a dessert wine from 2013 and found them to be striking for their integrity and individuality. I’m informed that the ciders from 2015 are in the process of being released. Except for the dessert wine, the ciders are packaged in standard 750-milliliter bottles. The sparkling ciders are produced in the classic Champagne Method of second fermentation in the bottle.

Samples for review. The website is
eve beckhorn
Eve’s Cidery Beckhorn Hollow Traditional Method Sparkling Cider consists of a blend of aromatic, sharp and heirloom apples: Golden Russet, Wealthy, Wixson, Cox Orange Pippin, Northern Spy, Manchurian Crab, Spigold and Idared. It offers a bright golden-yellow hue and is quite fresh and appealing, sporting mild yet persistent effervescence and a pure apple scent with a back-note of spiced pear. The finish is woodsy and peppery, and the whole presentation vibrates to a real malic tang. 8.5 percent alcohol. Production was 310 cases. Excellent. About $19.
The apples that go into Eve’s Cidery Darling Creek Off-Dry, Traditional Method Sparkling Cider eve darling creekare the English bittersweets Ellis Bitter, Ashton Bitter, Major and Bulmers Norman, wild seedlings, balanced with the aromatics and slightly lusher tone of McIntosh and Idared. The residual sugar — the level of sugar remaining after fermentation — for Darling Creek is 1.8 percent, as compared to 0.0 percent r.s. for the Beckhorn Hollow. (Many so-called dry table wines have r.s. around 1.5 to 2 percent.) I found the sweetness here, though, as just a hint of softness and ripeness at the entry, because the cider shades immediately to dryness on the palate. The color is pure medium gold with a faint green tinge, and the cider is animated by a light petillance of effervescence. A knock-out bouquet of fresh apples unfurls a touch of pears with elusive elements of bosky mushroomy spice and a touch of riesling-like petrol. There’s a note of foresty apple-skin tannin and dryness in the finish that only adds complexity to an utterly fresh, charming and beguiling package. 8 percent alcohol. 201 cases. World-class cider. Excellent. About $19.
Eve’s Cidery Autumn’s Gold Dry Traditional Method Sparkling Cider combines tannic English eve autumnbittersweets Dabinett, Bulmer’s Norman, Major, Ellis Bitter and Somerset Redstreak with elements of Golden Russet, Akane, Goldrush and Idared. The color is bright medium gold, the effervescence delicate and prickly. Autumn’s Gold is the spiciest of these ciders, as if it were infused with Thanksgiving pies, yet it also embodies the bracing bitterness of apple peel and almond skin, with hints of dried apples and apricots. It’s also the only one of these ciders to display a mineral element, just a touch of iodine and iron, as if those apple trees pulled up ore from the depths of the orchards. 8.5 percent alcohol. Production was 424 cases. Excellent. About $19.
eve albee
I tasted the Eve’s Cidery Albee Hill Still Dry Cider after the three sparkling ciders mentioned above, and I probably should have reversed the order. The delicate spritzy nature of the sparkling ciders lends a natural appeal that’s irresistible. Still, this one seems to tap into the essence of the orchard and its soil and bedrock in a real and authentic manner. The blend is 51 percent Golden Russet, 22 percent Yarlington Mill, 10 Goldrush, 10 Esophus Spitzenburg, 4 Northern Spy, 3 Bedan. It’s the driest, the most austere and autumnal of these ciders, with a sense of apples, pears and melons spiced, macerated and slightly roasted, a hint of burning leaves and a tannic presence of the finish. 8.5 percent alcohol. 226 cases. Excellent. About $15 or $16.
Here’s the real surprise. The Eve’s Cidery Essence Ice Cider comes in at 15.5 percent residual eve essence
sugar, a true dessert wine that’s balanced by swingeing acidity and a hint of apple skin tannins. Made from the juices of late season dessert apples — Idared, Jonagold, Melrose, Mutsu and Fuji — cryo-concentrated in winter, this cider offers a medium golden amber hue and seductive aromas of baked apples, apricot and apple tart, bolstered by notes of cloves and sandalwood, smoke, toffee and bittersweet chocolate, peat and heather, all these elements segueing smoothly onto the palate with a distinct honeyed and roasted character and where it feels dense, viscous, supple, succulent and as luscious as money flowing on the tongue. 10 percent alcohol. A remarkable performance. 390 cases. Exceptional. About $26 to $28.

Today’s post is for My Readers in the Northeast, since wines produced on Long Island or New York state generally don’t receive extensive national distribution. And good luck finding New York wines on the lists of New York lieb logoCity’s fine restaurants, though the Lieb Cellars Reserve Cabernet Franc 2013, North Fork of Long Island, would be a great addition to any restaurant’s roster of wines. This is a blend of 75 percent cabernet franc, 12 percent cabernet sauvignon, 7 percent malbec, 4 percent merlot and 2 percent petit verdot that spent 10 months in Hungarian oak barrels. The color is glossy dark ruby with a glowing magenta rim; aromas of black cherries and currants are highlighted by notes of tobacco, blueberries and dark plums, briers and brambles and fleeting hints of violets, lavender and graphite; a few minutes in the glass bring in touches of smoky black olives and dried thyme. The wine’s dusty tannic firmness on the palate is softened by a supple, silky texture and bright acidity that bolster its spicy, bosky ripeness of black fruit flavors. 12.8 percent alcohol. Drink now through 2018 or ’19. Production was 234 cases. Excellent. About $40.

A sample for review.

Do I have to defend the right or necessity to drink rosé wines all year around? Do I have to man the barricades, go to the wall, belly up to the bar to convince nay-sayers that a shimmering, scintillating, beautiful rosé wine — dry, vibrant, fruity, subtle: not sweet — is appropriate in every month and season? If I have to do that, then my case may be hopeless, as far as the die-hard opposition goes, but those who have followed this blog for a considerable period will require no further persuasion, gentle or not. A clean dry rosé may serve as a refreshing aperitif in December as well as June, and few wines go better with fried chicken, for example, or various terrines or the egg-based dishes that front the sideboard for big family breakfasts during the upcoming holidays. Thanksgiving dinner itself is a good test for rosé wines. No, friends, do not neglect the rosé genre, from which I offer 10 models today. The Weekend Wine Notes eschew detailed technical, historical and geographical data (which we all adore) for the sake of incisive reviews ripped, almost, from the very pages of my notebooks, though arranged in more shapely fashion. These eclectic wines were samples for review. Enjoy!
billa haut
Bila-Haut Rosé 2014, Pays d’Oc (from M. Chapoutier). NA% alc. Grenache and cinsault. Pale copper-salmon hue; orange zest, strawberries and raspberries; a pleasing heft of limestone minerality with cutting acidity; juicy and thirst-quenching, but dry as sun-baked stones; a finish delicately etched with chalk and dried thyme. Very Good+. About $14.
An R. Shack Selection, HB Wine Merchants, New York.
blair rose
Blair Vineyards Delfina’s Vineyard Rosé of Pinot Noir 2014, Arroyo Seco. 13.3% alc. 117 cases. Bright peach-copper color; ripe strawberries macerated with cloves, raspberries, hints of tomato skin and pomegranate; paradoxically and deftly fleshy and juicy while being quite crisp and dry and tightly tuned with limestone and flint. A superior rosé. Excellent. About $22.
Bonny Doon Vin Gris de Cigare 2014, Central Coast. 13% alc. 35% grenache, 18% mourvedre, 16% grenache blanc, 12.5% roussanne, 8% carignane, 8% cinsault, 1.5% marsanne, 1% counoise. Very pale onion skin hue with a topaz glow; quite delicate, almost fragile; dried strawberries and raspberries with a touch of peach and hints of lavender and orange rind; gently dusty and minerally, like rain-water drying on a warm stone; a note of sage in the finish. Elegantly ravishing. Excellent. About $18.
bridge lane
Bridge Lane Rosé 2014, New York State (from Lieb Cellars). 11.9% alc. Cabernet franc 63%, merlot 21%, pinot blanc 8%, riesling 5%, gewurztraminer 3%. Ethereal pale peach-copper color; delicate notes of peach, strawberry and raspberry with a touch of watermelon and spiced pear; a hint of minerality subtle as a river-stone polished with talc; incisive acidity for liveliness; develops more floral elements as the moments pass: lavender, rose petal, violets, all beautifully knit. Excellent. About $18.
heintz rose
Charles Heintz Vineyards Rosé of Pinot Noir 2014, Sonoma Coast. 13.5% alc. 250 cases. Beautiful salmon scale-light copper hue; blood orange, tomato skin, strawberries and raspberries, hints of violets and lilac, a note of cloves and damp limestone; red fruit on the palate with an undertone of peach; quite dry and crisp, lithe on the palate, but with appealing red fruit character and an element of stone-fruit and chalk-flint minerality. A gorgeous rosé. Excellent. About $19.
cornerstone corallina
Cornerstone Stepping Stone Corallina Rosé 2014, Napa Valley. 13.1% alc. 100% syrah. Very pretty pink coral color; strawberries and raspberries, hint of pomegranate and a fascinating note of spiced tea and apple peel compote; a few minutes in the glass bring in touches of tomato aspic and red currants; full-bodied for a rose, with a texture that would be almost lush save for the bristling acidity that keeps the whole package energized. Drink through 2016. Excellent. About $18.
Crossbarn Rosé of Pinot Noir 2014, Sonoma Coast (from Paul Hobbs). 12.5% alc. Pale copper-salmon color; intriguing musky-spicy note, crossbarn roselike rose hips, camellias, pomegranate, cloves and sandalwood macerated together; strawberries and orange rind; hints of pink grapefruit and peach; lively and crisp, with a chalk and flint edge to the supple texture; gains a fleshy and florid character on the finish. Very Good+. About $18
loomis air
Loomis Family “Air” Rosé Wine 2013, Napa Valley. 12% alc. 41% grenache 36% mourvedre 13% counoise 10% syrah. 125 cases. Light copper-salmon hue; dried strawberries and raspberries, notes of lavender and red cherry; hints of watermelon and cloves; incisive acidity and limestone minerality bolster juicy red fruit flavors and an elegant and supple texture that retains a crisp chiseled character; a fillip of grapefruit rind and lemongrass provide interest on the finish. Drink through 2016. Excellent. About $18.
Santa Cristina Cipresseto Rosato 2014, Toscano IGT. 11% alc. Sangiovese, cabernet sauvignon, merlot, syrah. (An Antinori brand since 1946.) Light pink-peach color; delicately floral and spicy, notes of raspberries and red currants and a hint of dried thyme and heather; clean acidity and limestone minerality offer gentle ballast for tasty but spare red fruit flavors. Very Good+. About $14.
stinson rose
Stinson Vineyards Rosé 2014, Monticello, Va. 13% alc. 100% mouvèdre. 175 cases. Classic onion skin hue with a tinge of darker copper; pink grapefruit, rose petals, cloves; raspberries and strawberries delicately strung on a line of limestone minerality and bright acidity; from mid-palate back notes of cranberry, pomegranate and grapefruit rind leading to a tart finish; lovely balance and integrity. Excellent. About $19.

Here’s a scintillating pinot blanc that will shiver yer timbers. It’s the Lieb Cellars Reserve Pinot Blanc 2013, from the North Fork of Long Island.
It’s made completely in stainless steel and does not undergo malolactic fermentation, so its freshness, its fervent crispness and blazing acidity are unassailable. The color is very pale straw-gold; aromas of lemon zest, lychee and grapefruit are woven with notes of lemon balm, jasmine, lime peel and chalk. Is this a dry wine? Does the pope wear a funny hat? Yes, this is about as dry as they make ’em, notably limestone-chalk-and-flint dry, with a vibrant line of electrifying acidity and a crystalline structure that feels finely-hewn and faceted; citrus flavors with a bare shading of stone-fruit touch the palate fleetingly, allowing for a deft hint of sunny leafiness among the chiseled and saline mineralities. Bring on the oysters, plump and briny from the shell! 11.9 percent alcohol. Production was 1,305 cases. Winemaker for Lieb Cellars is Russell Hearn; general manager is Ami Opisso. Drink now through 2018 or ’19. Excellent. About $22.

A sample for review.

I was supposed to receive a sample of the Bedell Cellars “Taste” Rosé 2014, North Fork of Long Island, but the vintage instead was 2012. Generally, we want the most recent year of a rosé wine, for its fresh quality and immediate appeal, but I thought, “What the hell, let’s try it anyway.” Reader: It was great. For 2012 — the blend changes every year — this is an interesting combination of 70 percent merlot, 25 percent cabernet franc, 3 percent cabernet sauvignon and 2 percent syrah, and it touches the authenticity points of sustainably grown estate fruit, whole cluster pressing and indigenous yeast. The color is a slightly darker than usual onion skin infused with light copper; a core of dried sage and thyme and crushed rose petals unfolds notes of slightly candied orange peel, pomander, and dried strawberries with touches of rhubarb and pomegranate. The finish is crisp, clean and savory, accented by hints of flint, grapefruit rind and sour melon. It could easily age another year or two. 11 percent alcohol. Drink with pizza, pates and terrines — rabbit and duck — or such picnic fare as fried chicken, shrimp salad and deviled eggs. Excellent. About $25.

We conclude the Twelve Days of Christmas quietly, with three examples of New World champagne method sparkling wine, one from the North Fork of Long Island, the other pair from Napa Valley’s Carneros region. My aim in this series, now in the final entry of its eighth edition, is to present an eclectic roster of the world’s sparkling wines, as well as a selection of Champagnes from that hallowed region in France, during the Yuletide season when most of the sparkling wine and Champagne is consumed. Had I my druthers, I would drink these products every day, but the market, consumer sensibilities and my wallet dictate otherwise. I hope that My Readers enjoyed this latest foray into the range of the festive and obligatory beverage and will anticipate a similar exploration next December. These sparkling wines were samples for review.

I was happy to receive a sample of the Lieb Cellars Blanc de Blancs 2010, North Fork of Long Island, because I seldom — I mean never — get wines from New York state. This appealing sparkling wine is composed of 100 percent pinot blanc grapes. The color is mild gold, and the bubbles stream to the surface in a gentle but persistent fountain; apples and spiced pears, jasmine, ginger and quince are married with delicate shading to a soft effusion of limestone and flint minerality that lends support but not austerity. In essence, a very pretty and tasty sparkling wine. 12.5 percent alcohol. Production was $35. Very good+. About $35.
The Frank Family Wines Blanc de Blancs 2010, Carneros, Napa Valley, is a blend of 80 percent chardonnay and 20 percent pinot noir. The color is pale gold, and the tiny bubbles foam upward in a frothing swirl. This is a ravishingly elegant sparkling wine, all steel and limestone, orange blossom and lime peel, with back-notes of almond skin, grapefruit and (faintly) fresh biscuits with honey. Gradually, like a seeping tide, the mineral elements dominate, so the finish feels chiseled and faceted, distinguished and a little aloof. Make no mistake, though, this is an eminently compelling blanc de blancs, counting all the detail and dimension. 12 percent alcohol. Production was 381 cases. Winemaker was Todd Graff. Excellent. About $45.

The Frank Family Wines Brut Rosé 2010, Carneros, Napa Valley, a blend of 79 percent pinot noir and 21 percent chardonnay, offers a pale onion skin hue, like rose-gold, and floods and torrents of exuberant bubbles; it’s sleek and steely and slightly floral, with hints of jasmine, dried strawberries and raspberries, cloves and pomegranate and a hint of tart cranberry that matches well with a stream of potent acidity. Heaps of limestone and flint minerality form a crystalline framework for terrific tension and energy in a sparkling wine of great appeal and tenacity. It’s also downright lovely. 12 percent alcohol. Production was 379 cases. Excellent. About $45.

This little item in The New York Times caught my eye, and that is, the official wine of Lincoln Center, the great performing arts complex in Manhattan, is supplied by William Hill Estate Winery, in California’s Napa Valley. Wonder how many beautifully dressed and bejeweled patrons of the arts know that the wine they’re sipping at the center’s receptions and galas is made by a winery owned by E.&J. Gallo. That’s right, Gallo, the world’s second largest wine company, purchased the William Hill facility and vineyards in July 2007, another in a series of sales and acquisitions that the producer had undergone since 1992. And in other wine-related news, the booth that Lincoln Center maintained at this year’s Fashion Week in New York — begging the question of why Lincoln Center needs a booth at Fashion Week — featured a Kim Crawford wine bar. Kim Crawford is a winery in New Zealand, specializing in sauvignon blanc, riesling, chardonnay and pinot noir, that since 2006 has been owned by Constellation Brands, the world’s first largest wine company.

Who chose these wines for Lincoln Center to celebrate? What kinds of deals were made? Why does Lincoln Center align itself with giant global corporations when New York City is a vibrant hub of the wine world where every style and type and price of wine is available? Most important, why is the Official Wine of Lincoln Center not a product of New York state? What a boon it would be for the state’s neglected wine industry if the planners and PR people at Lincoln Center positioned the might of their attention and money behind Long Island and the Finger Lakes, where a multitude of excellent, delicious and accessible wines are made. On the other hand, what a boost it would be if the restaurants of New York would do more than pay lip-service to New York state’s wines by including the safe and obligatory two bottles on their wine lists, if even that many. Eat local? New York restaurants are all about that concept. Drink local? Never.

Anyway, as far as Lincoln Center is concerned, faced with the marketing power of Gallo and Constellation, the wineries of New York don’t stand a chance.

Image of Lincoln Center from

We made a quick trip to New York — up Friday morning, back Sunday afternoon — to celebrate a friend’s birthday with other friends we had not seen in three or four years. Naturally the festivities included a great deal of eating and drinking, as in a small dinner Friday, a large birthday bash dinner Saturday and brunch on Sunday. Here are notes, some brief and some not so brief, on the wines we tried.

Image of NYC skyline in the 1950s from
This was a hit. For dinner we were having a casserole of chicken and sausage and onions and fresh herbs — which was deeply flavorful and delicious — at the B’day Girl’s place, and I thought “Something Côtes du Rhône-ish is called for.” She is fortunate enough to live right around the block from Le Dû’s Wines, the store of Jean-Luc Le Dû, former sommelier for Restaurant Daniel, and we traipsed over to see what was available. She wanted to buy a mixed case of wines, and I wanted to pick up a bottle of Champagne and whatever else piqued my interest.

l’Apostrophe 2009, Vin de Pays Méditerranée, caught my eye. The wine is made by Chante Cigale, a noted producer of Chateauneuf-du-Pape, a pedigree that reveals itself in its full-bodied, rustic savory qualities. A blend of 70 percent grenache, 20 percent cinsault and 10 percent syrah and made all in stainless steel, the wine sports a dark ruby-purple hue and burgeoning aromas of spiced and macerated blackberries, red and black currants and plums. Black and blue fruit flavors are potently spicy and lavish, wrapped in smoky, fleshy, meaty elements and bolstered by a lithe, muscular texture and underlying mossy, briery and graphite qualities. I mean, hell, yes! This was great with the chicken and sausage casserole. Drink through 2013 or ’14. Excellent. About $15-$16, representing Real Value.

Imported by David Bowler Wine, New York. (The label image is one vintage behind.)

Also at Le Dû’s Wines, I gave the nod to Domaine de Fontenille 2009, Côtes du Luberon, a blend of 70 percent grenache and 30 percent syrah produced by brothers Jean and Pierre Leveque. Côtes du Luberon lies east of the city of Avignon in the Southern Rhone region. This wine was a tad simpler than l’Apostrophe 2009, yet it packed the same sort of spicy, savory, meaty, fleshy wallop of macerated black and blue fruit scents and flavors ensconced in the earthy loaminess and soft but firm tannins of briers and brambles and underbrush. Now that prices for Côtes du Rhône and Côtes du Rhône-Villages have edged above $20 (and $30 even), wines such as Domaine de Fontenille and l’Apostrophe offer reasonable and authentic alternatives. Drink through 2012 or ’13. Very Good+. About $14-$15.

Imported by Peter Weygandt, Washington D.C. (The label image is many vintages laggard but it’s what I could find.)
With poached fennel-stuffed salmon, we drank the At Riesling 2009, Colli Orientale del Friuli, from Aquila dei Torre — eagle of the tower — which at two years old is as clean as a whistle, fresh and lively, and gently permeated by notes of spiced peach, pear and quince with a background of lychee, lime peel and limestone; there’s a hint of petrol or rubber eraser in the bouquet and a touch of jasmine. Made in stainless steel and spending nine months in tanks, At Riesling 09 offers crisp acidity and a texture cannily poised between ripe, talc-like softness and brisk, bracing, slightly austere spareness; the finish focuses on scintillating minerality in the limestone-slate range. The designation means “the eastern hills of Friuli.” Now through 2013. Very Good+. About $22.

Domenico Selections, New York.
We drank the Campo San Vito 2004, Valpolicella Classico Superiori Ripasso, with roast beef at the B’Day Girl’s Big Dinner Bash. I first reviewed the wine in July 2009; here are the notes:

For wine, I opened the Campo San Vito Valpolicella 2004, Classico Superiore Ripasso, a wine that also conveyed a sense of intensity and concentration. Ripasso is a method in which certain Valpolicella wines are “refermented,” in the March after harvest, on the lees of Amarone wines; the process lends these wines added richness and depth. The color here is almost motor-oil black, with a glowing blue/purple rim; the bouquet is minty and meaty, bursting with cassis, Damson plums, smoke, licorice and lavender and a whole boxful of dried spices. Yes, this is so exotic that it’s close to pornographic, but the wine is not too easy, on the one hand, or overbearing, on the other, because it possesses the acid and tannic structure, as well as two years in oak, to express its purposeful nature and rigorous underpinnings. Flavors of black currant and plum, with a touch of mulberry, are permeated by spice, potpourri and granite, as if all ground together in a mortar; the finish, increasingly austere, gathers more dust and minerals. Quite an experience and really good with our dinner. Limited availability in the Northeast. Excellent. About $25.

What was the wine like two years later, at the age of seven? A lovely and beguiling expression of its grapes — corvina, molinara, rondinella — still holding its dark ruby hue and all violets and rose petals, tar and black tea and lavender, stewed plums and blueberries with an almost eloquent sense of firmness, mellow, gently tucked-in tannins and vivid acidity, but after 30 or 40 minutes, it began to show signs of coming apart at the seams, with acid taking ascendancy. Drink now. Very Good+ and showing its age, but everyone should hope to do so in such graceful manner.

Imported by Domenico Selections, New York.
And two rosé wines:

The house of Couly-Dutheil produces one of my favorite Loire Valley rosés, so it’s not surprising that I found the Couly-Dutheil “René Couly” Chinon Rosé 2010 to be very attractive. This is 100 percent cabernet franc, sporting a classic pale onion skin hue with a blush of copper; so damned pretty, with its notes of dried strawberries and red currants over earthy layers of damp ash and loam and a bright undertone of spiced peach, all resolving to red currant and orange rind flavors and shades of rhubarb and limestone. Dry, crisp and frankly delightful. 13 percent alcohol. Drink through Spring 2012. Very Good+. About $19.

Imported by Cynthia Hurley, West Newton, Mass.

Ah, but here comes what could be the best rosé wine I have tasted. O.K., not to be extreme, one of the best rosés I have ever tasted.

L’audacieuse 2010, Coteaux de l’Ardeche, comes in a Big Deal heavy bottle with a deep punt (the indentation at the bottom); instead of being in a clear bottle, to show off the pretty rosé color, L’audacieuse 2010 is contained within a bottle of serious dark green glass. The producers of this prodigy, a blend of 50 percent syrah, 30 percent grenache and 20 percent cinsault, are Benoit and Florence Chazallon. The estate centers around the Chateau de la Selve, a fortified house built in the 13th Century. The grapes for L’audacieuse 2010 are grown under organic methods and fermented with natural yeasts, 1/2 in barriques and 1/2 in concrete vats; it aged six months in barriques. The color is pale but radiant onion skin or what the French call “eye of the partridge.” An enchanting yet slightly reticent bouquet of apples, lemon rind, orange zest and dried red currants wafts from the glass; in the mouth, well, the wine feels as if you were sipping liquid limestone suffused with some grapey-citrus-red fruit essence, enlivened by striking acidity and dry as a sun-bleached bone. While that description may make the wine sound formidable, especially for a rosé — and it is as audacious as its name — its real character embodies elegance and sophistication, integration and balance of all elements, but with something ineffably wild and plangent about it. This is, in a word, a great rosé. 13 percent alcohol. Production was all of 2,100 bottles and 80 magnums. Drink through Summer 2012. Excellent. About $30 and Worth a Search.

Imported by Metrowine Distribution Co., Stamford, Conn.
I bought the Billecart-Salmon Brut Rosé so LL and I could toast our friend Saturday evening before going to her Big B’Day Bash. The house was founded in 1818, but the Billecart family has roots in Champagne going back to the 16th Century. According to Tom Stevenson, in the revised and updated edition of World Encyclopedia of Champagne & Sparkling Wine (Wine Appreciation Guild, 2003, and really needing another revision and updating), the blend of the Brut Rosé is 35 percent each pinot noir and pinot meunier and 30 percent chardonnay. What can I say? This is a bountifully effervescent rosé Champagne of the utmost refinement, elegance and finesse, yet its ethereal nature is bolstered by an earthy quality that encompasses notes of limestone and shale and by a dose of subtle nuttiness and toffee, while exquisite tendrils of orange rind, roasted lemon and red currants are threaded through it; zesty acidity keeps it fresh and lively. 12 percent alcohol. Excellent. I paid $78; prices around the country vary from about $75 to $90.

Imported by T. Edward Wines, New York.

When we were in New York last month, it was unseasonably and oppressively hot for the first couple of days. Then, on Wednesday, it cooled off wonderfully, turning crisp and fall-like, a perfect day to tromp around Chelsea and look at art. Which we did until about 1 o’clockwhen, famished for lunch, we dropped in at Tia Pol Bar de Tapas, a narrow, deep store-front tiapol_01.jpg establishment where on this fine day that French doors to the sidewalk were flung wide open.

Chelsea may have been the center of New York’s contemporary art world for more than a decade, but it’s still tough to find a place to get a decent lunch. We have eaten at Empire Diner, right across the street from Tia Pol, many times and were heartily tired of it. Likewise Botino, the old stand-by of the Art Crowd.

So it was a great pleasure to take two stools at the corner of the marble-topped bar at Tia Pol, close to the open front of the restaurant, where we could sit and watch the world and the traffic and the walkers and their dogs go by. Turns out there’s a three-course prix fixe lunch for $16. We couldn’t pass that up! Since there were two choices for each course, we ordered everything. And glasses of sangria, red wine chilled with a few ice cubes and containing a modest amount of diced apple and lemon, so the sangria was completely not sweet and not overwhelmingly fruity. It was incredibly refreshing.

Now the $16 three-course lunch is, one understands, a simple affair. First, gazpacho or blistered gernika green peppers tossed with sea salt. Second, squid with rice in a squid ink sauce or a “po’boy” with crisp squid, aioli, tomato and lettuce. Third, a Fuji apple or a dish of ice cream. Simple, yes, but well-prepared and tasty all around, even to that fresh, crisp Fuji apple.

You can see it the top image that the gazpacho was an attractive reddish-orange color and that it was pureed almost smooth, tiapol_02.jpg except for a couple of pieces of tomato; it was delicious. The roasted and blistered peppers were hot, salty and earthy. Squid in its ink is not the most photogenic dish on earth, as you can see, but it was tasty (and fairly chewy), while the sandwich was pretty hearty and down-to-earth. The apple, the vanilla ice cream. Everything was delightful and well-worth the price.

Next time you’re doing the art tour of Chelsea — and don’t take that assignment lightly, we covered only two streets that day — treat Tia Pol as your canteen and oasis. I know that we’ll be back.

Tia Pol is at 205 10th Avenue. Lunch is noon to 3 p.m., Tuesday through Friday, 11 a.m. to 3 p.m. Saturday and Sunday; dinner is 5:30 to 11 p.m., Monday through Thursday, 5:30 to midnight Friday, 6 to midnight Saturday and 6 to 10:30 Sunday. Call (212) 675-8805 or visit, where the lunch and dinner menus are displayed.

Hi, readers, we’ve been in New York since Sunday night. I came up to attend the annual portfolio tasting of the giant importer and distributor Martin Scott Wines — very deep in Burgundy and California boutique wineries plus lots of Spain and Italy — and not coincidentally we’ve eaten some great meals, Sunday night me and LL at Momofuku Ssam and last night with Terry of mondosapore and his permanent pal Ken and our collective friend Julie (with whom we are staying) and the irrepressible wine merchant Gabrio Tosti we had a rather riotous dinner at the marvelous Falai with six bottles of very interesting wine. All of this I will be writing about for BTYH or KoeppelOnWine. Anyway, today we head to Chelsea to tour galleries and meet some friends for dinner at Red Cat. I just wanted you to know where I am and what we’re doing. More later — with pictures and notes.

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