France


You couldn’t ask for a more appealing quaffer in a white wine than the Bila-Haut 2013, Côtes du Roussillon Blanc, from the stable of Michel Chapoutier. Roussillon, the sunniest spot in France, nestles against the eastern slopes of the Pyrenees, just across from Spain, which nestles against the western flanks. Indeed, the region of Roussillon, ruled by the kings of Majorca and then Aragon centuries ago, shares a heritage that makes it almost more Spanish than French, including a tradition of bull-fighting. This wine is a blend of grenache blanc grapes, grenache gris, vermentino (here called rolle) and macabeo (known in Spain as viura); it offers a very pale gold color and winsome aromas of jasmine and almond blossom, spiced pear and yellow plum with a hint of peach, and notes of ginger, quince and flint. Mildly spicy stone-fruit flavors are highlighted by savory, briny qualities that balance nicely on a stream of pert acidity and a gently lush texture; a strain of limestone minerality plays out through the spare, almost elegant finish. 13.5 percent alcohol. We drank this wine quite happily with seared coho salmon and a mixture of sauteed bok choy and red peppers. Now through 2015. Very Good+. About $13, representing Great Value.

R. Shack Selections, HB Wine Merchants, New York. A sample for review.

All sorts of reasons exist to justify our interest in wine — wine tastes great, on its own and with food; wine is a complicated beverage that encourages thought and contemplation; wine gets you drunk — and one of those reasons is the story behind the wine. Now not all wines have compelling stories. The cheap wine fostered in vast vineyards in California’s Central Valley and raised in giant tanks on megalithic farms generally does not offer a fascinating back-story. And financially-padded collectors don’t suck up cases of Chateau Latour and Haut Brion because of the histories of those august properties.

This pair of rosé wines, however, tells one of those tales of a dream long-striven for and finally accomplished. When I mention that the wines derive from the Cotes de Provence appellation in the South of France by a couple who never made wine before, My Readers may rise to their feet and let loose a chorus of “Brad and Angelina!” but no, I am not speaking of the (excellent) celebrity rosé Miraval, now in its second vintage, but of the slightly older Mirabeau, the brain-child of Stephen Cronk, an Englishman who gave up his job in telecommunications and house in Teddington in southwest London — motto: “We’re in southwest London!” — and moved his family to the village of Contignac in Provence for the purpose of growing grapes and making rosé wines. Cronk did not possess the fame, notoriety, influence and fiduciary prowess of the Pitt/Jolie cohort, but he did manifest a large portion of grit, married, inevitably, to naivete. (This is also a great-looking family; they could be making a ton of dough in commercials. Image from the winery website.)

Cronk discovered that he couldn’t afford to purchase vineyard land, even at the height of the recession, so he settled for being a negociant, buying grapes from growers that he searched for diligently and with the help and advice of Master of Wine Angela Muir. Five years after he began the process, his Mirabeau brand is sold in 10 countries and is now available in two versions in the U.S.A.

Mirabeau “Classic” Rosé 2013, Côtes de Provence, is a blend of grenache, syrah and vermentino grapes that offers an alluring pale copper-salmon color and enticing aromas of fresh strawberries and raspberries with hints of dried red currants and cloves and a barely discernible note of orange rind and lime peel. The wine slides across the palate with crisp vivacity yet with a touch of lush red fruit in a well-balanced structure that includes a finishing element of dried herbs and limestone. 13 percent alcohol. A very attractive, modestly robust rosé for drinking with picnic fare such as cold fried chicken, deviled eggs, cucumber sandwiches — or a rabbit terrine with a loaf of crusty bread. Very Good+. About $16.

The Mirabeau Pure Rosé 2013, Côtes de Provence, is a different sort of creature. A blend of 50 percent grenache, 40 percent syrah and 10 percent vermentino, this classic is elegant, high-toned and spare, delicate but spun with tensile strength and the tension of steely acidity. The color is the palest onion skin or “eye of the partridge”; hints of strawberry and peach, lilac, lime peel and almond skin in a texture that practically shimmers with limestone and flint minerality; rather than lush, this is chiseled, faceted, a gem-like construct that still manages to satisfy in a sensual and exhilarating measure. 13.5 percent alcohol. We drank this over several evenings as an aperitif while cooking and snacking. Excellent. About $22.

Seaview Imports, Port Washington, N.Y. Samples for review. Bottle image by Hans Aschim from coolhunting.com.

Today’s notes feature eight rosé wines, four from France, three from California and one from the state of Virginia. In style they range from ephemeral to fairly robust. I have to take shots at a couple of these examples, but those are the breaks in the realm of wine reviewing. No attempt at technical, historical, geographical or personal information here (you know, the stuff I really dote on); instead, the intent is to pique your interest and whet your palate. Except for the Calera Vin Gris of Pinot Noir 2013, these were samples for review. Enjoy!
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Chateau de Berne Terres de Berne Rosé 2013, Côtes de Provence, France. 13% alc. 50% each grenache and cinsault. Very pale onion skin hue, almost shimmers; light kisses of strawberry, peach and orange rind, hints of dried thyme; bone-dry, crisp and vibrant, loads of scintillating limestone minerality. Really well-made and enjoyable but packaged in an annoying over-designed bottle that’s too tall to fit on a refrigerator shelf. Excellent. About $20.
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Bila-Haut Rosé 2013, Pays d’Oc, France. 13.5% alc. Cinsault and grenache. (From M. Chapoutier) Pretty copper-salmon color; orange zest and raspberries, dusty minerals, notes of rose petals and lavender; quite dry, with limestone austerity, a fairly earthy, rustic style of rose, not in the elegant or delicate fashion. Very Good. About $13.
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Calera Vin Gris of Pinot Noir 2013, Central Coast. 14.7% alc. 466 cases. Bright copper-peach color; think of this as a cadet pinot noir in the form of a rosé; currants and plums, raspberry with a bit of briery rasp; notes of smoke and dried Provencal herbs, hints of pomegranate and orange zest; very clean, fresh and vibrant with a damp limestone foundation. Excellent. About $17.
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Dunstan Durell Vineyard Rosé of Pinot Noir 2013, Sonoma Coast. 13% alc. 92 cases. Light but bright copper-salmon-topaz hue; strawberries and red currants, both fresh and dried, blood orange, note of pomegranate; lovely, lithe and supple but energized by brisk acidity; floral element burgeons and blossoms in the glass, as in rose petals and camellias; very dry, delicate, ethereal yet with a real bedrock of limestone minerality; a touch earthier than the version of 2012. Excellent. About $25.
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Domaine de la Mordorée “La Dame Rousse” 2013, Tavel, France. 14.5% alc. 60% grenache, 10% each cinsault, syrah and mourvèdre, 5% each bourboulenc and clairette. Brilliant strawberry-copper color; strawberries, raspberries and red currants with a touch of peach; very dry and fairly robust for rosé; notes of dried herbs and summer flowers, dominant component of limestone and flint, almost tannic in effect, but overall high-toned and elegant. Excellent. About $30.
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Notorious Pink 2013, Vin de France. Alc% NA. 100% grenache. (Domaine la Colombette) Better to call this one Innocuous Pink. Carries delicacy to the point of attenuation; very pale onion skin color; faintest tinge of strawberry, bare hint of orange zest and limestone; fairly neutral all the way round. Comes in an upscale frosted bottle, woo-hoo. Good. About $20.
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Stinson Vineyards Rosé 2013, Virginia, USA. 12% alc. 100 percent mourvèdre. 120 cases. Ruddy onion skin hue; fresh strawberries and raspberries with cloves and slightly dusty graphite in the back; notes of orange pekoe tea and dried red currants; a little fleshy and floral; bright acidity and a mild limestone-like finish. Very Good+. About $18.
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Robert Turner Wines Mosaic Rosé of Pinot Noir 2013, Santa Lucia Highlands. 14% alc. With 15% cabernet franc. 25 cases. Pale copper-onion skin color; musky and dusky melon, raspberry and strawberry with notes of pomegranate and rhubarb; finely-knit texture, delicate, elegant, lively, with a honed limestone finish. Excellent. About $22.
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Imagine being so famous that people can use your first name and everyone knows who they’re talking about. As in: “Fredric just posted to his blog,” and billions of earthlings go “oooohhh” and “aaaahhh.” Anyway, as multitudes are aware, the Hollywood stars Brad Pitt and Angelina Jolie, in partnership with the Perrin family of Chateau de Beaucastel in Chateauneuf-du-Pape, last year released the first wine from their Chateau Miraval property, a Côtes de Provence Rosé 2012. I didn’t try that wine but we just drank the second release, the Chateau Miraval 2013, and it’s a honey. Every aspect of this product is thoughtfully and exquisitely executed, including the elegant bottle that resembles an old-style Champagne bottle, and the understated, even reticent label. The wine is a blend of the red cinsault, grenache and syrah grapes with a dollop of the white rolle, the Italian vermentino. The entrancing color is the palest copper-onion skin-topaz with the faintest pink flush; aromas of fresh strawberries and dried red currants are subtly woven with notes of dried thyme, flint and limestone, with a hint of tangerine. Though in its nuanced red fruit flavors this rose is slightly savory and saline, it embodies the utmost in delicate and ineffable character, while retaining the vibrancy of definitive acidity and the vitality of a scintillating mineral element. Compulsively drinkable, and without the taint of amateurish that often comes with “celebrity” wines; this is the real thing. 13 percent alcohol. Excellent. Prices around the country range from about $24 to $30.

Imported by Vineyard Brands, Birmingham, Ala. Sample provided by a local retailer.

Sliding a medium rare leg of lamb studded with garlic and rosemary from the grill? How about pork chops doused with olive oil and soy sauce and rubbed with cumin and chili powder? You carnivores getting hungry? How about opening a bottle of Eric Texier Côtes du Rhône 2011 to accompany these primal dishes? That would be a good idea. Texier, a nuclear engineer turned winemaker, takes a meticulous approach to his wines, whether estate-grown or made from grapes purchased on long-term contract. His methods in the vineyard are organic, his techniques in the winery traditional and minimal. This wine is a blend of about 80 percent grenache with the remainder portions of the white grapes grenache blanc, clairette and bourboulenc. Texier tends to age his reds in neutral barrels and large old futs. The color is an entrancing medium ruby hue with a tinge of violet; aromas of lightly spiced and macerated raspberries and red and black currants are woven with elements of briers and brambles and dusty graphite; a few moments in the glass bring in notes of plums, leather and lavender. This is a dry wine, a bit raspy with slightly knotty tannins, but eminently drinkable and tasty with red and black fruit flavors, all bolstered by clean, bright acidity and an underlying granitic mineral quality. 12.5 percent alcohol. Drink now through 2016 or ’17. Very Good+. About $15.

Imported by Louis/Dressner, New York. A sample for review. Label image from hogsheadwine.

The temperature is rising in many parts of the U.S.A., and we as a people are in desperate need of refreshment. Turn, then, I say, to the tasty, often surprisingly complex and reasonably-priced sparkling wines called Crémant d’Alsace. These are made in that rather Germanic northeastern region of France in the time-honored manner of Champagne, though here called méthode traditionelle, usually from such grapes as chardonnay, pinot blanc, pinor gris, pinor noir and reisling, sometimes in blends, sometimes as single variety. The examples mentioned today are “non-vintage” products, meaning, actually, that they are “multi-vintage,” that is, a blend of several vintages, a practice widely employed wherever sparkling wines are made. These are incredibly satisfying and refreshing sparklers, as appropriate in the kitchen and dining room as they are on the porch or patio, at poolside or on a picnic, served chilled, of course, and in a tall flute so you can appreciate the color and the stream of tiny bubbles. Drink up! Have Fun! Enjoy! It’s Summertime!

These wines were samples for review.
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The Willm Brut Blanc de Blancs is designated Vin Mousseux de Qualité rather than Crémant d’Alsace, the implication being that grapes from outside Alsace may be included. The wine is composed of 100 percent pinot blanc grapes. The color is very pale gold, and the mousse is a pleasing froth of tiny bubbles. Pointed aromas of green apples and spiced pears are wreathed with notes of peach and jasmine, with a hint of lime peel; the entry is slightly sweet, in a ripe fruit sort of manner, but from mid-palate back through the limestone-laden finish it’s dry, elevated by crisp acidity, and a bit saline. All in all, a fresh and refreshing sparkling wine. 12 percent alcohol. Very Good+. About $16, representing Good Value. .

Imported by Monsieur Touton Selections, New York.
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The Cattin family arrived in Alsace from Switzerland in 1720; the estate is operated by the descendents of its original founders. The Joseph Cattin “Brut Cattin” Crémant d’Alsace is a blend, differing according to year, of pinot blanc, pinot gris, riesling and chardonnay; the vineyards are sustainably farmed, with average age of vines for this product being 40 years. The wine offers a pale gold hue and a lovely and persistent effervescence; notes of lemon and grapefruit, almond skin and lime peel shade into hints of lilac and flint. This is a very dry sparkling wine, no playing around with flirty sweetness here, yet the vastly appealing texture is talc-like, almost cloud-like, though energized by incisive acidity and crystalline limestone-and-flint minerality. 12 percent alcohol. Excellent. About $19, and a Bargain at the Price.

Imported by T. Edward Wines, New York.
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Philippe and Pascal Zinck farm their 56 acres of vines organically. The Domaine Zinck Brut Rosé, Crémant d’Alsace, 100 percent pinot noir, sports an entrancing pale copper-salmon color enlivened by hordes of tiny glinting bubbles. Aromas of pure strawberry and raspberry waft from the glass, permeated by notes of orange rind, cloves and rose petals; bright acidity and seashell-like minerality keep a slightly creamy texture clean, bright and crisp under subtle flavors of smoky and spicy red currants and raspberries; the finish is dry and imbued with limestone and shale elements. 12 percent alcohol. Very Good+. About $24.

Imported by HB Wine Merchants, New York.
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Does it help to say that I could drink the François Schmitt Blanc de Noirs Crémant d’Alsace every day? The estate was founded in 1697; François Schmitt took over the family domaine in the 1970s and now runs things with his son Frédéric. This is 100 percent pinot noir with no dosage, so bone-dry does not begin to describe the wine’s scintillating, limestone-powered attitude. The color is very pale gold, like old jewelry; bubbles are fine, tempestuous, tenacious; the whole package seems to glitter with an edge of steel, limestone and flint. There’s a hint of almond skin and hazelnuts, a note of biscuits, a touch of some astringent little white flower, evanescent and ineffable. The effect is of elegance and hauteur, yet this high-toned sparkler is eminently drinkable. 12 percent alcohol. Excellent. About $28.

Imported by Fruit of the Vine, Riahi Selections, Long Island City, New York.
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Domaine de la Bastide occupies the sort of compound and possesses the kind of history that make American Francophiles swoon. Built as a fortified farmhouse by the Knights Templar in the 12th or 13th Century, it became, after the suppression of the Templars by Philip IV in 1307, first a Benedictine and then a Dominican monastery. Defrocked, as it were, during the French Revolution, the ancient property passed through various hands, until it came under ownership of the Boyer family. The estate, lying in the heart of the Southern Rhone Valley about 34 miles north of Avignon, is run today by Vincent and Stephanie Boyer. This domaine is not properly a bastide. Those “new towns” were built in southwestern France in the 13th and 14th centuries to help repopulate the area after the devastation of the Albigensian Crusade (or the Slaughter of the Cathars, if you believe that the gentle sect should have been left in peace). If you visit Bordeaux, for example, the landscape, especially in Entre-Deux-Mers, is filled with these medieval market towns, laid out in a distinctive grid, their commercial squares surrounded by arcades.

Anyway, the Domaine de la Bastide “Figue” 2013, Côtes du Rhône Rosé, is an interesting example of the genre because it’s made from white grapes: viognier, grenache blanc and clairette. (The wine’s nickname derives from the many old fig trees on the property.) The ethereal pale onion skin hue is the result of skin contact, even though the skins of white grapes contain very little pigment. The wine is a congeries of delicate nuance, tissues of hints and nods: A scent of slightly overblown Summer roses precedes subtle notes of green apple, red currants, faint peach and a touch of melon; a few moments in the glass bring out a wisp of dried thyme. This fresh and refined rose offers a surprisingly lush and vibrant texture buoyed by pert acidity and a scintillating limestone element; lilac comes into the mix, a touch of talc, a tinge of sour melon and lemon drop. In a sense, one could call this a white wine gently disguised as rosé. 13 percent alcohol. A lovely wine for drinking through 2014. Very Good+ and a Bargain at about $14.

Bonhomie Wine Imports, South Orange, N.J. A sample for review.

And, boy, are they eclectic! And sort of electric in effect, by which I mean snappy, vivid, lively and crisp. Some are fairly straightforward, fruity and appealing; a few others are more complicated and inspire a little contemplation, though in these languid, humid days, a bit of contemplation harmonizes with the lap of waves at the beach or the plock-plock of tennis balls or the creak of the rope that supports your gently swaying hammock. We touch Chile, Spain, Italy, Germany, Alsace in France and several regions of Italy and California today, as well as a dazzling range of grape varieties. As usual with the Weekend Wine Notes, my goal is not to overload your sensibility with technical, historical, geological data, as I might in more extensive reviews but to offer incisive impressions that will pique your interest and whet your palate. Contemplating an afternoon at a picnic, by the pool, on the porch or patio? Any of these white wines would serve you well.

These wines were samples for review.
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Albamar Sauvignon Blanc 2013, Casablanca Valley, Chile. 12.5% alc. Very pale straw-gold color; notably fresh and zingy; lychee and pear, lime peel and grapefruit, jasmine and honeysuckle; hints of celery seed, fennel and fig; leafy, sprightly, with a scintillating limestone edge; plenty of verve and clarity. Drink through 2015. Very Good+. About $11, a Sure-Fire Bargain.
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Blanco Nieva Pie Franco Verdejo 2012, Rueda, Spain. 13% alc. 100% verdejo grapes. Light gold color; clean, crisp and vibrant; bee’s-wax, sea salt, roasted lemon, lime peel, limestone, little waxy flowers; very nicely knit and well-balanced; bracing acidity and salinity, with a dry finish that offers a pleasing touch of candied grapefruit. Very attractive and refreshing; lots of personality. Now through 2015. Excellent. About $23.

The label image is one vintage behind.
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Conundrum 2012, California. 13.5% alc. Chardonnay, sauvignon blanc, semillon, muscat canelli, viognier. Is Conundrum getting drier? Is that why I actually liked this vintage of the well-known white blend? Pale gold color; fully-fleshed out notes of peaches and spiced pears, lychee and riesling-like petrol; operatically floral in the lilac and honeysuckle range, some muscat-tinged muskiness; a touch of sweetness going in but felt more as plush ripeness; crisp yet lush, sleek, polished, sophisticated; very dry finish etched with limestone. Now through 2015. Excellent. About $22, often discounted.
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Dry Creek Vineyards Dry Chenin Blanc 2013, Clarksburg. 13% alc. Pale gold color; hay, roasted lemon, acacia and dried thyme; savory, spare and bracing yet graceful; hints of yellow stone fruit and tangerine; background of damp stone minerality; all bound by crisp acidity. Quite charming. Very Good+. About $12, a Great Bargain.
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Hugel et Fils Gewurztraminer “Hugel” 2011, Alsace. 14% alc. Very pale gold color; lychee, peach and spiced pear; notes of lemon curd, honeysuckle and preserved lemon; dry but juicy with stone-fruit and hints of citrus and green apple; a cool wine, shot through with limestone and flint minerality, warmed by touches of cloves and allspice; ultimately spare, elegant, slightly astringent on the finish. Now through 2016 or ’17. Excellent. About $22.
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J Vineyards Pinot Gris 2013, California. 13.8% alc. Light gold color; lemon and lime peel, delicate notes of honeysuckle, thyme and sage, lemon oil and orange blossom, crushed gravel undertones; very crisp and refreshing though spare and lithe; pith and peel and the bracing astringent bitterness that attends them, yet a wisp of slightly overripe peach under the spareness and a hint at briers and loamy earthiness. A thoughtful and appealing rendition of the grape, surprisingly complex for the price. Excellent. About $16, a Terrific Bargain.
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Masseria Li Veli Fiano 2012, Puglia. 13% alc. 100% fiano grapes. Pale gold color, tinge of green; cloves and allspice, jasmine and smoke; roasted lemon and bee’s-wax, talc and limestone; clean, dry and savory; lovely body, cloud-like density and supple texture but spurred by bracing acidity. Irresistibly tasty. Very Good+. About $11, representing Wonderful Value.
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St. Urbans-Hof Bockstein Ockfen Riesling Kabinett 2012, Mosel, Germany. 8% alc. A reisling of scintillating purity and ethereal refinement; very pale gold color; delicately struck notes of jasmine and apricot, mango and lychee, lemon peel and almond skin; vivid acidity sends an electric wave across the palate though the ultimate effect is never less than utmost elegance and elevation; a texture almost lush exquisitely balanced by the acid and the bright limestone minerality. Now through 2020 to ’22. Excellent. About $18 to $20.
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Senorio de Rubios Albarino 2010, Rias Baixas, Spain. 12.5% alc. How well does albarino age? Beautifully, in this case. I don’t usually include
wines that are Worth a Search in the Weekend Wine Notes, but this 2010 was the sample I received, even though, apparently, the 2012 is available. Light gold color; my first reaction, “Gosh, how lovely”; not as fresh as it would have been two years ago, perhaps, but with a depth of spice and richness; roasted lemon, lemon balm and baked pear; camellia, quince and ginger; very dry, saline and savory, slightly honeyed entry leading to an earthy, limestone-inflected finish that’s a bit austere. Drink up. Very Good+ leaning toward Excellent. About $18.
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Toad Hollow Francine’s Selection Unoaked Chardonnay 2012, Mendocino County. 13.9% alc. Pale gold color; lively, clean and bright, very dry, crisp and pert; notes of lemon and mango, hint of jasmine; lots of serious limestone minerality enlivened by a grapefruit finish. Quite refreshing. Very Good+. About $14.
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Trimbach Pinot Blanc 2011, Alsace. 12.5% alc. Very pale gold color; pear, peach and lychee, yellow plum; tantalizing floral elements, like memories of dewy violets and lilacs; a precise and incisive wine, layered with flint and limestone, crystalline acidity; earthy, though, a bit dusty; the entire effect clean, resonant and elegant. Now through 2016 or ’17. Excellent. About $17, representing Great Value.
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Zenato Lugana 2012, San Benedetto, Veneto. 13% alc. 100% trebbiano di Lugana grapes. Very pale shimmering gold color; super attractive, with notes of jasmine and orange rind, talc and lilac, mango and spiced pear; slightly honeyed, with hints of bee’s-wax and lanolin; touches of dried thyme and rosemary, with the latter’s slightly resinous quality; notably clean and fresh, chiming acidity and a seashell-like minerality. I could drink this all Summer. Very Good+. About $14, marking A Notable Bargain.

The label image is one vintage behind.
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Mother’s Day is Sunday, so right now I offer six selections of sparkling wine and Champagne to honor your Mom, toast her presence or memory and basically perform your duty as a child, which you will always be as long as either or both of your parents are among the living. No beverage is more festive that Champagne or sparkling wine — the latter designation for such products made outside of France’s Champagne region — and lord knows, your Mom deserves some festivity and honor after what she put up with all these years, n’est-ce pas? Prices range from just under $20 to over $60, so I hope there’s a bottle of bubbles here that will suit varying budgets. I include two sparkling wines from Italy and two from California, each of diverse spirit, and two Champagnes, also made in different styles; three of these products are rosés, making them even more celebratory. The sparkling wines were samples for review; I bought the Champagnes. Enjoy! And be good to your Mom!
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Carpenè Malvolti Extra Dry (nv), Prosecco Conigliano Valdobbiadene, Italy. 11% alc. 100% glera grapes. Pale pale gold color; green apples, almond skin and lemon curd, hint of lime peel; slightly sweet entry but dry from mid-palate back through the tingly, modestly spicy finish; quite clean, crisp and lively. Enticing by itself, or use in a Bellini with peach nectar. Very Good+. About $19.
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Sofia Blanc de Blancs 2012, Monterey County, California. 12% alc. Pinot blanc 74%, riesling 16%, muscat 10%; Pale gold color with brisk effervescence; jasmine and orange blossom, spiced pears; hints of lime peel and orange rind, roasted lemon; sprightly, engaging, just off-dry; touch of limestone minerality; backnote of biscuits and toasted hazelnuts. Very pleasant for casual sipping. Very Good+. About $19.
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Berlucchi Cuvée 61 Franciacorta Rosé (nv), Lombardy, Italy. 12.5% alc. Chardonnay 50%, pinot noir 50%. Lovely copper-salmon color, persistent stream of frothy bubbles; pop the cork and you smell strawberries from a foot away; add orange rind, almond skin and honeysuckle; pert, tart and sassy (my law firm), slightly sweet in the beginning but quickly transitions to bone dry; notes of lemon and lemon curd balanced by the acidity previously referred to and more than a hint of seashell minerality. Quite charming and beautifully structured. Excellent. About $35.
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Inman Family Brut Rosé 2012, Russian River Valley, California. 12% alcohol. 100% pinot noir. Pale pale pink color, almost virginal; a torrent of tiny bubbles; dried strawberries and raspberries, hints of brambles and lightly buttered cinnamon toast; a spine of bright acidity supporting a framework of scintillating limestone minerality; very dry, with spare red currant and stone-fruit flavors, hint of spiced pear, all elements woven with steely delicacy and elegance. Delightful, marvelous sparkling wine. Excellent. About $56.
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Henriot Souverain Brut (nv), Champagne, France. 12% alc. Chardonnay 40%, pinot noir 60%. Medium straw-gold color, wildly effervescent; biscuits and fresh bread, pears, lime peel and ginger, notes of limestone and chalk that take on increased resonance; vivacious acidity, almost glittering limestone minerality; lovely personality and verve, refreshing balance of savory and saline elements; irresistibly appealing. Excellent. I paid $62, but prices around the country go as low at $42.
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Paul Bara Grand Rosé Brut (nv), Champagne, France. 12% alc. Pinot noir 80%, chardonnay 20%, all Grand Cru vineyards. Pure topaz in hue; billions of tiny glinting bubbles; macerated strawberries, cloves, orange marmalade, hint of brioche, notes of chalk and flint; full-bodied, lots of presence and a powerful limestone element, yet wreathed with ethereal touches of dried red currants and rose petals, slightly biscuity; bone-dry with chiming acidity; tremendous class and breeding. Excellent. I paid about $69, but it can be found as cheaply as $45 if you look.
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“NV” stands for “non-vintage,” though on the face of it, that’s a ridiculous proposition. All grapes are harvested in a particular year; hence those dates on wine labels and the notion that some vintages are better than others so the wines from those years are more valuable. However, wine does not have to be made from grapes harvested all in the same year. The great example of this concept occurs in Champagne, the famed French region of prestigious bubbles, where something more than 80 percent of the product is non-vintage, though the term “multi-vintage” is really more useful. Champagne producers maintain stores of reserve wines to blend with the wine from the current vintage being used (generally about three years old) to ensure a consistent house style. Other wines employ the multi-vintage trope, including, surprisingly, Portugal’s Vinho Verde, “surprisingly” because Vinho Verde tends to be a fresh young wine intended for immediate consumption. In France, bottles plucked from roadside stands, service stations and highway convenience stores are often multi-vintage (or really “nonvintage”) and fairly anonymous; examples I have tried range from truly awful to not too bad.

Anyway, today we look at three “nonvintage” products that happen to be remarkably diverse.
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The Calamares Vinho Verde nv, Portugal, offers a bright gold color and mild, almost subliminal effervescence. The blend of grapes is 40 percent arinto, 30 percent trajadura (also known as treixadura) and 30 percent loureiro. Enticingly fresh and clean, the wine delivers notes of roasted lemon and lemon balm, quince and ginger, green apple and lime peel in a saline, limestone-inflected setting; while it’s a wine of the moment, this Calamares is not ethereal, instead possessing gratifying body with an almost talc-like finish touched with candied grapefruit. Acidity is flagrantly crisp and flint-like. Nine percent alcohol. Drink up. Very Good+. About $7, and do I have to tell you to buy it by the case to drink this Summer?

Imported by Vision Wine and Spirits, Secaucus, N.J. A sample for review.
__________________________________________________________________________________________________________________ The Gaston Chiquet “Tradition” Brut, nv, Champagne, France, is one of our favorite Champagnes, and I was surprised to see that I have never written about it on this blog. It’s a blend of 40 percent pinot meunier grapes, 35 percent chardonnay and 25 percent chardonnay, all from Grand Cru and Premier Cru vineyards. The base wine of the present manifestation is from 2010, with the addition of eight percent each from 2009 and 2008. The color is medium straw-gold; the all-important bubbles are myriad, prolific and dynamic. My purpose in purchasing this Champagne was to balance a scallop dish rich in butter and cream, and the clean, incisive acidity of the Gaston Chiquet “Tradition” Brut and its scintillating limestone minerality did just that. (Plus, you know, it’s Champagne.) The bouquet offers notes of lemon, seashell, lightly buttered cinnamon toast and honeysuckle, all quite subdued, and threads of cloves and crystallized ginger; it’s fairly full in the mouth, but not heavy or obvious, leaning more toward a well-knit and elegant character enlivened by crispness and energetic effervescence. 12.5 percent alcohol. Excellent. I paid about $60.

A Terry Theise Estate Selection, imported by Michael Skurnik Wines, Syosset, N.Y.
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Now comes the wine that inspired this post, the Steven Kent Winery “Evening Vinesong” Grenache nv, Livermore Valley. Produced in a minute quantity and available only to the winery’s Collector’s Circle, a bottle came into my hands via a generous benefactor. The wine is 100 percent grenache — previous editions were a blend — with 60 percent of the grapes grown in 2010 and 40 percent in 2011. Depending on the “year,” the wine ages 24 to 36 months in second-use and neutral French and American oak barrels. The production was 139 cases. The members of the Collector’s Circle who snatch a few bottles or a case of Evening Vinesong Grenache are lucky indeed; this is a beautiful and pure expression of the grenache grape, fruity, spicy, a little raspy and briery. The color is medium ruby-garnet; aromas of red and black currants and cherries are highlighted by pert mulberry and winsome notes of anise, lavender, brambles and dried rosemary (with some of that herb’s pithy, piney quality). In the mouth, the wine is sapid and savory, deftly balanced and integrated; oak is a whisper here, and so is a hint of loam, both forming a background to the wine’s lithe suppleness and elegance. Red and blue fruit flavors are permeated by sandings of cloves and allspice, the whole enterprise ending with a fresh, wild note. I gave LL a glass of this when she came home from work one night; she took one sniff and one sip and said, “Wow, that’s wonderful!” There’s your review. Excellent. For information call (925) 243-6440 or visit stevenkent.com

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