Germany


Weekend Wine Sips and it’s only Friday afternoon. If you live in the Northeast, you probably won’t be able to get to a liquor and wine store tonight — two feet of snow? 50- to 75-mph winds? — but for the rest of the country, time’s a-wasting! There’s one wine in this post that I strongly do not recommend, otherwise these range from pleasant to impressive to memorable. Six eclectic white wines and four reds today, ranging in price from about $13 to $25, with a couple that merit ranking as Bargains and Values. As usual, little in the way of historical, geographical or technical detail; instead I offer quick reviews intended to pique your interest and whet your palate. These were all samples for review, and the order is alphabetical.
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Angelini Sangiovese 2008, Colli Pesaresi, Marche, Italy. 13.5% alc. Medium ruby color; lovely warm sangiovese nose of dried red currants, cloves, black tea and orange zest; pert acidity, an element of graphite-like minerality and a rather lean structure contribute to a sense of spareness and angularity, though the wine never loses its charm and appeal. Drink through the end of 2013. Very Good+. About $16.
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Brancaia “Tre” 2010, Toscana, Italy. …% alc. 80% sangiovese, 20% merlot and cabernet sauvignon, from three estates, hence “Tre.” Deep ruby color; intense and concentrated; dried red and blue fruit, dried flowers (lavender and potpourri), dried spices like cloves and allspice; hints of thyme, rosemary with its slightly resiny quality, earthy and slate-like minerality; black tea and black olives; the oak comes out on the finish a bit obviously, but lots of personality. Now through 2015 or ’16. Very Good+. About $18.
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Edna Valley Vineyard Sauvignon Blanc 2011, Central Coast, California. (Owned by Gallo since 2011) 13.9% alc. Very pale straw color; scintillating bouquet of lime peel, lemongrass, kiwi, tarragon and grapefruit; segues smoothly to the palate, enhanced by rousing acidity and a keen limestone edge. Now through the end of 2013. Totally attractive. Very Good+. About $15.
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Franz Keller “Schwarzer Adler” Pinot Blanc 2010, Baden, Germany. 13% alc. Pale straw-gold color; pear and peach with a trace of lychee and spicy backnotes; very crisp, lively and flinty; vibrant acidity, taut, clean, fresh; touch of limestone-laced earthiness to buoy the ripe citrus and stone-fruit flavors; svelte, elegant, lots of authority yet charming. Now through 2015. Excellent. About $22.
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Hooker Betsy’s Vineyard “Home Pitch” Syrah 2010, Knights Valley, Sonoma County, California. 14% alc. Deep ruby color with a magenta rim; robust, intense and concentrated, roasted and fleshy, smoke and ash, damp mossy earth and leather; ripe blackberry and black currant scents and flavors with notes of wild raspberry and plums; a little nutty and toasty; builds power as it goes, accumulating layers of graphite, licorice, bitter chocolate, briers and brambles. Pretty darned classic. Now through 2015 or ’16. Excellent. About $24.
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Poliziano Lohsa 2010, Morellino di Scansano, Tuscany, Italy. 14% alc. Unusual blend of 80% cabernet sauvignon and 20% alicante, petit verdot and carignano (carignane). Dark ruby color; black currants and plums, touch of red cherry, deeply imbued with spice and brambly elements, notes of oolong tea, mushrooms and sour cherry; neatly balanced rusticity with pleasing poise and integration; slightly shaggy tannins abound. Now through 2015. Very Good+. About $15, representing Great Value.
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Santiago Ruiz 2011, Rias Baixas, Spain. 13% alc. 70% albariño, 15% loureiro, 10% caiño, 5% treixadura and godello. Pale straw color; spanking fresh and clean as new ironed sheets, with a savory, bracing sea-salt, sea-breeze exhilaration as well as a stony and steely backbone; thyme and mint, peach, kumquat and quince, touch of bay leaf; deftly handled texture halfway between prettily lush and bony spare; very polished sense of heft and presence. Now through the end of 2013. Excellent. About $17, a True Bargain.
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Treana 2010, Central Coast, California. 14.5% alc. (Hope Family Wines) 50% each marsanne and viognier. Again and again, I try to like this wine but cannot. Two grapes that are capable of lovely finesse and ardent dimension are treated in such manner that the wine comes out brassy, over-ripe and florid, stridently spicy, candied and over-blown. Oh, and way too oaky. I know that people love this wine, but I don’t recommend it. About $23.
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Wente Riverbank Riesling 2011, Arroyo Seco, Monterey, California. 12.5% alc. Pale straw-gold color; a very appealing riesling at the right price; a touch of sweetness in the entry tones down to just off-dry across the palate; jasmine, lychee, pear and a hint of ripe peach; a little fleshy but good acidity; a hint of grapefruit on the finish. Now through Summer 2013. Very Good+. About $13, representing Real Value.
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William Hill Chardonnay 2010, Napa Valley, California. 14.5% alc. (Gallo acquired William Hill from Beam Wine Estates in 2007.) Pale gold color; a generous and expansive version of the grape, fresh and vibrant with enticing personality and authority; dry, crisp and bright, with moderately ripe pineapple and grapefruit flavors barely touched by mango and jasmine and what people like to describe as “a kiss of oak”; nothing bold or brassy here, just clean balance and integration and, through the finish, a hug of limestone minerality. Now through 2013. Excellent. About $25.
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So, My Readers, today I present the annual “50 Great Wines” in the edition for 2012. Why 50? It’s a nice comfortable round number, but it also makes me work hard to determine those 50 great selections.

I reviewed 642 wines on this blog in 2012, so 50 choices represent only 7.78 percent of the wines I reviewed. Wines that I rated as “Exceptional” automatically make the cut. In 2012, I ranked 16 wines “Exceptional,” or only 2.5 percent of all the wines I reviewed. How did I ascertain the other 34 wines? That’s where the task got difficult. I read all the reviews of wines that I rated “Excellent” and wrote down the names of 68 that seemed promising, but of course that was already way too many wines; I had to eliminate half of that list. I went back through the reviews and looked for significant words or phrases like “an exciting wine” or “a beautiful expression of its grapes” or “epitomizes my favorite style” or “I flat-out loved this wine,” terms that would set a wine apart from others in similar genres or price ranges, even though they too were rated “Excellent.” By exercising such intricate weighing and measuring, by parsing and adjusting, by, frankly, making some sacrifices, I came to the list of wines included here, but I’ll admit that as I went over this post again and again, checking spelling and diacritical markings and illustrations, there were omissions that I regretted. You get to a point, however, where you can’t keep second-guessing yourself.

Notice that I don’t title this post “50 Greatest Wines” or “50 Best Wines.” That would be folly, just as I think it’s folly when the slick wine publications select one wine — out of 15,000 — as the best of the year. The wines honored in this post are, simply, 50 great wines, determined by my taste and palate, that I encountered and reviewed in 2012. Some of them are expensive; some are hard to find. You’ll be pleasantly surprised, though, at how many of them are under $40 or even in the $20 range; the price of a wine can be immaterial to its quality, and I mean that in both the positive and the negative aspects. Where I know the case limitation, I make note. With wines that are, for example, chardonnay or pinot noir, you can count on them being 100 percent varietal; in other cases, I mention the blend or make-up of the wine if I think it’s necessary.

Coming in a few days: “25 Great Bargains of 2012.”
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Amapola Creek Cuvée Alis 2009, Sonoma Valley, Sonoma County. 55 percent syrah, 45 percent grenache. 95 cases. Exceptional. About $48.
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Archery Summit Looney Vineyard Pinot Noir 2009, Ribbon Ridge, Willamette Valley, Oregon. Excellent. About $85.
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Black Dog Cellars Chardonnay 2010, Sonoma Coast. Excellent. About $25.
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Bonny Doon Bien Nacido Vineyard X Block Syrah 2007, Santa Maria Valley, Santa Barbara County. 573 cases. Excellent. About $42.
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Champagne Françoise Bedel Entre Ciel et Terre Brut. Excellent. About $75.
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Biondi-Santi Brunello di Montalcino 2005, Tuscany, Italy. 100 percent sangiovese. Exceptional. About $149.
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Chalone Estate Chenin Blanc 2011, Chalone, Monterey County. Exceptional. About $25.
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Chamisal Estate Pinot Noir 2010, Edna Valley, San Luis Obispo County. Excellent. About $40.
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M. Chapoutier Chante-Alouette 2007, Hermitage blanc, Rhone Valley, France. 100 percent marsanne grapes. 350 six-packs imported. Exceptional. About $92.
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M. Chapoutier De L’Orée 2008, Hermitage blanc, Rhone Valley, France. 100 percent marsanne. 40 six-packs imported. Exceptional, About $190.
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Cima Collina Tondre Grapefield Vineyard Pinot Noir 2009, Santa Lucia Highlands, Monterey County. Exceptional. About $48.
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Etude Pinot Noir 2009, Carneros. Excellent. About $42.
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Ferrari-Carano Prevail West Face 2007, Alexander Valley, Sonoma County. 61 percent cabernet sauvignon, 39 percent syrah. Excellent. About $55.
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Foley Rancho Santa Rosa Pinot Noir 2009, Santa Rita Hills, Santa Barbara County. Excellent. About $40.
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Foursight Charles Vineyard Pinot Noir 2009, Anderson Valley, Mendocino County. Excellent. About $46.
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Gary Farrell Russian River Selection Pinot Noir 2009, Russian River Valley, Sonoma County. Excellent. About $42.
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Dr. Hermann Erdener Treppchen Riesling Kabinett 2009, Mosel, Germany. Excellent. About $23.
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Hidden Ranch 55% Slope Cabernet Sauvignon 2007, Sonoma County. Excellent. About $45.
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Kelly Fleming Sauvignon Blanc 2010, Oakville District, Napa Valley. 540 cases. Excellent. About $30.
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Domaine Michel Lafarge Meursault 2009, Burgundy. Excellent. About $44-$48.
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La Follette Van Der Kamp Vineyard Pinot Noir 2009, Sonoma Mountain. 429 cases. Excellent. About $40.
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Lasseter Enjoué 2011, Sonoma Valley. 73 percent syrah, 24 mourvèdre, 3 grenache. A superior rosé. 570 cases. Excellent. About $24.
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Champagne David Léclapart L’Amateur Premier Cru Blanc de Blancs Extra Brut, non-vintage. Exceptional. About $83.
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Lenné Estate Pinot Noir 2008, Yamhill-Carlton District, Willamette Valley, Oregon. 491 cases. Excellent. About $55.
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Chateau La Louvière 2009, Pessac-Lèognan, Bordeaux, France. 85 percent sauvignon blanc, 15 percent semillon. Excellent. About $42.
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Manzoni Vineyards Home Vineyard Syrah 2009, Santa Lucia Highlands, Monterey County. 494 cases. Excellent. About $26.
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Max Ferd. Richter Veldenzer Elisenberg Riesling Kabinett 2010, Mosel, Germany. Excellent. About $19.
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Mayacamas Chardonnay 2009, Mount Veeder, Napa Valley. Exceptional. About $30.
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McCay Cellars Jupiter Zinfandel 2009, Lodi. 449 cases. Excellent. About $28.
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Domaine Pierre Morey Pommard Grands Epenots Premier Cru 2009, Burgundy. Excellent. About $85.
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Newton “The Puzzle” 2008, Spring Mountain District, Napa Valley. 42 percent merlot, 36 cabernet sauvignon, 14 cabernet franc, 6 petit verdot, 2 malbec. Excellent. About $80.
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Nicolas Joly Clos de La Bergerie 2009, Savennières-Roches-aux-Moines, Loire Valley, France. 100 percent chenin blanc. 580 cases. Exceptional. About $45-$60.
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Pelerin Sierra Mar Vineyard Pinot Noir 2009, Santa Lucia Highlands, Monterey County. Exceptional. About $42.
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Pfendler Pinot Noir 2010, Sonoma Coast, Sonoma County. 250 cases. Exceptional. About $45.
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Phifer Pavitt Date Night Cabernet Sauvignon 2007, Napa Valley. 372 cases. Exceptional. About $75.
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Piocho 2009, Happy Canyon of Santa Barbara. From Margerum Wine Co. 58 percent merlot, 22 cabernet sauvignon, 18 cabernet franc, 2 petit verdot. 570 cases. Excellent. About $25.
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Quivira Fig Tree Vineyard Sauvignon Blanc 2011, Dry Creek Valley, Sonoma County. 862 cases. Excellent. About $22.
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Sea-Fog Sauvignon Blanc 2010, Napa Valley. 380 cases. Excellent. About $25.
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Shafer Hillside Select 2007, Stags Leap District, Napa Valley. Exceptional. About $225.
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Shafer Merlot 2009, Napa Valley. With 7 percent cabernet sauvignon and 1 percent malbec. Exceptional. About $48.
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Signorello Estate Cabernet Sauvignon 2009, Napa Valley. With 12 percent cabernet franc. 381 cases. Excellent. About $75. Date on label is one year behind.
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Robert Sinskey Vin Gris of Pinot Noir 2011, Los Carneros. Another superior rosé to drink all year. Excellent. About $28.
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Spotted Owl Chardonnay 2010, Mount Veeder, Napa Valley. Inaugural release of this winery’s chardonnay. 120 cases. Exceptional. About $45.
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Stag’s Leap Wine Cellars S.L.V. Cabernet Sauvignon 2007, Napa Valley. Exceptional. About $125.
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St. Clement Oroppas Cabernet Sauvignon 2008, Napa Valley. With 10 percent merlot, 2 petit verdot and 1 cabernet franc. Excellent. About $55.
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Domaine André et Mireille Tissot La Graviers Chardonnay 2010, Arbois, France. 552 cases. Excellent. About $26-$30. Label is two years out of date.
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Tudal Family Winery Clift Vineyard Cabernet Sauvignon 2008, Oak Knoll District, Napa Valley. 295 cases. Excellent. About $50.
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Tenuta di Valgiano 2008, Colline Luccesi, Tuscany. 60 percent sangiovese, 20 merlot, 20 syrah. Excellent. About $55-$60.
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Vieux Télégraphe “La Crau” 2009, Chateauneuf-du-Pape, Rhone Valley, France. 65 percent grenache, 15 mourvèdre, 15 syrah 5 cinsault, clairette “and others.” Excellent. About $85.
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Villa Huesgen Schiefen Riesling Trocken 2010, Mosel, Germany. Excellent. About $35.
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Great wines possess a kind of intensity that flatters the nose and palate, as well as the imagination, with a comprehensive scope of sensation and character without burdening our faculties with any quality of the flamboyant or egotistical; they burn with a hard, gem-like flame — as Walter Pater bade us live — rather than self-immolating in the baroque furnaces of exaggeration and manipulation. Great wines exert a sense of finely tuned balance in addition to a paradoxical element of risk, at times almost playfulness, these qualities subsumed into the overall impression of integration, generosity and completeness. The models I look at today, both samples for review, as I am required to inform you by the Federal Trade Commission, exemplify such standards. Nothing links these wines except the fact that I tasted them on sequential days and that they’re beautifully wrought renditions of the grapes from which they’re made.

First, however, a comment on what’s called the “tasting note.” There’s a hue and cry in the recent press about the death of the tasting note; the tasting note is outmoded, assert its opponents, a relic of a time when wine critics were deemed authorities and their notes — typically involving Bordeaux Classified Growths, Burgundy Premier and Grand Crus and great German rieslings — regarded as sacred texts. Such notions, we’re told, are hopeless in the world of the Internet, instant reaction and analysis, the cohort-like animation of word-of-mouth, blogs, smart phones and hanging loose. I think that’s all fine and dandy. Certainly the tasting note as perfected by a magazine like the Wine Spectator — telegraphic, gnomic, superficial and pointed toward the all-important numerical score — seems unhelpful except to consumers primarily interested in the dynamic of that large, black, bold-face rating. Such punchy tasting notes bear the same relationship to the characterization of a wine in a full review as a capsule summary of a movie does to a review in The New York Times or The New Yorker.

If I may self-advocate here, I have been taking notes on wine for 30 years, and I use those notes to assemble not merely a review of the wine but a narrative that blends history, geography and intention with an attempt to get to the heart of a product, in detail and dimension. I want My Readers to take away from such a review a sense of where a wine came from, the importance of its origin in a place and time and climate, what it smells like and tastes like and feels like over passing moments and what its potential is for growth and development — and perhaps what foods it could profitably accompany. Much as I love the physical properties of many of the wines I taste every year, I also dote on a wine’s chronicle from vineyard through the hands of the winemaker to the bottle on your table. If any of you read this blog and utter a sigh and heartfelt, “Oh, there F.K. goes again, talking about vineyard elevation and late harvesting and oak aging,” well, you should be used to that by now, because you’re stuck with it.

It’s true that not all wines require or deserve such full-blown treatment; many of the products I mention on this blog are simple quaffing wines meant to be enjoyed without much thought, and there’s not a thing wrong with that. The wines that I find richly rewarding though and that capture my attention — as did the two wines under review in this post — seem valuable not merely because of their high quality and complex character but because they imply a narrative that extents into a personal, historical and geological past and into the future of possibility.

The first image above is from my wine notebook, actually a ledger, from 1986 and 1987; the second image represents a small portion of wine notebooks from about 1995 to 2005.
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The Villa Huesgen Schiefer Riesling Trocken 2010 derives from steep vineyards that rise 100 to 200 meters above the Mosel River. The slightly fractured landscape lends the slate-impacted vineyard a faceted relationship to the sky, allowing the 30- to 35-year-old vines a multitude of exposures to sunlight as the day proceeds; the result seems to be an unusual degree of richness in the grapes, as well as a profoundly significant array of mineral elements. The estate traces its origin to 1735, when Johannes Huesgen (1697-1762) moved to the town of Traben-Trarbach in the Mosel region and began buying vineyards; in 1762, his son Johann-Wilhelm, with his mother and brother-in-law, founded a wine merchant business. Among the family’s most striking achievements is Villa Huesgen itself, one of the most famous Art Nouveau houses in Europe, designed by notable architect Bruno Möhring in 1904.

I don’t want to wax too poetical here or wade into the murky miasma of metaphor, but the bouquet and the flavors of the Villa Huesgen Schiefer Riesling Trocken 2010 evince such a powerful perception of rain on dusty slate tiles, of damp lilacs, of the snap of gunflint and the mingling of crushed limestone and lime peel, of lemongrass and ginger, of quince and spiced pear that it remains with me vividly two days later. This marked intensity, however, while distinctly present in nose and mouth, is not the least overwhelming; rather it evokes an impression that’s almost poignant in its acuteness and its weaving of infinite delicacies into a fabric of strength and elegance. Close to talc-like in texture but enlivened by crisp and crystalline acidity, Villa Huesgen Schiefer Riesling Trocken 2010, made all in stainless steel, is fresh and immediately appealing yet should age beautifully through 2018 to 2020. This, friends, is great riesling. 11.5% alcohol. We drank this wine with wholewheat linguine, roasted golden beets and beet greens, kale, leeks and Gruyere. Excellent. About $35.

Imported by Quintessential, Napa, Ca.
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The Wild Horse Cheval Sauvage Pinot Noir 2009, Santa Maria Valley, is the finest wine I have tasted from the winery in years. Director of winemaking is Clay Brock, and winemaker is Chrissy Wittmann. I don’t know to what extent the wine was a collaboration between them, but whatever the case, this is well-nigh perfect pinot. The grapes for the 2009 version all came from the well-known Sierra Madre Vineyard; previous vintages have been blends of several vineyards in Santa Maria, which, except for a tiny portion in San Luis Obispo County, lies within Santa Barbara County. Santa Maria, still largely isolated compared to wine regions farther north in the state, is cool climate, with its western-most area cooled even more by sea-breezes. It you ever stay in the vicinity, it’s wondrous to see the whole valley filled with fog early in the morning.

Wild Horse was founded in 1982 by Ken Volk; the winery and its vineyard occupy land above the Salinas River near Templeton, in northern San Luis Obispo County, in the Paso Robles appellation. In 2003, Volk sold the brand, the winery and the 64-acre property to Peak International, a subsidiary of Jim Beam Brands Worldwide. In 2007, Beam was swallowed up by the Icon Estates division of Constellation Brands. In January 2011, as reported in the San Luis Obispo Tribune, Constellation decided to “cut back operations” at Wild Horse, shifting the cellaring of Wild Horse wines to Estancia Winery in Soledad and Gonzalez Winery in Gonzales. The crush occurs at the original winery, with the reserve wines still “processed” there. Few things stay the same in California (sung to the tune of “Welcome to the Hotel California”).

Wild Horse Cheval Sauvage Pinot Noir 2009 offers exactly what I want in a pinot from The Golden State, that is, an ineffable sense of tension, resolution and balance between elegance and energy, between spareness and vigor. The color is medium cherry-mulberry from stem to stern. Aromas of red cherries, cranberry and rhubarb are permeated by touches of cloves, hints of toast and licorice and, beyond all that, something fleshy, spicier and untamed, a bell-tone of wild berry and a hint of briers. This bevy of elements is not presented in a blatant fashion but rather as a tissue of subtleties and nuances exquisitely poised, dexterous and agile. The texture is supremely satiny, supple and lithe, a bit of window dressing on the stones and bones of the wine’s vibrantly acidic and scintillating earthy/graphite structure; it spent 14 months in French oak barrels. A few minutes in the glass bring in notes of blue plums, pomegranate, sassafras and fruitcake, with the latter’s attendant notes of dried fruit and spices. A refreshing 13.9 percent alcohol. Drink now through 2016 or ’17. Excellent. About $65.
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No snark today; it’s my birthday! So what I offer are eight wines that we have enjoyed at home recently, mainly with lunches or dinners or standing in the kitchen preparing meals, with no — all right, very few — quibbles. It’s an eclectic group: white, rosé and red; still and sparkling, originating in Germany, Hungary, France, Oregon, Sonoma County and Napa Valley. Prices range from $11 to $45; ratings go from Very Good+ to Exceptional. No technical notes and details; just heart-felt reviews designed to spark your interest and whet your palate. These were all samples for review.
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Count Karolyi Grüner Veltliner 2011, Tolna, Hungary. 12% alc. 100% grüner veltliner grapes. Very pale straw-gold color; bone-dry, spare, lean, subtly infused with green apple, lime peel and a tang of spiced pear and grapefruit; powerful strain of oyster-shell-like/limestone minerality, but winsome and attractive. 523 cases imported. Very Good+. About $11, a Raving, Cosmic Bargain.
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River Road Nouveau Rosé of Pinot Noir 2012, Russian River Valley, Sonoma County. 12.5% alc. 100% pinot noir grapes. The first California wine from 2012 that I’ve tasted. Lovely pale watermelon color; pure strawberries and watermelon in the nose; soft, supple, almost shamelessly appealing; hints of dried cranberries and mulberries, pert, tart, laced with limestone; touch of orange rind and plum skin; slightly sweet on the intake, but the finish is dry. 240 cases. Absolute delight. Very Good+. About $15.
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Gustave Lorentz Crémant d’Alsace Rosé (nv), Alsace. 12.5% alc. 100% pinot noir grapes. Radiant medium salmon-copper color; a constant upward swirl of tiny bubbles, glinting silver in the dusky pink; striking aromas of macerated strawberries and raspberries with touches of cloves, orange zest and lime peel; very dry, very crisp, heaps of limestone and shale; yet creamy, supple, lots of body and heft, almost chewy; a long spice and mineral-laden finish. Production was 2,500 cases. Delectable and more. Very Good+. About $25.
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Domaine Chandon Reserve Brut (nv), 82% Sonoma County, 18% Napa County. 12.5% alc. Composition is 80% pinot noir, 20% chardonnay. Medium straw-gold color with a touch of bronze; a surging whirlwind of tiny bubbles; very biscuity, roasted hazelnuts, spiced pears; lightly buttered cinnamon toast; ginger and quince and a hint of baked apple; heaps of limestone-and-flint minerality, very steely, quite elegant yet with robust underpinnings; long spicy, toast-and-limestone packed finish. Very classy. 2,046 cases. Excellent. About $30.
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Cornerstone Chardonnay 2010, Willamette Valley, Oregon. 100% chardonnay grapes. Pale straw color; pungent with pineapple and grapefruit aromas tinged with honeysuckle, lemon zest, cloves, damp limestone and a touch of mango; lots of presence, lots of personality; lively, crisp, refreshing; dense, talc-like texture, almost chewy yet taut, chiming with acidity and a vibrant limestone-and-flint minerality. Quite stylish and attractive. 166 cases produced. Now through 2014 t0 ’16. Excellent. About $35.
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Villa Huesgen Enkircher Steffensberg Riesling Kabinett 2011, Mosel, Germany. 10% alc. 100% riesling grapes. Pale straw-gold color; delicate, lithe and lacy, crisp as an apple fresh from the cellar and slightly bitter and bracing as apple skin; whiff of some dewy white flower like camellia, traces of smoke and ripe lychee, peach skin and apricot; smells like summer, what can I say? so lively that it’s almost pétillant, burgeoning quality of limestone and shale, hints of roasted lemons and pears, but all subsumed to a sense of elegance and refinement married to the power of fluent acidity and scintillating minerality. Production was 2,000 cases. Just great. Now to 2020 to ’25. Excellent. About $40.
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Signorello Seta Proprietary White Wine 2011, Napa Valley. 14.4% alc. 62% semillon grapes, 38% sauvignon blanc. Takes risks with oak but pulls off the feat. Light straw-gold color; spicy figs and pears, dried thyme and tarragon, greengage plums, roasted lemons, guava and ginger: yeah, quite a bouquet, in which you also sense, as ink seeps into the graven lines of the etcher’s plate, the soft permeating burr of oak and woody spices, as well in the body of the wine; yet boy what presence and tone, clarity and confidence; a few minutes bring in notes of white peach and gooseberry, something wild and sunny and definitive; crisp acidity, a modicum of stony minerality. 177 cases. Now through 2015. Excellent. About $42.
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Pfendler Pinot Noir 2010, Sonoma Coast. 14.4% alc. 100% pinot noir grapes. A brilliant pinot noir; you want to hand yourself over to it. Dark ruby color with a slightly lighter violet-magenta rim; deliriously spicy and floral; black cherries, red currants and mulberries, just a hint in the background of something a little earthy and funky, very Burgundian in that aspect; super satiny texture but with a slightly roughed or sanded (as if were) surface — there’s a touch of resistance; a substantial pinot noir that fills the mouth, dense and intense; gains power as the moments pass; there’s an autumnal element: burning leaves, slightly dried moss, briers but overall gorgeous fruit. 200 cases. Among the best pinot noirs I tasted (or drank) in 2012. Now through 2016 to ’18. Exceptional. About $45.
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So, Thanksgiving is over, but the memory lingers on, at least in the form of this post about a wonderful riesling that we drank with that day’s ritual dinner. The occasion is a highly traditional, even ceremonial, but we try to cook a pretty much completely different meal every Thanksgiving, both of the sake of variety and for the challenge. On the menu this year: Clementine-salt glazed turkey with red-eye gravy; sweet potato-bacon-thyme dressing; mixed winter greens with shiitake mushrooms; bacon-crusted cornbread; and for dessert a bourbon pecan tart and a pear crisp. Now we’ve all read the recommendations from many wine critics, reviewers and writers this time of year about what wine to drink with the multifarious, many-faceted sweet-sour-savory Thanksgiving feast, and basically it distills to this advice: Drink what you like except for cabernet sauvignon and heavily oaked chardonnay, and zinfandel is great but not high-alcohol versions. Many writers advocate drinking all American wines for this American celebration, while other say (implicitly), “Who gives a crap what country’s wines we drink, just pick wines you enjoy,” and the truth is, Thanksgiving dinner is not a wine tasting, nor should it be an event where wine dominates the discussion. It’s all for pleasure and enjoyment.

I’ll confess that I followed the all-American wine trope for years, even serving the same labels: a riesling from Trefethen, the Ridge Three Valleys zinfandel blend and the Domaine Serene Yamhill Cuvée Pinot Noir, generally current vintages except for the Trefethen, which I like best about three years after harvest. This year, I decided to forgo the strictly patriotic route; after all, America is a country of immigrants, so why can’t we drank wine from Italy or France or Germany or anywhere on Thanksgiving. I stayed within the same grape categories, California of course for zinfandel, but Germany for riesling and France, specifically Burgundy, for the pinot noir. The roster: Weingut Max Ferd. Richter Veldenzer Elisenberg Riesling Kabinett 2010, Mosel; Ravenswood Belloni Vineyard Zinfandel 2009, Russian River Valley; Aloxe-Corton Les Vercots Premier Cru 2008, Domaine Tollot-Beaut. We were a small group, so we skipped from the riesling to the Burgundy, a wine to which I will return in a subsequent post. The point of this entry is to celebrate the quiet though complete achievement of the Max Ferd. Richter Veldenzer Elisenberg Riesling Kabinett 2010, a sample provided by the trade group Wines of Germany.

The village of Veldenz lies south of the Mosel river and the town of Mülheim in the Middle Mosel region of southwest Germany. In a south-running valley there, the vineyard of Elisenberg — hence Veldenzer Elisenberg, first the name of the village, then the vineyard — was presented to Franz Ludwig Niessen in 1813 in gratitude for his personal payment of 3,000 thalers to Napoleon to prevent the destruction of Mülheim and Veldenz. Elisenberg remains in the Richter family today; Niessen was a fifth-generation ancestor.

The year, 2010, was a short vintage, short, that is, in duration and in the quantity of grapes. Despite some difficult stretches, the year produced many excellent wines, filled with nerve and vivacity.

The Max Ferd. Richter Veldenzer Elisenberg Riesling Kabinett 2010 is a pale but radiant straw-gold color; aromas of ripe apples, peaches and pears (with an intriguing back-tone of red fruit, say cherry or currant) are woven with notes of jasmine, flint and limestone and a hint of honey, all melded with utmost delicacy and finesse; a few moments in the glass bring up wafting touches of quince and crystallized ginger. This innate delicacy does not mean that the wine is fragile or ineffable, though, because there’s a great deal of tensile strength here, manifested in the prominent stones and bones of crisp acidity and limestone minerality that deepen, vitally and vibrantly, as the wine passes through the mouth. Lovely, tasty peach, pear and lychee flavors open to something almost exotic, like guava or star-fruit, mildly spicy and just slightly sweet initially, though from mid-palate back through the finish the wine is quite dry. That finish is slightly bitter with lime peel and grapefruit and is rounded by a final plunge into the limestone pool. 9.5 percent alcohol. Despite its exquisite character, this wine, well-stored, should drink beautifully through 2018 to 2020. Excellent. About — unbelievable! — $19.

Imported by Langdon Shiverich, Los Angeles.

The mantra seems to be: “Wines of the Mosel are delicate and nuanced; wines of Rheinhessen and Rheingau are more earthbound.” As is the case with much accepted wisdom, there’s more than a little truth to this assumption, and yet here we have the Weingut Max Fred. Richter Mülheimer Sonnenlay Riesling Kabinett-feinherb 2011, from Germany’s Mosel region, that practically revels in the earthy, gravelly grounding that bolsters its more typical ethereal effects. There’s a fairly new term on the label. We used to see halbtrocken, meaning “half-dry,” indicating a wine that’s slightly sweet, primarily on entry, though usually segueing to a dry finish because of the crisp acidity and limestone-like minerality. We will increasingly see the word feinherb as a replacement for halbtrocken; though feinherb literally means “delicately bitter” — go figure — in the context of German wine labels it denotes a half-dry wine, which somehow is predicated as drier than “semi-sweet.”

What else is on this label? (Attention! Education Alert!)

At the top, the name of the producer, Weingut Max Ferd. Richter and just below that the name of the village where the estate is located, Mülheim. Since we’re reading top to bottom, next is a picture of the old building and below that the indication that the estate has been owned by the same family since 1680. Now we get to the heart of the information. The vintage is 2011, prominently displayed, but even more typographical emphasis is placed upon the village, the vineyard, the grape variety and the style of wine. Mulheimer Sonnenlay means that the grapes were grown in the Sonnenlay vineyard that stands in the village of Mulheim, or, rather, it occupies an area of a hillside just to the southeast of the town. This is not one of the vineyards that photographs so beautifully because its steep terraces hover over the river; that picturesque aspect was precluded some 250,000 years ago when the Mosel changed course slightly and left the hill high and dry. The name of the vineyard means something like “sunshine/slate,” and if there are two more important factors in the nurture of the riesling grape, that is to say sun and soil, I don’t know what they are.

Kabinett is an indication that this wine falls into the category of the theoretically driest of the German wines of superior lineage; see the term Deutscher Prädikatswein just below. Remember that the categories of these wines — Kabinett, Spätlese, Auslese and so on — don’t refer to the sweetness or dryness of the wine in the bottle but to the level of ripeness at which the grapes were harvested, the factor being that the longer the grapes hang on the vine, the more concentrated and filled with sugar they will be. “A.P.Nr 2 593 049 03 12″ is the official approval number of this wine and gives the testing boards a code to track the wine in case issues of authenticity arise. Finally, in large letters, “MOSEL,” the name of the region.

And that’s your lesson today in reading a German wine label. Did I cover all the intricate points? Oh, no, that would require a complete post, and this is, after all, the Wine of the Week.

So, to get on with it, the Max Fred. Richter Mülheimer Sonnenlay Riesling Kabinett-feinherb 2011 offers a very pale gold color that almost shimmers with radiance. Aromas of lightly spiced peaches and pears with an overlay of lychee and petrol/rubber eraser are wrapped in a sheen of jasmine and an element of clean earthy/flint-like minerality. That earthiness, a seeming combination of light loam and limestone, provides the bass notes for the wine as it laves the palate with the certainly present but delicately modulated ripeness of those peaches and pears, a ripeness that the tongue perceives as initial sweetness that flows into a sense of increasing dryness as the bright and keen acidity and the vibrant limestone and slate mineral qualities dominate from mid-palate back through the airy, ethereal finish. 11 percent alcohol. A lovely riesling, charming and engaging, with a touch of seriousness, for drinking through 2015 or ’16. Excellent. About $21, representing Great Value.

Imported by Langdon Shiverich, Los Angeles. A sample for review.

We are so damned eclectic here where our heads are bigger. Today, on this Saturday of the “Friday Wine Sips,” we gotcher rosé (er, not a great one, sorry), we gotcher sparkling wines, we gotcher white wines and we gotcher red wines. Your life will be complete. The countries represented are Germany, Spain, Portugal, France and Italy. (Remember, by the way, that all reports in the “Friday Wine Sips” are not favorable; we applaud for, and we warn against.) As for grapes, well, we offer verdejo, vermentino, pinot blanc, pinot auxerrois, chardonnay and riesling; we offer tempranillo, syrah, mourvèdre, cabernet sauvignon, pinot noir and a host of grapes that typically grow in the Douro Valley. What we don’t offer is much in the way of technical, historical, personal and geographical material; instead, these are quick reviews, some transcribed directly from my notes, others expanded a bit, and designed to be a rapid infusion of knowledge and direction. So, seek out, try, taste and enjoy, where I have recommended that you do so; for a few others, um, just avoid. These wines were samples for review. The order is rosé, white, sparkling and red.
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Valdelosfrailes Rosé 2011, Cubillas de Santa Marta, Cigales, Spain. 13.5% alc. Tempranillo 80%, verdejo 20%. Bright cherry-crimson color; pungent, pert, perky, strawberry and dried currants, hint of pomegranate, dried herbs and limestone; very dry, lip-smacking acidity and viscosity, austere finish. Doesn’t quite hold together. Good+. About $10.
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Emina Verdejo 2010, Medina del Campo, Rueda, Spain. 13% alc. 100% verdejo grapes. A confirmation of the theory that delicate, fruity white wines should be consumed before they lose their freshness. Not recommended. About $10.
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Prelius Vermentino 2010, Maremma, Toscana, Italy. 12.5% alc. Probably delightful last year but overstayed its welcome. Only in a pinch. About $15.
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Domaine Roland Schmitt Pinot Blanc 2010, Alsace, France 12.5% alc. Pale straw-gold color; lovely, soft but lithe, very clean and fresh, quite spicy; apples, lemons, pears, touch of yellow plum; vibrant acidity keeps it lively and appealing, while a few minutes in the glass pull up notes of jasmine and limestone. Now through 2014. Very Good+. About $16.
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Domaine Mittnacht Freres Terre d’Etoiles Pinot Blanc 2011, Alsace, France. 12% alc. Pinot auxerrois 60%, pinot blanc 40% (can that be right and still be labeled pinot blanc?) Pale straw-yellow, like Rapunzel’s hair; entrancing aromas of camellia and jasmine, spiced pear and roasted lemon, quince and ginger; very dry, resolutely crisp, yet with such an attractive texture and balance, a sense of soft ripeness and sinewy limestone elements. Very stylish. Now through 2014 or ’15, well-stored. Excellent. About $19, Fine Quality for the Price.
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Dr. Hermann Erdener Treppchen Riesling Kabinett 2009, Mosel, Germany. 8.5% alc. Pale, pale gold; lychee and petrol, pear and pear nectar, lime peel and quince preserves, hint of jasmine, just deliriously attractive; but very dry, formidably crisp and steely; then a dramatic shift to apples, apples and more apples; the entry is quite ripely, kssingly sweet but resonant acidity and scintillating limestone-like minerality turn the wine dry yet still delicate from mid-palate through the finish. Now through 2015 to ’18. Excellent. About $23, Get It! .
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Antech Émotion 2009, Crémant de Limoux, France. 12% alc. Chardonnay 70%, chenin blanc 18%, mauzac 10%, pinot noir 2%. Pale copper-onion skin color; a fetching froth of tiny bubbles; apples, strawberries, lime peel, steel and limestone; touches of smoke and red and black currants, almost subliminal; orange zest; so damned pretty and charming; very dry finish. Very Good+. About $18, a True Bargain.
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Sekthaus Raumland Cuvée Marie-Luise Blanc de Noirs Brut 2008, Germany. 12% alc. 100% pinot noir. Pale gold; a constant stream of glinting silver bubbles; stimulating bouquet of roasted lemons and lemon curd, toasted hazelnuts, tropical back-notes, sea-breeze and salt-marsh, both generous and chastening; very dry, high-toned and elegant, lots of steel and limestone; yet that intriguing tropical element and a muted hint of leafy currant at the core. Really lovely. Excellent. About $45.
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Dow Vale do Bomfim 2009, Douro, Portugal. 14% alc. Tinta barroca 30%, touriga franca 25%, touriga nacional 25%, tinto roriz 15%, tinto cao 5%. Color is dark ruby; ripe and fleshy, warm and spicy; intense and concentrated black and red currants, plums and blueberries; heaps of briers and brambles and underbrush, coats the mouth with fine-grained tannins; lots of personality brought up short by a dusty, leathery finish. Drink through the end of 2012 with burgers. Very Good+. About $12.
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Prelius Cabernet Sauvignon 2010, Maremma, Tuscany, Italy. 14% alc. Dark ruby-mulberry color; spicy, tightly wound, chewy, mouth-coating tannins; black currants and plums, very spicy; decent basic cabernet with an earthy, astringent finish. Very Good. About $15.
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Chateau La Roque “Cuvée les Vielles Vignes de Mourvèdre” 2006, Pic Saint Loup, Coteaux du Languedoc, France. 13.5% alc. With 10% grenache. Deep purple with a tinge of magenta; lovely, lively, lots of tone and personality; dense and chewy, intensely spicy, exotic, ripe and fleshy but a slightly hard edge of graphite and walnut shell; plums, plums and more plums, hint of fruitcake (the spices, the nuts, the brandied fruit); a dry finish with earth, leather and wood. Now through 2014 to ’16. Excellent. About $20, and definitely Worth a Search.
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Pierre Gaillard Domaine Cottebrune Transhumance 2007, Faugeres, Languedoc-Roussillon, France. 14.5% alc. Syrah 50%, grenache 40%, mourvèdre 10%. Dark ruby color; ripe, fleshy and meaty black and blue fruit scents and flavors, spiced and macerated; nothing shy here, huge presence, plenty of oak and lipsmacking tannins that pack the mouth, but succulent too, deep and flavorful; sea salt, iron and iodine, a whiff of the decadent but a decent heart. Put yourself in its hands. Now through 2015 to ’17. Excellent. About $22.
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Interesting, versatile and charming white wines today, appropriate for summer pleasure (though they don’t have to be limited to warm-weather usage), and each one utilizing different grapes, since variety, as someone said, is the spice of life. Actually, that someone was English poet and hymn-writer William Cowper (1731-1800), and the lines are from his book-length poem The Task of 1785, more properly: “Variety’s the very spice of life,/That gives it all its flavor.” Well-said, Bill. Anyway, we touch Germany, Italy and California in this post, while the prices range comfortably from $10 to $20. All these wines were samples for review. As usual in these Friday Wine Sips, I eschew most technical, historical, geographical and philosophical info or data to bring you incisive and penetrating notices of the wines. Enjoy!
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Bex Riesling 2010, Nahe, Germany. 9.5% alc. Pale straw-gold color; green apple, lychee and pear; slightly sweet initially but hints of melon and lemon curd are truncated by scintillating acidity and limestone-flint elements so dry they attain aching austerity; for riesling lovers devoted to intense minerality. Does not quite achieve the dimension and appeal of the 2009 version. Very Good. About $10, still Good Value for the style.
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Rocca Sveva Soave Classico 2010, Veneto, Italy. 12.5% alc. 100% garganega grapes. Pale straw color; roasted lemon and spiced pears, whiffs of green plums and grapefruit, hints of almonds and orange blossoms, wild thyme; sense of earthiness, lots of limestone; crisp acidity and liveliness; close to lush texture but borne by a distinct quality of spareness and reticence. Even better than the 2009 rendition, which I made a Wine of the Week in April 2011. Very Good+. About $12, a Great Bargain.
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McManis Family Vineyards Viognier 2011, California. 13.5% alc. 100% viognier grapes. Pale straw-gold color with a faint yellow blush; nicely balanced among floral, spicy and fruit elements, with hints of thyme and sage; lemons and pears, touches of peaches, tangerines and grapefruit; bit of lanolin and camellia; slightly powdery texture yet crisp with acidity, almost taut; quite dry, slightly bitter finish. Very Good+. About $12, representing Good Value.
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Bindi Sergardi Oriolus 2010, Toscana Bianco, Italy. 12% alc. Trebbiano, malvasia Toscana, chardonnay. Pale straw color; fragrant and floral, roasted lemons, yellow plums, hints of almonds, almond blossom; very crisp and lively, quite spicy, lots of limestone minerality, yet sleek and suave, with a seductive soft texture though it goes all dry and austere on the finish; begs for fresh shellfish. Very Good+. About $15.
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Beni di Batasiolo Bosc Dla Rei 2011, Moscato d’Asti, Italy. 5.5% alc. Pale gold color; pure apple and apple blossom, pear and tangerine, orange zest and lime peel; gently effervescent; ripe and modestly sweet entry followed by pert acidity and a dry limestone-infused finish. Quite charming and goes down oh so easily. Very Good+. About $17.
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Matanzas Creek Sauvignon Blanc 2011, Sonoma County, California. 13.5% alc. Pale straw-gold color; beautifully fresh and appealing; slightly grassy and herbal with scents of lemon, lemon balm and lightly macerated pears, with celery seed, lemongrass and tarragon and a lovely touch of lilac; tart and crisp, jazzed by snappy acidity and bright, clean limestone and flint running through citrus and stone-fruit flavors; lean and sinewy, spare and bracing. Excellent and one of the best at the price, about $20.
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Casting around for a wine to sip with Vinegar-Braised Chicken with Leeks and Peas, I opened, with a deft twist of the wrist, the Dr. Pauly Bergweiler Wehlener Sonnenuhr Riesling Spätlese 2009, Mosel, and it turned out to be a great match with the dish. (The first time I made this, we drank the Tablas Creek Patelin de Tablas Blanc 2010, Paso Robles, reviewed here.) The 1/4 cup of white balsamic vinegar in the sauce, the slowly sauteed leeks, and the peas and tarragon added before serving lent the dish a touch of savor and sweetness, with which the Dr. Pauly Bergweiler Wehlener Sonnenuhr Riesling Spätlese 2009 resonated in fine fashion.

Wehlener Sonnenuhr is one of the Middle Mosel region’s most celebrated locations; lying along the north bank of the Mosel, where the river makes a broad sweep to the northwest around the hill of Schwarzlay, the vineyard rests on soil of shallow, stony slate. Sonnenuhr is the vineyard; the village of Wehlen provides the commune designation.

Dr. Pauly Bergweiler Wehlener Sonnenuhr Riesling Spätlese 2009 presents a pale almost transparent straw-gold color; aromas of green apples, apple skin, ripe peaches and pears are melded to hints of limestone and flint and notes of cloves and lychee. The wine is exquisitely honeyed and spiced, a golden fandango of juicy peach and pear flavors and slightly roasted lemon with ginger and quince, all of these wedded with the utmost delicacy, refinement and elegance and enlivened by scintillating acidity. The wine imperceptibly segues to dryness in mid-palate, leading to a finish that adds more limestone and shale and just a tinge of lychee and pink grapefruit. Absolutely lovely, a limpid vision of glittering tinsel strung on a structure of tensile strength. 8 percent alcohol. Drink now through 2015 to ’19, well-stored. Excellent. About $33.

A sample for review.

You know me. I like to write extensive reviews of individual wines or groups of wines that include notes on history, geography, climate and terroir, the techniques and methods of winemaking and evaluations of the wines that weigh them in terms of detail and dimension, philosophy and spirit. I don’t, unfortunately, have either time or space to perform that educational and critical function for all the wines I taste, and so this week, in the spirit of the still fairly new New Year, I am launching “Friday Wine Sips,” a new feature on BTYH that will present quick reviews of wines that otherwise might not make it onto the blog. In these “Sips,” I forgo the usual attention to personalities and family history, weather conditions, oak aging, malolactic fermentation and such in favor of stealth missions that present the brief essence of each wine, along with a rating. I’m not giving up my preferred treatment; it’s simply the case that I receive too many wines to give the full FK treatment. Unless otherwise indicated, these were samples for review. Today: nine white wines. (Hmmm, a couple of these are longer than I meant them to be: I have to get used to brevity.)
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Jean-Luc Colombo Les Abeilles 2010, Côtes du Rhônes blanc. Clairette 80%, roussanne 20%. Palm Bay International. Fresh and clean and snappy, lanolin and bee’s-wax, camellia and honeysuckle, roasted lemon; spicy and taut with bracing acidity but moderately soft texture, peachs and pears, celery seed and thyme. Very Good+. About $12, Good Value.
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Michel Dutor La Roche Pouilly-Fuissé 2009. 13% alcohol. Stacole Fine Wines. Lean and minerally, limestone, jasmine and honeysuckle, quince and ginger, roasted lemon; very dry but a lovely, almost talc-like texture encompassing lithe, scintillating acidity and profound limestone with a hint of chalk. Classic. Very Good+. About $20. Not a sample.
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Michael Torino Estate Cuma Torrontés 2010, Cafayate Valley, Argentina. 13.5% alcohol. Frederick Wildman & Sons. Organic grapes. Melon, lemon drop and lemon balm, pea shoots, thyme and tarragon, jasmine and camellia; very dry, very crisp, a spare, slightly astringent sense of almond skin, peach pit and bracing grapefruit bitterness. A terrific torrontes. Very Good+. About $15.
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Veramonte Reserva Sauvignon Blanc 2010, Casablanca Valley, Chile. 13.5% alcohol. Huneeus Vintners. Fresh, clean, crisp and snappy, pea shoot, grapefruit and lime peel, tangerine; brings in celery seed and green grapes, touch of earthiness; taut with acidity and limestone, stand-up grapefruit bitterness on the finish. Screw-cap. Very Good+. About $12, Good Value.
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Roth Estate Sauvignon Blanc 2010, Alexander Valley. 13.2% alcohol. 2% viognier grapes. Very clean, fresh, pure and intense; distinctive without being exaggerated; lime and limestone, tangerine, peach and pear, slightly floral, very spicy, vibrant acidity, grapefruit on the finish. Lots of personality. Very Good+. About $16.
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Cadaretta SBS 2010, Columbia Valley, Washington. 14.1% alcohol. 75% sauvignon blanc, 25 % semillon. Sleek and suave, beautifully balanced, no edges except for a crisp line of vibrant acidity; lime and lime peel, camellia, dried thyme and tarragon, pent with energy and vitality; very dry, heaps of limestone and chalk. Lovely wine. Excellent. About $23.
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J. Moreau & Fils Le Croix Saint-Joseph Chablis 2009. 12.5% alcohol. Boisset America. Radiant medium gold color; slightly green, flint, pears, roasted lemon, jasmine and verbena; touch of slightly earthy mushroom element; “wow” (in my notes) “what a structure, what a texture”; heaps of powdery limestone and shale and talc but riven by chiming acidity, bracing salt-marsh-like breeziness, all enrobing pert citrus and stone-fruit flavors. Classic Chablis, cries out for a platter of just-shucked oysters. Excellent. About $20. Not a sample.
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Leitz Rüdesheimer Berg Rottland Riesling Spätlese 2009, Rheingau. 8.5% alcohol. Michael Skurnick. Pale straw color, hint of spritz; subtle and nuanced, peach and pear, damp hay, jasmine, baked goods; quite spicy, lip-smacking acidity, almost lush texture but with real “cut,” a bit sweet initially but finishes quite dry, even austere, like sheaves of limestone and quartz; superb balance and intensity. Try with trout or skate sauteed in brown butter. Excellent. About $33.
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