Merlot


No limp, wimpy red wine here, the Clos Pegase Mitsuko’s Vineyard Merlot 2015, Napa Valley-Carneros, sings of its character is full-throated ease, with rippling muscles and lithe structure, like the person on the treadmill next to you at the gym. If you drive along Highway 29, the central thoroughfare in Napa Valley, Clos Pegase is unmistakable. Designed by well-known architect Michael Graves, the winery, founded in 1984 just south of Calistoga, resembles a post-modern rendition of a Mayan temple. Owner Jan Strem, also an active collector of contemporary art, sold the winery (but not the art) to Vintage Wine Estates in 2013. The vineyard in Carneos was named for Strem’s wife. The wine is a blend of 90 percent merlot and five percent each petite sirah and cabernet sauvignon; it aged 16 months in French oak, 32 percent new barrels. It’s as opaque a black-ruby hue as a wine can be, alleviated by a glowing purple rim; the wine’s aromas of crushed black currants and cherries are permeated by notes of iodine and loam, smoke and graphite, with high-tones of lavender and licorice, dried thyme and rosemary (with some of the latter’s hint of woodsy astringency). Oh, it’s a brawny one all right, but sleek and polished and deeply flavorful, borne on a strain of arrowing acidity and dusty, velvety tannins. The finish is all briers and brambles and granitic minerality. 14.7 percent alcohol. Drink now through 2023 to ’25 with a medium-rare ribeye steak, hot and crusty from the coals. Excellent. About $40.

A sample for review from the local distributor.

Willis Mercer moved west and settled in the new town of Prosser in 1886, three years before Washington became a state. The family succeeded at shepherding and then brought in cattle and planted wheat. Irrigation was introduced to Mercer Ranches in 1968, and in 1972, the first grapes were planted, though the family didn’t start making wine until 2005, the year that Horse Heaven Hills was granted status as an American Viticultural Area (AVA). The expansive region — 570,000 acres, with slightly more than 6,000 acres of vines — lies in southeastern Washington, within the larger Columbia Valley AVA. Our Wine of the Day is the Mercer Estate Sharp Sisters Red Blend 2015, Horse Heaven Hills, an interesting blend of 29 percent cabernet sauvignon, 27 percent syrah, 18 merlot, 14 petit verdot, 10 grenache and 2 percent carignane, making a sort of Bordeaux-Rhone hybrid. The wine aged 18 months in French and American oak barrels. Winemaker was Jeremy Santo. The vintage produced the hottest Summer on record in the region, followed by a moderate period of warm days and cool nights. The result was heady ripeness balanced by bright acidity. The color, if that’s the word, is opaque ebony-purple shading, if that’s the word, to a magenta rim; the immediate impression is of penetrating aromas of graphite and iodine, lavender and violets and bittersweet chocolate serving as gloss to intense and concentrated notes of black cherries, raspberries and plums. On the palate, the wine is rich, dusty, dynamic and deeply flavorful; a few moments in the glass bring in hints of sage and rosemary, cloves and just a tinge of vanilla, all these elements bound by velvety tannins and acidity taut as a bow-string; the finish is both generous and chiseled. 14.8 percent alcohol. Drink through 2019 or ’20 with roasted pork, braised lamb shanks or short ribs and other hearty fare. Excellent. About $20, representing Good Value.

A sample for review.

I managed to squeak by Merlot Month — October — by only mentioning the grape once. Whew! I deplore these marketing gimmicks, except, of course, World Champagne Day. That one, I happily go along with. Anyway, we look in this post at three merlot wines from Duckhorn Vineyards, a producer of merlot since 1976, not merely venerable but distinguished, even archetypal, particularly from the famed Three Palms Vineyard. Renée Ary was promoted to winemaker at Duckhorn in 2014, just in time to craft the Three Palms Merlot for that vintage, a stupendous wine that rates Exceptional in the review below. The other merlot wines here are from Gundlach Bundschu (Very Good+), Chelsea Goldschmidt (Excellent and a Great Value) and Mt. Brave (Excellent).

These wines were samples for review.
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Decoy is Duckhorn’s label for (relatively) inexpensive wines. The Decoy Merlot 2015, Sonoma County, is a blend of 92 percent merlot, 4 percent cabernet franc and 2 percent each cabernet sauvignon and petite sirah. The color is dark ruby shading to a transparent violet rim; aromas of red currants, black cherry and blueberry are infused with cloves and graphite and a hint of loam; this is a briery, brambly merlot, not rustic — the texture is sleek and supple — but rooty and woodsy, the whole package kept lively by vibrant acidity; the finish is solid with dusty tannins and a hint of oak. 13.9 percent alcohol. Drink now through 2019 or ’20. Very Good+. About $25.
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The Duckhorn Merlot 2014, Napa Valley, represents an intense and concentrated rendition of the grape; it’s a blend of 88 percent merlot, 7 percent cabernet sauvignon, 3 percent petit verdot and 2 percent cabernet franc, aged 16 months in French oak, 40 percent new barrels. A totally opaque black-ruby color presages a merlot that’s dark in intensity and effect. This one reveals an oak influence greater than its stablemates also reviewed in this section, a factor that tends to mute the elements of red and black currants and blueberries that circulate below the surface, while adding a spicy and dried herb quality that manages to feel more generous and appealing. Graphite? You bet. Granitic minerality? Uh-huh. Dusty, velvety tannins? Count on ’em. A finish that expands the oak and tannic sway through toasty woody notes? Mais oui. 14.5 percent alcohol. Give this merlot another year to settle down and find better balance, and then consume through 2024. Very Good+, with Excellent potential. About $54.
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You’ll hear not a quibble or a qualm from me about the Duckhorn Three Palms Vineyard Merlot 2014, Napa Valley. This single-vineyard wine set the standard for Napa Valley merlot decades ago and continues to handily best the competition. For 2014, the blend consists of 86 percent merlot, 8 percent cabernet sauvignon, 4 percent malbec and 2 percent petit verdot; it aged 18 months in French oak, a whopping 75 percent new barrels. As often happens, however, when excellent grapes from a great vineyard meet a rigorous oak regimen, the wine soaked up that oak and turned it into a subtle, supple shaping factor rather than a dominating influence. The color, if that’s the word, is as opaque a black-ruby-purple as could be imagined; the gamut of sensations is here, but sustained, restrained and codified by the demands of immense dusty bastions of granitic-glazed tannins and a tremendous reserve of penetrating graphite minerality. While that description makes the Three Palms Merlot 14 sound as if it’s all about structure now, this wine adds intriguing and interesting detail to its dimension: black and red currants with touches of blueberry and raspberry, all slightly spiced and macerated; mocha and fruitcake, pomegranate and loam; dried porcini and woodsy herbs and flowers. This panoply is animated by bright acidity that plows a furrow through to the austere, mineral and oak infused finish. 14.5 percent alcohol. A monumental achievement, and thank god I have another bottle. Best from 2019 or ’20 through 2030 to ’34. Exceptional. About $98.
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Named for winemaker Nick Goldschmidt’s eldest daughter, the Chelsea Goldschmidt Merlot 2015, Alexander Valley, is a 100 percent varietal wine that aged 12 months in 25 percent new oak, 60 percent French barrels, 20 percent each American and Hungarian. The color is deep dark black-ruby with a purple rim; aromas of cassis and black currant jam are permeated by notes of cloves and licorice, iodine and graphite, lavender and bittersweet chocolate. Chewy, gritty tannins reach fathoms into layers of granitic minerality, all enlivened by vibrant acidity and laved by tasty black and blue fruit flavors. Yeah, it’s sort of like drinking gravel, and I mean that in the best way. 14.5 percent alcohol. Best from 2019 through 2025 to ’28. Excellent. About $19, an Incredible Value for this quality.
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If you dote on juicy, jammy red wines — as I do not — this one’s for you. The Gundlach Bundschu Merlot 2014, Sonoma Valley, is a blend of 89 percent merlot, 5 percent petit verdot, 4 percent cabernet sauvignon and 1 percent each malbec and cabernet franc, thereby accommodating the five classic Bordeaux grape varieties. The wine aged 17 months in French oak, 40 percent new barrels. The color is inky, opaque black-purple with a magenta rim; this opens with pure blackberry jam, penetrating aromas of graphite and lavender and a deeply spicy, macerated character that includes blueberries and mulberries. It’s quite dry but ripe, juicy and succulent, very dense and chewy and energized by bright acidity that rips through dusty, velvety tannins; you feel the sweet ripeness of the 14.8 percent alcohol on the finish. Drink now through 2020 or ’22. Very Good+. About $35.
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None of these examples is a wimpy wine, as some people think of merlot, but the Mt. Brave Merlot 2014, Mt. Veeder, Napa Valley, pretty much takes the prize for structure. Made from grapes grown between 1,400 and 1,800 feet in elevation — it’s the old Chateau Potelle property — this 100 percent varietal wine aged 19 months in French oak, 93 percent new barrels. The wine displays another inky-black-purple hue with a violet rim; every aspect is intense and concentrated, from the tightly-wound notes of black currants, blueberries and (just a hint) boysenberry to the piercing granitic-and-graphite minerality to its rigorous tannins permeated by iodine, iron and loam. Give it a few minutes in the glass, and it calls up the dusty herbaceous quality of dried thyme and rosemary (with a touch of rosemary’s slightly astringent woodsy nature) that I associate with high-elevation red wines, all of these elements energized and bound by keen acidity; the finish feels chiseled from stone. 14.5 percent alcohol. Production was 532 cases. Winemaker was Chris Carpenter. This is a wine built to age; try from 2019 or ’20 through 2030 to ’34, properly stored. Excellent. About $80.
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It’s an article of faith among marketers of wine and spirits that the Millennial cohort wants to consume products with stories that somehow make what they’re drinking seem more authentic and connected with human qualities. Well, here’s a story they’ll clasp to their bosoms with glee and gratitude.

Robin and Andréa McBride are half-sisters who grew up not knowing of each other’s existence. They shared a father who was not part of their lives. Andrea lived in New Zealand, having been placed in foster-care at the age of six, after her mother died. Robin was raised by her mother in Monterey, California, all the way on the other side of the Pacific Ocean. Before their father died in 1996, he asked his family to try and connect the girls. They finally met in 1999, after tremendous efforts by their father’s family, and discovered that each worked in the wine industry on their separate continents. What else could they do but form a partnership in that business? They make and import a saugivnon blanc and a brut rosé from New Zealand and produce a chardonnay and the red blend under consideration today from the Central Coast. They are among the very few black women working in California’s predominantly white male wine industry.

The McBride Sisters Collection Red Blend 2015, Central Coast, is composed of merlot, zinfandel, malbec and petite sirah grapes — percentages not revealed — derived from Paso Robles and Monterey. The wine aged 18 months in primarily French oak barrels with a small portion in American and Hungarian oak. The color is dark ruby fading to a transparent violet rim; scents of red and black currants unfold to notes of blueberry and mulberry, cloves and allspice, espresso, tar and lavender. A few moments in the glass unfurl hints of dusty thyme and rosemary, pomegranate and fruitcake and elements of briers and brambles; bright acidity keeps the wine on an even keel, while light graphite-tinged tannins provide ballast (to sustain the nautical metaphor), and ripe and juicy black and blue fruit flavors charge through to the slightly mineral-and-woodsy-inflected finish. 13.5 percent alcohol. A lot of satisfying detail and dimension at a more than fair price. Excellent. About $17.

A sample for review.


Here’s a wine that would handily serve as your house red through the Fall and Winter, priced to buy by the case. The Shooting Star Merlot 2015, Lake County — a second label of Steele Wines — sees a sensible eight months in French and American oak barrels, lending plenty of structure without the wood unseemly obtruding. This is 100 percent varietal, the grapes grown at a cool 1,500 foot elevation. The color is opaque ruby-purple, even unto ebony; notes of ripe, spicy red and black cherries and plums are permeated by a strain of graphite and iodine, with hints of dried mountain herbs and an element of tobacco and rosemary, with a bit of the latter’s slight woodsy astringency. Dusty, velvety tannins lend both a cushiony texture and some austerity to the finish, the whole package delivering a sense of juicy black fruit flavors impelled by bright acidity. 14.2 percent alcohol. Drink with braised short ribs, pasta Bolognese, sausage and mushroom pizza or a burger; you get the idea. Very Good+. About $14, marking Excellent Value.

A sample for review. The label image is one vintage behind.

Not that I would expect any of My Readers to purchase these 12 wines collectively, even if they could be assembled, but in these models we see some of the best of what Napa Valley can be. These cabernet-based wines share a sense of vigor and rigor, of abundance and luxury married to earthy, brooding qualities that never descend to truculence. Some of the high quality of this group derives from the years, 2013 and 2014 being two and three of a trio of fine vintages. Equally important is the treatment of the grapes and the wines in the winery; it feels almost miraculous that whatever the widely diverse nature of the oak regimens practiced and new oak barrels applied, none of these feel unduly influenced by wood. It’s true that I tend to approve of the more sinewy, reticent style of cabernet sauvignon (see Stony Hill, below), but I try to keep to keep my receptors open even for the more florid, succulent models.

These wines were samples for review.
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Amici Cellars Cabernet Sauvignon 2014, Napa Valley, is composed of 80 percent cabernet sauvignon, 12 percent cabernet franc, 4 percent petit verdot and 2 percent each merlot and malbec, thereby touching all of what used be be called the five classic Bordeaux red grapes, though in truth there’s very little malbec in Bordeaux nowadays — it emigrated to South America — and not a lot of petit verdot. The wine aged 22 months in French oak, 60 percent new barrels; the grapes derived 60 percent from vineyards on the valley floor, 40 percent from mountain vineyards. The color is dense ruby-magenta with a mulberry rim; the glass teems with notes of walnut shell, briers and brambles, graphite and loam, cedar, tobacco and dried rosemary, tending, after a few minutes in the glass, to exotic hints of espresso and bittersweet chocolate, cloves and sandalwood, and finally admitting a slightly meaty and fleshy element of intense and concentrated black currants, cherries and plums. Yes, there’s a lot going on here, but all these aspects are balanced with pinpoint precision and integration. If satin could be woven from iron filings, well, there’s a metaphor for this wine’s dense, mineral-inflected structure, yet it presents a real mouthful of juicy, spicy black fruit and berries propelled by vibrant acidity. 14.5 percent alcohol. Now through 2022 to ’24. Excellent. About $50.
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The Chateau Montelena Cabernet Sauvignon 2014, Calistoga, is a blend of 86 percent cabernet sauvignon, 13 percent merlot and a 1 percent smidgen of cabernet franc; the wine aged 16 months in French and Eastern European oak — usually being Slovenian or Hungarian — 27 percent new barrels, a completely rational oak regimen. The color is a typical dark ruby shading to a purple edge; classic notes of cedar and tobacco, dried thyme and rosemary are woven with ripe and spicy black currants, cherries and plums (with a surprising blueberry undertone) and hints of mocha and oolong tea, loam, walnut shell and graphite. This complex layering continues on the palate, where you feel the sway of the earth and the power of surging acid that lend the wine grounding and energy; flavors of ripe and spicy black and blue fruit are bolstered by forceful dusty, graphite-inflected tannins and a background of subtle, supple oak. 14.2 percent alcohol. Drink now through 2024 to ’30. Excellent. About $58.
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If ever a wine qualified as a theoretical “First Growth” of Napa Valley cabernet-based wines, the Chateau Montelena “The Montelena Estate” Cabernet Sauvignon would be one of them. For 2013, the fine-tuned blend of the winery’s top cabernet is 97 percent cabernet sauvignon, with 1.5 percent each cabernet franc and petit verdot; the wine aged two years in French oak, 30 percent new barrels. The color, if you can call it that, is opaque purple-black with a vivid magenta rim; the wine is, as you might expect, a cauldron of graphite, iodine and iron that seethes with loam, briers and brambles, with spiced, macerated and roasted black currants and plums. These elements segue seamlessly onto the palate, where they feel wrapped around an intense core of crushed lavender and violets, licorice and bittersweet chocolate, with a helping of more graphite. Dusty, velvety tannins reach far into the depths, where they meet bastions of supple, subtle oak and streams of vibrant acidity; the wine tends toward Olympian austerity through the formidable finish. 14.1 percent alcohol. Winemaker was Matt Crafton. A wine of this character and costing this much entails a sense of responsibility on its owner, so don’t treat this one frivolously; cellar until 2019 to ’21 and consume through 2033 to ’35. Exceptional. About $160 (a bottle).
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The Faust Cabernet Sauvignon 2014, Napa Valley, from Huneeus Wines, draws cabernet grapes mainly from the Rutherford and Coombsville AVAs, with smaller portions from Yountville, Mount Veeder and Atlas Peak, making this wine a representative of a general Napa Valley notion. It aged 19 months in French oak barrels. The color is opaque ruby-purple shading to a glowing magenta rim; the aromas radiate sweet Asian spices, graphite and iodine, infusing fruit that feels like a macedoine of black currants, cherries and plums infused by lavender and violets, rosemary and cedar and grilled bread. The wine is heady and voluminous, offering perfect weight, heft and balance; it flows across the palate in a resonant tide of lip-smacking acid and tannin, flint and granitic minerality; it’s very dry, and you feel the burgeoning elements of walnut shell and forest floor in the depth, while on the surface, notes of lilac and loam appear. 14.8 percent alcohol. Drinkable now, with a steak, or try from 2019 through 2028 to ’30. Excellent. About $55.
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Flora Springs Trilogy Red Wine 2014, Napa Valley, is a blend of 86 percent cabernet sauvignon, 8 percent malbec and 6 percent petit verdot; the wine aged 22 months in 85 percent French oak, 15 percent American oak. The color is dense dark ruby; the nose is very ripe, spicy and intense, with black currant and cherry scents deeply imbued by a whole, old wooden box of dried spices and grilled herbs and penetrating notes of iodine and iron. The wine is quite dry, and the entire enterprise leans to, even rushes toward, austerity from mid-palate back. No problem with that, of course, just give it time, but Trilogy 2014 at this point feels like a four-square house from the 1910s in a good neighborhood, solidly-built on a firm foundation but pretty much unexciting. 14.2 percent alcohol. Try from 2018 or ’19 through 2029 to ’32. Very Good+, with Excellent potential. About $80.
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The Grgich Hills Estate Cabernet Sauvignon 2014, Napa Valley, is a blend of 79 percent cabernet sauvignon, 14 percent merlot, 4.5 percent petit verdot and 2.5 percent cabernet franc; the wine aged 21 months in French oak, 60 percent new barrels. This feels like totally classic Napa Valley cabernet, from its intense, glowing dark ruby shade; to its notes of cassis and spiced and macerated plums permeated by briers, brambles and forest floor over a deep layer of loam, graphite and granitic minerality; to its tight core of lilac and lavender, bittersweet chocolate and ancho chili. It’s a very dry wine, yet delivering luscious black and blue fruit and berry flavors girt by a framework of dusty, earthy tannins and bright acidity; the finish is long, a little untamed, both rigorous and luxuriant. 14.5 percent alcohol. Drink from 2019 or ’20 through 2030 or ’32. Excellent. About $72.
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The Robert Mondavi Maestro 2014, Napa Valley, is an operatic wine that extends its range from bass to baritone through tenor and even allows some alto notes with scarcely a pause for breath; a great deal of crescendo, not much diminuendo. This is the second vintage; I did not try the 2013. The wine is a blend of 73 percent cabernet sauvignon, 23 percent cabernet franc and 2 percent each merlot and petit verdot, aged 21 months in French oak, 28 percent new barrels. The grapes derived from Mondavi’s estate vineyards, Wappo Hill in Stags Leap District and To Kalon in Oakville. The fathomless hue is purple black with a bright magenta rim; the bouquet offers an abundance of rich, spicy black and blue fruit and berries permeated by iodine and graphite, violets, lavender and bittersweet chocolate; a few minutes in the glass bring in hints of smoke, roasted fennel and ancho chili, briers, brambles and walnut shell. This is a juicy, sizable, dense, sleek and suave red wine, framed by dry but velvety tannins, subtly spicy oak and a rising tide of loam and gravel minerality that tends toward austerity in the finish. 14.5 percent alcohol. Best from 2018 or ’19 through 2025 to ’29. Excellent. About $50.
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The 100 percent varietal Stewart Cellars Cabernet Sauvignon 2014, Napa Valley, aged 22 months in French oak, 65 percent new barrels. The color is intense ruby-purple with a delicate, transparent magenta rim; boy, this delivers a real snootful and mouthful of iodine, graphite and iron, barely tempered by resonant and pretty damned luscious flavors of black currants, cherries and mulberries. For all that, though, plush and dusty tannins coat the mouth, and while the wine is succulent without being gooshy, it offers real rigor in its broad effects and true character in its depths, both powerful and chaste. 14.5 percent alcohol. Do not touch until 2019 or ’20, and allow it to develop through 2028 to ’30. On the other hand, decant it tonight and give it plenty of air and a medium-rare ribeye steak, hot and crusty from the grill. Production was 1,436 cases. Excellent potential. About $75.
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The 100 percent varietal Stewart Cellars Beckstoffer Las Piedes Vineyard “Nomad” Cabernet Sauvignon 2014, Napa Valley, aged 22 months in French oak, 85 percent new barrels. The abyss in your glass is inky purple-black that allows a glowing, nuclear violet rim; the extraordinary, provocative, intensely perfumed bouquet wreathes strands of walnut shell, iodine, crushed blueberries, currants and violets with smoke from the smoldering spice box and hints of macerated and slightly roasted black and blue fruit, fruitcake and loam. As if that panoply were not enough, the wine is as dense as a velvet blanket, framed by mineral-drenched tannins and creamy oak (that wisely stays in the background), and enlivened by resonant acidity that seems to pluck all the bass and baritone strings of dark, spicy fruit and healthy vigor; the finish is very dry, sleek, chiseled and rigorous. 14.5 percent alcohol. Winemaker was Blair Guthrie. Production was 180 cases. Your children may be enjoying this wine, fully developed or in gentle decline, between 2035 and 2040. A stunning achievement. Exceptional. About $175 (a bottle).
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The grapes for the Stony Hill Cabernet Sauvignon 2014, Spring Mountain District, grew in vineyards that average 1,550 feet elevation, and indeed there’s something of mountain rootiness and stoniness about the wine, which aged 18 months in French oak, only 20 percent new barrels. The color is medium ruby fading to a garnet rim; aromas of black currants and cherries are permeated by graphite and wood-smoke, with unfurling hints of cedar and tobacco, dried thyme and rosemary (with the latter’s slightly astringent resiny quality), briers and brambles; a few moments in the glass bring out touches of blueberry. It’s a wine that feels warm in its spicy nature of fruitcake and slightly roasted berries, yet also cool in its bright acidity and scintillating granitic mineral character. Tannins like an antique velvet gown are dense, dusty and chewy and extend their reach through a long graphite- and flint-laden finish. Lovely balance and integration in a young but perfectly drinkable cabernet, though you could defer the pleasure from 2025 to 2028. 14 percent alcohol. Winemaker was Mike Chelini. Excellent. About $70.
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The Yount Ridge Cellars Cabernet Sauvignon 2014, Napa Valley, contains 97 percent cabernet sauvignon, with mere nods toward 2.5 percent malbec and .5 percent merlot, grown in a certified organic vineyard in the Oakville District AVA. Winemaker is Cecilia Welch. The color is very dark, almost impenetrable ruby; it’s a dense, supple and sinewy cabernet, packed with dusty graphite, iodine and iron; a new minutes in the glass expose notes of lavender, ancho chile, cassis, cedar and rosemary; a very dry cabernet that delivers a huge presence and weight on the palate, this has deep roots in the earth, as well as swingeing acidity and a finish that feels chiseled from granite and flint. This needs some time to become more well-knit, say 2018 through 2025 to ’28. Production was 500 cases. Very Good+ with Excellent potential. About $96.

Don’t confuse Yount Ridge Cellars with Young Ridge Winery, also in Napa Valley.
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The percentages for the Yount Ridge Cellars Proprietary Red Blend 2014, Napa Valley, are 66 percent cabernet sauvignon, 24 percent merlot and 10 percent malbec. An opaque ruby-purple hue shades to a vivid purple-magenta rim; the wine is quite intense and concentrated, unfurling multiple layers with some airing: cassis and black cherry, lavender and licorice, violets and plums; notes of cedar, rosemary and black olive. It’s a dense and chewy wine that offers significant weight and heft, feeling sifted with dust and graphite and slightly exotic elements of sandalwood and incense. This is a lovely and expressive red wine but with an earthy background, none of which prevents it from being warm, spicy and appealing; the finish brings in touches of leather, briers and brambles and granitic tannins. A surprisingly drinkable yet seemingly ageless Napa Valley red that offers both pleasure and abundant character. Production was 500 cases. Now through 2025 to ’30; it’s not really ageless, of course. Excellent. About $98.
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I launched the “Whither Napa Valley Cabernet Sauvignon” series in October 2014 as a way of focusing on cabernet-based wines from one the the world’s best places for the grape’s production into fine wine. Or not so fine, depending on one’s point of view about over-strict oak regimen, super-ripe, jammy fruit and alcohol levels that soar to 15 percent and beyond, characteristics that occur too often. But cabernet-based wines are made not only in other regions of California but all around the world. We look today at a baker’s dozen — the superstitious way of saying “13” — of non-Napa Valley examples, mainly from Alexander Valley in Sonoma County and from various spots in Chile. Some of these wines stuck me as being classic in proportion and balance, while a few leaned toward exaggeration; none, however, seemed beyond the pale, and most of the ratings are Excellent. With one exception, these wines were samples for review.
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The powerful and seductive Cadaretta Winery Cabernet Sauvignon 2012, Columbia Valley, Washington, is a blend of 89 percent cabernet, 6 percent petit verdot and 5 percent merlot that aged 20 months in French oak, 90 percent new barrels. That’s a lot of oak by my lights, yet the wine displays very agreeable personality and character. The color is inky ruby with a slightly lighter purple rim; a dynamic wafting of iodine and iron, mint and blackberries and currants, briers and brambles, walnut shell and forest floor surges from the glass; the wine is propelled by bright acidity and granitic minerality that feels chiseled and honed, bolstered by plush, dusty, graphite-infused tannins while still offering delicious notes of ripe and spicy black fruit flavors. The essence is balance and integration of all elements. 14.8 percent alcohol. Now — with steak — through 2022 to ’25. Excellent. About $50.
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Cliff Creek Cab Sauv 2012
The 100 percent varietal Cliff Creek Cellars Cabernet Sauvignon 2012, Southern Oregon, sees 20 months in oak, 95 percent French barrels, five percent American. The color is deep ruby shading to a lighter magenta rim; the initial impression is of its herbal nature in the form of cedar, sage and dried thyme, followed by ripe and spicy black currants and blueberries infused with lavender and graphite. Dusty, velvety tannins flow across the palate in a sleek tide, while bright black and blue fruit flavors are buoyed by vibrant acidity; a few minutes in the glass bring in notes of smoked walnuts, walnut shell, loam and bittersweet chocolate, all wrapped in chiseled granitic minerality. 13.6 percent alcohol. Lots of personality. Drink through 2019 to ’22. Excellent. About $27, a local purchase at $26.
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In every vintage that I have tried, Domus Aurea is consistently one of the best cabernet-based wines made in Chile. The Domus Aurea 2012, Upper Maipo Valley, is a blend of 85 percent cabernet sauvignon, 6 percent cabernet franc, 5 percent merlot and 4 percent petit verdot that aged 12 months in French oak, 20 percent new barrels. The color is dark, radiant ruby shading to a magenta rim; the bouquet is a finely-milled welter of black currants, iodine and graphite, licorice and lavender, cedar and tobacco, with a tinge of slightly resinous rosemary and sage and burgeoning notes of black raspberry and cherry. The wine combines sleekness and litheness of texture with a chiseled edge of graphite minerality and bright acidity to keep it lively and alluring; ripe and spicy black fruit flavors are delicious, yet subdued to the power and energy of granitic minerality and keenly etched tannins. 14.5 percent alcohol. Drink through 2026 to ’30, Excellent. About $65.
Global Vineyard Imports, Berkeley, Calif.
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Concha y Toro’s flagship red wine always packs plenty of character into the glass. Don Melchor Puente Alto Vineyard Cabernet Sauvignon don melchor 132013, Puente Alto, Chile, is 91 percent cabernet sauvignon and 9 percent cabernet franc, aged 15 months in French oak. From its opaque purple-black hue to its structural elements of walnut shell and graphite, flint and iodine, its dense, chewy dusty tannins, it’s a wine that needs a few years in the cellar. However, it blossoms beautifully with notes of black currants and raspberries, cedar and tobacco, mint and ground coriander and beguiling hints of lavender and crushed violets, and it balloons in size and scope as the moments pass, becoming, it feels, more sizable, denser, a bit shaggier in its combination of tannic, oak and minerality. 14.5 percent alcohol. Quite a performance for trying from 2018 or ’19 through 2030 or ’33. Excellent. About $120, though often discounted on the internet to $100 or so.
Imported by Excelsior Wines, Old Brookville, N.Y.
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The Dry Creek Vineyards The Mariner Meritage 2013, Dry Creek Valley, is a blend of 54 percent cabernet sauvignon, 24 percent merlot, 10 petit verdot, 8 malbec and 4 cabernet franc; the wine aged 20 months in French and Hungarian oak, 45 percent new barrels. The color, if one can call such an impenetrable hue a color, is opaque ruby-black; this is all about structural elements presently, offering a welter of iodine, iron and graphite, walnut shell and cedar, rosemary and leather, couched in a dignified and authoritative fashion. It’s quite dry and displays a deep expression of lavender, bittersweet chocolate and mocha, loam and underbrush, with glimmers of slightly resinous black fruit scents and flavors shining darkly through. The embodiment of intensity and concentration; try from 2018 or ’19 through 2028 to ’30. 14.5 percent alcohol. Excellent potential. About $45.
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Tasting through a group of cabernet-based wines at home one afternoon, the Enzo Bianchi Red Wine 2012, San Rafael, Mendoza, Argentina, Enzo_Label clearly stood out as the best. It’s a blend of 75 percent cabernet sauvignon, 10 percent cabernet franc, 8 percent petit verdot and 7 percent malbec, aged 10 months in 100 percent new oak barrels (80 percent French, 20 percent American) and a further two years in bottle. While there’s no denying that this is a large-framed cabernet, broad and deep in scope and dimension, it’s surprisingly light on its feet and never overwhelms the palate with oak and tannin. Oh, sure, it offers a youthful inky ruby-purple color and a whole spectrum of iodine-iron-graphite rock-robbed minerality and dusty, slightly austere tannins, but it’s also quite attractive with its scents and flavors of spiced and marinated black currants and cherries that carry hints of blueberry tart and violets. Yes, it’s very dry, and the finish remains rather demanding in its tannic and mineral nature, but overall, this is a deftly balanced and integrated red wine. 14.1 percent alcohol. Try from 2018 or ’19 through 2030 to ’34. Excellent. About $55.
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The Jordan Vineyards Cabernet Sauvignon 2013, Alexander Valley, represents a shift toward more French oak and more new oak than in previous vintages. Every one of the winery’s cabernets since the first in 1976 has been made by Rob Davis — a remarkable record for California — so he is certainly in a position to know the wine and the grape sources in 2013-Jordan-Alexander-Valley-Cabernet-Sauvignon-Label-WebThumbdepth and detail. The blend here is a carefully calibrated combination of 75.5 percent cabernet sauvignon, 15.5 percent merlot, 7 percent petit verdot, 1.5 percent malbec and 0.5 percent cabernet franc. The oak regimen? Twelve months at 83 percent French and 17 percent American, 43 percent new barrels, predominantly new French. How does that scale compare to recent vintages (to get all geeky about this issue). In 2012: 69 percent French, 31 percent American, 41 percent new; in 2011: 73 percent French, 27 percent American, 37 percent new; in 2010: 74 percent French, 26 percent American, 39 percent new. So, yes, this current vintage does lean more heavily on French oak barrels; the question is, how much difference does that factor make in the wine? I’ll say this right now: Jordan Cabernet Sauvignon 2013 is the tightest and most unapproachable cabernet from the winery that I have tasted, founded on an oak and tannin structure that feels both vertical and horizontal. It also exudes an undeniable aura of majesty and dignity. The color is an intense dark ruby-black; initially the wine is characterized by an essence of iodine and iron, sage and loam, slightly resinous rosemary, violets and mocha, all ground in some granitic pestle; as for fruit, that aspect takes 45 minutes to an hour to assert itself, after which the wine gently opens and becomes a bit warmer and spicier, though still operating under the wood-tannin-mineral cloak of darkness. 13.8 percent alcohol. Is this change a reasonable development in the 37-year history of the Jordan Cabernet Sauvignon? From my perspective, what the 2013 gains in power and structure it loses in elegance and alluring nuance, always the hallmarks of these wines in the past. Try from 2018 to ’20 through 2030 to ’33. Very Good+ for now, with Excellent potential once it becomes more balanced and integrated. About $55.

I’ll add that Jordan fields what is hands-down the most informative, detailed and accessible website of any winery I have encountered in California.
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Essentially, the Marques de Casa Concha Cabernet Sauvignon 2014, Maipo Valley, Chile, is Concha y Toro’s next-to-top-tier line of wines, more affordable than the Don Melchor mentioned above but still considered by the winery as part of its Fine Wines division. This one spent 16 months in French oak barrels and is a blend of 92 percent cabernet sauvignon, 6 percent cabernet franc and 1 percent each merlot and syrah. The color is very dark ruby with a slightly lighter rim; aromas of black currants, cherries and raspberries are infused with dusty graphite and loam, given high tones of black olive and bell pepper, all sliding on a faintly leafy herbaceous note. Ripe and spicy black fruit flavors are couched in vivid acidity, dense and velvety tannins and granitic minerality, adding up to a fairly rigorous treatment of the wine. 14 percent alcohol. Drink from 2018 through 2024, or open tonight with a medium rare ribeye steak, hot and crusty from the flames. Very Good+. About $26.
Excelsior Wines, Old Brookville, N.Y.
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The Star Lane Cabernet Sauvignon 2013, Happy Canyon of Santa Barbara, is undoubtedly well-made, yet it’s so typically Californian that I wish it took a few risks, went a bit higher and lower in tone and effect. That said, I think anyone who cottons to the style would like it. The wine aged 20 months in French oak, 35 percent new barrels. It presents a ruby hue so dark that it’s almost opaque, though shading to a lighter magenta rim; aromas of cedar and fresh rosemary, ripe black currants and cherries are touched with notes of lavender and mocha, graphite and violets. On the palate, this cabernet wine delivers plush velvety tannins for texture, brisk acidity for lithe liveliness, and elements of iodine and iron that bolster the somewhat austere finish. 14.4 percent alcohol. Try from 2018 or ’19 through 2026 to ’28. Very Good+. About $50.
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stone street cab 12
The not-quite-100 percent-varietal Stonestreet Estate Vineyards Cabernet Sauvignon 2012, Alexander Valley — there’s 5 percent mixed merlot and malbec — aged a decent 17 months in French oak, 30 percent new barrels. The vineyard from which it derives ranges from 400 to 2,400 feet, providing a spectrum of drainage, exposure and elevation that lent the grapes a full complement of detail and dimension. A very dark even unto black-ruby-purple hue, the wine offers a classic mountain-style array of sage and bay leaf, tobacco and loam, dried rosemary and a tinge of pine resin; these elements bolster notes of deeply spiced and macerated black currants, cherries and plums thoroughly permeated by dense, furry chewy tannins that coat the palate with a kind of velvet-iron-filings texture. The finish is long and chiseled and packed with granitic minerality, none of which prevents the wine from being surprisingly drinkable. Try through 2022 to ’25. Excellent. About $45.
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Stonestreet Estate Cabernet Sauvignon 2013, Alexander Valley, despite a sensible oak regimen — 18 months French oak, 37 percent new barrels — feels dominated by toasty wood from beginning to end. The color is black-purple with a glowing magenta rim, and, to be sure, there’s plenty here that indicates the wine’s fairly classic status, with its spiced and macerated black currants and cherries with a hint of baked plums, its notes of cedar, tobacco and sage, its structural elements of briers and brambles, forest floor and moderately dusty tannins; still, the smoke, charcoal, walnut shell and graphite character pulls a veil of toasty oak over the whole proceedings, and, for my palate, becomes obtrusive. Perhaps two or three years will even it out. Very Good+. About $45.
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2012-Henrys-Blend
Trione Vineyards and Winery Geyserville Ranch Henry’s Blend 2012, Alexander Valley, is a Bordeaux-style blend — with a California emphasis — that combines 35 percent cabernet sauvignon, 34 percent merlot, 13 percent each cabernet franc and petit verdot, and 5 percent malbec, aged 18 months in French oak, 40 percent new barrels. The concept of a “Bordeaux-style blend” is a bit of an idealization, of course, because very few red wines from Bordeaux employ what used to be thought of as the five “classic” Bordeaux red grapes; malbec doesn’t even enter the picture. This is a cool, inky, chiseled wine that features a dark ruby-purple hue and aromas of ripe black currants, plums and blueberries permeated by notes of cedar, tobacco and graphite, dust and loam, iodine and iron; dense, sleek and chewy, this wine displays huge reserves of acid, austere tannins and granitic minerality, all the while offering delicious black fruit flavors (with a tinge of black olive and roasted fennel) and a nicely balanced tide of burnished oak. 14.5 percent alcohol. Drink through 2022 to ’25. Excellent. About $54.
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Trione Block Twenty One Cabernet Sauvignon 2012, Alexander Valley, is predominantly cabernet sauvignon — 85 percent — Trione-2012-Cabernet-Sauvignonwith 9 percent merlot and 2 percent each cabernet franc, petit verdot and malbec in the blend; it aged 18 months in French oak, 45 percent new barrels. The color is impenetrable ruby from stem to stern; the bouquet offers an enticing melange seething with notes of cedar, violets and lavender, loam and smoke, tobacco and cigarette paper, with hints of graphite and intense, concentrated black fruit. The wine is more succulent on the palate, its ripe, spicy black currant and cherry flavors rich and beguiling, but the effect is tempered by the presence of immense, dusty, granitic tannins that produce an austere, aloof finish. 14.4 percent alcohol. Try from 2018 or ’19 through 2029 to ’32. Excellent potential. About $67.
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Here’s a terrifically appealing rosé wine from Umbria, offered at an irresistible price. The Falesco Vitiano Rosato 2016 is a blend of 30 percent each sangiovese, merlot and cabernet sauvignon with 10 percent aleatico, a grape little-found outside of a band that crosses Italy mid-shin to calf and reaching down to the heel. The color in the accompanying image is deceptive; the wine is actually much paler and more delicate in the light peach-melon range. Peaches, as a matter of fact, and strawberries, lightly etched with watermelon, characterize the wine both in the nose and on the palate, along with notes of heather and dried thyme, pink grapefruit and damp slate, all energized by a firm sweep of taut acidity; a hint of limestone draws the finish out nicely. All of these elements, as well as a texture balanced between lush and lithe, are melded with utmost elegance and ethereal grace. 12 percent alcohol. Excellent. About $12, representing Raving Fine Value.

Leonardo LoCascio Selections, Winebow Group, New York. A sample for review.

This survey of 12 rosé wines began as a Weekend Wine Notes post, but here it is, Wednesday, hardy the weekend at all, so I’m keeping the usual Weekend Wine Notes format but dropping that designation. We touch many styles of rosé wine amid this roster as well as many far-flung geographical regions. The grapes involved are also of broad variety, including merlot, pinot noir, tempranillo, grenache, syrah and even cabernet sauvignon and cabernet franc. While a few of these rosés could tolerate aging beyond this calendar year, all are really intended for immediate appeal and consumption, whether your choice of venue is the porch, the patio, by poolside or on a picnic or just standing around the kitchen while someone prepares a light Spring or Summer meal. Prices range from about $10 to $28, so nothing outlandlish. The point is to enjoy, while consuming in moderation, of course. These wines were samples for review.
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Angeline Rosé of Pinot Noir 2016, California. 12.5% alc. A lovely pink-melon-coral hue; notes of slightly candied strawberry and raspberry with a hint of pomegranate; a kind of chalk-warm, dusty roof-tiles minerality; just a touch of dried herbs. Simple, direct and tasty; a crowd-pleaser for sure. Very Good. About $13.
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Domaine Bila-Haut Les Vignes Rosé 2016, Pays d’Oc. 13% alc. 78% grenache, 14% cinsault, 8% syrah. Lovely pale pink hue with a slight coral cast; very delicate notes of strawberry and blood orange, cloves and seashell; undertones of red currants, meadow flowers and heather, buoyed on a lithe crisp texture that’s silky smooth and a chiseled foundation of chalk and flint; the finish brings in a touch of peach. One could happily drink this throughout the Summer. Excellent. About $15, marking Great Value.
Sera Wine Imports, New York.
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Bridge Lane Rosé 2016, New York State. A label from Long Island’s Lieb Cellars. 11.9% alc. 49% cabernet franc, 29% merlot, 16% malbec, 4% pinot noir, 2% petit verdot. Very pale onion skin hue; quite dry and spare, with nuances of strawberry and melon, peach and pink grapefruit; crisp acidity keeps it lively and appealing, over an undercurrent of clean limestone minerality. Very Good. About $18. Also available in 3-liter boxes and 20-liter kegs, so party on, rascals.
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campuget
Chateau de Campuget Tradition Rosé 2016, Costières de Nîmes. 13% alc. 70% syrah, 30% grenache. Very pale copper-onion skin hue; delicately touched with red currants and raspberries, a hint of orange zest and rose petals; quite dry but pleasingly ripe, slightly stony, like warm roof tiles, brisk acidity for crispness and animation, grapefruit and limestone finish. Very Good+. A Steal at about $10.
Imported by Dreyfus & Ashby, New York.
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grgich rose
Grgich Hills Estate Rosé 2016, Napa Valley. 13.1% alc. The first rosé from this venerable winery. 45% merlot, 31% cabernet sauvignon, 9% cabernet franc, 6% petit verdot, to which Bordeaux grape varieties are blended 8% zinfandel and 1% gewurztraminer. A riveting deep salmon-magenta hue; strawberry, tomato skin, rose petals and raspberry leaf; spicy and savory, with lip-smacking crystalline acidity and an intriguing warm brick-damp dust sense of minerality; blood orange, Earl Gray tea and heather dominate from mid-palate through the finish. A terrific and highly individual initial effort. Excellent. About $25.
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illahe rose
Illahe Vineyards Tempranillo Rosé 2016, Willamette Valley, Oregon. 12% alc. 500 cases. Very very pale onion skin hue; very clean and dry, crisp and spare; delicate, indeed, ephemeral notes of strawberry and raspberry, something citrus, like orange rind and lime peel; notes of pomegranate and rhubarb; quite sleek and subtle, propelled by crisp acidity and a chiseled limestone-flint edge. Very Good+. About $17.
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Maculan Costadolio 2016, Breganza Rosato. 12.5% alc. 100% merlot. Production was 1,000 cases. Pale coral-onion skin hue; very spare and delicate, animated by spanking-clean acidity; hints of dried red raspberries and currants, with a note of melon and dried herbs; a little brushy and heather-ish; crisp limestone and flint minerality, slightly saline finish. Super attractive without being pushy. Very Good+. About $15.
A Leonardo LoCascio Selection for Winebow Inc., New York
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Martin Ray Winery Rosé of Pinot Noir 2016, Russian River Valley. 13.2% alc. Very pale copper-salmon color; strawberry, raspberry and orange rind; a brushing of dried thyme, a light touch of dust and graphite; ripe and tasty but spare and reticent; attractive lithe supple texture. Very Good+. About $25.
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Stewart Cellars Rosé 2016, Sonoma Mountain. 13.5% alc. 100% pinot noir. Very pale watermelon pink; really delicate and ethereal notes of Stewart_Logo (1)raspberry, rose petal, pink grapefruit and blood orange; undertones of watermelon, cloves and Earl Gray tea; quite dry, spare yet, paradoxically and delightfully, lush on the palate, animated by crisp acidity and dusty seashell minerality; elegant, charming, beautifully structured. A superior rosé. Excellent. About $28.
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Wölffer Estate Summer in a Bottle Rosé Table Wine 2016, Long Island, N.Y. 12.2% alc. A unique blend of 54% merlot, 24% chardonnay, 11% cabernet franc, 6% gewürztraminer, 4% riesling and 1% vignoles. Onion skin hue with a light copper tinge; sprightly, spicy and slightly peppery, with ineffable layers of smoke, melon, raspberry and grapefruit; super fresh and refreshing, with heft and body that flow blithely on the palate. Delicious. Excellent. About $24.
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tongue dancer rose'
Tongue Dancer Wines Rosé of Pinot Noir 2016, Putnam Vineyard, Sonoma Coast. 14.5% alc. Production was 90 cases. Bright copper-coral color; an unusually savory and fleshy rose, lithe and supple on the palate, with scents and flavors of strawberries and raspberries, melon and cloves, pomegranate and wild thyme; a filigreed background of limestone and flint minerality and bracing salinity. A superior rosé. Excellent. About $25.
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angel
Caves d’Esclans Whispering Angel 2016,
Côtes de Provence. 13% alc. Grenache, rolle (vermentino) and cinsault. Whispering, indeed, from its very pale onion skin color, to its delicate hints of orange rind, strawberries and cloves, to its dry, spare, elegant texture: a rose of nods and nuances, except that all aspects are bound and energized by taut, vivid acidity and a limestone structure of lacy transparency; flows across the palate like ethereal peach nectar. Excellent. About $22.
Imported by Shaw-Ross International, Miramar, Fla.
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My introduction to wine mainly occurred through reading books about wine and wine production, primarily centered of France’s storied Bordeaux region. That’s where the interest lay in the late 1970s and early 1980s. Learning about the legendary Bordeaux vintages of the past — 1900, 1928 and ’29, 1945 and ’47, 1959 and ’61 — certainly added to my knowledge about wine and whetted my appetite for experience, but the chances of actually encountering such wines, of course, was nil. Bordeaux doesn’t dominate the conversation as it once did, however, because the past few decades have seen a tremendous wave of diversity and change in the world’s wine industry, though the top properties in Bordeaux’s Right and Left Banks still demand high prices and receive the attention of the press and the auction houses. Very few people, though, will pay, say, $800 to $1,500 for a single bottle of wine, or even $200 to $500. The good news is that the region is filled with hundreds if not thousands of small estates that command not a lot of attention but are completely worthy of being investigated for their high quality and comparatively low prices. The wines under review today derive from properties located in what some would consider Bordeaux’s backwaters, appellations that may be familiar locally but scarcely get imported to these shores. These estates also exist at the forefront of contemporary thinking about Bordeaux wines. Most of these estates run on organic or biodynamic principles; most are family-owned and operated and pride themselves on their artisanal approach. They provided me — four whites and five reds — with a great deal of pleasure, and I urge My Readers to search them out.

These wines were samples for review.
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This 24-acre estate, the property of Corinne and Jean-Michel Comme, is operated strictly on biodynamic principles. Only native yeasts are used, and the wine sees no oak, aging four months on the lees in vats. Chateau du Champs des Treilles “Vin Passion” 2015, Sainte-Foy-Bordeaux, is a blend of one-third each sauvignon blanc, semillon and muscadelle. The effect is of impeccable clarity and purity, beginning with the very pale hue that evinces the merest shade of straw-gold, with a faint green tint; the primary notes are lime peel and tangerine, talc and lilac, with hints of leafy fig and peach; it’s very dry yet juicy in its citrus and stone-fruit flavors, lightly dusted with cloves and dried thyme and expanding into shelves of limestone and flint minerality. 13 percent alcohol. Drink through 2018. Very Good+. About $15.
Savio Soares Selections, Brooklyn, N.Y.
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Pierre Lurton owns two of the most august and authoritative properties in Bordeaux, Chateau Cheval Blanc in Saint-Emilion and Chateau d’Yquem in Sauternes. He is also proprietor of this 146-acre estate in Entre-Deux-Mers, which dedicates 121 acres to red grapes and 25 to white. Chateau Marjosse 2014, Entre-Deux-Mers, is a blend of 50 percent sauvignon blanc, 30 percent semillon, 15 percent sauvignon gris and 5 percent muscadelle, fermented in cement and aged two months in French oak. The color is medium gold-yellow; this is all yellow fruit and flowers, like peaches and golden plums, honeysuckle and jasmine, with, in the background, a note of guava; as to minerality, it’s like drinking liquid quartz in its dryness, its scintillating glitter and its vibrant acidity. Alcohol content N/A. It’s quite attractive, but feels just a tad musky and funky, so drink by the end of 2017. Very Good+. About $16.
Peloton Imports, Naoa, Calif; Duclot La Vinicole, New York.
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les charmes
Chateau Les Charmes-Godard is owned by the Thienpont family, which oversees a startlingly comprehensive roster of fine properties, including Vieux-Chateau-Certan and Le Pin in Pomerol. The 16-acre Les Charmes-Godard is far more humble than those prestigious estates but is operated on meticulous standards. Of the area under vines, only 2.5 acres is devoted to dry white wine. Chateau Les Charmes-Godard 2014, Francs Cotes de Bordeaux. is a blend of 65 percent semillon, 20 percent sauvignon gris and 15 percent muscadelle, fermented in oak and aged eight months, one-third new barrels, one-third one-year old, one-third two years old. This is a pinpoint focused wine that offers a mild medium gold hue and lucid aromas of figs and tangerine, with the pertness of lime peel and the dusty richness of greengage; incisive acidity cuts a swath through a texture that deftly balances talc-like softness with crisp tartness. An indisputable limestone edge emerges from mid-palate back through the spare, chiseled finish. 13 percent alcohol. Terrific winemaking. I suspect that this wine possesses the tensile power and vitality to last beyond its immediate principle of pleasure, so drink through 2020 to ’22. Excellent. About $20, representing Great Value.
Imported by Monsieur Touton, New York.
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Olivier Bernard, owner of the august Domaine de Chevalier in the Graves region, acquired Clos des Lunes with the intention of producing well-made and clos-des-lunes-lune-blanche-bordeaux-2014affordable dry white wines. The paradox is that the 136-acre estate lies in the heart of Sauternes, right next to Chateau d’Yquem, which arguably makes the best sweet wines in the world. (All right, among the best.) Clos des Lunes Lune Blanche 2014, Bordeaux, is an old-vine blend of 70 percent semillon and 30 percent sauvignon blanc, aged six or seven months in vats (70 percent) and oak barrels (30 percent). The wine displays a pale gold hue and offers beguiling aromas of lilac and talc, roasted lemon, with notes of ginger and quince, lemon grass and tangerine; it’s quite dry and spare on the palate, developing a profound element of limestone minerality, but also opening to touches of starfruit, papaya and grapefruit rind for a finish that’s both seductive and a bit austere. 13 percent alcohol. Great winemaking on view here. Drink now through 2019 or ’20. Excellent. About $20, another Great Value.
Imported by Monsieur Touton, New York.
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Chateau Mauvesin Barton is owned by Lilian Barton and Michel Sartorius, owners of Chateaux Leoville Barton and Langoa-Barton, classified growths in St.-Julien The 126-acre estate is run by their children Melanie and Damien. Chateau Mauvesin Barton 2012, Moulis-en-Medoc, is a blend of 48 percent merlot, 35 percent cabernet sauvignon, 14 percent cabernet franc, 3 percent petit verdot, aged 12 months in oak, one-third new barrels, one-third one-year old; one-third from two Leoville-Barton wines. The color is intense dark ruby shading to a transparent mulberry rim; an aura of dust, graphite and cedar encompasses concentrated, rooty and tea-like black currants and cherries. It’s a mouth-filling wine, robust and vibrant, and it pulls up more intensity as the moments pass, revealing a kind of meaty core touched with tapenade, fruit cake and violets. For all that, it manages to be quite tasty. 13 percent alcohol. Now through 2020 to ’22. Excellent, and a Great Value at about $21.
Imported by Frederick Wildman & Sons, New York.
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Clos Puy Arnaud La Cuvee Bistrot de Puy Arnaud 2013, Castillon Cotes de Bordeaux, is a blend of 70 percent merlot, 30 percent cabernet bistr13_174x241franc, certified biodynamic. Seeing no oak, the grapes fermented and the wine aged three months in cement vats. A bright medium but transparent ruby hue presages the wine’s notion of freshness and drinkability; hints of red currants and cherries are light and tasty, while the wine unfolds a spicy and slightly fleshy aspect and notes of iodine and graphite, mint and cloves; clean acidity keeps the whole package lively and balanced. 12 percent alcohol. Exactly what you might drink in a bistro or cafe with a roasted chicken, steak frites or rabbit and pork terrine. Very good+. About $25. Charming as it may be, I would like this wine better at $18. Drink up; the ’14 is on the market.
Imported by Duclot La Vinicole, Manhasset, N.Y.
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reignac
I was supposed to receive the 2010 version of this wine, but got the 2008 instead, and I’m glad I did. We don’t often have the chance to try an eight-year-old red wine from Bordeaux, so this was instructive. And I’ll say that people who love the red wines of Bordeaux but don’t want to pay the gasp-inducing prices attached to the Big Names should consider buying Chateau Reignac by the case, for present and future drinking. The 200-acre estate in Entre-Deux-Mers is owned by Yves and Stephanie Vatelot. Thirty percent of the grapes are vinified in new oak barrels after cold maceration in stainless steel vats; 70 percent are vinified in wood and stainless steel. Chateau de Reignac 2008, Bordeaux Superieur, is a blend of 75 percent merlot, 25 percent cabernet sauvignon. The color is very dark and intense black-ruby with the slightest fading at the rim; notes of tobacco leaf, walnut shell and dried rosemary point toward the structural elements in this wine, finding a complement on the palate in dry, tightly focused tannins and sleek graphite-tinged minerality. The texture is lithe, supple and sinewy and supports concentrated, spicy black currant and cherry flavors showing a hint of plum. 13.5 percent alcohol. Drink now through 2025 to ’28. Excellent. About $31.
Imported by Fruit of the Vines, Inc, Long Island City, N.Y.
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Paul Barre, owner of the 17-acre estate Chateau La Grave in Fronsac, was a pioneer of biodynamic practices in Bordeaux, having instituted la gravesuch methods to his vineyard 25 years ago. The word “chateau” carries many implications in the region, and at Chateau La Grave there is no 18th Century mansion; rather; rather, Barre, his wife and son and daughter-in-law live and work in a farmhouse in the midst of the vines. The vineyard is plowed by horse, the grapes are hand-harvested and only native yeasts are employed to start fermentation. Chateau La Grave 2011, Fronsac, is a blend of 66 percent merlot, 26 percent cabernet franc, 8 percent malbec. A very dark ruby robe shades to a bright magenta rim; there’s broad appeal and even charm here, in a wine that displays slightly fleshy, spiced and macerated black currants and raspberries in a dense, almost chewy texture bolstered by moderate tannins and vibrant acidity; it’s peppery and juicy on the palate, and as the moments pass, the wine acquires more substance and heft, through to a somewhat honed, graphite inflected finish. 13 percent alcohol. Now through 2019 to ’21. Excellent. About $32.
Imported by Grand Cru Selections, New York. Image by Christine Havens.
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The vineyards at tiny Clos du Jaugueyron — 7.4 acres divided into 16 separate parcels — are certified organic and biodynamic. The Clos du jaugueyron Jaugueyron 2012, Haut-Medoc, is a blend of 53 percent cabernet sauvignon, 40 percent merlot and 7 percent petit verdot, aged 12 months in French oak, 75 percent older barrels, 25 percent new. The color is dark ruby, with slight fading at the rim; the glass bursts with notes of mint and cedar, iodine and graphite and black fruit steeped in spiced black tea. These elements segue seamlessly onto the palate, where the wine takes on aspects of forest and loam and dry, well-knit tannins, animated by bright acidity. Granitic minerality in the finish feels chiseled and almost transparent. 12.5 percent alcohol. Beautifully fashioned and well-balanced for drinking through 2020 to ’22. Excellent. About $36
Imported by Selection Massale, Oakland, Calif.
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