Cooking at Home


The recipe for this terrific soup, which includes a drizzle of balsamic reduction, came from New Flavors for Soups: Classic Recipes Redefined, a Williams-Sonoma book published by Oxmoor House in 2009 ($22.95). This is an easy dish, which requires some fine chopping — onion, carrots, celery — but mainly involved sipping a glass of wine and reading the newspaper while things simmer on the stove. The smoked turkey legs came from Whole Foods. The “balsamic drizzle” is just 3/4s of a cup of balsamic vinegar boiled down to 1/2 cup, though I took it down to the point above still runny sludge. Other items we have prepared from this nifty volume include Chicken and Hominy Soup with Ancho Chiles (excellent); Spicy Turkey and Jasmine Rice Soup with Lemongrass (not so successful but our fault for not working well with lemongrass); and Cumin-Spiced Shrimp and Chorizo Gumbo, which was fabulous. Anyway I prepared the Split-Pea Soup with Smoked Turkey on the night when LL teaches and had it ready when she got home, along with hunks of crusty bread and a simple red-leaf lettuce salad. For wine, I opened the Grgich Hills Estate Fumé Blanc 2009, Napa Valley. I include, below, notes on the 2008 version of this wine that I somehow neglected to write about last year. Winemaker is Ivo Jeramez. These wines were samples for review.
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The Grgich Hills Estate Fumé Blanc 2009, Napa Valley, displays all the subtlety, suppleness and confidence that this wine typically offers. Made from certified organic and biodynamic estate vineyards in American Canyon and Carneros, the wine receives thoughtful treatment: 80 percent of the grapes ferment in 900-gallon French oak casks, with 20 percent fermented in used small French oak barrels; after fermentation, the wine rests on the lees in neutral barrels for six months. The result is a sauvignon blanc that balances richness and ripeness with nuanced details and elegant dimensions. Enticing aromas of peaches, yellow plums and roasted pears are permeated by hints of jasmine and honeysuckle and touches of nectarine. The wine is delicately grassy and herbal, with emphasis on juicy lemon and pear flavors beautifully set-off by fluent acidity, a finespun, almost lacy limestone element and that gently shaping hand of lightly spicy, nearly illusive wood. The texture is a seductive combination of graceful spareness and moderate lushness, with talc-like softness balanced by keen vivaciousness. Alcohol content is 14.3 percent. Drink now through 2012 or ’13. Excellent. About $30.
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The Grgich Hills Estate Fumé Blanc 2008, Napa Valley, received the same treatment in the winery as its younger cousin from 2009, yet the result was a different sort of wine. The ’08 is just as lovely, no, even lovelier, but the emphasis is on smoky grapefruit and lime with slightly more obvious spiciness and a swaddling of oak that warms and frames the wine even as vivid acidity and a burgeoning limestone factor provide balancing crispness and liveliness. Ginger and quince, orange blossom and a touch of green leafiness underlie refined peach, pear and grapefruit aromas and flavors set into a structure that’s a little more rigorous, perhaps even more powerful than the structure of the ’09, though this model (2008) never loses touch with its essential elegance and sophistication. The sense of presence and tone, the wine’s assurance and self-possession are utterly convincing and gratifying; also, it’s completely delicious. We drank this wine with seared tuna, bok choy and sweet potato salad. 14.3 percent alcohol. Now through 2013 or ’14. Exceptional. About $30.
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Last night LL made what is probably the best risotto I have ever eaten. And since the wine I chose to match this paragon of ricely beatitude was smack-dab on the money, we had a pretty damned perfect meal.

It was one of those nights of looking around the kitchen, the refrigerator and the cabinets to see what was on hand. We had about a cup of leftover diced butternut squash, so LL broiled that until the pieces had nice blackened edges. She sauteed some chopped shallot and then a few sliced hen-of-the-wood mushrooms, stirred in the rice and some white wine, let the wine evaporate and then began the process of slowly incorporating the chicken broth, a ladleful at a time. Toward the end, she folded in the butternut squash and a handful of chopped parsley and then — pure genius! — about a tablespoon of white miso to give the dish a deep, savory bass note. Readers, it was wonderful, with layers of complementary yet slightly contrasting scents and flavors bound in the creamy, not quite chewy rice.

I opened a bottle of the Hugel “Classic” Pinot Gris 2006, from the venerable firm of Hugel et Fils, founded in the town of Riquewihr in Alsace in 1639. The grapes derive from nearby vineyards secured by the family through long-term contracts and also from a selection of declassified grapes from Grand Cru vineyards on the Hugel estate. The Hugel “Classic” Pinot Gris 2006 is made all in stainless steel and sees no oak. The wine is a lovely medium straw-gold color with a faint green cast. Subtle aromas of jasmine and honeysuckle, quince and pear, crystallized ginger and a back-note of woody spices are woven with a strand of smoke and baked apple. In the mouth, the wine is satiny and mellow, slightly honeyed in aspect yet completely dry, with flavors of apple and nectarine and a hint of green grapes, all enveloped in a spicy, smoky haze that opens to a touch of barely mossy earthiness. The texture feels almost cloud-like, and the acidity, while lively enough for some vivacity, is soft and accommodating. What a treat! And the synergy with the risotto was amazing! And I’m using too many exclamation points! Drink now through 2013 to ’15, well-stored. 13.5 percent alcohol. Excellent. About — here’s the clincher — $15, though you see prices on the Internet as high as $24; somebody’s making a killing. A Raving Bargain.

Imported by Frederick Wildman and Sons, New York. A sample for review.

I have often mentioned one of our favorite cold weather dishes, the Cod and Chorizo Stew with Leeks, Potatoes and Tomatoes. We probably make this twice a month during Fall and Winter. It’s a combination of ingredients and effects that never fails, but a couple of nights ago LL added a few fillips that turned it into perfection. To top that, we drank a wine that matched the dish flavor for flavor, spice for spice, a brief triumph of the synergy of comparison and contrast, of purpose and reflection.

Cod and Chorizo Stew is really a simple dish, but this time, because she was using a brand and type of chorizo that we had not bought before, LL added Spanish smoked paprika, which amped up the stew’s richness, smokiness and spicy appeal (and deepened the color of the sauce), and then, in the sort of intuitive flash of genius that makes her such a better cook than I, she quickly peeled a mandarin orange, segmented it and dropped the pieces into the gently simmering pot. Lord have mercy, what a difference these little touches made in the stew! A dish that we had unflaggingly enjoyed now became sublime.

For wine, I opened a bottle of the Colomé Torrontés 2010, from Argentina’s Valle Calchaqui vineyard area in the Salta region, way up northwest by the Bolivian border. Founded in 1831, the winery was acquired by The Hess Collection in 2001. The Colome vineyards occur at an astonishing 6,000 to 10,000 feet above sea-level. Winemaker is Thibaut Delmotte.

The Colomé Torrontés 2010 is lean and spare yet broadly floral and herbal; achingly dry yet juicy, almost luscious. Spiced peach and pear and roasted lemon segue into mango, with banners of jasmine and camellia waving free amid strains of orange rind, leafy fig and dusty apple and pineapple. This all sounds deliriously hedonistic, but the wine preserves an element of almost mysterious reticence, a muscat-like intensity and paradoxical sinewy quality, due to bracing acidity, clean-edged limestone-like minerality and a scintillating note of bitterness on the finish. Made all in stainless steel, from 30- to 60-year-old vines. 13.5 percent alcohol. 2,210 cases imported. I’m a fan of wines made from the torrontés grape, which tend to be simple, direct and refreshing, yet while this version does not overburden itself (or ourselves) with freighted importance, it’s probably the best example I have tasted, and it was close to thrilling with the Cod and Chorizo Stew. Because of its seamless amalgam of complexity and delicate airiness, I’ll go for an Excellent rating. About $15, representing Terrific Value.

Imported by The Hess Collection, Napa, Cal. A sample for review.

Last night LL made one of our favorite cool weather dishes, the roasted chicken with figs, garlic, thyme and bacon. Yes, it’s exactly as good as it sounds, and as we were chowing down, we kept stopping, each of us, and saying something like, “Holy shit, what a fabulous dish!” I wrote about this item previously, in October 2009; follow the link for a fuller description of the dish and how it’s made.

Anyway, to drink with this delight of savory and hearty flavor, I opened a bottle of the Niner Wine Estates Bootjack Ranch Merlot 2008, Paso Robles. which I’ll get to in the reviews further along.

The winery was founded in 2001 and is owned by Richard and Pam Niner. Richard Niner, a product of Princeton and Harvard Business School, spent 30 years investing and turning around small businesses before visiting San Luis Obispo County and deciding to get into the wine industry. He bought the Bootjack Ranch on the east side of Paso Robles in 1999; a later purchase was Heart Hill Vineyard, in the western reaches of Paso Robles, 12 miles from the ocean and often 10 degrees cooler than Bootjack. Chuck Ortman consulted for the first vintages produced by the winery; since 2004 winemaker has been Amanda Cramer.

These wines were samples for review.
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For a winery that concentrates on red wines, Niner turns out a splendid sauvignon blanc; in fact, along with the Merlot 2008 and Syrah ’06, the Niner Bootjack Ranch Sauvignon Blanc 2008, Paso Robles, was my favorite of this group of recently tasted wines from the producer. The color is very pale straw-gold. Aromas of roasted lemon, tangerine and grapefruit are imbued with notes of lemongrass, dried thyme and tarragon and a pungent element of gunflint and limestone; this is a bouquet I could sniff and contemplate for hours. The wine ages briefly in a combination of stainless steel barrels and once-used and neutral French oak, so the wood influence is subtle and supple, a soft blur and burr of dusty spice. In the mouth, the wine is taut with spanking acidity and clean limestone-backed minerality; pert flavors of lemon and grapefruit wrap around hints of meadow grass and leafy fig; the finish is long, lacy, spicy, chalky. A great sauvignon blanc for drinking through 2012. 14.3 percent alcohol. Production was 1,395 cases. Excellent. About $17, a Remarkable Value.
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The Niner Bootjack Ranch Merlot 2008, Paso Robles, is one of those rare merlots from California that asserts its individuality from under the mantle of cabernet sauvignon; that is to say, it smells and tastes like something other than cabernet. This polished beauty offers notes of blueberry, mulberry and cassis ensconced in graphite, cedar, lavender, thyme, pepper and black olive. The wine retains something untamed and plangent, high tones of wild berry and exotic spice, along with more typical black and red currant flavors bolstered by shale-like minerality and burnished oak from French and Hungarian barrels, one-third new. Tannins are finely-milled and plush, with just a trace of rigor and authentic austerity on the finish. This was terrific with our dish of roasted chicken, bacon, figs, garlic and thyme, with which we had roasted potatoes and sauteed chard. Now through 2013 or ’14. Alcohol content is 14.7 percent. Production was 908 cases. Excellent. About $24.
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The Niner Bootjack Ranch Sangiovese 2007, Paso Robles, is a curious matter in that it’s a thoroughly enjoyable wine, but it doesn’t have much to do with the character of the sangiovese grape. Actually, it behaved more like a well-made, non-blockbuster zinfandel. The color is deep ruby-red; the bouquet offers red and black currants, black cherries and touches of smoke, coffee and tobacco. Dense, grainy tannins, polished oak and vibrant acidity provide structure that’s firm and lively in its support of luscious black currant and cherry flavors. Now through 2012 or ’14. Production was 851 cases. 14.9 percent alcohol. Very Good+. About $24.
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I was, on the other hand, quite pleased with the Niner Bootjack Ranch Syrah 2006, Paso Robles, which I will call, as a matter of fact, one of the best renditions of the grape I have tasted from the Golden State. The color is deep ruby with a slight magenta/blue cast, an entrancing hue; the ripe, meaty, fleshy bouquet offers a rapt rendition of spiced and macerated red and black currants, blueberries and blackberries backed by black pepper, briers and brambles, smoke and moss, honed granite and slate, all seamlessly layered atop a foundation of clean loamy earth and a touch of wet dog funk. Yes, this is the real thing. At fours years old the wine is beautifully balanced and integrated, and while 16 months in small French and Hungarian barrels (one-third new) lend the wine a character of unassailable oak, added to dense, velvety tannins, broad and generously spiced black fruit flavors make this very drinkable, especially with such full-bodied fare as venison, pork chops and beef stew, now through 2005 or ’06. Production was 1,281 cases. 14.5 percent alcohol. Excellent. About $20, representing Great Value.
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My slight beef with the Niner Bootjack Ranch Cabernet Sauvignon 2006, Paso Robles, is a strain of vanilla that my palate and sensibility register as a flaw, if not a downright aberration; if vanilla is what you want, order a dish of crème brûlée. ANYWAY, this cabernet, like its merlot cousin fairly individual in style, is big, dense, furry, chewy, intense and concentrated; sleek, polished and honed; black currant and black cherry flavors are touched with wild berry, lavender and violets, licorice, smoke and potpourri, rhubarb and sandalwood; a few minutes in the glass bring out classic tones of cedar and tobacco.. The exoticism does not get out of hand, however, held firmly in check by keen acidity, heaps of granite-like minerality and tongue-swathing tannins. I sipped this with a strong Irish cheddar-style cheese, and it was perfect thus. Drink now, with a steak, through 2016 or ’17. Production was 2,294 cases. 14.3 percent alcohol. Excellent. About $28.
____________________________________________________________________________________________________________________ I’m sorry to say that my reaction to the Niner Fog Catcher 2005, Paso Robles, was not ecstatic, though the wine, a blend of 65 percent cabernet sauvignon, 25 percent cabernet franc and 10 percent merlot, is well-knit, impeccably balanced and integrated, smooth and mellow, enjoyable, with classic notes of smoky cedar, fruit cake and spice cake, brandied black cherries, honed shale and so forth. It’s just not very exciting; it doesn’t offer that edgy poise between power and elegance, dynamism and transparent austerity that great cabernet-blend wines should possess. Plenty of pleasing personality here but not enough character; a wine at this price should not be so easy. 550 cases. 14.1 percent alcohol. Very Good+. About $58.
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We were introduced to sorrel soup by Justin Young, who was chef at the now closed La Tourelle (in Memphis) in the early 2000s. Not having had such a thing in years, we bought a pound of sorrel at the Memphis Farmers Market last Saturday — the market will not open again until April — and looked for a recipe, which we found in the essential Chez Panisse Vegetables by Alice Waters (HarperCollins, 1996).

Sorrel (Rumex acetosa) is a green leafy vegetable, accounted more as an herb that vegetable in some national cuisines, whose chief characteristic is a sour grassy character that derives from oxalic acid, which is fatally poisonous in large quantities. How large? Sources aren’t very specific about that point. More than a pound certainly. Perhaps a bale.

Anyway the issue that intrigued me was what wine to drink with sorrel soup. That notable sour quality, which possesses a hint of sweetness — LL likened it to pulling up a grass stem and sucking on the root, a memory from childhood — might be a challenge to any number of wines. (The sourness is leavened somewhat by the gentle stewing in chicken stock of diced potatoes, carrots and onions.) In the interest of research, I lined up five white wines, several of which seemed probable matches and at least one of which seemed doomed to failure by its very nature. These were the wines we tried: Domaine Ferret Pouilly-Fuissé 2008; Grinalda Vinho Verde 2009; Albert Mann Pinot Blanc 2008; Mendel Semillon 2009; Unus Old Vine Macabeo 2009. These wines were samples for review.
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Among this experiment’s surprises was how well, even how profoundly so, the Domaine Ferret Pouilly-Fuissé 2008 went with the sorrel soup. The domaine was founded in 1840; the Burgundian negociant Louis Jadot acquired the property in 2008. The wine is, of course, made completely from chardonnay grapes; it ages half-and-half in stainless steel tanks and oak barrels and sees no new oak. I had doubts about chardonnay pairing with the earthy sourness of the sorrel, but the wine’s purity and intensity, its crystalline acidity and minerality created a risky synergy that practically vibrated in our beings. The wine is a medium gold color; aromas of roasted lemon are permeated by ripe peach and pear, with traces of quince and ginger and a hint of camellia. Befitting its pedigree and reputation — “the Montrachet of Pouilly-Fuissé” — the wine delivers wonderful presence and body yet remains delicate, fleet and racy. Citrus flavors dominated by lemon with a touch of lime peel are deeply imbued with baking spices but even more with depths of limestone-like minerality and scintillating acidity. Drink now through 2014 or ’15 (well-stored). Alcohol content is 13.5 percent. Excellent. About $30.

Imported by Kobrand, New York.
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Let’s turn to the simplest of these wines, simplest yet definitely lively, tasty and appealing. This is Aveleda’s Grinalda Vinho Verde 2009, from the vast Vinho Verde region that stretches north from the seacoast town of Oporto to the river Minho and also east and southeast of Oporto. (You drive east through this area to reach the Port estates of the Douro Valley.) The wine is a blend of loureiro grapes (55%), trajaduras (32%) and alvarinho (13%). These “green wines” are fresh and vigorous and intended for early drinking. Made all in stainless steel, the clean, fresh Grinalda Vinho Verde 2009 bursts with scents and flavors of apples, pears and spiced lemons bolstered by heaps of earthy limestone and vivid acidity. There you have it, and you could not ask for anything more from such a fresh, delightful wine. Drink over the next six months. Alcohol content is 11.5 percent. Very Good+. About $14.

How did this match with the sorrel soup? It didn’t. The sourness of the sorrel washed right over it, tromped on it, obliterated it, left it for dead.

Imported by Winbow, New York.
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Let’s go back to France for the Albert Mann Pinot Blanc 2008, from Alsace. The estate is the result of the joining of two venerable grower families in Alsace, the Manns and the Barthelmes, each of which has been cultivating grapes since the first half of the 17th Century. The Albert Mann Pinot Blanc 2008 is absolutely lovely in every aspect. The color is bright, shimmering medium gold; aromas of apple and spiced pear, with a touch of leafy fig and orange rind, all founded on the dominent presence of limestone, balloon from the glass. The paradox of a texture that’s both suave and elegant, on the one hand, and nervy and crisp, on the other hand, contributes considerably to the wine’s charm and fascination. It’s quite lively and dry, vibrant with limestone- and shale-like minerality, and its spicy, slightly earthy citrus qualities increase through the finish. The estate is organically managed and certified by Ecocert. 12.5 percent alcohol. Drink through 2012 or ’13. Closed with a screw-cap. Excellent. About $20.

This was lovely with the sorrel soup, having the interesting effect of bringing out the herb’s hint of sweetness.

Imported by Weygandt-Metzler, Unionville, Penn.
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Another very attractive match with the sorrel soup was the Mendel Semillon 2009, from the Altamira-Uco Valley area of Argentina’s Mendoza region. The vines, which stand at 3,600-feet elevation, are more than 60 years old, lending the wine irresistible depth and character. Fifteen percent of the wine aged eight months in new American oak barrels. Hay, honey and waxy white flowers, roasted lemon and lemon balm are woven in the seductive bouquet. If you can tear yourself away from these heady aromas, you’re treated to a wine that in texture and structure is as refined and ingratiating as you could ask for, though I don’t mean to imply that the wine is wimpy or over-delicate; in fact, it feels rather as if it had been honed from limestone and slate and burnished to a sheen with a little of that oak (and plowed by keen acidity). It’s sunny, leafy, with touches of fig and fresh-mown grass, hints of cloves and ginger, greengage and pear. Quite an experience, round, complete, balanced, complex. 900 six-packs were imported. 13.6 percent alcohol. Drink through 2012 or ’13. Excellent. About $25 and Worth a Search.

Imported by Vine Connections, Sausalito, Cal.
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Last, we come to a wine that was fine, you know just fine, with the sorrel soup but opened to more astonishment than the other wines because of its amazing quality and price ration. I wrote previously about the great bargain called Agustin Cubero Unus Old Vine Garnacha 2007. Today it the turn of that wine’s stablemate, the Unus Old Vine Macabeo 2009, likewise from Spain’s Calatayud region, situated about halfway between Barcelona and Madrid (but closer to Zaragoza). The macabeo grape is also known, perhaps better-known, as viura, though clearly we’re not taking sauvignon blanc here. Made all in stainless steel, the wine is beguiling, intriguing and really pretty. Grass and hay, dried wild flowers, cloves and allspice, apple and pear, quince and ginger — all combine to charm and enchant. Now in truth these sensual qualities so seductive in the bouquet also characterize what goes on in the mouth; there’s no sense that flavors develop beyond the aspects of the bouquet (though the texture — the “mouthfeel” — is graceful and delightful), but who cares when the price is — ready? — a wallet-busting $9. Buy this by the case for drinking over the next year. The rating is Very Good+. A Bargain of the Century and Worth a Search.

Scoperta Imports, Cleveland Heights, Ohio.
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Oh, yeah, the holiday is over but the turkey lingers on, so LL and I were thinking about turkey hash, but she did some Internet research and found a recipe for Turkey Shepherd’s Pie. You would think that this would be a pretty simple dish, but it ended up using so many pans and bowls that it well-nigh wrecked the kitchen. The result was good though. What’s interesting is that the recipe calls — in addition to turkey, of course — for peas, cauliflower, potatoes and carrots. LL, in one of her typical astute moments, said, “Wait a minute. That stuff is exactly what you find in an Indian curry.” So she dumped some curry powder in with the turkey and vegetable mixture, and I think the dish was improved considerably.

Curry? Well, the wine had to be riesling, so I opened a bottle of Schloss Johannisberger Riesling Kabinett 2008, from Germany’s Rheingau region.

Schloss Johannisberg is an ancient estate that occupies a magnificent site on a broad hill that slopes in a southerly direction down to the Rhine. Grapes have been grown there apparently since the 12th Century, during monastic days. It has been an all-riesling property since 1720 and was one of the first, if not the first, in Germany to make a late harvest sweet wine from grapes affected by botrytis cinerea, the “noble rot.” In 1816, Schloss Johannisberg was given to Prince von Metternich by the Austrian Franz I for services at the Congress of Vienna — which redrew the map of Europe after Napoleon’s final defeat at Waterloo — and while the Metternich name still appears on the estate’s labels, it has been owned since 1974 by the giant conglomerate Dr. August Oetker KG, manufacturer of baking soda, dessert mixes, frozen pizzas and yogurt and owner of breweries, sparkling wine facilities, hotels and so on.

Schloss Johannisberger Riesling Kabinett 2008 is categorized as Prädikatswein, which is to say, Qualitätswein mit Prädikat (QmP), though aiming at simplified terminology labels are no longer required to state the whole term, only the shorthand of Prädikatswein. This top category encompasses what are potentially the finest wines made in Germany’s vineyards, though of course many factors enter into a determination of quality, especially the weather throughout the growing season and at harvest. According to germanwineusa.com, in an assessment of 2008 in all the country’s vineyard regions, in Rheingau “the 2008 vintage will be known particularly for high-quality Kabinett wines.”

Why, then, is this wine not better? Not that it’s not attractive and enjoyable. The first impression is of lovely fruit scents and flavors in the form of ripe peach and pear with a hint of apple; the wine is lively and refreshing, quite spicy, moderately sweet on entry but dry from mid-palate back. The texture is sleek and silky, though tingly with crisp acidity, and the finish brings in a tide of limestone. So, pleasant and tasty, indeed, and an entertaining match with the turkey shepherd’s (curry) pie, but what the wine lacks is ultimate verve and nerve, the depth of exhilarating stony/spicy/citric vibrancy that should characterize a QmP-category riesling (with a profound history and heritage) from 2008, supposedly a great Kabinett vintage in Rheingau; it quaffs much easier than it should. 11 percent alcohol. Very Good+. Prices on the Internet range, ludicrously, from about $20 to $35.

Imported by Valckenberg International, Tulsa, Okla. A sample for review.

For the Thanksgiving dinner dessert, we had a luscious pumpkin chiffon pie, prepared by a local chef, and then I made an apple tart, using Julia Child’s recipe and procedure for puff pastry from our much stained and blotched copy of The Way to Cook (Alfred A. Knopf, 1989). Basically, the process is a fairly tedious one of amalgamating six and a half sticks of chilled butter with four cups of flour using only a bare splash or two of ice water to help; ten “passes” with chilling in the refrigerator after every two. Miss Child would probably have been appalled at the rustic appearance of my pastry and the tart overall — the brown splotches are caramelized apricot glaze — but boy it certainly tasted rich and scrumptious. I patted and rolled the crust out on a cutting board and slid it carefully onto the baking sheet sprinkled with a few drops of water. Once on that surface, I used lengths of the dough to fashion the raised edges. The apples were Granny Smith, good for baking because of their tartness and firm texture.

I have a selection of half-bottles of dessert wine in the white wine fridge, but I decided to go with the oldest, the Renaissance Winery Late Harvest Riesling 1992, North Yuba, Sierra Foothills. “Oldest” does not mean the oldest released. Though made from grapes harvested in the autumn of 1992, the wine was not released until 2008, that’s right, at 16 years old. Renaissance, as a habit and philosophy, holds their wines longer than any other producer in California. Add two years, and that makes the wine 18 when we tasted it at our table.

The Renaissance Late Harvest Riesling 1992 is the color of faintly tarnished gold, like the back of an old pocket watch. Though closed at first, a few minutes of swirling brought up traces of peaches, orange rind and cloves, with notes of apricot jam and orange marmalade, and hints of quince and crystallized ginger, this gorgeous yet unobtrusive panoply melded with utmost delicacy and finesse. In the mouth, a sweetly faded and gentle quality, a repose of talc, lemon verbena, rose hips, melon drops and pomander reminded me of a sachet in an old-fashioned lady’s vanity. Essential acidity is certainly present, and in fact the wine gains succulence and vibrancy after some moments, elements that lay the foundation for a finish wrapped in grapefruit and limestone. A lovely dessert wine, filled with authoritative detail and dimension yet mild and mannerly; it was tremendously agreeable with the apple tart. 11.8 percent alcohol. If you have this bottle in your cellar, it should be consumed by 2012. Production was 364 cases. Excellent. About $35 for a 375-milliliter half-bottle.

This was a sample for review.

Naturally we made — rather LL made — a deep rich broth from the turkey carcass and then used that for a splendid, hearty Turkey, Barley and Mushroom Soup from The Williams Sonoma Cookbook (Free Press, 2008, $35.95). I had to take a cleaver to those thick bones, but talk about rib-stickin’ earthy flavors!

We slurped up bowls of this concoction last night, perfect for the chilly weather, with glasses of the Artezin Zinfandel 2009, Mendocino County, a label from The Hess Collection. The wine sees no new oak and contains 8 percent petite sirah grapes and 1 percent carignan. Bright and appealing aromas of blueberry, black currant and black raspberry are woven with a touch of wildness, something like mulberry, red plum and dusty herbs with undertones of briers, brambles and black pepper. Unlike many zinfandels, the Artezin 2009 displays no annoying hotness, no cloying over-ripeness; instead, the wine is balanced, integrated and thoroughly drinkable, and I mean that assessment in the best sense. Black fruit flavors are permeated by baking spice and a bit of dusty shale-like minerality and nestled in a texture of moderately dense and finely-milled tannins. Give the wine a few minutes in the glass, and it brings up lovely notes of potpourri and thyme, sandalwood and smoke. Drink now through 2012. Alcohol content is 14.5 percent. Very Good+. About $18.

For a chilly day, I took a package of four pork shanks from the freezer and looked around the larder for what I could do with them. Ah, a container of prunes, left from some other recipe that I do not remember, but there are always leftover prunes, and they last forever. And some fresh rosemary and sage. Things were shaping up nicely. I called LL and asked her to go to the store and get some turnips, carrots, potatoes and mushrooms, which she accommodatingly brought home at lunchtime. Well, I never used the mushrooms because one of the dogs kept stealing them from the counter. Anyway, I browned the shanks in olive oil in a large pot, took the shanks out and sauteed some chopped onions and garlic, scraping up all the little meat bits. To the pot, then, I added chopped turnips, potatoes and carrots — turnips and carrots peeled — and cooked them for a few minutes, stirring them around to pick up any olive oil and rendered fat left in the pot. Then back into the pot with the shanks, along with maybe 16 prunes (sliced in half), handfuls of chopped rosemary and sage, a sprinkle of salt and a squeeze of pepper and a bottle of dry white wine. Put the lid on the pot and let those shanks simmer for three hours or so. When LL got home from work, she said, “Wow, something smells really good!” For dinner, I presented her with Braised Pork Shanks with Prunes, Rosemary and Sage. Green beans on the side. A little grated lemon peel on top. So freakin’ good …

Pork and prunes put me in mind of Alsace and Germany, which put me in mind of riesling, but the hearty meatiness of the dish also put me in mind of syrah, particularly the Northern Rhone Valley. In the interests of experimentation, I opened the Peter Jakob Kuhn Quarzit Riesling Trocken 2008, Rheingau, and the Philippe and Vincent Jaboulet Crozes Hermitage 2007. How did the wines turn out as matches with the pork shanks? Read the comments that follow. These were samples for review.
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I first tasted the Peter Jakob Kuhn Quarzit Riesling Trocken 2008 when I visited the biodynamic estate in July 2009; my post about that occasion is here. The property is graciously and fervently run by Peter Jakob Kuhn and his wife Angela; he, as winemaker, produces rieslings of remarkable character and dimension. The Quarzit designation is the second rung in the ladder of their roster of wines. My notes at the time: “V. stony, v. pure and intense, v. spicy; yellow flowers, yellow fruit, stone fruit; huge hit of minerals, slate and limestone; v. dry, crisp, vibrant, austere. This is, one admits, a little demanding; it needs a year or two.” Sixteen months later, the wine has opened considerably, but it’s primary motivation remains a scintillating expression of minerality in the form of crushed gravel and shaved granite. The floral element is more apparent; flavors of peach and pear encompass hints of dried thyme and a sort of Platonic grapefruit pithiness. The wine is indeed, as I wrote last year, “v. dry, crisp, vibrant, austere,” all qualities enhanced by acidity of startling vivacity. Ideally, a riesling to match the pork shanks would have halb-trocken — “half-dry” — or even a spatlese; the PJK Quarzit 2008 was simply too dry, too astringent for the richness of the dish, though there were moments when I took a spoonful of prune and turnip in the sauce and then a sip of the wine and felt a brief frisson of perfection. 11.5 percent alcohol. Excellent. Suggested retail price is $28, but prices on the Internet run from about $25 to $40.

Imported by Domaine Select Wine Estates, New York.
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Made from 100 percent syrah grapes, the Domaine Philippe and Vincent Jaboulet Crozes-Hermitage 2007 offers a pungent and classic bouquet of smoke, wet dog, cloves and sandalwood, spiced and macerated red and black currants, and, in a few minutes, burning leaves, briers and brambles, moss, rose petals and violets; in fact, give the wine some time in the glass — I mean like an hour or two — and it smells as if you had somehow taken the whole of the Northern Rhone Valley in your hand, all its weeds and flowers and gravelly, loamy earth, and crushed it and rubbed it and inhaled the deep, exotic redolence. Austerity takes over in the mouth, but it’s the austerity of broad tannins rather than oak. Only 20 percent of the wine ages in oak casks for 10 months; the rest stays in concrete and stainless steel tanks, so despite the grainy heft of the structure there’s an aura of freshness and clarity. Still, this was too young, too dense and underdeveloped for the pork shanks. A better choice would have been, to keep with the Rhone but travel further south, a Cotes-du-Rhone Villages, or more toward the home-base, a fruity zinfandel. 900 cases were imported. Excellent potential from 2012 or ’13 through 2017 or ’19. About $31.

Imported by Wilson-Daniels, Napa, Cal. Bottle image by John McJunkin.
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By “My First Gnocchi,” I mean my first time to make gnocchi; I mean, I’ve eaten gnocchi many times, mainly in its manifestation as heavy, doughy little indigestible depth-charges. I’ve always avoided making gnocchi because it — really they, right? — felt more trouble than the effort could be worth, and truly the process is a kitchen-wrecker par excellence. Still, I decided to prepare Butternut Squash Gnocchi with Sage Brown Butter, from the October issue of Bon Appétit, for Halloween night because it seemed like an appropriate autumnal sort of dish. The recipe is from an article about New York Italian restaurant lynch-pin Lidia Bastianich and a typical Friulian meal.

As I said, this was a trek into virgin culinary territory for me, and I was certain as the prepping and mixing and cooking and rolling out and cooking and more cooking went on that I was doing everything wrong. Lo and behold, however, the things actually turned out pretty damned light and airy, just as gnocchi ought to be. LL allowed as how they were as good at the ones she had eaten at Cent’Anni in New York, eons ago. I’ll admit that they were — aw shucks, darnit! — delicious.

I thought that a good way to start — btw, we were watching the excellent Swedish vampire pre-teen love story “Let the Right One In” — would be with a bottle of Dogfish Head Punkin Ale, a seasonal brew, from the well-known independent (and eccentric) brewery in Milton, Delaware, described as “a full-bodied brown ale brewed with real pumpkin, brown sugar, allspice, cinnamon & nutmeg.” When I first read these words on Punkin Ale’s label, I shuddered; how, I pondered, could this be anything but too sweet? But no, the spicy “Thanksgiving-like” aspects are very subtle. There’s a sense of sweetness, but it’s encompassed by the ale’s nut-brown richness and balance and the thwacking touch of bitterness on the finish. It was wonderful with the gnocchi. Dogfish Punkin Ale is released early in September and is usually sold out by late November. I paid $3 for a 12-ounce bottle at a retail liquor store that sells “big” beer. I noticed that it’s available by the six-pack at the local Whole Foods. I think I’ll buy one.

From the Punkin Ale, we turned to a completely different but just as satisfying experience. Lydia Bastianich and her son Joe, also a very successful restaurateur (with partner Mario Batali), own a winery in the Friuli region of northeast Italy. The estate turns out well-crafted red and white wines, but recently, as in October, Bastianich released a new line of affordable wines called Adriatico. The wines in the line-up are a Friulano from Italy’s Friuli Venenzia Giulia region, a ribolla gialla from the Brda region of Slovenia, and a malvasia Istriana from Croatia, all of these areas linked geographically by their access to the most inland tip of the Adriatic Sea, as well as by history and culture.

I opened the Bastianich Adriatico Friulana 2009, Colli Orientali del Friuli, and was mighty glad that I did. Yes, it drank very nicely with Lydia Bastianich’s Butternut Squash Gnocchi with Sage Brown Butter — and only Bastianish wines are recommended with the recipes in the magazine — but even more, it displays gratifying quality and character for the price; in fact, let’s call it compelling. First impression is generally spicy and floral and minerally, while the latter element rapidly rises to the top in a tide of scintillating limestone that bears roasted lemon and lemon balm and a hint of almond and almond blossom. The wine is very fresh, crisp and lively, very dry, yet juicy (stopping short of luscious) and flavorful in a way that’s both fruity and savory; I swear, it felt as if the spareness of cucumber and dried thyme were balanced by ripe pear, lychee and bacon fat, the wine is that macerated and meaty. Yet — another “yet” — there’s nothing obvious, flamboyant or overwhelming here; all is serenity, poise and equilibrium. Drink now through 2011 or into 2012. Alcohol is $13. Excellent. About $15, a Phenomenal Bargain.

Dark Star Imports, New York. A sample for review.

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