Napa Valley


No limp, wimpy red wine here, the Clos Pegase Mitsuko’s Vineyard Merlot 2015, Napa Valley-Carneros, sings of its character is full-throated ease, with rippling muscles and lithe structure, like the person on the treadmill next to you at the gym. If you drive along Highway 29, the central thoroughfare in Napa Valley, Clos Pegase is unmistakable. Designed by well-known architect Michael Graves, the winery, founded in 1984 just south of Calistoga, resembles a post-modern rendition of a Mayan temple. Owner Jan Strem, also an active collector of contemporary art, sold the winery (but not the art) to Vintage Wine Estates in 2013. The vineyard in Carneos was named for Strem’s wife. The wine is a blend of 90 percent merlot and five percent each petite sirah and cabernet sauvignon; it aged 16 months in French oak, 32 percent new barrels. It’s as opaque a black-ruby hue as a wine can be, alleviated by a glowing purple rim; the wine’s aromas of crushed black currants and cherries are permeated by notes of iodine and loam, smoke and graphite, with high-tones of lavender and licorice, dried thyme and rosemary (with some of the latter’s hint of woodsy astringency). Oh, it’s a brawny one all right, but sleek and polished and deeply flavorful, borne on a strain of arrowing acidity and dusty, velvety tannins. The finish is all briers and brambles and granitic minerality. 14.7 percent alcohol. Drink now through 2023 to ’25 with a medium-rare ribeye steak, hot and crusty from the coals. Excellent. About $40.

A sample for review from the local distributor.

I wonder why the people at Grgich Hills Estate feel it necessary to include on the label of their Fumé Blanc wines the script “Dry Sauvignon Blanc.” Is anyone out there in America worried about picking up by mistake a bottle of sweet sauvignon blanc? I seriously doubt it. Anyway, rhetorical questions aside, the Grgich Hills Fumé Blanc 2015, Napa Valley, displays all the virtues of a wine that’s always one of my favorites and a high point in tasting the sauvignon blanc grape every year. Made from certified organic vineyards, the wine aged six months on the lees in neutral oak barrels, 20 percent in the standard 59-gallon barriques, 80 percent in large old foudres of 900-gallon capacity. It offers a pale straw-gold hue and arresting aromas of roasted lemon and lemon balm, celery seed and lemongrass, lilac, gunflint and graphite. As is typical of this wine — winemaker is Ivo Jeramaz — the texture is seductively soft and almost talc-like while being animated by vivid acidity, factors that create a lovely sense of tension and balance between lushness and crispness, all at the service of herb-inflected stone-fruit flavors. A few moments in the glass bring in notes of leafy fig and fennel seed, quince and ginger; the finish feels etched and crystalline. 13.5 percent alcohol. We drank this wine happily with a curry of mushrooms and butternut squash. Now through 2019 or ’20. Excellent. About $31.

A sample for review.

I managed to squeak by Merlot Month — October — by only mentioning the grape once. Whew! I deplore these marketing gimmicks, except, of course, World Champagne Day. That one, I happily go along with. Anyway, we look in this post at three merlot wines from Duckhorn Vineyards, a producer of merlot since 1976, not merely venerable but distinguished, even archetypal, particularly from the famed Three Palms Vineyard. Renée Ary was promoted to winemaker at Duckhorn in 2014, just in time to craft the Three Palms Merlot for that vintage, a stupendous wine that rates Exceptional in the review below. The other merlot wines here are from Gundlach Bundschu (Very Good+), Chelsea Goldschmidt (Excellent and a Great Value) and Mt. Brave (Excellent).

These wines were samples for review.
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Decoy is Duckhorn’s label for (relatively) inexpensive wines. The Decoy Merlot 2015, Sonoma County, is a blend of 92 percent merlot, 4 percent cabernet franc and 2 percent each cabernet sauvignon and petite sirah. The color is dark ruby shading to a transparent violet rim; aromas of red currants, black cherry and blueberry are infused with cloves and graphite and a hint of loam; this is a briery, brambly merlot, not rustic — the texture is sleek and supple — but rooty and woodsy, the whole package kept lively by vibrant acidity; the finish is solid with dusty tannins and a hint of oak. 13.9 percent alcohol. Drink now through 2019 or ’20. Very Good+. About $25.
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The Duckhorn Merlot 2014, Napa Valley, represents an intense and concentrated rendition of the grape; it’s a blend of 88 percent merlot, 7 percent cabernet sauvignon, 3 percent petit verdot and 2 percent cabernet franc, aged 16 months in French oak, 40 percent new barrels. A totally opaque black-ruby color presages a merlot that’s dark in intensity and effect. This one reveals an oak influence greater than its stablemates also reviewed in this section, a factor that tends to mute the elements of red and black currants and blueberries that circulate below the surface, while adding a spicy and dried herb quality that manages to feel more generous and appealing. Graphite? You bet. Granitic minerality? Uh-huh. Dusty, velvety tannins? Count on ’em. A finish that expands the oak and tannic sway through toasty woody notes? Mais oui. 14.5 percent alcohol. Give this merlot another year to settle down and find better balance, and then consume through 2024. Very Good+, with Excellent potential. About $54.
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You’ll hear not a quibble or a qualm from me about the Duckhorn Three Palms Vineyard Merlot 2014, Napa Valley. This single-vineyard wine set the standard for Napa Valley merlot decades ago and continues to handily best the competition. For 2014, the blend consists of 86 percent merlot, 8 percent cabernet sauvignon, 4 percent malbec and 2 percent petit verdot; it aged 18 months in French oak, a whopping 75 percent new barrels. As often happens, however, when excellent grapes from a great vineyard meet a rigorous oak regimen, the wine soaked up that oak and turned it into a subtle, supple shaping factor rather than a dominating influence. The color, if that’s the word, is as opaque a black-ruby-purple as could be imagined; the gamut of sensations is here, but sustained, restrained and codified by the demands of immense dusty bastions of granitic-glazed tannins and a tremendous reserve of penetrating graphite minerality. While that description makes the Three Palms Merlot 14 sound as if it’s all about structure now, this wine adds intriguing and interesting detail to its dimension: black and red currants with touches of blueberry and raspberry, all slightly spiced and macerated; mocha and fruitcake, pomegranate and loam; dried porcini and woodsy herbs and flowers. This panoply is animated by bright acidity that plows a furrow through to the austere, mineral and oak infused finish. 14.5 percent alcohol. A monumental achievement, and thank god I have another bottle. Best from 2019 or ’20 through 2030 to ’34. Exceptional. About $98.
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Named for winemaker Nick Goldschmidt’s eldest daughter, the Chelsea Goldschmidt Merlot 2015, Alexander Valley, is a 100 percent varietal wine that aged 12 months in 25 percent new oak, 60 percent French barrels, 20 percent each American and Hungarian. The color is deep dark black-ruby with a purple rim; aromas of cassis and black currant jam are permeated by notes of cloves and licorice, iodine and graphite, lavender and bittersweet chocolate. Chewy, gritty tannins reach fathoms into layers of granitic minerality, all enlivened by vibrant acidity and laved by tasty black and blue fruit flavors. Yeah, it’s sort of like drinking gravel, and I mean that in the best way. 14.5 percent alcohol. Best from 2019 through 2025 to ’28. Excellent. About $19, an Incredible Value for this quality.
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If you dote on juicy, jammy red wines — as I do not — this one’s for you. The Gundlach Bundschu Merlot 2014, Sonoma Valley, is a blend of 89 percent merlot, 5 percent petit verdot, 4 percent cabernet sauvignon and 1 percent each malbec and cabernet franc, thereby accommodating the five classic Bordeaux grape varieties. The wine aged 17 months in French oak, 40 percent new barrels. The color is inky, opaque black-purple with a magenta rim; this opens with pure blackberry jam, penetrating aromas of graphite and lavender and a deeply spicy, macerated character that includes blueberries and mulberries. It’s quite dry but ripe, juicy and succulent, very dense and chewy and energized by bright acidity that rips through dusty, velvety tannins; you feel the sweet ripeness of the 14.8 percent alcohol on the finish. Drink now through 2020 or ’22. Very Good+. About $35.
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None of these examples is a wimpy wine, as some people think of merlot, but the Mt. Brave Merlot 2014, Mt. Veeder, Napa Valley, pretty much takes the prize for structure. Made from grapes grown between 1,400 and 1,800 feet in elevation — it’s the old Chateau Potelle property — this 100 percent varietal wine aged 19 months in French oak, 93 percent new barrels. The wine displays another inky-black-purple hue with a violet rim; every aspect is intense and concentrated, from the tightly-wound notes of black currants, blueberries and (just a hint) boysenberry to the piercing granitic-and-graphite minerality to its rigorous tannins permeated by iodine, iron and loam. Give it a few minutes in the glass, and it calls up the dusty herbaceous quality of dried thyme and rosemary (with a touch of rosemary’s slightly astringent woodsy nature) that I associate with high-elevation red wines, all of these elements energized and bound by keen acidity; the finish feels chiseled from stone. 14.5 percent alcohol. Production was 532 cases. Winemaker was Chris Carpenter. This is a wine built to age; try from 2019 or ’20 through 2030 to ’34, properly stored. Excellent. About $80.
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Let’s say this right up front: These four chardonnays from Grgich Hills Estate are world-class wines, competitive with chardonnays from any country and any region. They embody everything about the marriage of grace and power that characterizes the best examples of the grape, as well as the volumes of intuition, knowledge and experience required to produce such wines. The use of oak barrels is particularly thoughtful and deft. While the talented and skillful winemaker for Grgich Hills is Ivo Jeramaz, over all hovers the benign and venerable presence of Miljenko “Mike” Grgich, one of Napa Valley’s great pioneers. Devotees of the finest chardonnay wines will want these in their cellars.

These wines were samples for review, as I am required to inform My Readers by dictate of the Federal Trade Commission.
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The lean, tight and focused Grgich Hills 40th Anniversary Chardonnay 2014, Napa Valley, was fermented and aged 10 months in the standard 60-gallon French oak barrique, in this case 70 percent new barrels, the rest neutral. It’s a chardonnay of magnificent power and range, detail and dimension; it was shaped to offer a sense of poise and dignity that leans close to austerity while also delivering the complete package of juicy pear, pineapple and grapefruit flavors (slightly macerated and roasted) and encompassed in a texture that deftly balances incisive crispness with talc-like softness. I cannot emphasize enough what an impression of dynamism and completeness this wine makes on the palate or how powerful the influence of limestone minerality is from beginning to end, making for a chardonnay that feels perfectly poised between crystalline vibrancy and delicacy, on one hand, and the potent earthiness of smoke, ash and loam, on the other. 14.1 percent alcohol. A wonderful achievement, commemorating the winery’s 40th anniversary in 2017. Now through 2024 to ’28, if properly cared for. Exceptional. About $50.
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The Grgich Hills Miljenko’s Selection Chardonnay 2014, Napa Valley-Carneros, was fermented (with native yeast) and then aged 11 months in 900-gallon oak casks, and in case My Readers wonder about the size of the barrels, think in comparison that the standard barrel, the one you see when you tour wineries or in atmospheric photographs of aging cellars, contains 60 gallons. The color is pale straw-gold; it’s permeated by yellow fruit and flowers — pears, peaches and quince; jasmine and honeysuckle — bolstered by definitive notes of limestone, flint and graphite, heather and damp dusty roof tiles. Boy, this chardonnay offers tremendous presence on the palate; it’s dry and dense, even chewy, bursting with energy and vitality yet, withal, beautifully knit, almost elegant in its balance, this character lasting through the long, vibrant, mineral-laden finish. 14.1 percent alcohol. Production was 882 cases. Now through 2020 to ’24. Excellent. About $62.
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The Grgich Hills Miljenko’s Selection Chardonnay 2015, Napa Valley-Carneros, received the same oak treatment as its cousin from 2014, also with fermentation induced by native yeast — the yeast that naturally occurs in the vineyards and on the grapes — and did not undergo malolactic. In a testimony to consistency, these stablemates are very similar in character, though the 2015 possibly offers a slightly more refined, brighter aspect. The color is light straw-gold; aromas of pineapple and grapefruit are permeated by notes of mango and toasted coconut, apple and spiced pear, graphite and gun-flint. The lovely balance the wine displays is exquisite; all elements feel strung along a finely wrought line of fleet acidity and delicately chiseled limestone. A few moments in the glass bring out hints of lilac and camellia, while the structure, nicely dense yet lithe and supple, leads to a mineral-packed finish. 13.5 percent alcohol. Production was 875 cases. Drink now through 2022 to ’25. Excellent. About $60.
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Talk about lots of oak! The Grgich Hills Paris Tasting Commemorative Chardonnay 2014, Napa Valley, fermented in and then aged 12 months in French barriques, 70 percent new, and then six more months in French oak foudres, that is barrels that hold 1,500 gallons, though foudre is a flexible term. How did the wine emerge from this regimen? Crystalline with chiming acidity, scintillating with limestone minerality, vibrant, resonant, earthy and powerful, yet elegant, almost delicate in its marshaling of detail: notes of slightly baked pineapple and grapefruit, pear compote, smoke and cloves, mango, jasmine and almond skin. The color, by the way, is light gold; the wine is quite dry, yet so sleek, suave and supple that the texture comes close to being luxurious; its heft on the palate is glamorous and dynamic. 14.1 percent alcohol. Production was 942 cases. Drink now through 2022 to ’25. Exceptional. About $94.
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A passel of sauvignon blanc wines today, most from California, but one from New York, a pair from Chile and one from New Zealand are included. With three exceptions, these are from vintage 2016. Prices range from about $14 to $50, and a number of real bargains can be found. As is typical with the Weekend Wine Notes, I eschew most technical, historical, geological/geographical and personnel data for the sake of quick and incisive reviews, ripped, as it were, from the pages of my notebooks and designed to pique your interest and stimulate the palate. Enjoy! And always consume in moderation.

These wines were samples for review.
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Amici Cellars Sauvignon Blanc 2015, Napa Valley. 14.2% alc. 1,700 cases. Pale straw-gold hue; grapefruit and lime peel, fennel and pea-shoot, touch of pear; highlights of grass, hay and dried thyme; balances silky talc-like texture with bright crispness and liveliness; lilac and limestone, with a slightly bracing grapefruit finish. Lovely stuff. Excellent. About $25.
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Bridge Lane Sauvignon Blanc 2016, New York State. 12.9% alc. 1,100 cases. Second label of Lieb Cellars. Fresh as a daisy and clean as a whistle; lime peel, lilac, grapefruit and flint, and a touch of melon; a delicate sauvignon blanc of wisps and hints, with bright, lively acidity. Nothing profound, tasty for beach or patio parties. Drink up. Very Good. About $16. Also available in 3-liter boxes and 20-liter kegs, so party down.
Image from pullthatcork.com.
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Concha y Toro Ribera del Rapel Gran Reserva Sauvignon Blanc 2015, Colchagua Valley, Chile. 13% alc. Light straw-gold with a faint green cast; very bright, fresh and clean, with pert notes of lime zest and gooseberry, lemongrass and fennel, spearmint and jasmine; a fairly individual sauvignon blanc, lean, lithe and chiseled, with heaps of limestone and damp flint minerality, but also generous and expansive; the finish features more spice and dried herbal elements. Excellent. About $17, marking Good Value.
Excelsior Wine Company, Old Brookville, N.Y.
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Dry Creek Vineyard Sauvignon Blanc 2016, Dry Creek Valley. 14.5% alc. Pale straw-gold hue; a honed and faceted sauvignon blanc that gleams like crystal; dominated by sassy gooseberry, lime peel, grapefruit and fennel qualities, opening to notes of tangerine and intriguing hints of white pepper and paper whites; zesty acidity and a well-tuned limestone element give it class and vibrancy. Excellent. About $20.
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Ehlers Estate Sauvignon Blanc 2016, St. Helena, Napa Valley. 13.2% alc. Very pale straw color; lemongrass, lime peel and grapefruit, etched with some astringent mountainside blossoms and herbs; like biting into a fresh Granny Smith apple but also meadowy and heathery; crisp as new currency, lively and electric; spare, lean and lithe, with a wafting of lilac and almond blossom and a finish layered with grapefruit pith, limestone and almond skin. Very impressive. Exceptional. About $32.
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Gamble Family Vineyards Sauvignon Blanc 2016, Yountville, Napa Valley. 13.1% alc. Pale straw-gold color; lime peel, lemongrass, gooseberry; pea-shoot, spiced pear, tarragon, grapefruit rind and pith, the latter especially from mid-palate back through a slightly bitter finish; texture poised excitingly between soft lushness and lithe crispness; bright acidity plows a furrow through burgeoning limestone minerality; entrancing body and presence; the considerable oak brought to the making of this wine is supple and subtle, a shaping but not dominating force. Consistently one of the best sauvignon blancs made in Napa Valley. Exceptional. About $25, a True Bargain.
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Illumination Sauvignon Blanc 2015, 58% Napa County, 42% Sonoma County. 14.2% alc. With 13% semillon grapes. From Huneeus Vintners. Pale gold in hue; clean, fresh, leafy and spicy, slightly honeyed, with a note of bee’s-wax; fig, roasted lemon and fennel, lemongrass, chalk and flint; quite crisp and lively, slightly raspy and bitter with grapefruit pith; very dry, scintillating acidity and limestone minerality. Excellent. About $50.
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Kunde Family Winery Magnolia Lane Sauvignon Blanc 2016, Sonoma Valley. 13.8% alc. Pale straw-gold; spiced pear, lemongrass and lime peel; slightly herbal and grassy, with a lovely greenness, like celery and fennel; honeysuckle and jasmine with a note of damp hay; very crisp and vibrant, slightly earthy, with flint-like minerality and a touch of seashell salinity on the finish. Excellent. About $17, marking Great Value.
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Martin Ray Vineyards and Winery Sauvignon Blanc 2016, Russian River Valley. 13.5% alc. Pale straw-gold with faint green highlights; a green and leafy sauvignon blanc, notable for its lemon balm and fig character, its pert notes of lime peel, lemongrass and grapefruit, with a background of fennel and licorice, limestone and preserved lemon; a pleasing talc-like texture riven by bristling, lip-smacking acidity. Excellent. About $20.
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Matanzas Creek Winery Sauvignon Blanc 2016, Sonoma County. 13.6% alc. With 4% semillon grapes. Very pale gold hue; lime and tangerine, fennel and lemon drop, with hints of lemon balm and jasmine, ginger and thyme; quite dry and tart, like a distillation of damp limestone and flint electrified by bright acidity. Very attractive. Very Good+. About $15.
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Matanzas Creek Sauvignon Blanc 2016, Alexander Valley. 13.5% alc. With 7% semillon. Medium straw-gold color; Granny Smith apples and Key limes, pink grapefruit and white pepper; broader dimension than its stablemate mentioned above but also more subdued and elegant; soft and more supple but still quite crisp and taut, with a dry powdery texture; heaps of limestone minerality from mid-palate back. Excellent. About $20.
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Mt. Beautiful Sauvignon Blanc 2016, North Canterbury, New Zealand. 14.1% alc. Pale gold; lime zest and green bean, grapefruit and pea-shoot, gooseberry and roasted fennel, with penetrating notes of iodine and seashell; a pert, tart and sassy sauvignon blanc that tickles the palate with an herbal edge and bright acidity; a bracing, saline finish. Rich with nuance and not exaggerated. Excellent. About $16, a Great Bargain.
Imported by Mt Beautiful USA, Benecia, Calif. The label image is one vintage behind.
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Pedroncelli East Side Vineyard Sauvignon Blanc 2016, Dry Creek Valley. 13.5% alc. Very pale straw-gold; lime zest, peach and grapefruit, with a tropical note of guava; a bit green and leafy; hints of jasmine and lemongrass with a limestone background; snappy acidity, real pizzazz; quite dry but juicy and engaging, heaps of limestone and flint from mid-palate back through a finish that brings in fennel and lavender. Very Good+. About $17.
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Shooting Star Sauvignon Blanc 2016, Lake County. 13.5% alc. The second label of Steele Wines. Very very pale, almost colorless; lemongrass, lime peel, grapefruit; heather, thyme and flint; quite crisp and vibrant and offering surprising density and texture for the price. Quite enjoyable. Very Good+. About $14, representing Great Value.
The bottle image is one vintage behind.
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Terrunyo Los Boldos Vineyard Block 5 Sauvignon Blanc 2016, Casablanca Valley, Chile. 13% alc. From Concha y Toro. Shimmering pale gold color; pure celery seed and celery leaf, pea-shoot, lime peel and grapefruit; caraway seed and fennel; crisp and lively, with a supple, lithe structure bolstered by vibrant limestone minerality. Real personality and character. Excellent. About $26.
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Robert Mondavi Winery established a reputation for the sauvignon blanc grape soon after the charismatic and innovative Robert Mondavi broke away from his family and established his own winery in 1966. Long a neglected grape in California, used for blending generic proprietary white wines or badly made on its own, sauvignon blanc became in his hands a fresh, grassy, appealing wine that bore a made-up French name on the label, “Fumé Blanc,” a nod to the Pouilly-Fumé appellation in the eastern Loire Valley, where sauvignon blanc reigns supreme. The result was a marketing triumph. In fact, some wineries in California still maintain a theoretical distinction between sauvignon blanc wines, supposedly made in the fashion of white Bordeaux, and fumé blanc wines, fashioned in the Loire Valley manner, if such distinctions can practically be made.

Today I look at three fumé blanc wines from Robert Mondavi. While I give out two Excellent ratings here and one Very Good+, my caveat is that the winery seems to make a fetish of French oak barrels and of employing every possible winemaking technique to shape a sauvignon blanc in a particular image rather than — especially in the instances of the Oakville 2014 and Reserve 2014, made from the almost hallowed To Kalon Vineyard — allowing the character of the vineyard to achieve eloquent expression. One feels, again particularly for the Reserve ’14, that the wines were poked and prodded and minutely examined rather than being allowed a natural development. Still, two Excellent ratings out of three ain’t bad. I especially liked the basic Fumé Blanc 2015, which at about $20 rates as a distinct bargain.

Director of winemaking for Robert Mondavi is Genevieve Janssens.

These wines were samples for review.
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The winery’s basic product in this iteration is the Robert Mondavi Fumé Blanc 2015, Napa Valley, a blend of 96 percent sauvignon blanc grapes and 4 percent semillon. The grapes derived from a Wappo Hill vineyard in Stags Leap District (70 percent); from Mondavi’s famed To Kalon Vineyard (13 percent), with the balance from Napa Carneros. Eighty-five percent of the juice was barrel-fermented — the rest in stainless steel — and then aged five months in French oak barrels on the lees, hand-stirred twice a month. This is a smoky sauvignon blanc, truly fume, that offers a very pale straw-gold color and entrancing aromas of roasted lemons and lemon balm, lime peel, pea shoot and lilac. The texture is silky, talc-like but balanced by bright acidity and the burgeoning edge of limestone minerality, all in support of pert and tart flavors of guava, greengage, lemon and heather, the latter for a subtly grassy touch; spicy oak stays at the filigreed periphery. 14.5 percent alcohol. One of my favorite sauvignon blanc wines of the year. Drink now through 2019 or 2020. Excellent. About $20, marking Great Value.
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The Robert Mondavi Fumé Blanc 2014, Oakville District, contains 21 percent semillon grapes, a factor that lends the wine notes of honeydew melon and fig and a particular sunny-leafy aspect that I associate with the variety. Ninety-one percent of the wine fermented in French oak and then aged on the lees for eight months, undergoing regular bâtonnage (hand-stirring); only eight percent of the oak was new barrels. Grapes for this wine derived from the renowned To Kalon Vineyard that surrounds the winery in Oakville. The color is pale gold; besides the features I already mentioned, the wine teems with hints of lime peel and lemongrass, crushed gravel, verbena and fennel, hay and heather. Vivid acidity and scintillating limestone minerality provide the balance between fruit and oak, which indeed as the moments pass becomes a dominating aspect of the wine: dry, spicy and burnished, a bit more powerful than I would like. Still, this sense of tension and resolution in texture and structure gives the wine its exciting quality. 14.5 percent alcohol. Drink now through 2019 to ’20. Excellent. About $40.
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Strangely, or sadly, my least favorite of this trio of sauvignon blancs is the Robert Mondavi To Kalon Reserve Fumé Blanc 2014, Napa Valley. The amount of new oak increased to 42 percent, the aging to nine months, from the previous example; a small difference one might think, but enough to make this wine feel burdened by its wood regimen rather than enhanced, at least from mid-palate back through the finish. There’s a bare two percent semillon. The grapes came from the To Kalon Vineyard, half from Robert’s Block, first planted in 1960. A small portion of the fruit was fermented in cement egg-shaped containers and was added to the final blend. Of course the wine was barrel-fermented and hand-stirred in barrel. The color is very pale straw-gold; aromas of lime peel and celery leaf, lemongrass and preserved lemon are woven with notes of spiced pear, tangerine and just a hint of fig, all abetted by a snap of gunflint and graphite. The wine offers a texture almost dense in its fluid materiality, though it’s lightened and heightened by vibrant acidity and a sense of lithe energy. That oak, though, develops from a subtle haze to a formidably drying factor in the mouth, powering over all other aspects to become the wine’s raison d’etre. Through all the technique exercised in the winery, does the character of the vineyard shine through? It just feels all too handled. 14.5 percent alcohol. Very Good+. About $52.
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We recognize that the kings of Napa Valley are cabernet sauvignon and merlot, while the queens are chardonnay and sauvignon blanc, but the storied region is home to a spectrum of interesting and intriguing grapes, especially in the white category. Think, for example, of the rieslings produced by Smith-Madrone, Trefethen and Stony Hill. Perhaps an improbable grape for the region is the Rhone variety grenache blanc, yet here is our Wine of the Day, the Priest Ranch Grenache Blanc 2016, Napa Valley, made all in stainless steel from grapes grown on the Somerston Estate at an elevation of 1,250 feet in the Vaca Range that defines the area’s eastern boundary. This is one of the palest wines I have encountered, its hue as ineffable and pure as water; distinct aromas of lemon balm, peach and spiced pear are woven with notes of straw and heather, while after a few minutes in the glass hints of dried honey, jasmine and bees’-wax emerge. The wine is clean, precise and dry on the palate, crisp and vibrant yet offering lovely balance between litheness and a soft, almost talc-like texture; it’s the sort of contrast that makes a wine exciting to drink. Flavors of roasted lemon, peach and melon are inextricably melded with bright acidity and a burgeoning element of limestone minerality; the finish is bracing in its marsh grass-sea breeze austerity and seashell salinity. 14.6 percent alcohol. Drink now through 2018 or ’19 with seafood risottos, seared salmon or swordfish or as a scintillating aperitif. Production was 1,271 cases. Winemaker was Craig Becker. Excellent. About $22.

A sample for review.

Not that I would expect any of My Readers to purchase these 12 wines collectively, even if they could be assembled, but in these models we see some of the best of what Napa Valley can be. These cabernet-based wines share a sense of vigor and rigor, of abundance and luxury married to earthy, brooding qualities that never descend to truculence. Some of the high quality of this group derives from the years, 2013 and 2014 being two and three of a trio of fine vintages. Equally important is the treatment of the grapes and the wines in the winery; it feels almost miraculous that whatever the widely diverse nature of the oak regimens practiced and new oak barrels applied, none of these feel unduly influenced by wood. It’s true that I tend to approve of the more sinewy, reticent style of cabernet sauvignon (see Stony Hill, below), but I try to keep to keep my receptors open even for the more florid, succulent models.

These wines were samples for review.
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Amici Cellars Cabernet Sauvignon 2014, Napa Valley, is composed of 80 percent cabernet sauvignon, 12 percent cabernet franc, 4 percent petit verdot and 2 percent each merlot and malbec, thereby touching all of what used be be called the five classic Bordeaux red grapes, though in truth there’s very little malbec in Bordeaux nowadays — it emigrated to South America — and not a lot of petit verdot. The wine aged 22 months in French oak, 60 percent new barrels; the grapes derived 60 percent from vineyards on the valley floor, 40 percent from mountain vineyards. The color is dense ruby-magenta with a mulberry rim; the glass teems with notes of walnut shell, briers and brambles, graphite and loam, cedar, tobacco and dried rosemary, tending, after a few minutes in the glass, to exotic hints of espresso and bittersweet chocolate, cloves and sandalwood, and finally admitting a slightly meaty and fleshy element of intense and concentrated black currants, cherries and plums. Yes, there’s a lot going on here, but all these aspects are balanced with pinpoint precision and integration. If satin could be woven from iron filings, well, there’s a metaphor for this wine’s dense, mineral-inflected structure, yet it presents a real mouthful of juicy, spicy black fruit and berries propelled by vibrant acidity. 14.5 percent alcohol. Now through 2022 to ’24. Excellent. About $50.
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The Chateau Montelena Cabernet Sauvignon 2014, Calistoga, is a blend of 86 percent cabernet sauvignon, 13 percent merlot and a 1 percent smidgen of cabernet franc; the wine aged 16 months in French and Eastern European oak — usually being Slovenian or Hungarian — 27 percent new barrels, a completely rational oak regimen. The color is a typical dark ruby shading to a purple edge; classic notes of cedar and tobacco, dried thyme and rosemary are woven with ripe and spicy black currants, cherries and plums (with a surprising blueberry undertone) and hints of mocha and oolong tea, loam, walnut shell and graphite. This complex layering continues on the palate, where you feel the sway of the earth and the power of surging acid that lend the wine grounding and energy; flavors of ripe and spicy black and blue fruit are bolstered by forceful dusty, graphite-inflected tannins and a background of subtle, supple oak. 14.2 percent alcohol. Drink now through 2024 to ’30. Excellent. About $58.
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If ever a wine qualified as a theoretical “First Growth” of Napa Valley cabernet-based wines, the Chateau Montelena “The Montelena Estate” Cabernet Sauvignon would be one of them. For 2013, the fine-tuned blend of the winery’s top cabernet is 97 percent cabernet sauvignon, with 1.5 percent each cabernet franc and petit verdot; the wine aged two years in French oak, 30 percent new barrels. The color, if you can call it that, is opaque purple-black with a vivid magenta rim; the wine is, as you might expect, a cauldron of graphite, iodine and iron that seethes with loam, briers and brambles, with spiced, macerated and roasted black currants and plums. These elements segue seamlessly onto the palate, where they feel wrapped around an intense core of crushed lavender and violets, licorice and bittersweet chocolate, with a helping of more graphite. Dusty, velvety tannins reach far into the depths, where they meet bastions of supple, subtle oak and streams of vibrant acidity; the wine tends toward Olympian austerity through the formidable finish. 14.1 percent alcohol. Winemaker was Matt Crafton. A wine of this character and costing this much entails a sense of responsibility on its owner, so don’t treat this one frivolously; cellar until 2019 to ’21 and consume through 2033 to ’35. Exceptional. About $160 (a bottle).
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The Faust Cabernet Sauvignon 2014, Napa Valley, from Huneeus Wines, draws cabernet grapes mainly from the Rutherford and Coombsville AVAs, with smaller portions from Yountville, Mount Veeder and Atlas Peak, making this wine a representative of a general Napa Valley notion. It aged 19 months in French oak barrels. The color is opaque ruby-purple shading to a glowing magenta rim; the aromas radiate sweet Asian spices, graphite and iodine, infusing fruit that feels like a macedoine of black currants, cherries and plums infused by lavender and violets, rosemary and cedar and grilled bread. The wine is heady and voluminous, offering perfect weight, heft and balance; it flows across the palate in a resonant tide of lip-smacking acid and tannin, flint and granitic minerality; it’s very dry, and you feel the burgeoning elements of walnut shell and forest floor in the depth, while on the surface, notes of lilac and loam appear. 14.8 percent alcohol. Drinkable now, with a steak, or try from 2019 through 2028 to ’30. Excellent. About $55.
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Flora Springs Trilogy Red Wine 2014, Napa Valley, is a blend of 86 percent cabernet sauvignon, 8 percent malbec and 6 percent petit verdot; the wine aged 22 months in 85 percent French oak, 15 percent American oak. The color is dense dark ruby; the nose is very ripe, spicy and intense, with black currant and cherry scents deeply imbued by a whole, old wooden box of dried spices and grilled herbs and penetrating notes of iodine and iron. The wine is quite dry, and the entire enterprise leans to, even rushes toward, austerity from mid-palate back. No problem with that, of course, just give it time, but Trilogy 2014 at this point feels like a four-square house from the 1910s in a good neighborhood, solidly-built on a firm foundation but pretty much unexciting. 14.2 percent alcohol. Try from 2018 or ’19 through 2029 to ’32. Very Good+, with Excellent potential. About $80.
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The Grgich Hills Estate Cabernet Sauvignon 2014, Napa Valley, is a blend of 79 percent cabernet sauvignon, 14 percent merlot, 4.5 percent petit verdot and 2.5 percent cabernet franc; the wine aged 21 months in French oak, 60 percent new barrels. This feels like totally classic Napa Valley cabernet, from its intense, glowing dark ruby shade; to its notes of cassis and spiced and macerated plums permeated by briers, brambles and forest floor over a deep layer of loam, graphite and granitic minerality; to its tight core of lilac and lavender, bittersweet chocolate and ancho chili. It’s a very dry wine, yet delivering luscious black and blue fruit and berry flavors girt by a framework of dusty, earthy tannins and bright acidity; the finish is long, a little untamed, both rigorous and luxuriant. 14.5 percent alcohol. Drink from 2019 or ’20 through 2030 or ’32. Excellent. About $72.
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The Robert Mondavi Maestro 2014, Napa Valley, is an operatic wine that extends its range from bass to baritone through tenor and even allows some alto notes with scarcely a pause for breath; a great deal of crescendo, not much diminuendo. This is the second vintage; I did not try the 2013. The wine is a blend of 73 percent cabernet sauvignon, 23 percent cabernet franc and 2 percent each merlot and petit verdot, aged 21 months in French oak, 28 percent new barrels. The grapes derived from Mondavi’s estate vineyards, Wappo Hill in Stags Leap District and To Kalon in Oakville. The fathomless hue is purple black with a bright magenta rim; the bouquet offers an abundance of rich, spicy black and blue fruit and berries permeated by iodine and graphite, violets, lavender and bittersweet chocolate; a few minutes in the glass bring in hints of smoke, roasted fennel and ancho chili, briers, brambles and walnut shell. This is a juicy, sizable, dense, sleek and suave red wine, framed by dry but velvety tannins, subtly spicy oak and a rising tide of loam and gravel minerality that tends toward austerity in the finish. 14.5 percent alcohol. Best from 2018 or ’19 through 2025 to ’29. Excellent. About $50.
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The 100 percent varietal Stewart Cellars Cabernet Sauvignon 2014, Napa Valley, aged 22 months in French oak, 65 percent new barrels. The color is intense ruby-purple with a delicate, transparent magenta rim; boy, this delivers a real snootful and mouthful of iodine, graphite and iron, barely tempered by resonant and pretty damned luscious flavors of black currants, cherries and mulberries. For all that, though, plush and dusty tannins coat the mouth, and while the wine is succulent without being gooshy, it offers real rigor in its broad effects and true character in its depths, both powerful and chaste. 14.5 percent alcohol. Do not touch until 2019 or ’20, and allow it to develop through 2028 to ’30. On the other hand, decant it tonight and give it plenty of air and a medium-rare ribeye steak, hot and crusty from the grill. Production was 1,436 cases. Excellent potential. About $75.
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The 100 percent varietal Stewart Cellars Beckstoffer Las Piedes Vineyard “Nomad” Cabernet Sauvignon 2014, Napa Valley, aged 22 months in French oak, 85 percent new barrels. The abyss in your glass is inky purple-black that allows a glowing, nuclear violet rim; the extraordinary, provocative, intensely perfumed bouquet wreathes strands of walnut shell, iodine, crushed blueberries, currants and violets with smoke from the smoldering spice box and hints of macerated and slightly roasted black and blue fruit, fruitcake and loam. As if that panoply were not enough, the wine is as dense as a velvet blanket, framed by mineral-drenched tannins and creamy oak (that wisely stays in the background), and enlivened by resonant acidity that seems to pluck all the bass and baritone strings of dark, spicy fruit and healthy vigor; the finish is very dry, sleek, chiseled and rigorous. 14.5 percent alcohol. Winemaker was Blair Guthrie. Production was 180 cases. Your children may be enjoying this wine, fully developed or in gentle decline, between 2035 and 2040. A stunning achievement. Exceptional. About $175 (a bottle).
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The grapes for the Stony Hill Cabernet Sauvignon 2014, Spring Mountain District, grew in vineyards that average 1,550 feet elevation, and indeed there’s something of mountain rootiness and stoniness about the wine, which aged 18 months in French oak, only 20 percent new barrels. The color is medium ruby fading to a garnet rim; aromas of black currants and cherries are permeated by graphite and wood-smoke, with unfurling hints of cedar and tobacco, dried thyme and rosemary (with the latter’s slightly astringent resiny quality), briers and brambles; a few moments in the glass bring out touches of blueberry. It’s a wine that feels warm in its spicy nature of fruitcake and slightly roasted berries, yet also cool in its bright acidity and scintillating granitic mineral character. Tannins like an antique velvet gown are dense, dusty and chewy and extend their reach through a long graphite- and flint-laden finish. Lovely balance and integration in a young but perfectly drinkable cabernet, though you could defer the pleasure from 2025 to 2028. 14 percent alcohol. Winemaker was Mike Chelini. Excellent. About $70.
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The Yount Ridge Cellars Cabernet Sauvignon 2014, Napa Valley, contains 97 percent cabernet sauvignon, with mere nods toward 2.5 percent malbec and .5 percent merlot, grown in a certified organic vineyard in the Oakville District AVA. Winemaker is Cecilia Welch. The color is very dark, almost impenetrable ruby; it’s a dense, supple and sinewy cabernet, packed with dusty graphite, iodine and iron; a new minutes in the glass expose notes of lavender, ancho chile, cassis, cedar and rosemary; a very dry cabernet that delivers a huge presence and weight on the palate, this has deep roots in the earth, as well as swingeing acidity and a finish that feels chiseled from granite and flint. This needs some time to become more well-knit, say 2018 through 2025 to ’28. Production was 500 cases. Very Good+ with Excellent potential. About $96.

Don’t confuse Yount Ridge Cellars with Young Ridge Winery, also in Napa Valley.
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The percentages for the Yount Ridge Cellars Proprietary Red Blend 2014, Napa Valley, are 66 percent cabernet sauvignon, 24 percent merlot and 10 percent malbec. An opaque ruby-purple hue shades to a vivid purple-magenta rim; the wine is quite intense and concentrated, unfurling multiple layers with some airing: cassis and black cherry, lavender and licorice, violets and plums; notes of cedar, rosemary and black olive. It’s a dense and chewy wine that offers significant weight and heft, feeling sifted with dust and graphite and slightly exotic elements of sandalwood and incense. This is a lovely and expressive red wine but with an earthy background, none of which prevents it from being warm, spicy and appealing; the finish brings in touches of leather, briers and brambles and granitic tannins. A surprisingly drinkable yet seemingly ageless Napa Valley red that offers both pleasure and abundant character. Production was 500 cases. Now through 2025 to ’30; it’s not really ageless, of course. Excellent. About $98.
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What more is there to say after “delightful and charming”? These are wines designed to provide your weekend — or the whole week, for that matter — with pleasure, deliciousness and elegance. We range widely in this post: Greece, Germany, Oregon, California, Long Island, Mendoza and Chablis. All single-variety wines, their grapes include assyrtiko, indigenous to the island of Santinori; pinot gris, not that common in the Rhineland; riesling and sauvignon blanc; gruner veltliner and pinot blanc; semillon and chardonnay. As usual in these Weekend Wine Notes, I largely eschew technical, historical and geographical data for the sake of quick, incisive reviews meant to pique your interest and whet your palate. With one exception, the wines were samples for review. Enjoy! (In moderation, of course.)
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argyros
Estate Argyros Assyrtiko 2015, Santinori, Greece. 14% alc. This one will make you wish you were sitting in a little cafe looking out at the wine-dark Aegean Sea. It sees 20 percent French oak and was made from 150-year-old ungrafted vines. Very pale straw hue; dusty, dry marsh and seashore grasses and herbs; roasted lemon and faint spiced peach; quite ethereal and summery but displaying bracing acidity, notes of limestone-seashell minerality and an aura of yellow meadow flowers. Very Good+. About $25.
Athenee Importers and Distributors, Hempstead, N.Y.
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binz
Weingut Binz Nackenheimer Pinot Gris Kabinett 2015, Rheinhessen, Germany. 12% alc. Bright straw-gold color; jasmine and camellia, preserved lemon and lemon balm, lime peel and pear skin; a hint of mango-like tropical character; crisp and tart, taut with vibrant acidity, very dry yet ripe and juicy on the palate; long, lean, lithe finish. Truly delightful and lots of personality. Excellent. About $14, marking Great Value.
Winesellers Ltd, Niles, Illinois.
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brooks riesling
Brooks Riesling 2015, Willamette Valley, Oregon. 12.5% alc. Pale straw-gold; a direct hit of petrol and rubber eraser, followed by notes of heather and meadow, peach and lychee, with burgeoning hints of jasmine and quince and, after a few moments, ginger beer; limestone minerality offers a tremendous presence for a sense of dimension, without diminishing such fine details as bay leaf and nuances of mango and guava; the whole enterprise feels etched with bright, dry acidity. Just great. Excellent. About $20, representing Wonderful Value.
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2016SauvBlanc
Freemark Abbey Sauvignon Blanc 2016, Napa Valley. 13.4% alc. Very pale straw-gold color; notes of lime peel, grapefruit, lemongrass and spiced pear, highlighted by hints of pea-shoots, hay and heather and undertones of sunny, leafy figs; really lively, vibrant, super drinkable, yet spare, dry, lithe, nothing flamboyant or over-done; a finish chiseled from limestone and flint but wreathed in lilac. Excellent. About $24.
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Illahe Estate Gruner Veltliner 2016, Willamette Valley, Oregon. 13.5% alc. 650 cases. Very pale straw-gold; classic ILLAHEHEADER_famowned notes of hay, lilac and pine, with roasted lemons and yellow plums, a hint of lime peel and peach; very crisp, lively and engaging, with clean acidity and crystalline minerality cutting through a juicy, talc-like texture; terrific personality and appeal. Excellent. About $17.
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Lieb Cellars Reserve Pinot Blanc 2015, North Fork of Long Island. 11.9% alc. And this one will make you wish you were sitting on a terrace in the Hamptons, gazing out at the cerulean Atlantic. Very very pale, almost invisible in the glass; notably clean, fresh and spare, quite crisp and vibrant, with delicate strains of peach and spiced pear, rose petals and candied lime peel and a tremendous volume of limestone minerality; slightly herbal and resinous finish. Lovely character. Excellent. About $22.
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Una Seleccion de Ricardo Santos Semillon 2016, Mendoza, Argentina. 13.5% alc. Medium green-gold hue; sunny, leafy figs Santos_SM_NV_labeland guava, apple skin and lightly baked pear; a haze of smoke and jasmine; quite clean, spare and elegant, with a beguiling texture that balances moderate lushness of fruit with zinging acidity and flint-graphite minerality, though that aspect emerges on the finish. Wholly delightful and pleasingly complex for the price. Excellent. About $16, marking Good Value.
Global Vineyards, Berkeley, Calif.
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chablis
Christian Simon Petit Chablis 2014, Chablis, France. 12% alc. Drinking beautifully at about two and a half years old. Pale straw-gold; shimmers with steel and limestone and a snap of gunflint, lustrous with lightly spiced lemon and apple; a texture both dense and powdery, lithe and supple; warms to subtle floral notes; lovely shape and resonance. Excellent. About $22, a local purchase.
Matinicus Wines, Beverley Hills, Fla.
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This survey of 12 rosé wines began as a Weekend Wine Notes post, but here it is, Wednesday, hardy the weekend at all, so I’m keeping the usual Weekend Wine Notes format but dropping that designation. We touch many styles of rosé wine amid this roster as well as many far-flung geographical regions. The grapes involved are also of broad variety, including merlot, pinot noir, tempranillo, grenache, syrah and even cabernet sauvignon and cabernet franc. While a few of these rosés could tolerate aging beyond this calendar year, all are really intended for immediate appeal and consumption, whether your choice of venue is the porch, the patio, by poolside or on a picnic or just standing around the kitchen while someone prepares a light Spring or Summer meal. Prices range from about $10 to $28, so nothing outlandlish. The point is to enjoy, while consuming in moderation, of course. These wines were samples for review.
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Ang_rose_2016_web
Angeline Rosé of Pinot Noir 2016, California. 12.5% alc. A lovely pink-melon-coral hue; notes of slightly candied strawberry and raspberry with a hint of pomegranate; a kind of chalk-warm, dusty roof-tiles minerality; just a touch of dried herbs. Simple, direct and tasty; a crowd-pleaser for sure. Very Good. About $13.
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Les+vignes+de+Bila-Haut+Rosé+2015+HB+WINE
Domaine Bila-Haut Les Vignes Rosé 2016, Pays d’Oc. 13% alc. 78% grenache, 14% cinsault, 8% syrah. Lovely pale pink hue with a slight coral cast; very delicate notes of strawberry and blood orange, cloves and seashell; undertones of red currants, meadow flowers and heather, buoyed on a lithe crisp texture that’s silky smooth and a chiseled foundation of chalk and flint; the finish brings in a touch of peach. One could happily drink this throughout the Summer. Excellent. About $15, marking Great Value.
Sera Wine Imports, New York.
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bridge-lane-rose-670x1876
Bridge Lane Rosé 2016, New York State. A label from Long Island’s Lieb Cellars. 11.9% alc. 49% cabernet franc, 29% merlot, 16% malbec, 4% pinot noir, 2% petit verdot. Very pale onion skin hue; quite dry and spare, with nuances of strawberry and melon, peach and pink grapefruit; crisp acidity keeps it lively and appealing, over an undercurrent of clean limestone minerality. Very Good. About $18. Also available in 3-liter boxes and 20-liter kegs, so party on, rascals.
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campuget
Chateau de Campuget Tradition Rosé 2016, Costières de Nîmes. 13% alc. 70% syrah, 30% grenache. Very pale copper-onion skin hue; delicately touched with red currants and raspberries, a hint of orange zest and rose petals; quite dry but pleasingly ripe, slightly stony, like warm roof tiles, brisk acidity for crispness and animation, grapefruit and limestone finish. Very Good+. A Steal at about $10.
Imported by Dreyfus & Ashby, New York.
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grgich rose
Grgich Hills Estate Rosé 2016, Napa Valley. 13.1% alc. The first rosé from this venerable winery. 45% merlot, 31% cabernet sauvignon, 9% cabernet franc, 6% petit verdot, to which Bordeaux grape varieties are blended 8% zinfandel and 1% gewurztraminer. A riveting deep salmon-magenta hue; strawberry, tomato skin, rose petals and raspberry leaf; spicy and savory, with lip-smacking crystalline acidity and an intriguing warm brick-damp dust sense of minerality; blood orange, Earl Gray tea and heather dominate from mid-palate through the finish. A terrific and highly individual initial effort. Excellent. About $25.
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illahe rose
Illahe Vineyards Tempranillo Rosé 2016, Willamette Valley, Oregon. 12% alc. 500 cases. Very very pale onion skin hue; very clean and dry, crisp and spare; delicate, indeed, ephemeral notes of strawberry and raspberry, something citrus, like orange rind and lime peel; notes of pomegranate and rhubarb; quite sleek and subtle, propelled by crisp acidity and a chiseled limestone-flint edge. Very Good+. About $17.
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P0004970_Maculan_Costadolio_Rosato
Maculan Costadolio 2016, Breganza Rosato. 12.5% alc. 100% merlot. Production was 1,000 cases. Pale coral-onion skin hue; very spare and delicate, animated by spanking-clean acidity; hints of dried red raspberries and currants, with a note of melon and dried herbs; a little brushy and heather-ish; crisp limestone and flint minerality, slightly saline finish. Super attractive without being pushy. Very Good+. About $15.
A Leonardo LoCascio Selection for Winebow Inc., New York
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mr_16_rrv_rose_frontlabel
Martin Ray Winery Rosé of Pinot Noir 2016, Russian River Valley. 13.2% alc. Very pale copper-salmon color; strawberry, raspberry and orange rind; a brushing of dried thyme, a light touch of dust and graphite; ripe and tasty but spare and reticent; attractive lithe supple texture. Very Good+. About $25.
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Stewart Cellars Rosé 2016, Sonoma Mountain. 13.5% alc. 100% pinot noir. Very pale watermelon pink; really delicate and ethereal notes of Stewart_Logo (1)raspberry, rose petal, pink grapefruit and blood orange; undertones of watermelon, cloves and Earl Gray tea; quite dry, spare yet, paradoxically and delightfully, lush on the palate, animated by crisp acidity and dusty seashell minerality; elegant, charming, beautifully structured. A superior rosé. Excellent. About $28.
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Summer-in-Bottle-Rose-2016_9094
Wölffer Estate Summer in a Bottle Rosé Table Wine 2016, Long Island, N.Y. 12.2% alc. A unique blend of 54% merlot, 24% chardonnay, 11% cabernet franc, 6% gewürztraminer, 4% riesling and 1% vignoles. Onion skin hue with a light copper tinge; sprightly, spicy and slightly peppery, with ineffable layers of smoke, melon, raspberry and grapefruit; super fresh and refreshing, with heft and body that flow blithely on the palate. Delicious. Excellent. About $24.
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tongue dancer rose'
Tongue Dancer Wines Rosé of Pinot Noir 2016, Putnam Vineyard, Sonoma Coast. 14.5% alc. Production was 90 cases. Bright copper-coral color; an unusually savory and fleshy rose, lithe and supple on the palate, with scents and flavors of strawberries and raspberries, melon and cloves, pomegranate and wild thyme; a filigreed background of limestone and flint minerality and bracing salinity. A superior rosé. Excellent. About $25.
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angel
Caves d’Esclans Whispering Angel 2016,
Côtes de Provence. 13% alc. Grenache, rolle (vermentino) and cinsault. Whispering, indeed, from its very pale onion skin color, to its delicate hints of orange rind, strawberries and cloves, to its dry, spare, elegant texture: a rose of nods and nuances, except that all aspects are bound and energized by taut, vivid acidity and a limestone structure of lacy transparency; flows across the palate like ethereal peach nectar. Excellent. About $22.
Imported by Shaw-Ross International, Miramar, Fla.
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