Napa Valley


The prices of these 50 Great Wines of 2017 range from an unprecedented $15 to a whopping $250. Not that I expect My Readers to hasten out and snatch up a bottle of wine that costs $250, but when an extraordinary wine crosses my horizon and I rate it “Exceptional,” well, it goes on this list no matter the price. That’s one of the criteria for this annual roster: Every wine I rated Exceptional in 2017 is included automatically, followed by wines I rated Excellent and that I go back through the reviews and parse very carefully. Now I’m sure My Readers understand that by “50 Great Wines” I’m not saying that these are the 50 greatest wines in the world, just that they’re great wines — as I interpret greatness — that I tasted during the year in question. What makes a wine great? Purity, intensity, integrity, authenticity, as well as a sense of individuality and, if possible, a connection to a region or, in more rarefied examples, to a vineyard. Not all wines, even great ones, display this spectrum of virtues completely; winemaking is too intuitive a craft to allow for cookie-cutter sameness. Often, it’s the differences among wines from vintage to vintage that make them intriguing and exciting. I hope the wines listed here pique your interest and that you have a chance to try some of them. Many of them are entrancing and beautiful, and we could all stand a little enchantment and beauty in our lives.
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Alois Lageder “Porer” Pinot Grigio 2015, Alto Adige, Italy. Excellent. About $25.
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Bonny Doon Vineyard Old Telegram 2014, Contra Costa County. 100 percent mourvedre. 277 cases. Excellent. About $45.
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Brooks Wine “Janus” Pinot Noir 2014, Willamette Valley. Exceptional. About $38.

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Capofaro Didyme Malvasia 2016, Salina, Sicily. Excellent. About $25.

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Davis Bynum Jane’s Vineyard Pinot Noir 2014, Russian River Valley. Excellent. About $35.
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Duckhorn Three Palms Vineyard Merlot 2014, Napa Valley. Exceptional. About $98.

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Champagne Egly-Ouriet Grand Cru Brut Tradition nv, Champagne, France. 70 percent pinot noir, 30 percent chardonnay. Excellent. About $68.

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Ehlers Estate Sauvignon Blanc 2016, St. Helena, Napa Valley. Exceptional. About $32.

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Enzo Bianchi Red Wine 2012, San Rafael, Mendoza, Argentina. 75 percent cabernet sauvignon, 10 percent cabernet franc, 8 percent petit verdot, 7 percent malbec. Excellent. About $55.

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Esporão Private Selection 2011, Garrafeira, Alentjo, Portugal. 40 percent each aragonez and alicante boschet, 20 percent syrah. Excellent. About $65.
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Fathers & Daughters Ella’s Reserve Pinot Noir 2014, Anderson Valley, Mendocino County. 110 cases. Exceptional. About $42.
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Gamble Family Vineyards Sauvignon Blanc 2016, Yountville, Napa Valley. Exceptional. About $25.

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Gary Farrell Russian River Selection Rosé of Pinot Noir 2016, Russian River Valley. 393 cases. Excellent. About $32.

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Ghost Hill Cellars Bayliss-Bower Vineyard Pinot Noir 2014, Yamhill-Carlton district, Willamette Valley. Exceptional. About $42.

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Grgich Hills Estate 40th Anniversary Chardonnay 2014, Napa Valley. Exceptional. About $50.

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Grgich Hills Estate Miljenko’s Selection “Essence” Sauvignon Blanc 2015, Napa Valley. 646 cases. Exceptional. About $55.
The label vintage date is one year behind.
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Grgich Hills Estate Paris Tasting Commemorative Chardonnay 2014, Napa Valley. 942 cases. Exceptional. About $94.

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Heitlinger Tiefenbacher Schellenbrunnen Trocken Riesling 2014, Baden, Germany. Exceptional. About $30.

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Inman Family Endless Crush Rosé of Pinot Noir 2016, Russian River Valley, Sonoma County. 672 cases. Exceptional. About $35.
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Iron Horse Chinese Cuvée 2012, Green Valley of Russian River Valley. A brut rosé, 76 percent pinot noir 24 percent chardonnay. 300 cases. Excellent. About $65.
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Domaine Jessiaume Les Cent Vignes Beaune Premier Cru 2014, Beaune, Burgundy. 300 cases. Excellent. About $45.

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Jordan Vineyards Chardonnay 2015, Russian River Valley. Excellent. About $32.

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Cantina Kaltern Pfarrhof “Kalterersee” Classico Superiore 2015, Südtirol-Alto Adige, Italy. 95 percent schiava. 5 percent lagrein. Excellent. About $24.
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Dr. Konstantin Frank Gewurztraminer 2015, Finger Lakes, New York. Exceptional. About $15.
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Chateau Lagrezette Le Pigeonnier 2011, Cahors, France. 100 percent malbec. 1,070 six-bottle cases. Exceptional. About $250.
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La Jota Vineyard Co. Howell Mountain Merlot 2014, Napa Valley. Exceptional. About $85.

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Lioco “Sativa” Carignan 2014, Mendocino. 650 cases. Excellent. About $30.
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Louis Picamelot Cuvée Jean Baptiste Chautard 2012, Crémant de Bourgogne. 77 percent chardonnay, 23 percent aligote. Excellent. About $38.
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Domaine Marc Roy Les Champs Perdrix 2015, Marsannay, Burgundy. 100 percent chardonnay. 175 cases. Excellent. About $50.
The vintage date on the label image is one year behind.
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Mayacamas Vineyards The Terraces Special Bottling Chardonnay 2013, Napa Valley. Exceptional. About $95.
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Chateau Montelena “The Montelena Estate” Cabernet Sauvigono 2013, Calistoga, Napa Valley. Exceptional. About $160.

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Morgan Winery Tondre Grapefield Pinot Noir 2014, Santa Lucia Highlands, Monterey County. 45 cases. Exceptional. About $60.
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Onward Wines Capp-Inn Vineyard Skin-Fermented Malvasia Bianca 2015, Suisun Valley, Solano County. Exceptional. About $28.
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Paul Blanck Scholssberg Grand Cru Riesling 2012, Alsace. Excellent. About $34.
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Penner Ash Shea Vineyard Pinot Noir 2015, Yamhill-Carlton District, Willamette Valley. 915 cases. Exceptional. About $65.

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Chateau Peybonhomme-les-Tours “Le Blanc Bonhomme” 2016, Blaye Cotes de Bordeaux. 50 percent each sauvignon blanc and semillon. Excellent. About $22.

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Robert Mondavi Fume Blanc 2014, Oakville District, Napa Valley. Excellent. About $40.
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Sidebar Kerner 2016, Mokelumne River, Lodi. 193 cases. Excellent. About $25.

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Siduri Wines Pinot Noir 2015, Santa Lucia Highlands, Monterey County. Excellent. About $35.

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Smith-Madrone Cabernet Sauvignon 2013, Spring Mountain District, Napa Valley. With 12 percent cabernet franc and 6 percent merlot. Excellent. About $50.
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Smith-Madrone Riesling 2014, Spring Mountain District, Napa Valley. 1,551 cases. Exceptional. About $30.
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Stewart Cellars Beckstoffer Las Piedes Vineyard “Nomad” Cabernet Sauvignon 2014, Napa Valley. 180 cases. Exceptional. About $175.
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Stony Hill Chardonnay 2014, Napa Valley. Excellent. About $48.

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Tongue Dancer Wines “Pinot de Ville” Pinot Noir 2015, Sonoma Coast. 125 cases. Excellent. About $65.

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Troon Kubli Bench Blanc 2016, Applegate Valley, Oregon. 55 percent marsanne, 45 percent viognier. 180 cases. Excellent. About $25.
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Domaine Weinbach Grand Cru Schlossberg Riesling 2013, Alsace. Exceptional. About $40.
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Yount Ridge Cellars Epic Reserve Cabernet Sauvignon 2014, Napa Valley. Exceptional. About $250.

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Yount Ridge Cellars Sauvignon Blanc 2015, Napa Valley. 160 cases. Exceptional. About $35.

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ZD Winery Founder’s Reserve Pinot Noir 2013, Carneos. 800 cases. Exceptional. About $75.
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Zind Humbrecht Pinot Gris 2014, Alsace. Excellent. About $26.

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Pricing is power, but sometimes producers get ahead of themselves in terms of ambitious tariffs. These examples today illustrate how makers of sparkling wine in the Charmat process of second fermentation in tank, rather than in the individual bottle, as in Champagne and other regions, over-reached and did a disservice to consumers.

These wines were samples for review.
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Le Grand Courtage sparkling wines are made in Nuits-Saint-Georges in Burgundy but have nothing to do with that great appellation and its 27 Premier Cru vineyards. Le Grand Courtage “Grand Cuvée” Blanc de Blancs, nv, for example, is a blend of chardonnay, ugni blanc, colombard and chenin blanc; of that quartet of grapes, only chardonnay is permitted in Burgundy, which is why the Grand Courtage wines — there’s also a brut rosé — carry the broadest possible designation: France. Nothing in the material associated with the products indicates the fashion of production, so I assume that the mode is Charmat rather than méthode traditionelle, and there’s not a thing wrong with that, depending on the quality and the price. This blanc de blancs offers a very pale straw-gold hue and a satisfying, steady tide of bubbles; there’s green apple and lime peel and hints of cinnamon toast and limestone in the nose with sprightly acidity and a slightly steely/flint element for structure, all rounded by diminishing notes of roasted lemon and pear. 11.5 percent alcohol. Innocuous and tasty and appropriate for large parties and receptions. Very Good. About $18, a price that bothers me; it would be more fairly priced at about $15 or less.
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Sterling Vineyards has released what is called its first sparkling wines, though in 2016 I was sent a Sterling Vineyards Brut 2012, Carneros, that I rated Excellent (about $50); perhaps that product was so anomalous that everyone concerned forgot about it. Anyway, the samples in question here are the Sterling Sparkling Rosé 2016, California, and the Sterling Blanc de Blancs 2016, Napa Valley. The first is a blend of 70 percent chardonnay and 30 percent pinot noir, the second is 100 percent chardonnay. These are made in the Charmat process of second fermentation in tanks instead of in bottle. Both are very enjoyable and engaging sparklers. The Rose offers a pretty salmon-coral color, with notes of raspberry and blood orange, apple blossom and almond skin, with a background of lime peel and grapefruit, all jazzed by bright acidity. The Blanc de Blancs is a very pale platinum blonde hue, with hints of smoke and steel, spiced pear and almond skin, quite crisp and lively and close to elegant. So, these are pleasant and attractively packaged sparkling wines that feel good to sip while preparing dinner, and I’m happy to rate them Very Good+. The problem is that the suggested retail price is $28, and if you understand anything about the world of sparkling wine, then you know that you can buy what are among the best of Crémant de Bourgogne, Crémant d’Alsace and Crémant de Loire or many of the fine sparkling wines from California for the same price or often much less, and I mean models made in the méthode champenoise. I think Sterling overpriced itself here.
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For coonskin-cap-wearing Baby Boomers, Fess Parker’s legacy will always be the lead characters in the television series he starred in — Davy Crockett (1954-55) and Daniel Boone (1964-70). Once he retired from acting, Parker, who stood a commanding 6-feet 5-inches tall, launched into the real estate and hotel/resort business, then following his dream of starting a winery in Santa Barbara County in 1989, focusing on Rhone Valley grape varieties. Parker died in 2010, but his family continues to expand the winery’s activities with reach into Napa Valley. The family includes daughter Ashley Parker-Snider; son Eli Parker, CEO; and Ashley’s husband Tim Snider, president. Addendum involves cabernet sauvignon from Rutherford and Atlas Peak, the latter site being the well-known Stagecoach Vineyard. Winemaker is Blair Fox. These are limited edition, expensive wines that are, as the big wine magazines say, approvingly, “thoroughly oaked,” though they’re too thoroughly oaked for my taste. The effort seems to be to fashion large-framed wines that make a deliberately huge impression on the palate. I was not entranced — such wines are fatiguing to drink — but I realize that some consumers like a full-throttle style, so I’ll keep that factor in mind with a nod in the direction of grudging admiration for two of these examples, while the other pair seem too big for their deer-skin britches.

These wines were samples for review. Image of Fess Parker from iCollector.com.
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The Addendum Cabernet Sauvignon 2014, Napa Valley, aged 28 months in French oak, 67 percent new barrels. The grapes derived from the Rutherford AVA (67 percent) and the Stagecoach Vineyard. The color is the deep ruby-purple of royal robes; intense and concentrated scents and flavors of black currants and cherries are permeated by iodine and iron, graphite and loam, and notes of cedar and dried thyme and rosemary; the wine is formidably dry and envelopes the palate with volumes of velvety, dusty tannins and graphite minerality wrapped around a tight core of licorice, lavender and bittersweet chocolate; the finish continues the strain of hard-core minerality. 14.9 percent alcohol. Try from 2020 or ’22 through 2028 to ’30. Production was 276 cases. I’ll go with an Excellent rating for this one. About $90.
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Even more intense and concentrated than its cousin mentioned above, the Addendum Skellenger Lane Cabernet Sauvignon 2014, Rutherford, aged 28 months in French oak, 100 percent new barrels; friends, that’s a lot of toasty new wood. The color is black-purple fading to a transparent rim; it’s paradoxically warm and spicy at first but quickly develops a chiseled mineral edge and deep, dusty, boldly fashioned tannins and a dense velvety texture you could row through with an oar. The wine opens slightly after a few minutes in the glass, admitting notes of mint and thyme, rosemary and cedar, smoke and wood ash, all of these elements driven by vibrant acidity through to a whopping austere finish. 14.9 percent alcohol. Try from 2020 or ’22 through 2030 to ’32. Production was 116 cases. Very Good+. About $95.
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The Stagecoast Vineyard lies at elevations from 1,200 to 1,800 feet in the Atlas Peak AVA. This opaque Addendum Stagecoast Cabernet Sauvignon 2014, Atlas Peak, aged 28 months in French oak, 40 percent new barrels. It exhibits what I think of as the high elevation influence in notes of celery seed and cedar, slightly resinous rosemary and sage and a very woodsy/meadowy feeling of wild flowers, herbs and forest loam, as well as bastions of dusty, flinty tannins. This is a powerful wine, energized by decisive acidity and deeply rooted granitic minerality that brooks no dispute, all the way through a finish packed with elements of gravel and clean earth. 14.9 percent alcohol. Try from 2020 to ’23 through 2030 to ’34. Production was 115 cases. Tremendous character here, and I believe the possibility for great development for those with patience and a yen for wines of huge dimension. Excellent. About $95.
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The most sizable and impenetrable of this quartet is the Addendum Stagecoach Vineyard Cabernet Sauvignon Syrah 2014, Atlas Peak, a blend of 56 percent cabernet and 44 percent syrah that aged 28 months in French oak, 22 percent new barrels. This is a deep, dark, brooding wine that feels like bolts of velvet infused with iron filings and dredged with dusty tannins. Fruit is so black it’s metallic blue, and it’s enlivened by notes of graphite, ancho chili, walnut shell and dried porcini. The whole effect is of some incisive dynamism propelled by foreboding forces, making for a wine that may — or may not — be ready to drink some day. 14.9 percent alcohol. Production was 215 cases. Try, if you have the courage, from 2021 or ’23 through who knows…? Very Good+. About $80.
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What qualifies as a “Big Deal” wine? You could say price, and while that enters in it’s not the determining factor. You could say a “big” wine in terms of power and structure and alcohol content, and those elements could also be important. What really clinches the deal, though, on a Big Deal wine is the producer’s intention that a wine represent the best of the vineyards and the treatment in the winery, a wine that manifests every quality that to the winemaker stands for integrity, purity and intensity, a wine that, in other words, encapsulates the best that a vineyard and a vat of grapes can possibly deliver. Today’s post is the first in a series of perhaps three entries that examine Big Deal red wines from various countries and regions. This post offers 10 wines — mostly cabernet sauvignon-based but also two merlots; two of the wines are from Chile, are, in fact, among the best cabernets that country produces, and eight from California, all Napa Valley except one from Sonoma Valley. They’re not cheap, and they tend to be limited in production, but as flagship wines they chart the dimensions and depths of their regions’ top achievements.

These wines were samples for review.
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The Domus Aurea Cabernet Sauvignon 2013, Maipo Valley, Chile, comes from the Vina Quebrada de Macul estate, where winemaker is Jean-Pascal Lacaze. It’s a blend of 85 percent cabernet sauvignon, 6 percent each merlot and petit verdot, and 3 percent cabernet franc that aged a year in French oak, 20 percent new barrels. The color is intense black-ruby-garnet; black currants and cherries are permeated by notes of bell pepper and rosemary, cedar and tobacco, all with a blueberry and sage edge and a strain of penetrating graphite minerality. Dusty, flinty tannins seem precipitous, yet the wine feels quite engaging on the palate, bringing in touches of mint and eucalyptus and a whiff of iodine to the spicy black fruit and blue flavors — currants and cherries, blueberries and plums — all animated by bright acidity. 14.9 percent alcohol. Now through 2023 to ’25. Excellent. About $65.
Imported by Global Vineyard, Berkeley, Calif.
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With 8 percent cabernet franc with the rest cabernet sauvignon, the Don Melchor Puente Alto Vineyard Cabernet Sauvignon 2014, Puente Alto, Chile, aged 15 months in French oak, 72 percent new barrels. The color is intense black-ruby but shading to a transparent cherry rim; this is fairly closed presently, offering leafy-herbal notes of cedar, rosemary, thyme and black tea over fruitcake and tapenade; black currant and cherry flavors are concentrated and furled, and the wine is dry, mightily tannic and austere through the finish. 14.5 percent alcohol. Try from 2019 or ’20 through 2028 to ’32. Winemaker was Enrique Tirado. Very Good+ with Excellent potential. About $125.
Imported by Excelsior Wine Co., Old Brookville, N.Y.
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The Franciscan Magnificat Meritage 2014, Napa Valley, is a massive, inky-purple blend of 75 percent cabernet sauvignon, 17 percent merlot, 5 malbec, 2 petit verdot, 1 cabernet franc that aged 20 months in French oak, 70 percent new barrels. Intense and concentrated notes of black currant, blueberry and black raspberry are swathed in hints of bell pepper and green olive, cedar, tobacco and rosemary, with undertones of mocha and lavender. Bastions of dusty, rock-ribbed tannin and oak dictate some cellar time for this tightly coiled wine, say for trying from 2020 or ’22 through 2030 to ’32. 14.5 percent alcohol. Winemaker was Janet Myers. Very Good+ with Excellent potential. About $56.
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The character of the Gundlach Bundschu Vintage Reserve 2013, Sonoma Valley, seems to partake of the rocky, volcanic soil where the grapes were grown. A blend of 82 percent cabernet sauvignon with 12 percent cabernet franc and 6 percent petit verdot, the wine aged 20 months in French oak, 65 percent new barrels. The whole package feels immense on the palate. The color is black-purple shading to a cherry rim; deep, intense notes of cassis, black cherry and raspberry offer hints of pomegranate, fruitcake and mocha, plums, lavender and bittersweet chocolate. Crushing dusty tannins and piercing granitic minerality define a structure that admits touches of cedar and tobacco, dried thyme and rosemary, laved by creamy oak and energized by bright acidity, all leading to a sleek, chiseled finish. 14.8 percent alcohol. Try from 2019 or ’20 through 2030 to ’33. Winemaker was Keith Emerson. Excellent. About $125.
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The Hess Collection Mount Veeder Cabernet Sauvignon 2014, Napa Valley, is a blend of 81 percent cabernet sauvignon, 16 percent malbec and 3 percent petit verdot; information on oak aging was not available. The color is the intense black-purple hue of motor oil; first, you detect notes of graphite, iodine and iron, then hints of concentrated black currants and cherries that unfold elements of smoke and grilled meat, briers and brambles; it’s a very dry wine, dense and chewy in the mouth but without being ponderous or truculent, rather, in fact, despite the size, it’s remarkably deft and light on its feet; around a winsome core of licorice, bittersweet chocolate and crushed violets, a haze of velvety tannins and charcoal-tinged wood wraps itself, tapering to a lithic finish inflected by granitic minerality.
14.6 percent alcohol. Try from 2019 or ’20 to 2028 or ’30. Excellent. About $65.
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La Jota Vineyard Co. Howell Mountain Merlot 2014, Napa Valley, contains 10 percent petit verdot, to the balance of merlot grapes; the wine aged 19 months in French oak, 76 percent new barrels. The vineyards on Howell Mountain lie at elevations from 1,700 to 1,820 feet. This is a wine of amazing purity and intensity, from its dark ruby-magenta hue to its piercing elements of graphite and flint minerality, to its penetrating scents and flavors of blueberry, pomegranate and black currant; in its vibrancy, resonance and appeal, this wine can only be described as “exciting,” though the dry, dusty tannins coat the palate; some time in the glass adds complex notes of fruitcake and espresso, truffles and loam and a touch of bittersweet chocolate; the finish fleshes out the wine with a complement of warm spices and cool minerals that reach fathoms deep. 14.3 percent alcohol. Drink now through 2021 to ’24. Winemaker was Chris Carpenter. Exceptional. About $85.
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Mi Sueño Winery Cabernet Sauvignon 2013, Napa Valley — the name means “my dream” — is 100 percent cabernet sourced from the Coombsville and Oak Knoll AVAs, aged two years in French oak, 55 percent new barrels, and given another year in the bottle before release. The color is opaque inky-ebony shading to a glowing purple rim; notes of creamy cassis and ripe, fleshy black currants and raspberries open to touches of blueberry and boysenberry, leather and loam, lavender and licorice, with just a hint of well-integrated vanilla; boy, this one is ripe and plush and succulent, almost too gorgeous, really, but saved by bright acidity and a burgeoning sense of dusty, fairly rigorous elements that provide serious background and foundation; I’ll admit that what I admire most about this wine is the sense of vibrant tension between its frankly velvety allure and (from mid-palate back) its increasingly dry, rooty, underbrushy structure; that’s what makes me want to drink a wine. 14.5 percent alcohol. Now through 2021 to ’25. Rolando Herrera make 875 cases. Excellent. About $75, sold by allocation.
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The Mount Veeder Winery Reserve 2014, Mount Veeder, Napa Valley, is a blend of 89 percent cabernet sauvignon, 7 percent malbec and 4 percent petit verdot that aged 20 months — that seems to be the magic number — in 100 percent new French oak barrels. The color is opaque black-purple; slightly fleshy and meaty aromas of black currants and plums are earthy and rooty, touched with notes of bittersweet chocolate, pomegranate and fruitcake and a piercing graphite element; a few moments in the glass add hints of bell pepper and black olives. Deep-set, dusty tannins and granitic minerality coat the palate, and though the wine slides on the animation by keen acidity, the whole package feels inchoate presently; try from 2020 or ’22 through 2030 to ’34. 14.5 percent alcohol. Winemaker was Janet Myers. Very Good+, with perhaps Excellent potential. About $100.
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If there’s one thing we know about Ravid Ramey, it’s that he’s a prestidigitator of oak, so while the Ramey Wine Cellars Template 2014, Napa Valley, received 18 months in all-new French oak barrels, and I’m thinking, “Boy, that’s a lot of new oak,” the wine emerged from that regimen with a texture both sinewy and supple and with depths of walnut shell and briery elements that add density and heft on the palate; there’s no whit of what are to me the distracting taints of new oak: toastiness, coconut, vanilla. The grapes derived from three Napa Valley AVAs: 70 percent Mount Veeder (merlot); 24 percent Oakville (cabernet franc); 6 percent Rutherford (cabernet sauvignon). The color is a dark but warm ruby hue that shades to a lighter purple rim; this is, no mistake, a serious, intense and concentrated majority-merlot wine, trimmed with hints of black currants, raspberries and blueberries permeated by notes of cedar and rosemary, lavender and sage, all leading to a dry, fairly austere tannic finish. For this one, you need a thick, medium-rare rib-eye steak, hot and crusty from the grill, or try from 2019 or ’20 through 2028 to ’30. Devotees of merlot (and Napa Valley) will be fascinated to watch the wine’s development. 14.5 percent alcohol. Production was 90 cases. Excellent. About $85.
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A true flagship wine of tremendous presence and significance, the Yount Ridge Cellars Epic Reserve Cabernet Sauvignon 2014, Napa Valley, aged 20 months in French oak, 70 percent new barrels. The color is intense dark ruby shading to a transparent rim; right upfront are elements of penetrating graphite minerality and burnished oak, but after a few minutes in the glass, those aspects become more integrated, making room for an astonishing array of sandalwood and bergamot, lavender and candied violets, with concentrated black currant and blueberry fruit taking on a slightly resinous character of cedar and tobacco, ancho chili and sage. It feels ecclesiastical on the palate, with its cool, dusty, polished old wood nature and its warm incense-like spices, but make no mistake, this wine’s deeply-rooted rock-ribbed tannins could support mountains. More time in the glass brings out notes of poached raspberries, underbrush and dried porcini; the weight on the palate is lithe, supple and momentous, all these qualities adding up to a finish of Olympian austerity and dimension. 14.7 percent alcohol. Try from 2020 or ’22 through 2034 to ’38. Winemaker was Cecilia Welch. Production was 250 cases. Exceptional. About $250.
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No limp, wimpy red wine here, the Clos Pegase Mitsuko’s Vineyard Merlot 2015, Napa Valley-Carneros, sings of its character is full-throated ease, with rippling muscles and lithe structure, like the person on the treadmill next to you at the gym. If you drive along Highway 29, the central thoroughfare in Napa Valley, Clos Pegase is unmistakable. Designed by well-known architect Michael Graves, the winery, founded in 1984 just south of Calistoga, resembles a post-modern rendition of a Mayan temple. Owner Jan Strem, also an active collector of contemporary art, sold the winery (but not the art) to Vintage Wine Estates in 2013. The vineyard in Carneos was named for Strem’s wife. The wine is a blend of 90 percent merlot and five percent each petite sirah and cabernet sauvignon; it aged 16 months in French oak, 32 percent new barrels. It’s as opaque a black-ruby hue as a wine can be, alleviated by a glowing purple rim; the wine’s aromas of crushed black currants and cherries are permeated by notes of iodine and loam, smoke and graphite, with high-tones of lavender and licorice, dried thyme and rosemary (with some of the latter’s hint of woodsy astringency). Oh, it’s a brawny one all right, but sleek and polished and deeply flavorful, borne on a strain of arrowing acidity and dusty, velvety tannins. The finish is all briers and brambles and granitic minerality. 14.7 percent alcohol. Drink now through 2023 to ’25 with a medium-rare ribeye steak, hot and crusty from the coals. Excellent. About $40.

A sample for review from the local distributor.

I wonder why the people at Grgich Hills Estate feel it necessary to include on the label of their Fumé Blanc wines the script “Dry Sauvignon Blanc.” Is anyone out there in America worried about picking up by mistake a bottle of sweet sauvignon blanc? I seriously doubt it. Anyway, rhetorical questions aside, the Grgich Hills Fumé Blanc 2015, Napa Valley, displays all the virtues of a wine that’s always one of my favorites and a high point in tasting the sauvignon blanc grape every year. Made from certified organic vineyards, the wine aged six months on the lees in neutral oak barrels, 20 percent in the standard 59-gallon barriques, 80 percent in large old foudres of 900-gallon capacity. It offers a pale straw-gold hue and arresting aromas of roasted lemon and lemon balm, celery seed and lemongrass, lilac, gunflint and graphite. As is typical of this wine — winemaker is Ivo Jeramaz — the texture is seductively soft and almost talc-like while being animated by vivid acidity, factors that create a lovely sense of tension and balance between lushness and crispness, all at the service of herb-inflected stone-fruit flavors. A few moments in the glass bring in notes of leafy fig and fennel seed, quince and ginger; the finish feels etched and crystalline. 13.5 percent alcohol. We drank this wine happily with a curry of mushrooms and butternut squash. Now through 2019 or ’20. Excellent. About $31.

A sample for review.

I managed to squeak by Merlot Month — October — by only mentioning the grape once. Whew! I deplore these marketing gimmicks, except, of course, World Champagne Day. That one, I happily go along with. Anyway, we look in this post at three merlot wines from Duckhorn Vineyards, a producer of merlot since 1976, not merely venerable but distinguished, even archetypal, particularly from the famed Three Palms Vineyard. Renée Ary was promoted to winemaker at Duckhorn in 2014, just in time to craft the Three Palms Merlot for that vintage, a stupendous wine that rates Exceptional in the review below. The other merlot wines here are from Gundlach Bundschu (Very Good+), Chelsea Goldschmidt (Excellent and a Great Value) and Mt. Brave (Excellent).

These wines were samples for review.
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Decoy is Duckhorn’s label for (relatively) inexpensive wines. The Decoy Merlot 2015, Sonoma County, is a blend of 92 percent merlot, 4 percent cabernet franc and 2 percent each cabernet sauvignon and petite sirah. The color is dark ruby shading to a transparent violet rim; aromas of red currants, black cherry and blueberry are infused with cloves and graphite and a hint of loam; this is a briery, brambly merlot, not rustic — the texture is sleek and supple — but rooty and woodsy, the whole package kept lively by vibrant acidity; the finish is solid with dusty tannins and a hint of oak. 13.9 percent alcohol. Drink now through 2019 or ’20. Very Good+. About $25.
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The Duckhorn Merlot 2014, Napa Valley, represents an intense and concentrated rendition of the grape; it’s a blend of 88 percent merlot, 7 percent cabernet sauvignon, 3 percent petit verdot and 2 percent cabernet franc, aged 16 months in French oak, 40 percent new barrels. A totally opaque black-ruby color presages a merlot that’s dark in intensity and effect. This one reveals an oak influence greater than its stablemates also reviewed in this section, a factor that tends to mute the elements of red and black currants and blueberries that circulate below the surface, while adding a spicy and dried herb quality that manages to feel more generous and appealing. Graphite? You bet. Granitic minerality? Uh-huh. Dusty, velvety tannins? Count on ’em. A finish that expands the oak and tannic sway through toasty woody notes? Mais oui. 14.5 percent alcohol. Give this merlot another year to settle down and find better balance, and then consume through 2024. Very Good+, with Excellent potential. About $54.
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You’ll hear not a quibble or a qualm from me about the Duckhorn Three Palms Vineyard Merlot 2014, Napa Valley. This single-vineyard wine set the standard for Napa Valley merlot decades ago and continues to handily best the competition. For 2014, the blend consists of 86 percent merlot, 8 percent cabernet sauvignon, 4 percent malbec and 2 percent petit verdot; it aged 18 months in French oak, a whopping 75 percent new barrels. As often happens, however, when excellent grapes from a great vineyard meet a rigorous oak regimen, the wine soaked up that oak and turned it into a subtle, supple shaping factor rather than a dominating influence. The color, if that’s the word, is as opaque a black-ruby-purple as could be imagined; the gamut of sensations is here, but sustained, restrained and codified by the demands of immense dusty bastions of granitic-glazed tannins and a tremendous reserve of penetrating graphite minerality. While that description makes the Three Palms Merlot 14 sound as if it’s all about structure now, this wine adds intriguing and interesting detail to its dimension: black and red currants with touches of blueberry and raspberry, all slightly spiced and macerated; mocha and fruitcake, pomegranate and loam; dried porcini and woodsy herbs and flowers. This panoply is animated by bright acidity that plows a furrow through to the austere, mineral and oak infused finish. 14.5 percent alcohol. A monumental achievement, and thank god I have another bottle. Best from 2019 or ’20 through 2030 to ’34. Exceptional. About $98.
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Named for winemaker Nick Goldschmidt’s eldest daughter, the Chelsea Goldschmidt Merlot 2015, Alexander Valley, is a 100 percent varietal wine that aged 12 months in 25 percent new oak, 60 percent French barrels, 20 percent each American and Hungarian. The color is deep dark black-ruby with a purple rim; aromas of cassis and black currant jam are permeated by notes of cloves and licorice, iodine and graphite, lavender and bittersweet chocolate. Chewy, gritty tannins reach fathoms into layers of granitic minerality, all enlivened by vibrant acidity and laved by tasty black and blue fruit flavors. Yeah, it’s sort of like drinking gravel, and I mean that in the best way. 14.5 percent alcohol. Best from 2019 through 2025 to ’28. Excellent. About $19, an Incredible Value for this quality.
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If you dote on juicy, jammy red wines — as I do not — this one’s for you. The Gundlach Bundschu Merlot 2014, Sonoma Valley, is a blend of 89 percent merlot, 5 percent petit verdot, 4 percent cabernet sauvignon and 1 percent each malbec and cabernet franc, thereby accommodating the five classic Bordeaux grape varieties. The wine aged 17 months in French oak, 40 percent new barrels. The color is inky, opaque black-purple with a magenta rim; this opens with pure blackberry jam, penetrating aromas of graphite and lavender and a deeply spicy, macerated character that includes blueberries and mulberries. It’s quite dry but ripe, juicy and succulent, very dense and chewy and energized by bright acidity that rips through dusty, velvety tannins; you feel the sweet ripeness of the 14.8 percent alcohol on the finish. Drink now through 2020 or ’22. Very Good+. About $35.
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None of these examples is a wimpy wine, as some people think of merlot, but the Mt. Brave Merlot 2014, Mt. Veeder, Napa Valley, pretty much takes the prize for structure. Made from grapes grown between 1,400 and 1,800 feet in elevation — it’s the old Chateau Potelle property — this 100 percent varietal wine aged 19 months in French oak, 93 percent new barrels. The wine displays another inky-black-purple hue with a violet rim; every aspect is intense and concentrated, from the tightly-wound notes of black currants, blueberries and (just a hint) boysenberry to the piercing granitic-and-graphite minerality to its rigorous tannins permeated by iodine, iron and loam. Give it a few minutes in the glass, and it calls up the dusty herbaceous quality of dried thyme and rosemary (with a touch of rosemary’s slightly astringent woodsy nature) that I associate with high-elevation red wines, all of these elements energized and bound by keen acidity; the finish feels chiseled from stone. 14.5 percent alcohol. Production was 532 cases. Winemaker was Chris Carpenter. This is a wine built to age; try from 2019 or ’20 through 2030 to ’34, properly stored. Excellent. About $80.
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Let’s say this right up front: These four chardonnays from Grgich Hills Estate are world-class wines, competitive with chardonnays from any country and any region. They embody everything about the marriage of grace and power that characterizes the best examples of the grape, as well as the volumes of intuition, knowledge and experience required to produce such wines. The use of oak barrels is particularly thoughtful and deft. While the talented and skillful winemaker for Grgich Hills is Ivo Jeramaz, over all hovers the benign and venerable presence of Miljenko “Mike” Grgich, one of Napa Valley’s great pioneers. Devotees of the finest chardonnay wines will want these in their cellars.

These wines were samples for review, as I am required to inform My Readers by dictate of the Federal Trade Commission.
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The lean, tight and focused Grgich Hills 40th Anniversary Chardonnay 2014, Napa Valley, was fermented and aged 10 months in the standard 60-gallon French oak barrique, in this case 70 percent new barrels, the rest neutral. It’s a chardonnay of magnificent power and range, detail and dimension; it was shaped to offer a sense of poise and dignity that leans close to austerity while also delivering the complete package of juicy pear, pineapple and grapefruit flavors (slightly macerated and roasted) and encompassed in a texture that deftly balances incisive crispness with talc-like softness. I cannot emphasize enough what an impression of dynamism and completeness this wine makes on the palate or how powerful the influence of limestone minerality is from beginning to end, making for a chardonnay that feels perfectly poised between crystalline vibrancy and delicacy, on one hand, and the potent earthiness of smoke, ash and loam, on the other. 14.1 percent alcohol. A wonderful achievement, commemorating the winery’s 40th anniversary in 2017. Now through 2024 to ’28, if properly cared for. Exceptional. About $50.
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The Grgich Hills Miljenko’s Selection Chardonnay 2014, Napa Valley-Carneros, was fermented (with native yeast) and then aged 11 months in 900-gallon oak casks, and in case My Readers wonder about the size of the barrels, think in comparison that the standard barrel, the one you see when you tour wineries or in atmospheric photographs of aging cellars, contains 60 gallons. The color is pale straw-gold; it’s permeated by yellow fruit and flowers — pears, peaches and quince; jasmine and honeysuckle — bolstered by definitive notes of limestone, flint and graphite, heather and damp dusty roof tiles. Boy, this chardonnay offers tremendous presence on the palate; it’s dry and dense, even chewy, bursting with energy and vitality yet, withal, beautifully knit, almost elegant in its balance, this character lasting through the long, vibrant, mineral-laden finish. 14.1 percent alcohol. Production was 882 cases. Now through 2020 to ’24. Excellent. About $62.
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The Grgich Hills Miljenko’s Selection Chardonnay 2015, Napa Valley-Carneros, received the same oak treatment as its cousin from 2014, also with fermentation induced by native yeast — the yeast that naturally occurs in the vineyards and on the grapes — and did not undergo malolactic. In a testimony to consistency, these stablemates are very similar in character, though the 2015 possibly offers a slightly more refined, brighter aspect. The color is light straw-gold; aromas of pineapple and grapefruit are permeated by notes of mango and toasted coconut, apple and spiced pear, graphite and gun-flint. The lovely balance the wine displays is exquisite; all elements feel strung along a finely wrought line of fleet acidity and delicately chiseled limestone. A few moments in the glass bring out hints of lilac and camellia, while the structure, nicely dense yet lithe and supple, leads to a mineral-packed finish. 13.5 percent alcohol. Production was 875 cases. Drink now through 2022 to ’25. Excellent. About $60.
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Talk about lots of oak! The Grgich Hills Paris Tasting Commemorative Chardonnay 2014, Napa Valley, fermented in and then aged 12 months in French barriques, 70 percent new, and then six more months in French oak foudres, that is barrels that hold 1,500 gallons, though foudre is a flexible term. How did the wine emerge from this regimen? Crystalline with chiming acidity, scintillating with limestone minerality, vibrant, resonant, earthy and powerful, yet elegant, almost delicate in its marshaling of detail: notes of slightly baked pineapple and grapefruit, pear compote, smoke and cloves, mango, jasmine and almond skin. The color, by the way, is light gold; the wine is quite dry, yet so sleek, suave and supple that the texture comes close to being luxurious; its heft on the palate is glamorous and dynamic. 14.1 percent alcohol. Production was 942 cases. Drink now through 2022 to ’25. Exceptional. About $94.
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A passel of sauvignon blanc wines today, most from California, but one from New York, a pair from Chile and one from New Zealand are included. With three exceptions, these are from vintage 2016. Prices range from about $14 to $50, and a number of real bargains can be found. As is typical with the Weekend Wine Notes, I eschew most technical, historical, geological/geographical and personnel data for the sake of quick and incisive reviews, ripped, as it were, from the pages of my notebooks and designed to pique your interest and stimulate the palate. Enjoy! And always consume in moderation.

These wines were samples for review.
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Amici Cellars Sauvignon Blanc 2015, Napa Valley. 14.2% alc. 1,700 cases. Pale straw-gold hue; grapefruit and lime peel, fennel and pea-shoot, touch of pear; highlights of grass, hay and dried thyme; balances silky talc-like texture with bright crispness and liveliness; lilac and limestone, with a slightly bracing grapefruit finish. Lovely stuff. Excellent. About $25.
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Bridge Lane Sauvignon Blanc 2016, New York State. 12.9% alc. 1,100 cases. Second label of Lieb Cellars. Fresh as a daisy and clean as a whistle; lime peel, lilac, grapefruit and flint, and a touch of melon; a delicate sauvignon blanc of wisps and hints, with bright, lively acidity. Nothing profound, tasty for beach or patio parties. Drink up. Very Good. About $16. Also available in 3-liter boxes and 20-liter kegs, so party down.
Image from pullthatcork.com.
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Concha y Toro Ribera del Rapel Gran Reserva Sauvignon Blanc 2015, Colchagua Valley, Chile. 13% alc. Light straw-gold with a faint green cast; very bright, fresh and clean, with pert notes of lime zest and gooseberry, lemongrass and fennel, spearmint and jasmine; a fairly individual sauvignon blanc, lean, lithe and chiseled, with heaps of limestone and damp flint minerality, but also generous and expansive; the finish features more spice and dried herbal elements. Excellent. About $17, marking Good Value.
Excelsior Wine Company, Old Brookville, N.Y.
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Dry Creek Vineyard Sauvignon Blanc 2016, Dry Creek Valley. 14.5% alc. Pale straw-gold hue; a honed and faceted sauvignon blanc that gleams like crystal; dominated by sassy gooseberry, lime peel, grapefruit and fennel qualities, opening to notes of tangerine and intriguing hints of white pepper and paper whites; zesty acidity and a well-tuned limestone element give it class and vibrancy. Excellent. About $20.
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Ehlers Estate Sauvignon Blanc 2016, St. Helena, Napa Valley. 13.2% alc. Very pale straw color; lemongrass, lime peel and grapefruit, etched with some astringent mountainside blossoms and herbs; like biting into a fresh Granny Smith apple but also meadowy and heathery; crisp as new currency, lively and electric; spare, lean and lithe, with a wafting of lilac and almond blossom and a finish layered with grapefruit pith, limestone and almond skin. Very impressive. Exceptional. About $32.
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Gamble Family Vineyards Sauvignon Blanc 2016, Yountville, Napa Valley. 13.1% alc. Pale straw-gold color; lime peel, lemongrass, gooseberry; pea-shoot, spiced pear, tarragon, grapefruit rind and pith, the latter especially from mid-palate back through a slightly bitter finish; texture poised excitingly between soft lushness and lithe crispness; bright acidity plows a furrow through burgeoning limestone minerality; entrancing body and presence; the considerable oak brought to the making of this wine is supple and subtle, a shaping but not dominating force. Consistently one of the best sauvignon blancs made in Napa Valley. Exceptional. About $25, a True Bargain.
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Illumination Sauvignon Blanc 2015, 58% Napa County, 42% Sonoma County. 14.2% alc. With 13% semillon grapes. From Huneeus Vintners. Pale gold in hue; clean, fresh, leafy and spicy, slightly honeyed, with a note of bee’s-wax; fig, roasted lemon and fennel, lemongrass, chalk and flint; quite crisp and lively, slightly raspy and bitter with grapefruit pith; very dry, scintillating acidity and limestone minerality. Excellent. About $50.
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Kunde Family Winery Magnolia Lane Sauvignon Blanc 2016, Sonoma Valley. 13.8% alc. Pale straw-gold; spiced pear, lemongrass and lime peel; slightly herbal and grassy, with a lovely greenness, like celery and fennel; honeysuckle and jasmine with a note of damp hay; very crisp and vibrant, slightly earthy, with flint-like minerality and a touch of seashell salinity on the finish. Excellent. About $17, marking Great Value.
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Martin Ray Vineyards and Winery Sauvignon Blanc 2016, Russian River Valley. 13.5% alc. Pale straw-gold with faint green highlights; a green and leafy sauvignon blanc, notable for its lemon balm and fig character, its pert notes of lime peel, lemongrass and grapefruit, with a background of fennel and licorice, limestone and preserved lemon; a pleasing talc-like texture riven by bristling, lip-smacking acidity. Excellent. About $20.
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Matanzas Creek Winery Sauvignon Blanc 2016, Sonoma County. 13.6% alc. With 4% semillon grapes. Very pale gold hue; lime and tangerine, fennel and lemon drop, with hints of lemon balm and jasmine, ginger and thyme; quite dry and tart, like a distillation of damp limestone and flint electrified by bright acidity. Very attractive. Very Good+. About $15.
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Matanzas Creek Sauvignon Blanc 2016, Alexander Valley. 13.5% alc. With 7% semillon. Medium straw-gold color; Granny Smith apples and Key limes, pink grapefruit and white pepper; broader dimension than its stablemate mentioned above but also more subdued and elegant; soft and more supple but still quite crisp and taut, with a dry powdery texture; heaps of limestone minerality from mid-palate back. Excellent. About $20.
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Mt. Beautiful Sauvignon Blanc 2016, North Canterbury, New Zealand. 14.1% alc. Pale gold; lime zest and green bean, grapefruit and pea-shoot, gooseberry and roasted fennel, with penetrating notes of iodine and seashell; a pert, tart and sassy sauvignon blanc that tickles the palate with an herbal edge and bright acidity; a bracing, saline finish. Rich with nuance and not exaggerated. Excellent. About $16, a Great Bargain.
Imported by Mt Beautiful USA, Benecia, Calif. The label image is one vintage behind.
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Pedroncelli East Side Vineyard Sauvignon Blanc 2016, Dry Creek Valley. 13.5% alc. Very pale straw-gold; lime zest, peach and grapefruit, with a tropical note of guava; a bit green and leafy; hints of jasmine and lemongrass with a limestone background; snappy acidity, real pizzazz; quite dry but juicy and engaging, heaps of limestone and flint from mid-palate back through a finish that brings in fennel and lavender. Very Good+. About $17.
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Shooting Star Sauvignon Blanc 2016, Lake County. 13.5% alc. The second label of Steele Wines. Very very pale, almost colorless; lemongrass, lime peel, grapefruit; heather, thyme and flint; quite crisp and vibrant and offering surprising density and texture for the price. Quite enjoyable. Very Good+. About $14, representing Great Value.
The bottle image is one vintage behind.
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Terrunyo Los Boldos Vineyard Block 5 Sauvignon Blanc 2016, Casablanca Valley, Chile. 13% alc. From Concha y Toro. Shimmering pale gold color; pure celery seed and celery leaf, pea-shoot, lime peel and grapefruit; caraway seed and fennel; crisp and lively, with a supple, lithe structure bolstered by vibrant limestone minerality. Real personality and character. Excellent. About $26.
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Robert Mondavi Winery established a reputation for the sauvignon blanc grape soon after the charismatic and innovative Robert Mondavi broke away from his family and established his own winery in 1966. Long a neglected grape in California, used for blending generic proprietary white wines or badly made on its own, sauvignon blanc became in his hands a fresh, grassy, appealing wine that bore a made-up French name on the label, “Fumé Blanc,” a nod to the Pouilly-Fumé appellation in the eastern Loire Valley, where sauvignon blanc reigns supreme. The result was a marketing triumph. In fact, some wineries in California still maintain a theoretical distinction between sauvignon blanc wines, supposedly made in the fashion of white Bordeaux, and fumé blanc wines, fashioned in the Loire Valley manner, if such distinctions can practically be made.

Today I look at three fumé blanc wines from Robert Mondavi. While I give out two Excellent ratings here and one Very Good+, my caveat is that the winery seems to make a fetish of French oak barrels and of employing every possible winemaking technique to shape a sauvignon blanc in a particular image rather than — especially in the instances of the Oakville 2014 and Reserve 2014, made from the almost hallowed To Kalon Vineyard — allowing the character of the vineyard to achieve eloquent expression. One feels, again particularly for the Reserve ’14, that the wines were poked and prodded and minutely examined rather than being allowed a natural development. Still, two Excellent ratings out of three ain’t bad. I especially liked the basic Fumé Blanc 2015, which at about $20 rates as a distinct bargain.

Director of winemaking for Robert Mondavi is Genevieve Janssens.

These wines were samples for review.
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The winery’s basic product in this iteration is the Robert Mondavi Fumé Blanc 2015, Napa Valley, a blend of 96 percent sauvignon blanc grapes and 4 percent semillon. The grapes derived from a Wappo Hill vineyard in Stags Leap District (70 percent); from Mondavi’s famed To Kalon Vineyard (13 percent), with the balance from Napa Carneros. Eighty-five percent of the juice was barrel-fermented — the rest in stainless steel — and then aged five months in French oak barrels on the lees, hand-stirred twice a month. This is a smoky sauvignon blanc, truly fume, that offers a very pale straw-gold color and entrancing aromas of roasted lemons and lemon balm, lime peel, pea shoot and lilac. The texture is silky, talc-like but balanced by bright acidity and the burgeoning edge of limestone minerality, all in support of pert and tart flavors of guava, greengage, lemon and heather, the latter for a subtly grassy touch; spicy oak stays at the filigreed periphery. 14.5 percent alcohol. One of my favorite sauvignon blanc wines of the year. Drink now through 2019 or 2020. Excellent. About $20, marking Great Value.
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The Robert Mondavi Fumé Blanc 2014, Oakville District, contains 21 percent semillon grapes, a factor that lends the wine notes of honeydew melon and fig and a particular sunny-leafy aspect that I associate with the variety. Ninety-one percent of the wine fermented in French oak and then aged on the lees for eight months, undergoing regular bâtonnage (hand-stirring); only eight percent of the oak was new barrels. Grapes for this wine derived from the renowned To Kalon Vineyard that surrounds the winery in Oakville. The color is pale gold; besides the features I already mentioned, the wine teems with hints of lime peel and lemongrass, crushed gravel, verbena and fennel, hay and heather. Vivid acidity and scintillating limestone minerality provide the balance between fruit and oak, which indeed as the moments pass becomes a dominating aspect of the wine: dry, spicy and burnished, a bit more powerful than I would like. Still, this sense of tension and resolution in texture and structure gives the wine its exciting quality. 14.5 percent alcohol. Drink now through 2019 to ’20. Excellent. About $40.
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Strangely, or sadly, my least favorite of this trio of sauvignon blancs is the Robert Mondavi To Kalon Reserve Fumé Blanc 2014, Napa Valley. The amount of new oak increased to 42 percent, the aging to nine months, from the previous example; a small difference one might think, but enough to make this wine feel burdened by its wood regimen rather than enhanced, at least from mid-palate back through the finish. There’s a bare two percent semillon. The grapes came from the To Kalon Vineyard, half from Robert’s Block, first planted in 1960. A small portion of the fruit was fermented in cement egg-shaped containers and was added to the final blend. Of course the wine was barrel-fermented and hand-stirred in barrel. The color is very pale straw-gold; aromas of lime peel and celery leaf, lemongrass and preserved lemon are woven with notes of spiced pear, tangerine and just a hint of fig, all abetted by a snap of gunflint and graphite. The wine offers a texture almost dense in its fluid materiality, though it’s lightened and heightened by vibrant acidity and a sense of lithe energy. That oak, though, develops from a subtle haze to a formidably drying factor in the mouth, powering over all other aspects to become the wine’s raison d’etre. Through all the technique exercised in the winery, does the character of the vineyard shine through? It just feels all too handled. 14.5 percent alcohol. Very Good+. About $52.
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