France


A local wine store offered some products on sale, two of which piqued my interest. These were the Domaine A. et P. de Villaine Bouzeron 2009 and the Frédéric Magnien Chablis Premier Cru Vaillons 2009. The first was about $17, marked down from $30; the second was about $30, marked down from $50. I couldn’t resist. Technically, each wine is classified as Burgundy, though neither derives from vineyards in the Côte d’Or, what we may call Burgundy proper. Bouzeron is a village in the Côte Chalonnaise which has had its own appellation since 1997, only for wines made from the aligoté grape. Côte Chalonnaise, named for the city of Chalon-sur-Saône, lies just below the Burgundian region of Santenay, at the southeastern-most tail of the Côte d’Or. Chablis, on the other hand, is not connected geographically with Burgundy and in fact stands almost equidistant between Dijon and Paris. The connection is that its wines are made from the chardonnay grape, as are the great white wines of Burgundy’s Meursault, Puligny-Montrachet and Chassagne-Montrachet appellations.
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Audibert de Villaine, a man whose very quietness and self-affacement exude a kind of unimpeachable authority, is not only the owner, with his wife Pamela, of Domaine A. et P. de Villaine but the co-proprietor and manager of Domaine de la Romanée-Conti, an estate based in Vosne-Romanée that produces only Grand Cru wines and is generally regarded as not only the most prestigious producer in Burgundy but among the best in the world. The contrast between the domaines could not be more pronounced in terms of the wines they make, yet de Villaine operates each with integrity and acumen. Domaine A. et P. de Villaine has been certified organic since 1986. Beside the Bouzeron, the domaine produces Mercurey les Montots, Rully les Saint-Jacques and several different Bourgogne Côte Chalonnaise wines. Minimal new oak is employed, with the domaine depending on used barriques, large foudres and stainless steel. The Bouzeron is aged about 20 percent in barriques. The domaine uses not the aligoté vert grape but its cousin, the more aromatic and flavorful aligoté doré.

The A. et P. de Villaine Bouzeron 2009 offers a brilliant medium gold color and shy aromas of roasted lemons and yellows plums with hints of limestone and chalk and dried thyme, all sketched with delicacy and a slight feeling of attenuation, a papery quality. As the wine warmed gently in the glass, it brought up a modicum of spice and floral elements — ghosts of cloves and jasmine — and also expanded its grip on limestone and flint minerality, so that in a few moments, I felt as if I were sipping pure minerals, a factor that contributed scintillating austerity from mid-palate back through the finish. The texture is lithe and lively but not dynamic, and I could not shake the feeling that the wine was several shades diminished from what it would have been in, say, 2011. Still, an enjoyable and instructive experience and not a bad accompaniment to fish tacos. 12.5 percent alcohol. If any readers have this wine on hand, I would say, Drink up, certainly by the end of 2013. Very Good+. About $17, on sale.

Imported by Kermit Lynch Wine Merchant, Berkeley, Ca.
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LL and I seldom finish a bottle of wine at dinner these days; the two-bottle-night era is some 20 years in the past. Last night, however, we gulped down with glee and gratitude the last drops of the Frédéric Magnien Chablis Premier Cru Vaillons 2009. Have mercy, what a wine! And what a great match with LL’s sea-bass baked in a package with asparagus, lemon and oregano.

Frédéric Magnien founded his negociant house in 1995, but he still makes the wines for his father’s Domaine Michel Magnien. The father owns slices of Premier Cru and Grand Cru vineyards; the son purchases grapes on long-term contract from growers he trusts, some of whom he directly oversees in the vineyard. It’s not uncommon for negociants in Burgundy — Frédéric Magnien is based in Morey-Saint-Denis — to extend their sway to Chablis, as happens also, for example, with Joseph Drouhin and Louis Jadot. At almost four years old, the Frédéric Magnien Chablis Premier Cru Vaillons 2009 is fresh as a daisy, charming and vibrant and elegant, packed with the trademark Chablis characteristics of gunflint, sauteed mushrooms, nervy acidity and a tremendous limestone-shale element that permeates every iota without dominating the wine. The bouquet delivers hints of quince and ginger, camellia and a tantalizing trace of lilac and a mysterious whiff of cloves and lemongrass; in the mouth, this Vaillons Premier Cru is lean and supple, vividly etched, yet with a generosity of texture and structure that’s downright seductive, all of these aspects combined in an energetic form that keeps you coming back to the glass; lyrical, yes, but with a staccato edge. Just lovely purity, intensity and excitement and made to age another five or six years. 13 percent alcohol. Excellent. About $30 on sale.

North Berkeley Imports, Berkeley, Ca.
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We don’t frequently purchase products of the vine with a social or cultural program in mind, and when the rare opportunity comes along, it’s usually in the field of the environment. Steelhead Vineyards, for example, donates 1 percent of sales to environmental projects through 1% for the Planet, the non-profit organization based in Waitsfield, Vermont, that coordinates contributions to environmental groups from more than 1,000 business and corporate members. Buy a bottle of Steelhead’s sauvignon blanc or pinot noir wines, and you know that in some small measure you’ll helping the global ecology.

A recently released sparkling wine, Égalité Crémant de Bourgogne Brut , takes such a concept into actual social and cultural realms by focusing on LGBTQ issues, including the struggle for same-sex marriage laws. The initials (for the uninitiated) stand for Lesbian, Gay, Bisexual, Transgender, Queer, and before the retrograde among My Readers make the obvious joke about redundancy, “Queer” in this compound designates individuals who take a radical approach to any sexual or gender identification or, on a simpler and opposite level, those who “question” their sexual or gender identity. The creator of Égalité Crémant de Bourgogne Brut — Biagio Cru — in honor of the sparkler’s launch, donated close to $7,000 to various LGBTQ organizations; in addition, an unspecified portion of the sales of Égalité will be donated to such groups. On the product’s Facebook page, you may vote for the groups to which the organization donates

Allow me here to quote from the press release I received: The Égalité concept is a product of exhaustive research by Biagio Cru, as well as input from the gay community. In conjunction with Biagio Cru, its name and label were developed through a focus group that brought together gay and straight participants with diverse backgrounds, including leaders in the fight for same-sex marriage. Perhaps the committee-approach accounts for the feel-good generic quality of the label, looking like a thousand Valentine cards, but what counts is the product in the bottle, n’est-ce pas?

Égalité Crémant de Bourgogne Brut offers a pale gold color with a darker gold center; tiny golden bubbles foam upward in constant flurry. A blend of 45 percent pinot noir, 30 percent chardonnay, 20 percent gamay and 5 percent aligoté, this Crémant de Bourgogne is more substantial than most models; it’s toasty and nutty, with notes of roasted lemon and lemon drop, quince and crystallized ginger and hints of cloves and caramel. As the minutes pass, touches of glazed pears, tobacco, cinnamon toast and acacia emerge, while the texture, highlighted by zinging acidity, broadens with elements of limestone and chalk. It would be nice if the wine offered more in the way of refreshing delicacy and elegance, but that’s a stylistic choice; this is for those who prefer a sparkling wine with a more weighty, smoky mature-feeling. 12 percent alcohol. Very Good+. About $24.

Imported by Biagio Cru and Estate Wines — and don’t you know Diageo Chateau and Estate Wines loves that — Roslyn Heights, N.Y. A sample for review.

I didn’t produce a Weekend Wine Sips — “the world is too much with us late and soon getting and spending we lay waste our powers” blah blah — so I offer today a twofer Wine of the Week, a single-varietal white and a blended red. Because that’s the kind of guy I am. Both of these wines represent Excellent Value. These were samples for review.

For white, try the Plantagenet Riesling 2011, from the Mount Barker appellation of Western Australia. The 320-acre estate, founded in 1968 by Tony Smith, was the first winery established in the Great Southern region of Western Australia and is regarded as having senior status in the area, not just for longevity but, let’s face it, for high quality. Winemaker is Cath Oates. This riesling, made entirely in stainless steel, is about as pure and intense as they come. The color is pale pale straw-gold; the penetrating bouquet delivers scintillating lime peel, grapefruit pith and limestone elements over notes of yellow plum and roasted lemon that open to hints of lemon balm, jasmine and lychee. It’s one taut, lean and lovely riesling that deftly balances its litheness, flinty character and crystalline acidity with subtly spicy stone-fruit and citrus flavors and an appealing soft, dusty texture, creating an intriguing sense of tension and abundant liveliness on the palate. 12.5 percent alcohol. Drink now through 2015 or ’16 with fresh oysters and mussels, simply prepared grilled or seared fish or, perhaps counterintuitively, charcuterie . Excellent. About $21.
Imported by Old Bridge Cellars, Napa, Ca.

For red, we turn to the Paul Mas Estate G.S.M. 2011, Coteaux du Languedoc. The estate goes back to 1892 and now encompasses 100 hectares (247 acres) of vines that lie between Pézenas and Montpellier, close to the Mediterranean, down where the coast curves to the southwest, headed toward Spain. The property gained momentum in its contemporary guise when Jean-Claude Mas of the fourth generation took over operations in 1999 and created Domaine Paul Mas, named for his father. The blend here is 35 percent each grenache and syrah, 30 percent mourvèdre; 20 percent of the wine aged in oak barrels for six months. The color is deep dark ruby; aromas and flavors of blackberries, black currants and blueberries are bolstered by hints of briers and brambles, tar and leather. A few minutes in the glass bring in touches of slightly stewed plums and elements of smoked meat, fruitcake and graphite. The texture is appropriately robust yet supple, and tannins are present yet moderately dense and chewy; the wine’s mineral nature stays firmly (in both sense) in the background. 14 percent alcohol. Now through 2015 with lamb chops or grilled leg of lamb festooned with garlic and rosemary, grilled sausages, braised short ribs, pasta with rabbit or wild boar. Very Good+. About $16.
Imported by Esprit du Vin, Port Washington, N.Y.

Well, not much sounds more romantic, sun-splashed and authentically “South of France” than the region of Provence-Alps Côte d’Azur, which has, as travel writers like to say, its feet in the Mediterranean and its head in the Alps. They might add, with one elbow jostling Italy and the other resting in the Rhone. As one of France’s 27 regions, Provence-Alps Côte d’Azur encompasses six departments: Alpes-de-Hautes-Provence, Hautes-Alpes, Alpes-Maritimes, Bouches-du-Rhône, Var and Vaucluse. This is a much-fought-over region rich in history and winemaking that nowadays ranges from the deep, dark rich wines of the Southern Rhône Valley to the delicate ineffable rosés of Aix-en-Provence, with incredible variety in-between. To say, then, on press material, that the “birthplace” of a wine is Provence-Alps Côte d’Azur (weirdly abbreviated to PACA) isn’t saying much or, at least, it’s being almost laboriously non-specific. In fact, bottles of the Luc Belaire Rare Rosé carry as appellation the single word — France. Not, I hasten to add, that there’s anything wrong with that; I just want My Readers to understand the geography and terminology behind the product.

This fairly delightful sparkling wine, in a sleek package, is produced, we are told, by the Piffaut family, which established its estate in 1898, so indicated on the neck label. The wine is composed of 90 percent syrah grapes, 5 percent grenache and 5 percent cinsault, which could be the blend in many still wines from all over the region. The color is pale copper with a pale peach-salmon scale overlay. The bubbles, of which the complement is plentiful, swirling and twisting upward, are the result of the Charmat or bulk process, in which the second fermentation (which produces the bubbles) is not accomplished in the bottle in which the wine will be sold, as in the Champagne method, but in large tanks; such sparkling wines can convey a great deal of charm but not a lot in the way of depth.

The first impression in the aromas and flavors is pure strawberry quickly overtaken by pure black raspberry and currant, with a pleasing touch, in the mouth, of the slight “raspiness” of the raspberry plant. A hint of sweetness on the entry quickly turns dry under the influence of scintillating acidity and a fluent element of flint-like minerality. I mentioned Lambrusco in the title of this post because, while the color here is lighter and more ephemeral than the dark purple typical of most slightly sparkling Lambruscos — which originate in Italy’s Emilia-Romagna region — there’s a similar feeling of earthiness, a similar touch of supple robustness to serve as counterweight to the delicate superstructure. 11.5 percent alcohol. Drink up; not for aging. We drank the Luc Belaire Rare Rosé as aperitif over two nights and were quite pleased with it; I’m happy to give it a Very Good+ rating. What I’m not happy about is the suggested retail price of $35. As they say in Marseilles, “No way, Jose.” $18, maybe; not $35.

The press material accompanying this product is filled with laughs. Monaco is not one of the “stunning French Riviera cities”; it’s a sovereign principality. Neither “Van” Gogh (related to Van Johnson?), Matisse, Manet or “Cesanne” were Impressionist painters. Did nobody read this stuff before it was mailed out to the world? Is the notion of a copy-editor hopelessly passé?

Imported by Luc Belaire, New York. A sample for review.

Generally, my preference in Champagne is for steely elegance, but one cannot ignore the other styles, so when an example like the Möet & Chandon Grand Vintage Brut 2004 comes along, I’m happy to acquiesce to its blandishments. This venerable house has released a vintage Champagne only 70 times since its first vintage production was issued in 1842 — the house was founded in 1743 — meaning that between then and now, some 100 harvests have occurred that have not seen a vintage release. The assemblage for 2004, chosen by chief winemaker Benoit Gouez, is 38 percent chardonnay, 33 percent pinot noir and 29 percent pinot meunier; the wine aged in cellar seven years before being disgorged in 2012. (“Disgorged,” which unfortunately sounds like what one does on bended knees after a night of heavy drinking, means the process by which the remnants of yeast cells and other detritus left in the bottle after the second fermentation are quickly popped out and the Champagne is given its final cork and capsule.)

The color of the Möet & Chandon Grand Vintage Brut 2004 is pale greenie-gold, and the bubbles, well the bubbles are absolutely mesmerizing; torrents, streams, twirling glinting silver-gold fireworks erupt toward the slightly bronzy-tarnished surface, breaking in a crisp murmur. The bouquet manages to convey an impression both Spring-like in its fresh, brisk floral character and autumnal in its damp, foresty, slightly peat-like resiny nature. Of course there are notes of roasted lemon and pear, hints of camellia and acacia, touches of smoke and lightly buttered and toasted brioche, but the deeper dimension, and the one that compels an almost visceral response, is an evocative savory and saline quality that smacks of spicy, fleshy umami. This Champagne is dense and chewy, scintillating with bright acidity and limestone elements, supple and subtle in texture and almost delicate in its unfolding of lemon curd, lime peel, clove and quince flavors. The finish is long, packed with minerals, invigorating and close to toothsome. 12.5 percent alcohol. Drink now through 2018 to 2020. Excellent. About $60.

Imported by Möet-Hennessy USA, New York. A sample for review.

Though Chablis is almost as far from the Cote d’Or as it is from Paris, as a vineyard and wine-making region it is nominally considered part of Greater Burgundy. The affinity is not climate and soil but in the intense focus on the chardonnay grape, as in the Burgundian appellations of Chassagne-Montrachet, Puligny-Montrachet and Meursault. To my palate, the chardonnay wines of Chablis epitomize the true greatness that the grape can attain, though to be sure I will not turn down a glass of a magnificent Grand Cru or Premier Cru from those legendary areas (hear that, importers?). Still, the elegance, verve and steeliness of a well-made Chablis, married with its innate earthiness and savory qualities, are irresistible to me. For similar quality, they’re also cheaper than white Burgundy.

Today we look at several Chablis wines from Premier Cru vineyards owned by the Joseph Drouhin firm of Burgundy and marketed (since 2008) under its Drouhin Vaudon label, named for the Moulin de Vaudon, an 18th century watermill on the property. This domaine is a separate entity with a team of 10 people who work under the eye of vineyard manager Denis Mery, though the wines are “elevated” at the Drouhin headquarters in Beaune. The domaine owns 9.25 acres of vines in Grand Cru vineyards, 18 acres in Premier Cru vineyards and 68.25 acres of “regular” Chablis. All the Drouhin Vaudon vineyard sites are farmed under organic or biodynamic methods. The domaine uses no new oak and employs barrels — double-pieces — that are larger than the typical barriques to keep the wood contact more subdued; the appellation Chablis wines do not touch oak.

The wines of Joseph Drouhin are imported by Dreyfus, Ashby & Co., New York. These bottles were samples for review, as I am required to inform My Readers by the Federal Trade Commission rulings of 2009, a stricture that does not apply to print journalists.
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Drouhin Vaudon Chablis Premier Cru 2009 and 2010. For 2009, this wine, a blend of several of Drouhin’s Premier Cru vineyards, offers a mild straw-gold color and enticing aromas of lemon balm and lemon curd, camellias and a hint of buttered toast followed, after a few minutes in the glass, by notes of apples, limestone and steel. Bolstering spiced citrus and stonefruit flavors, the texture is a pleasing amalgam of crisp compelling acidity and almost talc-like plushness married to persistent limestone and shale minerality; altogether this is a fine, vivacious expression of the grape and its Premier Cru status to drink through 2014 to ’15. Very Good+. About $37. The 2010 rendition is a little more focused, with earthy notes of sauteed mushrooms, roasted lemons, limestone and oyster shells and hints of quince, ginger and yellow plums. This Chablis Premier Cru is quite crisp, spicy and savory, while its intense mineral elements provide a backbone of scintillating resonance. Now through 2015 to ’17. Excellent. About 1,100 cases of these wines are imported annually. .
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Drouhin Vaudon Chablis Premier Cru Vaillons 2010. This wine displays a momentous structure of limestone and flint and blade-like acidity. Aromas of apples and apricots, lavender and lilac are permeated by winsome notes of lemon curd and a slight herbal aspect. It’s very dry, lively and vibrant, yet it offers a supremely seductive almost cloud-like texture that practically nestles on the palate; the balance of all these qualities is exciting and fulfilling. 12.5 percent alcohol. About 35 cases imported. Drink now through 2016 to ’18. Excellent. About $39.
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Drouhin Vaudon Chablis Premier Cru Sécher 2009 and 2010. The 2009 version of this wine is a splendid, beautifully balanced and integrated expression of the chardonnay grape; it’s a golden and gleaming wine yet a subtle fabric woven of a thousand nuances. Aromas of lemon balm, quince and ginger, lightly buttered cinnamon toast and mild touches of cloves and lemon curd are wreathed with beguiling notes of tobacco and limestone and something slightly resinous. That mineral element burgeons in power and proportion, contributing a steely edge to the wine’s sensuous qualities; aiding and abetting that edge is acid of whiplash sensibility. Still this Premier Cru Sécher remains lovely and appealing. For 2010, the wine offers a medium gold color and aromas of quince and yellow plums, limestone, mushroom-like earthiness, with a touch of lemon balm; there’s a deeply savory almost chewy and briery aspect that feels rooted in the earth, as well as a dusty flinty limestone quality that penetrates through to the spice-and-limestone packed finish. As with the 2009 vintage, the Drouhin Vaudon Chablis Premier Cru Sécher 2010 balances the innate power and energy with an absolutely lovely and even enchanting texture that feels as if you were rolling some exotic money around in your mouth. Now through 2016 to ’18. Each wine is 12.5 percent alcohol. About 70 cases of each were imported. The 2009 I rate Excellent; the 2010 also Excellent. About $39.
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Drouhin Vaudon Chablis Premier Cru Montmains 2009 and 2010. Lordy, the 2009 vintage of this Montmains offers lovely class and elegance, character and balance. The color is pale gold; aromas center on lemon and lemon balm, ginger and quince with an interesting hint of dried thyme and a bracing whiff of sea-salt. It’s all about spareness and litheness, stones and bones, as it were, with pertinent acidity and a limestone-flint element that drives the wine’s resonance through a long tense finish. 13 percent alcohol. Now through 2016 to ’18. Excellent. About $39. For 2010, the wine is flat-out gorgeous, with wonderful tone and presence and a plethora of smack-on details and dimensions. Smoke and dusty limestone minerality, roasted lemons, lemon curd and verbena, sauteed mushrooms and a hint of grated Parmesan cheese; once you sniff and taste this one, you don’t want to stop. The Drouhin Vaudon Chablis Premier Cru Montmains 2010 is vibrant and chiseled, dense and chewy yet ineffably light on its feet, both intense and generous, approachable yet opening to multiple layers of spice, fruit and minerality. 13 percent alcohol. Now through 2018 to 2020. About 200 cases of each of these wines were imported. Exceptional. About $39.
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It has not been Spring-like at all, these days after that buoyant season should have sprung, but a couple of days ago I really wanted to cook something Spring-like, so I concocted a risotto with fresh English peas, shiitake mushrooms, prosciutto and basil, using whole-grain or brown rice, which takes about an hour to cook, stirring, stirring, stirring, adding broth, stirring, stirring, stirring, but one can get a lot of the New York Times read, one-handed, while that’s going on. (You have, of course, already shelled the peas, blanched them and given them an ice-water bath to retain the bright green color and sauteed the onions or shallot.)

So, what to serve? An equally Spring-like wine, the Paul Blanck Pinot Blanc 2011, from Alsace. Something about pinot blanc reminds me of Spring, and not just the name, which could be construed as colorless but I perceive as delicate and inviting; there are many pinots, but this is the white one, not so much a blank as filled with sunshine and light. And there is about the wines made from this grape a similar sense of sunlight, rare understated elegance and innate decorum and delight. That delight was manifest in the pairing of the risotto and the wine, and while it may have been chilly and blustery outside, in our house it felt like a far more balmy and bountiful season.

Such a one is the all stainless steel Paul Blanck Pinot Blanc d’Alsace 2011, from an estate that traces its history to the 17th Century — not unusual for Alsace. Naturally there are holdings in Grand Cru vineyards and wines made from other single-designated vineyards, but the wine we look at today falls under the “Classique” rubric of everyday table wines, “everyday” but not ordinary. The color is very pale straw-gold; the bouquet blithely blends notes of lime peel and roasted lemon, honeysuckle and lilac, a touch of quince and a hint of cloves, this panoply of effects set neatly into a background of slightly earthy minerality in the limestone and damp shale range. Juicy and cloud-like lemon and yellow plum flavors are bolstered by fleet acidity that keeps the wine crisp and lively and a vigorous yet quicksilver mineral element that never asserts too much gravity on what is essentially a ripe luminously tasty wine. A refreshing 12.5 percent alcohol. Drink through 2014. Very Good+. About $15, meaning Excellent Value.

Imported by Michael Skurnik Wines, Syosset, N.Y. A sample for review.

Weekend Wine Sips has been devoted rather relentlessly to red wines from California, so for a complete change of mood and mode, we turn to white wines from France, one from Bordeaux, one from the Loire Valley, one from Burgundy, the remainder from the South. One is a sweet sparkling wine, three are dessert wines and the other five are dry and perfectly suited to the changes in weather and food that are inching upon us. These are quick reviews, taken often directly from my notes, designed to pique your interest and spark your palate. I keep technical, geographical and historical information and ruminative speculation to a minimum, so the emphasis is on the wines and my impressions of them. The “Little James,” the Sancerre, the Bourgogne and the Muscat Beaumes de Venise were my purchases; the rest were samples for review. Enjoy… and have a good rest of the weekend.
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Jaillance Cuvée Impériale Clairette de Die “Tradition”, nv. 7% alc. Muscat blanc à petits grains 90%, clairette blanc 10%. My previous experiences with Clairette de Die were dry sparklers, but they were 100% clairette; this jaunty example is definitely sweet. Pleasantly effervescent, a lovely mild straw-gold color; pears and peaches, softly ripe, notes of cloves, lime peel, spiced tea and limestone; hint of jasmine and some tropical fruit, lively acidity. A bit too douce for my palate, but should be pleasing as an aperitif or with desserts with fresh berries. Very Good+. About $16, a Good Value.
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Little James’ Basket Press 2011, Vin de Pays d’Oc. 13% alc. 33-year-old viognier from Minervois with sauvignon blanc and muscat of Alexandria. From Chateau de Saint Cosme, established in Gigondas in the Northern Rhone in 1570. Pale straw gold; pears, yellow plums and a touch of peach, some astringent little white flower nestled in a briery hedge; fig and thyme, hint of caramelized fennel; very dry, very crisp and taut, a bit of greengage and grass. Highly unusual, really appealing. Very Good+. About $14, making Great Value.
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Paul Mas Estate “Single Vineyard Collection” Picpoul de Pinet 2011, Coteaux du Languedoc. 13.5%. 100% picpoul grapes. Pale straw color; honeydew melon, yellow plums, orange blossom and zest; crisp acidity but with a lovely silken texture; bracing, savory and saline, a hint of salt-marsh with dried grasses, thyme and sage; sleek mineral-packed finish. Delightful. Very Good+. About $14, Buy by the Case.
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Paul Mas Estate “Single Vineyard Collection” Chardonnay 2011, Vin de Pays d’Aude. 13.5% alc. 100% chardonnay. Pale gold color; very dry, taut, crisp, vibrant; lemon and cloves, ginger and a hint of quince; lemon balm and a touch of grapefruit with its welcome astringency; attractive texture subtly balanced between moderately dense lushness and pert acidity; lots of limestone and flint. An attractive and slightly individual chardonnay. Very Good+. About $14.
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Hippolyte Reverdy Sancerre 2011, Loire Valley. 11-14% alc. 100% sauvignon blanc. Scintillating purity and intensity; pale straw-gold color; gunflint and limestone, roasted lemon and lemon drop, lime peel and tangerine; bare hint of grass in the background; very dry, tense, lean, pent with energy; deeply earthy with a hint of sauteed mushrooms; long flinty, steely finish, a little austere. Feels archetypal. Now through 2015 or ’16. Excellent. About $25.
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Capitain-Gagnerot Bourgogne “Les Gueulottes” 2009, Hautes Côtes de Beaune. 12.5% alc. 100% chardonnay. Medium straw-gold color; just freakin’ lovely chardonnay, minutely, gracefully sliding into maturity; roasted lemon and lemon curd, touch of grapefruit and mango; limestone under a soft haze of spicy oak; very dry, with plangent acidity and a lithe but generous texture; a wayward hint of orange blossom and lime peel, ginger and quince jam; long silken finish. Now through 2014 or ’15. Excellent. About $27.
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Les Petits Grains 2011, Muscat de Saint Jean de Minervois. (Les Vignerons de la Mediterranee) 15% alc. Pale gold color; orange blossom and candied orange peel, baked peaches, pears and quince; cloves and sandalwood; bananas Foster with buttered rum; dense and viscous without being heavy; lightly honeyed cinnamon toast; a long sweet finish balanced by vibrant acidity. Very Good+. About $14, for a 375-milliliter half-bottle, a Steal.
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Domaine des Bernardins 2009, Muscat de Beaumes de Venise. 15% alc. Brassy gold-light amber color; softly ripe and macerated peaches and apricots; tremendous sweetness that turns dry mid-palate then austere on the finish, testifying to the immense powers of rigorous acidity; crème brùlée with a touch of the sweet ashy “burned” sugar; caramelized apricot with a hint of baked pineapple; that distinctive slightly funky muscat floral character; lip-smacking viscosity. Now through 2018 to ’20. Excellent. About $25 for a 375-milliliter half-bottle.
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Chateau de Cosse 2008, Sauternes. 13.5% alc. 85% semillon, 15% sauvignon blanc. The second label of Chateau Rieussec, owned by Domaines Barons de Rothschild (Lafite). Medium gold color with a greenish tint; smoke, spiced peach and candied grapefruit, pungent with lime peel and mango and a touch of buttered pear; cloves, vanilla and toasted almonds; satiny smooth, clean, pure, dense yet elegant; exquisite balance and verve. Now through 2018 to ’22. Excellent. About $35 for a 375-milliliter half-bottle.
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The Vincent Crémant de Bourgogne, non-vintage, made completely from chardonnay grapes grown in the Côte Chalonnaise, south of Burgundy proper, sports a new, simpler and slightly more elegant label. (And a slightly higher price than the last time I tried it. C’est la vie, n’est-ce pas?) The color is shimmering pale gold, and the tiny bubbles surge upward is a steady swirling eddy. Made in the Champagne method of second fermentation in the bottle, this is quite lemony, with touches of lemon balm, apple and limestone and, after a few moments in the glass, a hint of crystallized ginger. Pert acidity keeps this sparkler bright and lively, while a scintillating mineral element — limestone and flint — lends earthy authority. It’s dry, appealingly effervescent, stylish and tasty, and it offers, as a bonus, a final fillip of sweet floral bounty. 12 percent alcohol. Very Good+. About $24.

Imported by Frederick Wildman & Sons, New York. A sample for review.

The past Yuletide season, that cornucopia of Champagne and sparkling wine, is but a dim memory now; might as well not have happened. Valentine’s? So last week. Yet is there ever a day in the history of the cosmos that would not be made better by the imbibing of some sort of sparkling wine? Think how much improved our poor benighted, beset and conflicted world would be if everyone just chilled and had a glass of (chilled) Champagne or sparkling wine at 11 a.m. Of course we can’t all drink Champagne all the time; it’s too expensive. So today, in order to launch you on your path toward daily sparkling wine enlightenment, serenity and world peace, I introduce the Albert Mann Brut 2010, Crémant d’Alsace, originating, naturally, in Alsace, the region of France that seems to hold more ancient estates per square meter than any other hallowed piece of vineyardry. Operated (on biodynamic terms) by brothers Jacky and Maurice Barthelmé and their wives Marie-Claire and Marie-Thérèse, the Albert Mann estate resulted from the combining of two family estates that were established in the early and mid 17th Century; that’s the 1600s, for the chronologically-challenged. The 21-hectare property — about 54 acres — includes five Grand Cru vineyards.

The Albert Mann Brut 2010, Crémant d’Alsace, made in the champagne method of second fermentation in the bottle, offers a shimmering pale gold color and a swirling tempest of tiny bubbles. The wine is a blend of pinot blanc, auxerrois, pinot gris and riesling grapes. Aromas of green apples and limes, steel and limestone, ginger and cloves and a hint of jasmine and roasted lemon segue seamlessly into flavors that while tasty take a back seat to a remarkably savory and saline sensation that builds upon clean, bright acidity and a burgeoning limestone element. This is a sparkling wine that travels in the course of a sniff, a sip and a swallow from spicy, fruity appeal to spare elegance. 12.5 percent alcohol. Excellent. About $22.

Imported by Weygandt-Metzler, Unionville, Pa. A trade group sample for review.

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