France


The last vintage of Catherine Le Goeuil’s Cairanne Côtes du Rhône-Villages that I reviewed was the excellent 2007. Now it’s the turn of the 2009, though the current release is 2010. Why am I stuck on the ’09? Because it’s still available in markets around the country and because it’s drinking beautifully right now. If you happen to have a few bottles on hand or run upon it at a retail store, now is the time.

This is not an ancient estate in terms of present ownership. Catherine Le Goeuil bought a few hectares in the commune of Cairanne, in the heart of Vaucluse, in the southern Rhone valley, in 1993. The wines are certified organic and are made from vines that are about 50 years old. Le Goeuil uses indigenous yeasts and puts the grapes through a long fermentation in cement vats. The blend is 51 percent grenache, 35 percent syrah and mourvèdre, 14 percent carignane and counoise, in other words, much like many wines of Chateauneuf-du-Pape.

Twenty villages are entitled to attach their names to the basic appellation of Côtes du Rhône, thereby lifted to the theoretically superior designation of Côtes du Rhône-Villages and possessing the potential of further elevation to full AOC status. Villages that have achieved such beatification, as it were, include Gigondas, Vacqueyras, Beaumes de Venise and Vinsobres. Cairanne, generally rated as the best of the 20 villages, surely deserves that honor, more than Vacqueyras did, in my opinion. By the way, beginning with the 2012 vintage, the abbreviated designation AOC will change to AOP, standing for Appellation d’Origine Protégée.

Before the Revolution, Vaucluse was the domain of the de Sade family. Their ruined castle, last inhabited by the Marquis de Sade in 1777, stands in the hills above the village of Lacoste, about 25 miles southeast of Avignon. The castle is owned and was restored by fashion icon Pierre Cardin; it is the site of a celebrated theater festival every summer.

Anyway, the Catherine Le Goeuil Cairanne 2009, Côtes du Rhône-Villages, is a dark ruby-mulberry color. Prominent aromas of spiced, macerated and slightly stewed black currants, black raspberries and blueberries are wreathed with beguiling undertones of rhubarb and pomegranate. The texture is firm and resilient, moderately dense and chewy and layered in pleasing dimension with elements of forest floor and underbrush and slightly dusty tannins enlivened by vibrant acidity and graphite-like mineral qualities. Give this a few minutes in the glass, and it pulls up traces of lavender and violets, fruitcake and plum pudding. Altogether, it adds up to perfect pitch and tone in a savory, highly drinkable package. 14.5 percent alcohol. Now through 2014 or ’15 with grilled sausages, leg of lamb studded with rosemary and garlic, barbecue ribs and the like. Excellent. About $21.

Imported by Kermit Lynch, Berkeley, Ca. Tasted twice with consistent results, a sample and at a trade event.

Pleasant doings on this unusually timely, not to say early, edition of Friday Wine Sips; no clunkers, no plonk, just refreshment and ease and relaxation, though these wines aren’t meant just for sipping out on the porch or patio, sweet as that activity would be; they’re also meant to be thoughtfully and sympathetically (but not too seriously) consumed with food, though fare that’s light and summery would be best. I’m thinking grilled trout or salmon, shrimp salad, salade Niçoise, fish tacos, fritattas, pizza bianco; you get the idea. These wines were made in stainless steel or given a fleeting kiss of oak; the point is their freshness, spiciness and immediate appeal. As usual with the Friday Wine Sips, I eschew technical, historical, psychological, anthropological and personal (or personnel) data for the sake of freshness, spiciness and immediate appeal. Wait, I’m getting this deja vu feeling all over again.

These wines were samples for review or tasted at a wholesaler’s trade event.
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Ferraro-Carano Bella Luce 2011, Sonoma County. 13.4% alc. Chardonnay, sauvignon blanc, muscat canelli, gewurztraminer, viognier, pinot blanc, muscat giallo. Pale straw color; think apples and apples and pineapples, Asian pear and lemongrass, hints of lemon, peach and camellia; in the mouth touches of honeydew melon, more peach but spiced and macerated, honey, hay and a flirtation with fresh rosemary and its slightly resinous, tea-like quality; juicy, lush but balanced by bright acidity and limestone minerality. Quite charming. Drink through the end of 2012. Very Good+. About $16.
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Morgan Winery R&D Franscioni Vineyard Pinot Gris 2011, Santa Lucia Highlands, Monterey County. 13.5% alc. Pale straw-gold color; yellow plums, roasted lemon, bay leaf, cloves; a whisper of oak for spice and suppleness; ginger and quince, hint of leafy fig; deft balance between crisp, sprightly acidity and an almost dense texture; ultimately light on its feet, delicate; long, dry, savory finish. 1,265 cases. Excellent. About $18, and a Great Bargain.
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Chateau Graville-Lacoste 2011, Graves, Bordeaux. 12% alc. 70% semillon, 25% sauvignon blanc, 5% muscadelle. Sleek, suave, elegant; lemon, lemon balm and limestone; very dry, touch of chalk, a little austere; nuances of thyme and tarragon, slightly grassy; quite fresh, clean and appealing yet high-toned, classy, stylish. Now through 2013. Excellent. About $20.
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Domaine de Reuilly “Les Pierres Plates” 2011, Reuilly Blanc, Loire Valley. 12.5% alc. 100% sauvignon blanc. So damned pretty, so fragrant, so lively, heaps of personality; spiced pear and lemon, hint of peach; lots of flint and limestone, some austerity on the finish but never less than fresh, vibrant and attractive. Now through 2013. Very Good+. About $20.
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Priest Ranch Sauvignon Blanc 2011, Napa Valley. 14.4% alc. Pale straw-gold; very clean and fresh, crisp and lively; lemon balm and lemongrass, hint of tangerine and orange rind; back-notes of dried thyme and tarragon; burgeoning limestone element; lovely, seductive texture, almost soft and talc-like but with superb tautness and reticence. Totally beguiling and just enough complexity. Excellent. About $26.
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Chateau des Annibals “Suivez-moi-jeune-homme” 2010, Coteaux Varois en Provence, was one of my favorite rosé wines last year, and it made my list of “25 Great Wine Bargains of 2011.”

Now it’s the turn of Chateau des Annibals “Suivez-moi-jeune-homme” 2011, and though it’s still early in the rosé-drinking season, I know it will once again be among my favorites. The appellation lies in an area of Provence east of Marseilles and north of Toulon, a region of sun-bleached rocky soil, dusty fragrant wild herbs and wind-sheltered pine forests; vineyard cultivation here goes back beyond the stolid Romans, beyond the wily Greeks to the clever and mysterious Phoenicians. The wine, produced on an estate run on bio-dynamic principles (and founded in 1792), is a blend of 60 percent cinsault grapes and 40 percent grenache, made entirely in stainless steel; let no oak tamper with this sheer delicacy and elegance! The color is the palest of the most pale onion skin, just slightly tinged with watermelon pink; spare yet evocative aromas of dried raspberries and red currants are subtly imbued with melon and peach; the wine is bone-dry, vibrant, shimmering with acidity and limestone-like minerality, flush with spice and a hint of thyme, devolving to a finish that manages to be both taut and supple. Really lovely but with backbone. 13 percent alcohol. Winemaker was Nathalie Coquelle, whom I nominate, on the basis of this wine, for a Nobel Peace Prize. Sip it or remark on its versatility as you drink it with a variety of summer fare. Excellent. About $18 to $20.

The wine’s name means “Follow me, young man,” perhaps a reference to Hannibal’s armies, which marched through this region, with their elephants, in the Autumn of 218 B.C., before turning north to cross the Alps southward on the way to do battle with the Romans on the plains of northern Italy. I think the golden elephant depicted on the label should be evidence enough.

Bourgeois Family Selections, Asheville, N.C. I bought this one.

Sometimes we can learn a lot about wine from small producers who keep ambition, not to mention grandiose schemes, in check and focus on doing an excellent job on a small but impeccable scale. Such a producer is Domaine Emmanuel Giboulot, from whose 10 hectares of vines — a bit more than 25 acres — around the city of Beaune in Burgundy come about 4,350 cases annually of what could be considered minor wines, at least compared to the Big Leagues of Premier Cru and Grand Cru vineyards. Emmanuel Giboulot, the name of the owner and winemaker as well as the domaine, is not trying to be all things Burgundian to all people, accumulating a few rows here and a few rows there in all the prestigious appellations up and down the Côte d’Or, in the manner of the important negociants. No, Giboulot steadfastly works in the Côte de Beaune, up on the hilltop, or to the east of the city, in the little-known Vin de Pays area and manages to produce wines of precision, clarity and integrity. He does make one Premier Cru wine, the white Rully La Pucelle.

This is a bio-dynamic estate. Giboulot went all organic in 1985 and bio-dynamic in 1996, and he subscribes to most of the principles: root and flower “tea” preparations; the infamous dung buried in the cow horn; organic composts. He also uses methods that just make sense: indigenous yeast, manual harvest, very careful deployment of sulfur, minimal new oak. How much the success of the wines depends on the bio-dynamic approach I couldn’t say; I do know that while we are not looking here for the glorious depth and dimension of chardonnay and pinot noir from the world-renowned Premier Cru and Grand Cru vineyards what Giboulet delivers is a gratifying sense of infallible craftsmanship, unimpeachable character and lovely purity.

These wines were tasted at the “Return to Terroir” event in New York on March 6. A Becky Wasserman “Le Serbet” selection for Domaine Select Wine Estates. New York. Image of Emmanuel Giboulot from rawfair.com
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Made from chardonnay vines that average 50 years old, the Domaine Emmanuel Giboulot La Grande Chatelaine 2009, Côte de Beaune, is a wine of “verys” and verities, that is, it’s very floral, very spicy and very minerally, and it expresses what feels like the truth, the verity, of the chardonnay grape’s fruit, acid and mineral-driven essence; 18 months in oak lend suppleness to the texture but do not hamper the crystalline purity and intensity of the grape. The vineyards of the Côte de Beaune appellation lie nestled around the tops of the Montagne de Rochetin and Les Mondes Rondes — 396 and 350 meters, respectively — above the prime area of the Beaune appellation, which are adjacent to the famous medieval city of that name; we do not expect wines from Côte de Beaune — red and white are permitted — to be as full-bodied, complex, generous or expansive as from Beaune’s Premier Cru vineyards. I mean, to take a rather extreme example, last night a gentleman at an event I attended poured me a glass of Louis Latour Corton-Charlemagne Grand Cru 2007, from the great vineyard north of Beaune; the wines produced from the Côte de Beaune vineyards could not attain that level of sublimity, not would we expect them to. Pleasure, however, occurs at many different planes and ranges of excitement; if this were not so, we would die of transcendent satiety. The point is that Emmanuel Giboulot’s La Grande Chatelaine 2009 offers its own essay, as it were, on the virtues and character of the chardonnay grape, among which are a lovely dense, almost talc-like texture balanced by crisp clean acidity; a full range of citrus and stone-fruit scents and flavors fleshed out with slightly macerated and baked elements; and a burgeoning earthy limestone and shale quality that keeps the wine scintillating and vibrant. 12.5 percent alcohol. Now through 2014. Excellent. About $39.

Image, much cropped, from vinloyal.wordpress.com.

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Also from the Côte de Beaune appellation, the Domaine Emmanuel Giboulot La Combe d’Eve 2009 is 100 percent chardonnay and aged 12 months in small oak barrels, none new. The color is mild straw-gold; the bouquet is a penetrating and beguiling amalgam of jasmine and camellia, damp shale, spiced peaches, yellow plums and pears. The wine feels lacy, transparent, edged with limpid and lucent limestone elements and bristling acidity that decorate and support the delicious citrus and stone-fruit flavors. The finish is lithe and silky smooth, packed with spice, stones and bones. 13 percent alcohol. It would be difficult to find a prettier, more seductive chardonnay. La Combe d’Eve means “the valley of evening” or perhaps of Eve herself. Now through 2014. Very Good+. About $39.
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Domaine Emmanuel Giboulot Terres Burgondes 2009, Vin de Pays de Sainte-Marie-La-Blanche. This seldom-seen Vin de Pays, established in 1979, covers 17 parishes in the Côte d’Or administrative department that surround the village of Sainte-Marie-La-Blanche, four miles southeast of Beaune. We are, in other words, in the flatlands not entitled to the name Burgundy. Red and rosé wines may be made from pinot noir, gamay and pinot gris grapes, whites from chardonnay, pinot gris, pinot blanc, aligoté and auxerrois and even melon de bourgogne, the grape banished from Burgundy by royal edict in the 17th Century; it migrated to the Nantais and became the grape of Muscadet. Anyway, Emmanuel Giboulet makes the red Terres Burgondes from pinot noir; the white is pinot gris. The red Terres Burgondes 2009 — is the name Giboulot’s way of saying that the wine still comes from “Burgundian earth”? — is a light cherry color; the bouquet offers delicate, almost ethereal scents of dried roses, spiced cherries and red currants and a hint of briers and slightly mossy underbrush. The flavors are a bit warmer and fleshier — there’s a touch of mulberry and plum — and definitely more spicy, yet this remains a spare, dry, earthy and slightly austere pinot noir, held soldier-straight by a backbone of brisk acidity and graphite-like minerality. 11.5 percent alcohol. Now through 2013 or ’14. Very Good+. About $32.

Image from bonamanger-bonapenser.com.
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The Domaine Emmanuel Giboulot Beaune Lulune 2010 is from the Beaune appellation, not Côte de Beaune. One hundred percent pinot noir, it offers a light, almost transparent red cherry color that makes up in radiance what is seems to lack in darkness; red Burgundy does not need to be blatantly dark in hue. Aromas of macerated and slightly roasted cherries and currants are borne by briers and brambles, a touch of mossy earthiness and a delicate wafting of that characteristic beet-root scent, a hint of honed granite. How is this wine different, you ask, from its cousin from the wrong side of the tracks? (The Paris-Lyon line runs east of the town of Beaune, and Sainte-Marie-La-Blanche lies beyond that.) The difference, particularly on the palate, is concentration, intensity and duration and, paradoxically, a sense of refinement. Every aspect of the Terres Burgondes 2009 can be found in its Lulune stablemate, but in deeper more profound qualities, with more breeding and elegance and with a longer, slightly more layered finish; the wine is kept vibrant by clean acidity that cuts a swath on the tongue. Now through 2015 or ’16. Excellent. About $54.
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I love rosés. There, I said it and I’m not sorry. Once the temperature goes above 70, I’m ready to be charmed and delighted by these pale, dry, stony evocations of sun and wind and dusty herb gardens and hot stones and bowls of dried or fresh and spiced fruit. Today we look at a group of rosé wines that includes examples from the South of France, their natural home; from France’s Loire Valley; and from diverse areas of California: North Coast, Central Coast and Santa Lucia Highlands in Monterey. The range of grapes is diverse too, mainly reds that we associate with Provence, the Rhone Valley and Languedoc — syrah, grenache, cinsault and mourvèdre — but also pinot noir, cabernet franc and even pinot gris, whose pinky-gray skin — it’s nominally a “white” grape — can impart the slightest pale hue to the wine. Rosés are versatile in their relationship with food, and we tend to drink them throughout the Spring and Summer with just about everything from snacks and appetizers to entrees except fish, which can make the wines taste metallic. Whether you’re feeling carefree or care-worn, a crisp, dry elegant rosé will perform wonders at elevating the mood and creating a fine ambiance.

The French rosés here were tasted at a wholesaler’s trade event; the others were samples for review.
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Saint Martin de la Garrigue “Tradition” Rosé 2011, Coteaux du Languedoc. 13.5% alc. 50% cinsault, 30% syrah, 20% grenache. Pale melon color with a slight violet tinge; classically proportioned, dry, austere; raspberry and a touch of tart cranberry, dusty and herbal, wet stones, flint and chalk. Very Good+. About $15.
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Eric Chevalier Pinot Noir Rosé 2011, Vin de Pays du Val de Loire. 11.5% alc. Ruddy copper-salmon color; dried currants and raspberries, hint of mulberry; provocative whiffs of thyme and white pepper; chalk and limestone, crisp, tense acidity, with a spicy, flinty finish. Excellent. About $15, representing Great Value.
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Domaine de Fontsainte Gris de Gris Rosé 2011, Corbières. 12.5% alc. 70% grenache, 10% each mourvèdre, carignane, cinsault. Pale copper-salmon color; very floral, very spicy, compote-like maceration of strawberries and raspberries highlighted by dried spice; limestone and flint, slightly dusty and earthy, touch of dried thyme; crisp and lively. Super attractive. Very Good+. About $16.
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Bonny Doon Vin Gris de Cigare 2011, Central Coast. 13.5% alc. 73% grenache, 10% mourvèdre, 8% grenache blanc, 5% roussanne, 4% cinsault. Pale yet radiant melon-copper color; fresh and dried strawberries and red currants, hint of watermelon with an overlay of peach skin; a little dusty, earthy and brambly; very dry, spare, elegant, an infusion of macerated fruit with scintillating liquid limestone. Excellent. About $16, a Real Bargain.
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Domaine de Reuilly Pinot Gris Rosé 2011, Loire Valley. 12% alc. Very pale onion skin color; dried raspberries and red currants, quite dry, spare, elegant; lots of stones and bones and crisp acidity; hints of roses and lilacs; buoyant tenseness and tautness balanced by an almost succulent texture. Really attractive and tasty. Excellent. About $20.
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V. Sattui Rosato 2011, North Coast. 13.5% alc. Grenache, syrah, carignane grapes. A Florida of a rose, that is, florid, floral, the color of hibiscus, the scent of roses, violets, strawberries and raspberries, cloves, hints of orange rind and peach; more layered and substantial than most rosés, like what in Bordeaux is called clairette, falling between a rosé and a full-blown red wine; savory limestone and spice-laden finish. This could age a year. Excellent. About $21.75.
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Charles Joguet Chinon Rosé 2011, Loire Valley. 100% cabernet franc. Very pale melon color; ripe and fleshy yet cool, dry, packed with limestone and bright acidity, a touch austere; spice-infused red currants and raspberries. Very Good+. About $22.
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La Rochelle Pinot Noir Rosé 2011, Santa Lucia Highlands, Monterey County. 12.5% alc. Very pale shimmering onion skin color; very dry, spare, austere; imbued with nuances of spiced and slightly macerated red currants and raspberries and, as in a dream, an evocative and fleeting scent of dried rose petals; structure is all clean acidity and honed limestone. A superior rosé. 119 cases. Excellent. About $24, and Worth a Search.
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Wines made from gewurztraminer grapes can be so floral that they’re off-putting, like old flowers in a vase, or so sweetly ripe that they’re cloying, but find one that’s perfectly balanced and you should clasp it reverently to your bosom, especially when it’s priced as attractively as the Lucien Albrecht Reserve Gewurztraminer 2010 from Alsace. The estate was founded in 1425 and is now operated by the 18th generation.

Made all in stainless steel, the Lucien Albrecht Reserve Gewurztraminer 2010 displays a pale straw-gold color and an alluring bouquet of jasmine and honeysuckle, lychee and mango and a hint of slightly buttery and clove-inflected roasted pineapple; the final fillip is a trace of rose petal and golden raisin. This is a gleaming and (again) golden gewurztraminer which in the mouth is all ginger and quince, pears and pear nectar, though the wine is bone-dry, vibrant with crisp acidity and a piercing line of limestone-like minerality that rivets the finish to your blissful palate. Still, the texture is supple and silken, enveloping in character, and the whole package is sleek and seductive. 13 percent alcohol. Now through 2015 or ’16. We sipped this quite successfully one night with shrimp risotto and the next day with tuna panini. It would also be good with moderately spicy Southeast Asian cuisine. Excellent. About $20, a Great Bargain.

Pasternak Wine Imports, Harrison, N.Y. A sample for review.

Image, cropped and re-sized, from aglassafterwork.com.

Domaine Michel Lafarge is one of the great producers of the wines of Burgundy’s Volnay appellation. The domaine is small, owning just under 25 acres of vines, and producing only about 4,000 cases annually, but the wines are models of their genres. The family has been cultivating grapes in Volnay since the early 19th Century and possibly back to the late 18th Century. Very gradually did the Lafarges accumulate, piece by piece, the portions of vineyards that comprise their domaine; these include Volnay Clos des Chênes and the wholly owned Clos du Chateau des Ducs, Beaune Grêves, Pommard Pezerolles (all Premier Cru) and parcels of Volnay village and Premier Cru, as well as Bourgogne Aligoté and Bourgogne Passetoutgrains and a village Meursault.

Lafarge was a pioneer in bottling its own wine, rather than selling the wine to a negociant, beginning with the harvest of 1934. The wines see only about 25 percent new oak, typically aging for 15 to 20 months, depending on the vintage and the vineyard. The entire domaine has been farmed on biodynamic principles since 2000. Does that mean that the wines are better than they were before the domaine’s steps toward biodynamic methods were instituted in 1997? And what would “better” mean? My experience with the wines goes back only to the Meursault 2002, Volnay Clos-des-Chênes 2003 and Volnay Clos du Chateau des Ducs 2004, so I have no standard of comparison, though these wines were superb and a little challenging — of the Clos du Chateau des Ducs 2004 my first note was “a chill comes off this.”

The literature, however, is primarily unstinting in regard for the classically proportioned and detailed pre-biodynamic wines — read Clive Coates on the Volnay Clos des Chênes 1990, 1983 and 1952 — so is it possible that the post-2000 wines are in some sense truer, more authentic, more reflective of the vineyards than they were for all those decades? The domaine’s philosophy has always been to pay close and careful attention in the vineyard and to leave the wine as undisturbed as possible during its making. What more could grapes or wine ask for?

Tasted at “Return to Terroir: La Renaissance des Appellations” in New York, February 27, 2012. Becky Wasserman Selection for Martin Scott, Lake Success, N.Y., and other importers around the country.
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Domaine Michel Lafarge Raisins Dorés Bourgogne Aligoté 2009. Aligoté is Burgundy’s “other” white grape, grown usually in the highest or lowest sites, that is, not in the areas of the superior vineyards in the middle of the slopes. The wine is bottled as Bourgogne Aligoté; only in Bouzeron, in the Chalonnaise, does it get its own appellation. We expect aligoté to be immensely crisp with acidity — which is why it’s essential in a Kir, combined with cassis — even sometimes fairly arid with acidity’s drying quality, but this example leavens the intense vibrancy and nervosity with a lovely supple, moderately dense texture and tasty flavors of lemon curd and roasted lemon, subtly wedded to cloves, dried rosemary and limestone. A beguiling jasmine and honeysuckle aspect gets matters off to a good start. 14 percent alcohol. Seductive harmony and balance. Very Good+. About $23, but prices range from $18 to $28.
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Domaine Michel Lafarge Meursault 2009. I’ll repeat the phrase from the previous note — “seductive harmony and balance” — but add something individual, almost feral that lifts this commune wine above its counterparts. It opens with notes of jasmine and lilac, cloves and orange rind, wedded to roasted lemon and lemon balm. The wine feels fleet, transparent, luminous, with lovely depths of spice and limestone, light citrus and quince-like fruit and a sort of crystalline distillation of chardonnay character, enrobed in a texture of ethereal silkiness and enlivened by bright acidity. This is chardonnay that I could drink every day, if I could afford it. 13 percent alcohol. Now through 2018 to ’20. Excellent. About $44 to $48.
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Domaine Michel Lafarge Bourgogne Passetoutgrain “L’Exception” 2009. We rarely see the quaffer Passetoutgrains outside Burgundy — Lafarge spells this without the “s” — where it’s often consumed with simple meals. The wine is made from a minimum of one-third pinot noir with the rest gamay. This example offers a light ruby-cherry color and delicate aromas of red currants and black and red cherries supported by modest brambly tannins and shimmering acidity. 12.5 percent alcohol. More character and less rusticity than most Passetoutgrains I have encountered. Very Good+. About $25 to $28. (Can that be right? Passetoutgrains used to sell for $15 to $18.)
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Domaine Michel Lafarge Volnay “Vendages Selectionnes” 2009. Classic Volnay, made from a selection of older vines. The color ranges from mild cherry at the rim to a slightly darker ruby-cherry in the center; the bouquet is a subtle weaving of dried spice and flowers with red currants and black cherries and a touch of plum and, at the heart, an almost ethereal gamy, slightly earthy aspect. The texture feels like the most delicate and ineffable of satin draperies, yet you sense, also, the structure of stones and bones and the clean acidity that cuts a swath on the palate. There is fruit, of course, red and black, a little spiced, macerated and stewed, yet nothing forward or blatant. The wine is elegant and graceful but very dry and draws out a line of spareness and austerity through the finish. Now through 2018 to ’20. Wonderful quality for a village wine. Excellent. About $68 to $75.
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Sacre bleu! Here I am, posting the “Friday Wine Sips” on Friday instead of Sunday! I am so freakin’ disciplined and organized and impressed with myself! Ten wines today, a rosé, four whites and five reds. The one product that rates Excellent is the Beni di Batasiolo “Granee” Gavi 2010, definitely Worth a Search. As usual in this series, I do not include historical, geographical or technical data in order to keep the order of business in lean, clean, incisive order. These were all samples for review.
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Montes Cherub Rosé of Syrah 2011, Colchagua, Chile. 13.5% alc. Entrancing cerise-magenta color; robust, earthy, almost muscular for a rosé, yet limpid, transparently delicious; pure strawberry and raspberry with a flush of rhubarb and pomegranate; very spicy; crisp acidity with a flourish of limestone on the finish. Really attractive and food-friendly. Very Good+. About $17 but often discounted as low as $13.
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Albamar Chardonnay 2011, Casablanca Valley, Chile. (William Cole Vineyards) 12.5% alc. A cool-climate chardonnay that channels its inner sauvignon blanc; tastes nice but couldn’t it be a bit more like, you know, chardonnay. Good+. About $11.
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Plantagenet Omrah Sauvignon Blanc 2009, Western Australia. 13.5% alc. A 3-year-old sauvignon blanc that tastes as fresh as the day it was bottled; pure lychee infused with pear and peach and a hint of mango; hints of dried thyme and tarragon and leafy fig; ripe and round but quite dry and crisp, silky texture; a line of chalky limestone that starts mid-palate and drives back through the finish. Delightful. Very Good+. About $15.
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Les Charmes Chardonnay 2010, Mäcon-Lugny, France. 13% alc. A lean, racy, nervy style of chardonnay, built on layers of limestone, chalk and talc suffused with lime peel, roasted lemon and pear; subtly earthy, supple, sinewy but asserts its charm. Ubiquitous. Very Good. About $16.
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Beni di Batasiolo “Granée” Gavi 2010, Gavi del Comune di Gavi, Italy. 12.5% alc. 100% cortese grapes. A superior Gavi. Pale straw color; very spicy; almond and almond blossom, roasted lemons and pears, touch of greengage and peach, high plangent tones of lilac and licorice; scintillating acidity and limestone-like minerality, lovely texture; the finish laden with flint and shale. Excellent. About $18.
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Double Decker Red Blend 2009, California. 13.5% alc. Cabernet sauvignon, petite sirah, barbera. Medium ruby color; pleasant enough, taxes neither your taste buds nor your intellect, quite dry, actually pretty darned tannic with lots of brambles and underbrush. Doesn’t exactly hang together. Good. About $10.
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Hey Mambo Sultry Red 2010, California. (The Other Guys) 13.5% alc. 29% syrah, 26% petite sirah, 13% zinfandel, 12% grenache, 10% tempranillo, 6% cabernet sauvignon, 4% merlot. Hard to know what each grape variety contributes to this kitchen-sink blend; still, sort of “sultry” in an imaginary Mediterranean style; warm, fleshy; spiced black cherries and plums; ripe sweet fruit amid the lip-smacking tannins and acidity; soft almost velvety texture over some graphite-like minerality. Quaff it down. Very Good. About $12.
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Alamos Seleccíon Malbec 2009, Mendoza, Argentina. 13.5% alc. Dark, rigorous, spicy, tannic; did I say tannic already? Needs one of those Argentine grilled meat extravaganzas — beef, pig, lamb, goat — to soften the edges of the oaky, granitic, um, tannic structure. Very Good. About $20.
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Los Vascos Grande Reserve Cabernet Sauvignon 2009, Colchagua Valley, Chile. (Domaines Barons de Rothschild, Lafite) 75% cabernet sauvignon, 10% carmenère, 10% syrah, 5% malbec. Classic; mocha, tobacco, cedar, black olive; hints of smoked bell pepper and tomato skin; black currants and plums; firm, dense, chewy; very dry, a touch austere through the finish, which is packed with woody spices, burnished oak and finely-meshed tannins. A well-crafted and powerful Bordeaux-like expression of the grape; needs a steak. Very Good+. About $20.
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The Spur Red Wine 2009, Livermore Valley. (Murietta’s Well) 14.5% alc. 32% cabernet sauvignon, 30% malbec, 21% petit verdot, 7% cabernet franc, 6% petite sirah, 4% merlot. A well-made but fairly typical California-ish blended red wine; dark ruby color; fragrant with ripe and spicy and slightly macerated black currants, black cherries and plum with undertones of lavender and black tea; dense, chewy texture but not ponderous; grainy (but not gritty) tannins and vibrant acidity frame juicy black fruit flavors permeated by woody spices, mocha and graphite; a long cool earthy finish. Have fun with it tonight, though you might not remember its name in the morning. Very Good+. About $25.
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The Jura Mountains, in east-central France, between Burgundy and Switzerland, remain an exotic and remote region for most winelovers, even those who may know a considerable amount about French wine. Landscape, grape varieties and methods in the Jura and Arbois appellations are unique, and so are the wines, which tend toward delicacy and elegance. While chardonnay and pinot noir are widely cultivated in Jura and Arbois, the red trousseau and poulsard (helpfully also called ploussard) and the white savagnin (not sauvignon) are what give the region its distinctive qualities. Savagnin is allowed in all white wine production of the regions but is the only grape permitted in the unusual vin jaune (“yellow wine”), which is akin to Sherry but without being fortified.

One of the most progressive estates in Arbois is Domaine André et Mireille Tissot, founded in 1962. André and Mireille’s son Stéphane, after working at wineries in Australia and South Africa, took over the domaine in 1990 and operates it with his wife Bénédicte. They produce 28 wines, each a remarkable distillation of vineyard and grape and frank individuality, the kinds of wines that make a wine-writer think, “Oh, yes, this is why I love wine!” Stéphane Tissot converted the estate to all organic practices in 1999, followed by biodynamic methods in 2004; the Tissot vineyards are certified by Demeter.

Tasted at the “Return to Terroir” event in New York, February 27. Prices are approximate. Various small importers.
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My first note on the Tissot Classique Chardonnay 2010, Arbois, is “god, how lovely!” The grapes for this chardonnay derive from vineyards planted in 1962, ’74 and ’78. The wine ages 12 months in the standard Burgundy barrel of 228 liters, but only 10 percent of the barrels were new. This is chardonnay of wonderful purity and intensity, very floral and spicy, with ethereal scents and flavors of apple, grapefruit and roasted lemon nestled in shale and limestone. The sense of tension and resolution between clean, bright acidity and a moderately lush texture afford a great deal of pleasure, assuring a quality of liveliness and confidence that remains subtle and graceful. Now through 2014 or ’15. Excellent. About $26 to $30.
Image from thewinecountry.com.
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The vineyards for Tissot’s La Graviers Chardonnay 2010, Arbois, were planted in 1952, ’53, ’64, ’70, ’72, ’76 and then, after a span of 26 years, in 2002. The wine aged 16 months in barriques, 1/3 new oak barrels. This is a chardonnay of the utmost purity, delicacy and elegance; it’s an exquisite and airy fabric of quince and ginger, roasted lemon and camellia, cloves and limestone, all wrapped in a structure that’s as honed and fine-boned as an 18th century Wedgwood tea-cup, yet displaying surprising heft and substance for all that — and, in the finish, touches of burgeoning shale-like minerality and a drop of wild-flower honey. You can scarcely imagine how diametrically opposed this wine is to the typical heavy-handed, over-wrought chardonnay from California. Production was about 550 cases. Now through 2016 to ’17. Excellent. About $26 to $30.
Image from blindtastingclub.net.
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Another chardonnay, this one Le Clos de la Tour de Curon 2009, Arbois. The vineyard was planted in 2002; the wine aged 24 months in barriques, 1/3 new barrels. This is altogether deeper, richer and spicier than the two previous examples of Tissot’s chardonnays, but neither is it blatant nor ponderous. The wine is quite dry, scintillating with limestone-like minerality and almost tingling with crisp, vibrant acidity, yet the stones-and-bones approach does not neglect piquant, intriguing (and fairly remarkable) aromas and flavors of preserved lemon, dried lavender and chestnut honey (but not the latter’s sweetness), with a final fillip of cloves and allspice. Yes, a savory, almost food-like chardonnay that manages to be completely balanced and true and authentic. Production was about 138 cases. Now through 2016 to ’19. Excellent. About $27 to $32.
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The sole red wine under consideration here is Tissot’s Singulier Trousseau 2010, Arbois. In the chilly environs of the foothills of the Alps, red wines tend to be delicate and refined, certainly the case with this gossamer, almost powdery, eminently attractive wine, which aged 12 months in old oak foudres, that is large casks. The color is pale rose with a slight bluish magenta cast; aromas of dried cherries and red currants are permeated by notes of cloves, cinnamon and rose petals, segueing in the mouth to those spicy cherries and red currants but encompassing hints of pale plums and tart mulberries. This is dry, lovely, graceful, charming, almost ephemeral, yet it’s enlivened by chiming acidity, pliant tannins and a vibrant mineral element that provide the necessary structure to be taken seriously. Now through 2014 to ’15. Excellent. About $27 to $29.
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The oxidized wines of the Jura and Arbois are difficult to write about because they resemble the best products of Spain’s Sherry regions yet they’re also distinctly their own. For example, Tissot’s Savagnin 2008 was made from vineyards planted in 1968, ’74, ’96, ’97 and 2000; the wine aged 25 months in barriques that are not topped up, so some evaporation occurs along with the formation of a layer of yeast on top of the quietly resting wine. The result is something like a superior Manzanilla Sherry — very dry and nutty — but with beguiling hints of green olives, dried figs, dried thyme and rosemary, with the latter’s slight resinous quality, and roasted almonds. Now through 2018 to ’22. Excellent. About — quite approximately — $27 to $29.
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Let’s discuss the Vin Jaune “En Speis” 2005 and the Vin Jaune “Les Brayeres” 2005 together. Remember that these rare wines, however Sherry-like they may seem in character, are not fortified, as Sherry is. Because of the winters in the Jura mountains, it may take two or three years for the veil or voile of yeast to grow across the surface of the wine in the barrel; that length of time adds to the full time of maturing, so the vin jaune of the Jura may not, by law, be released for six years and three months after harvest. The wines are bottled in unique 62-cl vessels called clavelin. “En Speis” is toffee, caramel, roasted raisins, orange rind, toasted coconut and almonds and dried figs; “Brayeres” is richer, deeper, more in the range of bittersweet chocolate and dried blood oranges, with those typical touches of raisins and almonds and a slightly astringent citrus and persimmon background. Both are bone-dry, elegant, spare, utterly distinctive. Such wines last for ages, so let’s say, now through 2035 to ’40. No kidding. Excellent. Each about $70.

Image, much cropped, from julienmarchand.com.
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And let’s not neglect the delightful Domaine Tissot Crémant du Jura Brut, non-vintage, which doesn’t mean that it came from no year but that the grapes came from several vintages. The blend is 55 percent chardonnay, 35 percent pinot noir and 10 percent indigenous trousseau and poulsard grapes. This sparkling wine is made in the “ancient tradition,” as regions outside of Champagne often term the classic methode champenoise of second fermentation in the bottle. The color is brassy-gold shot with an upward surge of golden glinting bubbles, and actually this feels like a golden sparkling wine, seemingly an exhalation of the sun and beautiful long glowing afternoons. From the glass waft scents of cloves and sandalwood, orange blossom and waxy white flowers, roasted lemons and lime peel; the wine is clean, fresh and crisp, yet the texture is almost dense, almost lush, though cut with a kind of bright, glancing acidity and seething layers of limestone and flint. 12.5 percent alcohol. Excellent. About $18 to $22, representing Great Value.
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Oops, not exactly Friday, is it? I must have fallen into the sinkhole of the space-time continuum. Anyway, no theme today, just a group of wines that I tasted recently, some of which I liked and a few that I didn’t. That’s the breaks, n’est-ce pas? As usual in the erstwhile Friday Wine Sips, I eschew most technical, historical and geographical data for the sake of incisive reviews of blitzkrieg intensity. Included today are a delightful pinot noir rosé from Sonoma County, two excellent chardonnays (one from Carneros, one from New Zealand) and an inexpensive red wine blend from the “South of France” that’s worth a search for devotees of organic products.

These were all samples for review.
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Toad Hollow Eye of the Toad Rosé of Pinot Noir 2011, Sonoma County. 11.5% alc. Pure strawberry and raspberry with undertones of pear, melon and peach skin; a hints of orange rind, almond blossom and limestone; quite dry but soft and juicy; more stones and bones on the finish. Delightful. Very Good+. About $13, a Great Bargain.
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Craggy Range Kidnappers Vineyard Chardonnay 2011, Hawkes Bay, New Zealand. 13% alc. A lovely, delicate, elegant chardonnay, yet very spicy, slightly resinous (as in a hint of rosemary), touched of roasted lemon, pineapple and grapefruit with a tinge of mango; underlying richness and complexity, quite dry, always mindful of balance and poise. More than charming, attractively individual. Excellent. About $21.
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Nickel & Nickel Truchard Vineyard Chardonnay 2010, Carneros, Napa Valley. 14.5% alc. Rich but beautifully balanced, bold but not brassy; classic pineapple-grapefruit scents and flavors deeply infused with cloves and allspice, hints of lemon and honeysuckle; a golden and sunny chardonnay with a sheen of deft oak, ripe and slightly creamy yet with a prominent limestone edge. Pure, intense, sophisticated. Excellent. About $50.
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Naked Earth 2009, Vin de Pays d’Oc (though the front label says “South of France”). 12.5% alc. Merlot 50%, cabernet sauvignon 25%, grenache 20%, carignan 5%. Certified organic. Surprising character for the price and geographic anonymity; dark ruby color; cedar, tobacco, black olives; black currants and plums; lavender and violets, touch of new leather; dry, dusty tannins, almost velvety texture, spicy black fruit flavors, lipsmacking acidity. Worth seeking out. Very Good. About $12, representing Real Value.
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Green Truck Zinfandel 2009, Mendocino County. 13.5% alc. Certified organic. A generic red wine with wild berries and brambles, very dusty tannins and heaps of graphite-like minerality. People searching for organic wine deserve better. Good. About $14.
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Murphy-Goode Merlot 2009, California. 13.5% alc. Medium ruby color with a lighter rim; toasty oak, caraway and celery seed; cherries, plums and raspberries; very dry, disjointed plus a vanilla backnote. Not recommended. About $14.
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Murphy-Goode Cabernet Sauvignon 2009, California. 13.5% alc. Better than the merlot but still fairly ordinary; attractive heft and texture, ripe and spicy black currant, black raspberry and plum scents and flavors, nice balance among fruit, acidity and mildly dusty chewy tannins. Very Good. About $14.
Note that both of these Murphy-Goode products carry a California appellation instead of Sonoma County and are “vinted” rather than “produced,” which means that consumers have no idea whence within the state the grapes came or where the wine was made. Jackson Family Wines acquired Murphy-Goode in 2006.
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Mark West Pinot Noir 2010, Santa Lucia Highlands. 14.2% alc. Dark ruby color with a paler ruby edge; black cherry and leather, cola and cloves; hits all the necessary points without being compelling; dense, chewy tannins, swingeing acidity, very dry with a dusty, earthy, mineral-flecked finish. Very Good. About $14. (Sorry, the price is actually about $19.)
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Davis Bynum Pinot Noir 2010, Russian River Valley. 14.5% alc. You gotta like wood to like this one. At first, subtly woven black cherry, mulberry, smoke, cola and woody spice (cloves, sandalwood), then you feel the oak sneak up, as it were, from the back to front, smothering everything in its path. Not my cuppa tea. Good. About $35.
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