Chardonnay


One of my “rules” in the “Twelve Days of Christmas with Champagne and Sparkling Wine” series — now in its sixth year! — is that I never repeat a wine. I may repeat a label or brand, perhaps, but not the same product. I say that now because I included two Champagnes from the house of Gosset in the first week of January segment of this series in 2007/2008 — the Grande Reserve Brut and the Brut Excellent — and today will review a different one, the Gosset Grand Blanc de Blancs Brut.

Established in 1584, the house of Gosset is the oldest wine producer in Champagne. In those days, however, the wine wasn’t the sparkling product that we know and love today; that process didn’t begin until the late 17th Century, and for 125 years or so the practice of producing a sparkling wine by a second fermentation in the bottle was an inexact and accident-prone science. In any case, the Gosset family was certainly there at the creation of the champagne wine industry.

In 1994, after 410 years of ownership by the same family, Gosset was purchased by the Remy-Cointreau company and Beatrice Cointreau was put in charge, wisely keeping to the same regime of grapes purchased primarily from Grand Cru and Premier Cru vineyards, barrel fermentation and no malolactic, so the Gosset champagnes retain more than usual vivacity.

The Gosset Grand Blanc de Blancs Brut is a pale blond beauty, all steel and limestone and quince and with intriguing hints of ginger, hay and lemongrass, enlivened by a steady stream of tiny bubbles and fleet-footed acidity. Blanc de blancs — “white from whites” — means that this is all chardonnay and in this case all grapes from Grand Cru and Premier Cru vineyards. Gosset Grand Blanc de Blancs Brut is cool, sleek and elegant, exactly as I like a blanc de blancs to be, yet it exudes a touch of biscuits and buttered cinnamon toast for a bit of warmth. This feels completely dry, and the limestone-like minerality and vibrant acidity build from mid-palate back through the finish, concluding in an element of chalk-like and slightly honeyed but brisk grapefruit austerity that merely adds to the Champagne’s somewhat Olympian allure. 12 percent alcohol. Excellent. About $68.

I chose the Gosset Grand Blanc de Blancs Brut to accompany our traditional Christmas Day Southern Breakfast of fried eggs, grits, biscuits, country ham and red-eye gravy. Why, you ask, such a high-toned Champagne with such a down-home meal? Because it takes that effervescence, the bright acidity and the cleanness, the blade-like effect to cut through the richness and the fat, and because it’s, you know, just plain fun.

Imported by Palm Bay International, Boca Raton, Florida. A sample for review.

No snark today; it’s my birthday! So what I offer are eight wines that we have enjoyed at home recently, mainly with lunches or dinners or standing in the kitchen preparing meals, with no — all right, very few — quibbles. It’s an eclectic group: white, rosé and red; still and sparkling, originating in Germany, Hungary, France, Oregon, Sonoma County and Napa Valley. Prices range from $11 to $45; ratings go from Very Good+ to Exceptional. No technical notes and details; just heart-felt reviews designed to spark your interest and whet your palate. These were all samples for review.
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Count Karolyi Grüner Veltliner 2011, Tolna, Hungary. 12% alc. 100% grüner veltliner grapes. Very pale straw-gold color; bone-dry, spare, lean, subtly infused with green apple, lime peel and a tang of spiced pear and grapefruit; powerful strain of oyster-shell-like/limestone minerality, but winsome and attractive. 523 cases imported. Very Good+. About $11, a Raving, Cosmic Bargain.
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River Road Nouveau Rosé of Pinot Noir 2012, Russian River Valley, Sonoma County. 12.5% alc. 100% pinot noir grapes. The first California wine from 2012 that I’ve tasted. Lovely pale watermelon color; pure strawberries and watermelon in the nose; soft, supple, almost shamelessly appealing; hints of dried cranberries and mulberries, pert, tart, laced with limestone; touch of orange rind and plum skin; slightly sweet on the intake, but the finish is dry. 240 cases. Absolute delight. Very Good+. About $15.
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Gustave Lorentz Crémant d’Alsace Rosé (nv), Alsace. 12.5% alc. 100% pinot noir grapes. Radiant medium salmon-copper color; a constant upward swirl of tiny bubbles, glinting silver in the dusky pink; striking aromas of macerated strawberries and raspberries with touches of cloves, orange zest and lime peel; very dry, very crisp, heaps of limestone and shale; yet creamy, supple, lots of body and heft, almost chewy; a long spice and mineral-laden finish. Production was 2,500 cases. Delectable and more. Very Good+. About $25.
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Domaine Chandon Reserve Brut (nv), 82% Sonoma County, 18% Napa County. 12.5% alc. Composition is 80% pinot noir, 20% chardonnay. Medium straw-gold color with a touch of bronze; a surging whirlwind of tiny bubbles; very biscuity, roasted hazelnuts, spiced pears; lightly buttered cinnamon toast; ginger and quince and a hint of baked apple; heaps of limestone-and-flint minerality, very steely, quite elegant yet with robust underpinnings; long spicy, toast-and-limestone packed finish. Very classy. 2,046 cases. Excellent. About $30.
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Cornerstone Chardonnay 2010, Willamette Valley, Oregon. 100% chardonnay grapes. Pale straw color; pungent with pineapple and grapefruit aromas tinged with honeysuckle, lemon zest, cloves, damp limestone and a touch of mango; lots of presence, lots of personality; lively, crisp, refreshing; dense, talc-like texture, almost chewy yet taut, chiming with acidity and a vibrant limestone-and-flint minerality. Quite stylish and attractive. 166 cases produced. Now through 2014 t0 ’16. Excellent. About $35.
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Villa Huesgen Enkircher Steffensberg Riesling Kabinett 2011, Mosel, Germany. 10% alc. 100% riesling grapes. Pale straw-gold color; delicate, lithe and lacy, crisp as an apple fresh from the cellar and slightly bitter and bracing as apple skin; whiff of some dewy white flower like camellia, traces of smoke and ripe lychee, peach skin and apricot; smells like summer, what can I say? so lively that it’s almost pétillant, burgeoning quality of limestone and shale, hints of roasted lemons and pears, but all subsumed to a sense of elegance and refinement married to the power of fluent acidity and scintillating minerality. Production was 2,000 cases. Just great. Now to 2020 to ’25. Excellent. About $40.
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Signorello Seta Proprietary White Wine 2011, Napa Valley. 14.4% alc. 62% semillon grapes, 38% sauvignon blanc. Takes risks with oak but pulls off the feat. Light straw-gold color; spicy figs and pears, dried thyme and tarragon, greengage plums, roasted lemons, guava and ginger: yeah, quite a bouquet, in which you also sense, as ink seeps into the graven lines of the etcher’s plate, the soft permeating burr of oak and woody spices, as well in the body of the wine; yet boy what presence and tone, clarity and confidence; a few minutes bring in notes of white peach and gooseberry, something wild and sunny and definitive; crisp acidity, a modicum of stony minerality. 177 cases. Now through 2015. Excellent. About $42.
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Pfendler Pinot Noir 2010, Sonoma Coast. 14.4% alc. 100% pinot noir grapes. A brilliant pinot noir; you want to hand yourself over to it. Dark ruby color with a slightly lighter violet-magenta rim; deliriously spicy and floral; black cherries, red currants and mulberries, just a hint in the background of something a little earthy and funky, very Burgundian in that aspect; super satiny texture but with a slightly roughed or sanded (as if were) surface — there’s a touch of resistance; a substantial pinot noir that fills the mouth, dense and intense; gains power as the moments pass; there’s an autumnal element: burning leaves, slightly dried moss, briers but overall gorgeous fruit. 200 cases. Among the best pinot noirs I tasted (or drank) in 2012. Now through 2016 to ’18. Exceptional. About $45.
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Welcome back, Weekend Wine Sips, after a two week hiatus! “Thanks, FK, glad to be back!” So what do we have in store today? “Well, FK, since this segment of BTYH took some time off, I thought I’d assemble a vastly varied group of 12 wines that should appeal to just about every taste and pocketbook as well as hitting diverse regions.” Sounds good, WWS, can you be more specific? “Of course! We have four white wines, three rosés and five reds, and we’re looking at two regions of Spain, Argentina, Italy, Alsace, different areas of California and Washington state.” Sounds exciting! “Thanks! I think our readers will find a lot to ponder and enjoy.” And as usual –? “Right you are, FK! No tech notes, no history or geographical info, just quick, pithy, insightful notes and remarks that grab the essence of the wine and shake it out on the table!” Ah, perhaps I wouldn’t have put the case exactly in those words, but what the hell! “Indeed! And I say, let the show begin!” Don’t forget to mention, as per FTC regulations — “Oh, damn! These wines were samples for review.”
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Viña Reboreda 2011, Ribeira, Spain. 11.5% alc. 40% treixadura grapes, 20% each godello, torrontés and palomino. Pale straw-gold color; clean, fresh aromas of roasted lemons and spiced pears permeated by hints of dried thyme and limestone; taut, bracing acidity; texture indulges in lushness that feels almost powdery, like electrified talcum powder; citrus and stone-fruit flavors persist through a finish that pours on the limestone. Very Good+. About $13.
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Una Seleccion de Ricardo Santos Semillon 2012, Mendoza, Argentina. 14% alc. 100% semillon grapes. Pale straw-gold with a faint greenish cast; fig and pear, green pea, hint of grapefruit; sleek and smooth but with a touch of wildness in its weedy-meadowy quality; ripe and almost luscious but quite dry, crisp and lively and truly spare and high-toned; hint of almond skin bitterness on the finish. Extraordinary power and character for the price. Production was 1,000 cases. Excellent. About $16, marking Tremendous Value.
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Domaines Schlumberger Les Princes Abbes Pinot Gris 2009, Alsace, France. 100% pinot gris. 13.5% alc. Medium straw-gold color; beguiling bouquet of pear, peach and melon heightened by jasmine and cloves and a tinge of honeyed grapefruit; quite spicy and lively in the mouth, just this side of exuberant yet a wine imbued with the dignity of limestone and flint; slightly sweet initially but shifts smoothly to bone-dry through the mineral-and-grapefruit flecked finish. Drank this with the soup made from the Thanksgiving turkey carcass. Excellent. About $20. How can they sell it so cheaply?
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Jordan Chardonnay 2010, Russian River Valley, Sonoma County. 13.5% alc. 100% chardonnay. Clean, fresh, spare, elegant; lovely balance and integration; pineapple and grapefruit scents and flavors permeated by ripe slightly spicy stone fruit and hints of ginger and quince; seductive texture that’s almost cloud-like yet enlivened by crystalline acidity and an inundation of liquid limestone. Very dry, a bit austere through the finish; one of the most Chablis-like of California’s chardonnays. Excellent. About $29.
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Viña Zorzal Garnacha Rosato 2011, Navarra, Spain. 13% alc. 100% garnacha grapes. Entrancing bright cherry magenta; pure raspberry and strawberry, touches of watermelon and mulberry; dark, more full-bodied than most rosés; notes of briers and slate for an earthy undertone. Quite charming, but nothing light or delicate. Very Good+. About $13.
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Heller Estate Merlot Rosé 2011, Carmel Valley, Monterey County. 100% organic merlot grapes. Light cherry-violet color; raspberry, mulberry and melon with a touch of pomegranate; very stony and spicy, with hints of damp slate and dusty herbs; vibrant acidity keeps it lively and thirst-quenching. Lots of personality. Very Good+. About $21.
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Lasseter Family Winery Enjoué 2011, Sonoma Valley. 13.2% alc. 73% syrah, 24% mourvèdre, 3% grenache. Entrancing shimmering pale salmon-copper color; delicate, spare, elegant; dried raspberries and cranberries with hints of melon and pomegranate, backnotes of cloves and orange zest; quite dry but subtly ripe and flavorful; “I know a bank whereon the wild thyme blows”; pert acidity, slightly stony but not austere. Quite lovely rosé. 570 cases. Excellent. About $24.
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Michele Chiarlo Le Orme 2010, Barbera d’Asti Superiore. 14% alc. 100% barbera grapes. Medium cherry-ruby color; a beguiling mélange of smoky and sweetly ripe red cherries and red currants with hints of blueberry and mulberry; undertones of violets and potpourri and gentle touches of briers and graphite-like minerality, with a smooth segue into the mouth, all elements supported by moderately chewy tannins, bright acidity and subdued granitic earthiness. Excellent. About $15, marking Great Value.
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Lasseter Family Winery Chemin de Fer 2010, Sonoma Valley. 14.8% alc. 49% grenache, 38% syrah, 13% mourvèdre. Medium ruby-purple with a hint of violet at the rim; wow, smoke on silk and tattered on briers and brambles; graceful, balanced and integrated but gathers power and dimension as the moments pass; luscious and spicy blackberry, raspberry and blueberry flavors but not over-ripe, held in check by a taut spine of acid and sinew of dense and dusty tannins. Love this one. Excellent. About $40.
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Candaretta Windthrow 2008, Columbia Valley, Washington. 14.6% alc. 36% syrah, 29% mourvèdre, 18% counoise, 17% grenache. Very dark and dense in every way; deep ruby-purple color; spiced and macerated blackberries, black currants and plums with an undertow of blueberry; smoke and a charcoal edge, leather and graphite; touch of earth and wet dog; incredibly lively and vivid, royal tannins and imperial acidity. Drink through 2018 to ’20. Excellent. About $50.
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Nickel & Nickel Darien Vineyard Syrah 2009, Russian River Valley, Sonoma County. 14.9% alc. 100% syrah. Classic in shape, proportion and tone; dark ruby-purple with a violet-magenta rim; volcanic in its elements of smoke, ash, graphite; tar, leather, fig paste and fruitcake; black currants and plums, very spicy, very lively; finely milled tannins, dense and chewy; long dry, earthy finish. Drink through 2019 or ’20.
Excellent. About $50.
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Stags’ Leap Winery Petite Sirah 2009, Stags Leap District, Napa Valley. 14.2% alc. 85% petite sirah, 15% field blend of at least 16 other grape varieties. Just what petite sirah should be. Deep ruby-purple color; dark, dense, ripe, packed with dusky blackberry, black currants and blueberry scents and flavors; plum jam and an intensely highlighted dusty graphite element; smoke and ash, leather and tar; robust and rustic, with large-scale but palatable velvety tannins. Bring on the braised short ribs or the grilled pork chops with cumin and chillies. Now through 2017 to ’19. Excellent. About $80.
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The holiday Champagne and sparkling wine season will be upon us soon, so I’ll give you a head-start on the proceedings with a very attractive bottle of bubbles from France’s Loire Valley. Crémant de Loire was approved as an appellation in 1975. It’s not merely a type of wine but implies a geographical area, being restricted to the regions of Anjou-Saumur and Touraine, in the central Loire. According to the regulations, grapes for Crémant de Loire must be hand-harvested, and the wine must be aged in the bottle for at least a year. The process must be the Champagne method of second fermentation in the bottle or as it is called in the Loire (and other places in France outside of Champagne) methode traditionelle. Many grape varieties are allowed, but the dominate grates are chenin blanc and cabernet franc.

The non-vintage Gaudrelle Crémant de Loire Brut is made from equal parts chenin blanc and chardonnay grapes. The color is pale gold enlivened by a constant upward stream of tiny glinting bubbles. This lovely sparkler is clean and fresh and effervescent, prolific with scents of lightly spiced apples and pears with back-notes of ginger and quince and a hint of chenin blanc’s slightly earthy straw-like character. The wine is quite dry, almost delicate, deeply imbued with limestone and flint qualities married to juicy citrus and stone-fruit flavors and devolving to a stones-’n'-bones finish that exhibits taut acidity and high-toned mineral-laced austerity. 12.5 percent alcohol. Really charming. Very Good+. About $19 or $20, but prices around the country range from $17 to $25.

Imported by Kysela Pere et Fils, Winchester, Va. Tasted at a trade event.

In the deep backward and absym of time, I used to receive samples from Robert Mondavi Winery, usually twice a year in the form of a case of new releases. After Constellation bought Robert Mondavi at the end of 2004, though, for whatever reason, I stopped receiving samples from the winery; was it something I said, or perhaps it had to do with my switching from a weekly newspaper column to my own website (the old KoeppelOnWine.com, which operated from December 2004 to April 2008). In any case, I was happy to open a two-bottle box recently delivered to my threshold and find the Robert Mondavi Chardonnay 2010 and Pinot Noir 2010. Even more happily, the wines are terrific models of their kind, and while the products featured in “Pairs of Great Wines” are often rare and expensive, these represent high quality for not exorbitant prices and are widely available. Director of winemaking for Robert Mondavi is Genevieve Janssens.
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I found the Robert Mondavi Chardonnay 2010, Napa Valley, entrancing, and of course it didn’t hurt that the wine is an example of precisely what I want chardonnay to be: stony and steely but with plenty of tasty fruit and chiming acidity and a texture that balances lushness with litheness. So, there’s the review right there, but I’ll expand on the theme a bit so you’re familiar with the technical thinking behind it. Seventy-seven percent of the juice was fermented in French oak barrels, 15 percent new, with the remaining 23 percent fermented in stainless steel tanks; these lots aged for 10 months on the lees, that is, the residue of used-up yeast cells, a process that can add depth and character to a wine. The color is radiant pale gold; aromas of ripe pineapple and grapefruit open to notes of baked pear, ginger and quince and hints of jasmine and limestone; a hint of mango adds complexity. In the mouth, this chardonnay at first is spare, almost lean with its dominant limestone and steel qualities and vibrant acid nature, but the citrus and stone fruit flavors offer burgeoning spice and smoke over a mounting oak presence (from mid-palate back) that contributes firmness and a pleasing, almost powdery finish. 13.5 percent alcohol. Now through 2014. Excellent. About $20, marking Great Value.
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My first note on the Robert Mondavi Pinot Noir 2010, Carneros, Napa Valley, is “absolutely beautiful.” The wine spent only seven months in French oak, 34 percent new barrels, so the wood influence is almost subliminal, yet it’s there, shapely and suavely spicy. The color is dark ruby with a mulberry-magenta cast. Aromas of smoky black and red cherries are infused with cola and cloves, pomegranate and rhubarb, all singing over bass-notes of slightly earthy briers and brambles. In the mouth, ripe and spicy black and red fruit flavors (and a touch of dried fruit) exist in complete harmony with the wine’s super-satiny texture, but this is no kissy-face pushover; instead, the Robert Mondavi Pinot Noir 2010, Carneros, Napa Valley, avoids plushness or opulence through the agency of bright acidity and the presence of finely-knit tannins. Above all, the impression is of a lovely marriage of spareness and elegance in the service of delicious pinot noir authenticity. 14.5 percent alcohol. Now through 2015. Excellent. About $27.
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Pay attention, Readers. These are wines to buy by the case for drinking anywhere from the next year to three or four years from now. At these prices, you can afford them. Four of these are French, one Spanish and one Argentine; in the grape categories, they are completely various and diverse. Three are white, three red. What they share is attractiveness, appeal and accessibility. They are widely available. No technical data or historical or geographical information; the Friday Wine Sips are designed to give you quick insight into a wine’s character. These wines are imported by Kysela Pere et Fils, in Winchester, Va., at the north end of the Shenandoah Valley. Tasted at a local wholesaler’s trade event.
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Hugues Beaulieu Picpoul de Pinet 2011, Coteaux de Languedoc, France. 12.5% alc. 100% picpoul grapes, aka folle blanche. A perennial fave on BTYH. Savory and spicy, bursting with sunlight and sea-breeze and scintillating limestone and shale elements; roasted lemon and lime peel, touches of thyme, fennel and lilac; dry, delicate, evanescent yet with real substance. Through Spring 2013. Very Good+. About $12.
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D. Coussergues Chardonnay Viognier 2011, Vin de Pays d’Oc, France. 13.5% alc. 60% chardonnay/40% viognier. Very pretty wine; pale straw-gold color; clean, fresh and floral (honeysuckle, camellia); lemon-lime and hint of grapefruit; touch of viognier’s inherent waxiness and honeyed richness; but very dry, vibrant with crisp acidity, a stones-and-bones finish. Delightful. Through Spring 2013. Very Good+. About $13.
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Nuna Torrontes Reserve 2011, Mendoza, Argentina. 14.5% alc. 100% torrontes grapes. Lovely white with a touch of austerity for balance; hints of almonds, jasmine and honeysuckle; roasted lemon and pear, very shapely, round yet breached by taut acidity and limestone minerality; quite dry, gets more spare, almost elegant through the finish. Through Summer 2013. Very Good+. About $15.
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El Cortijillo Tempranillo 2011, La Mancha, Spain. 12.5% alcohol. 100% tempranillo grapes. All freshness, brightness and immediate appeal; red cherries and currants and touch of blueberries, hint of dried spices; undertow of briers and brambles, dry grainy tannins slip-slidy with velvety texture and clean acidity. Have a spare rib lying around? A lamb chop? Simple, direct, tasty. Very Good+. About $12.
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Castelmaure Col des Vents 2010, Corbieres, France. 13.5% alc. 50% carignan, 35% grenache, 15% syrah. Another BTYH fave. Bright, clean, very appealing; scents and flavors of spiced and roasted black currants and blueberries infused with smoke and minerals; wild, pungent and peppery, dusty briers, brambles and underbrush, great for everyday drinking. Through 2013, with pork chops, meatball sandwiches and the ilk. Very Good +. About $12.
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Chateau Bellevue 2009, Cotes de Castillon, Bordeaux, France. 13.5% alc. 65% merlot, 35% cabernet franc. You feel both the balance and the slight tug of each grape; dark ruby color; black currants and cherries, touch of mulberries; thyme and black olive, graphite and cedar; plush texture leavened by the seriousness of oak and fairly dense tannins with brisk acidity keeping the package fresh and lively. Through 2015 or ’16. Very Good+. About $17.
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Susana Balbo, a winemaker since 1981, is often considered the diva, even the Evita, of Argentine wine producers. Her brands include the eponymous Susana Balbo and BenMarco, priced less expensively, and the labels Crios and Bodini, made by her son Jose Lovaglio, often listed among bargains and great values. I tasted the range of these wines recently at a trade event in Memphis, though I have written about and reviewed the wines for several years. As usual, these Friday Wine Sips — whatever day they’re posted! — do not include the technical, historical or geographical data that I and other like-minded readers dote upon; no, the purpose here is quick and insightful (if not soulful) reviews designed to grab the essence of the wine and hand it to you in a few pithy words and images. These wines are imported by Vine Connection, Sausalito, Ca.
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Crios Rose of Malbec 2011, Mendoza. % alc. Lovely melon-mulberry color; strawberries, raspberries and red currants; snappy acidity and limestone minerality; undertones of dried herbs and briery earthiness. Tasty and charming. Drink into 2013. Very Good+. About $13.
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Crios Torrontes 2011, Salta. % alc. Very pale straw-gold color; very fresh, clean, crisp, jasmine and camellia floral elements; savory with roasted lemon and pear flavors, bracing with crisp acidity and a saline quality; texture neatly balanced between suppleness and leanness. Very attractive. Now into 2013. Very Good+. About $15.
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Bodini Chardonnay 2011, Mendoza. % alc. Pale gold color; quite clean and fresh, bright and spicy; pineapple and grapefruit, back-notes of ginger and quince, very dry but juicy and tasty, vibrant acidity and a scintillating limestone element. Appealing with its pinpoint balance and exhilaration. Now into Summer 2013. Very Good+. About $13, marking Great Value.
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Crios Chardonnay 2010, Mendoza. % alc. More subtle than the Bodini Chardonnay 2011, sleeker and more modulated; more intensity and concentration; moderately spicy pineapple and grapefruit scents and flavors, slightly macerated; very dry, spare, lots of gravel and limestone in the depths, taut acidity. Now into Spring 2013. Very Good+. About $15.
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Bodini Malbec 2011, Mendoza. Dark ruby color; quite fruity and spicy, almost exotic; black and red currants, cherries and mulberries (with that mulberry tartness); touch of blueberry turnover; briers and brambles, moderately dense and dusty tannins. Tasty, drinkable and appealing personality. Now into Summer 2013. Very Good+. About $13, another Great Value.
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Crios Malbec 2010, Mendoza. % alc. Dark ruby color; pleasant, no great depth, pretty generic “red wine.” Good+. About $15.
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BenMarco Malbec 2010, Mendoza. 14% alc. Dark ruby-purple color; big, gritty gutsy style, dense, smoky, velvety, intense and concentrated; black and red currants, blueberries; grainy tannins and burnished oak; ripe and slightly roasted and briery effects over graphite minerality. Bring on the rib-eye steak or the rack of lamb. Now through 2014. Very Good+. About $19.
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Susana Balbo Malbec 2010, Mendoza. 14.5% alc. Dark ruby-purple color; immediately strikes a serious stance; very intense and concentrated, with real depth and dimension; plenty of dusty, gritty tannin grip but plush and velvety with deep-dyed black and blue fruit and feeling evenly-milled even to the bottom of its dusty granitic minerality; actually a beautiful structure with a long finish and fine focus. Demands grilled red meat. Now to 2015. Excellent. About $25.
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Crios Syrah Bonarda 2008, Mendoza. 13.5% alc. A 50/50 blend. Medium ruby-purple color; first note: “wow, that’s good.” Red and black currants, black cherry and blackberry, very spicy, wild, exotic; smoky and tarry, bittersweet chocolate and graphite; dark and vibrant, quite dry. Now through 2013. Very Good+. About $15.
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Crios Cabernet Sauvignon 2010, Mendoza. 13.5% alc. A well-made and unpretentious wine, dark, robust, rustic, pretty intense and concentrated, but manageable tannins, macerated and fleshy black and blue fruit flavors. Now through 2014. Very Good. About $15.
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BenMarco Cabernet Sauvignon 2010, Mendoza. 14% alc. Big, dense, dusty, chewy; robust, concentrated, focused; very spicy and with wood all round the circumference; black and red berries, smoke, potpourri, graphite. Well-made but more correct than compelling. Now to 2014 or ’15. Very Good+. About $20.
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Susana Balbo Cabernet Sauvignon 2010, Mendoza. 14.5% alc. More about structure at this point, you feel the oak and tannin all the way through the finish; needs to age a few years into more delineation; but pulls up intriguing exotic touches of caramelized fennel, sandalwood, cedar and thyme, traces of bittersweet chocolate and lavender; try from 2013/14 to 2016/17. Maybe Excellent for potential. About $24.
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BenMarco Expresivo 2009, Mendoza. 14.5% alc. Malbec 50%, cabernet sauvignon 20%, syrah 15%, tannat 10%, petit verdot 5%. Built for size and power, not speed and grace; big, gritty and grainy tannins; lots of dusty graphite-like minerality, all mouth-coating and tongue wrapping; vibrant, velvety, very dry with a spicy but austere finish. Needs more of the advertised expressiveness. Try through 2015 to ’17. Very Good+. About $35.
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Susana Balbo Brioso 2007, Mendoza. 14% alc. Cabernet sauvignon 60%, malbec 15%, merlot 10%, cabernet franc 10%, petit verdot 5%. Has all the trappings of an ambitious flagship wine except the lively, dashing aspects implied by the name; very large in scope and depth, those dimensions packed with oak and tannin, though the wine does not feel woody or over-oaked, just fairly daunting at five years old. Give it five more years. Very Good+ for now. About $43.
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Susana Balbo Late Harvest Torrontes 2010, Mendoza. 12.5% alc. Pale gold color; very pretty, delicate; jasmine and honeysuckle, peach and pear; light, ephemeral, quite delicious peach and apricot flavors, slightly honeyed, cloves and ginger in the background; soft, graceful texture, a little flinty with acidity; dry from mid-palate through the finish. Delightful. Through 2013 or ’14. Very Good+. About $25. _________________________________________________________________________________________________________________
Susana Balbo Late Harvest Malbec 2008, Mendoza. 13.5% alcohol. Dark ruby with purple/violet rim; chocolate-covered raisins, spiced and macerated black currants and raspberries, hint of fruitcake; really off-dry and then the acidity and mineral qualities tame the sweetness. They’re very different wines, of course, but given my druthers I would take the Late Harvest Torrontes. Now through 2014. Very Good+. About $25.
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The influence of geography and geology on vineyards, grapes and ultimately a bottle of wine is inestimable. In fact, geology and geography form the Alpha and the Omega of the biological foundation and agricultural process that in collaboration with weather — born itself of geographical and stratospheric principles — pump life into dormant vines, unfurl the leaves and encourage the buds, plump the grapes and bring them to fullness so they may be harvested and turned into wine. It’s not a magical or miraculous occurrence; aside from weather, which is the most variable factor in the tapestry, the elements of geography and geology change little over hundreds of thousands of years. (Global warming and climate change are different issues.)

Monterey County nestles against the Pacific Ocean, slanting to the southeast away from Monterey Bay, where it begins. You might picture, if you will, a flat valley, the Salinas Valley, the runs from the northwest to the the southeast between mountain ranges, the Santa Lucia Range to the west and the Galiban and San Benito ranges to the east. The Salinas Valley, a broad flatland, acts as a wind tunnel, drawing wind currents down from Monterey Bay, home to one of the world’s unique oceanographic features, the so-called Blue Grand Canyon, a name trademarked by the Monterey County Vintners and Growers Association. Whatever it’s called, this two-mile-deep (from the surface of Monterey Bay) and 60-mile-long trench in the ocean floor, located less than 100 yards off the coast, generates a colossal amount of cold air that influences the climate of Monterey’s vineyard regions as far south as San Lucas, where the Salinas Valley peters out. As you can see from this relief map, most of Monterey County — the county line is pink — is mountains; the Salinas Valley spikes down between the ranges. The light green area toward the bottom, surmounted by what look like bunny ears, is the San Antonio Valley. (Map from landwatch.org)

The entire valley and the foothills of its adjacent mountain ranges are filled with fog from early morning to late morning or early afternoon, when rising temperatures click on the wind tunnel effect and winds of up to 30 miles per hour begin to churn from the bay down through the valley. The resulting Thermal Rainbow — another trademark — regulates temperatures from the bay, where it’s coolest, down through the Salinas Valley all the way to the Hames and San Antonio AVAs, where the temperature is the warmest, sometimes to a differential of 40 degrees. In the cooler areas, pinot noir, chardonnay, syrah and riesling vines flourish; farther south, the vineyards hold cabernet sauvignon, zinfandel and some Rhone Valley grape varieties. The climate of the Central Coast and Salinas Valley is characterized as Mediterranean, meaning dry summers and cool, wet winters, though “wet” is a relative terms for a region where the rainfall averages 17 inches annually, and that’s between November and April. (The image above shows the Panorama Vineyard at the western edge of Arroyo Seco AVA, looking toward the Santa Lucia Range.)

Monterey County is an American Viticultural Area, so designated in 1984, but that doesn’t mean that you can plant grapes anywhere in the county and expect to say so on the label. The Monterey AVA is restricted to the narrow, central part of the county as well as an arm that reaches to the coast around Carmel. Lying along or within the Monterey AVA are eight smaller appellations, some of which are much better known than others: Chalone (1982), high above Soledad in the Gabilan hills below Pinnacles National Monument, home to one winery, Chalone Estate, and two other vineyards, 300 acres planted; Carmel Valley (1983), with five wineries and 300 acres of vines; the crowded Arroyo Seco (1983), with 37 wineries and vineyards and 7000 acres of vines; the seldom seen San Lucas (1987), home to eight vineyards that total 8,000 acres; the increasingly prestigious Santa Lucia Highlands (1991), with 29 vineyards and wineries and 5,900 planted acres; the also seldom seen Hames Valley AVA (1994), with eight vineyards totaling 2,200 acres; San Bernabe (2004), whose raison d’etre is 4,300 acres of vines owned by Delicato Family Vineyards; and the vast and largely empty San Antonio Valley (2006), which boasts three wineries and another vineyard totaling 600 acres.

My concern today (and in a subsequent post), after this introduction, is Santa Lucia Highlands, a long, narrow and increasingly populated AVA that over the past two decades has built a solid reputation for wines made from (especially) chardonnay and pinot noir grapes. SLH perches along the eastern terrace of the Santa Lucia Range, on the west side of the Salinas Valley, looking across to the distant Chalone AVA and Pinnacles National Monument (see accompanying image, from santaluciahighlands.com). From any vantage point or dizzy coign, the valley spreads northwest and southeast in a fertile quilt-like patchwork of various intense green hues, the country’s abundant basket of lettuce, cabbage and other leafy vegetables, that would not be possible without irrigation. SLH benefits from its semi-lofty placement on the escarpment — vineyards go from about 300 to 1,400-feet-elevation — where morning fog from Monterey Bay brings moisture and late morning sun and afternoon winds dry the grapes; the cool winds also slow photosynthesis, ensuring a long, even ripening of the grapes. Soil is primarily fine alluvial sandy or gravelly loam.

I’ll look today at SLH products from two young (or youngish) winemakers, Sabrine Rodems at Wrath Wines (she also has some Monterey AVA wines) and Chris Weidemann, who owns Pelerin Wines. A post coming next week (at a rough estimate) will discuss Figge Cellars, Tudor, Boekenoogan and Hahn Estate’s Lucienne single-vineyard pinot noirs. All of these wines were tasted on a sponsored trip to Monterey during the second week of September.
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Sabrine Rodems is fast-talking, brash, opinionated, animated, funny and sincere and totally dedicated to making authentic wines with balance, integrity, grace and no small measure of power. As winemaker for Wrath Wines — formerly San Saba Vineyards –she produces very limited quantities of chardonnay, sauvignon blanc, pinot noir and syrah under three labels: Ex Anima Wines, Winemaker Series and Single Vineyard Series.

The Wrath Ex Anima Sauvignon Blanc 2011, Monterey, practically climbs out of the glass with its brash bright notes of green apple, grapefruit and gooseberry and hints of fresh-mown grass; made all in stainless steel, this is very clean, crisp and tart, with appealing personality and mineral grip. 12.9 percent alcohol. Very Good+. About $19. The Wrath 3 Clone Chardonnay 2010, Monterey, goes the whole route: barrel-fermentation, 10 months in “40 or 50 percent” (Rodems said) new French oak and full malolactic; almost miraculously, the result is not overwhelming richness but exquisite balance, lovely heft, density and texture, reams of spice-infused apple, grapefruit and pineapple scents and flavors heightened by a trace of jasmine and deepened by shimmering limestone and flint minerality. 14.5 percent alcohol. Excellent. About $35.

The Ex Anima Pinot Noir 2010, Monterey, aged 10 months in a combination of stainless steel tanks and two-to-four-year-old French oak; no window-dressing here, this is all pinot noir purity and intensity, cleanness and freshness, with clove-and-cola- inflected raspberry and red currant scents and flavors, a sleek satiny texture and invigorating acidity that cuts a swath on the palate. 13 percent alcohol. Excellent. About $25. Rodems makes a pinot noir from the Boekenoogan Vineyard (about which more later); the version for 2010, Santa Lucia Highlands, reveals a bit more obvious hand with oak, but the wine is essentially well-balanced, smooth, suave and polished. 14.5 percent alcohol. Excellent. About $49.

Finally, the Wrath Fairview Vineyard Syrah 2009, Santa Lucia Highlands, offers all the blackberry and blueberry fruit, baking spice and black pepper and potpourri you could ask for in a supple package bolstered by plenty of dusty, briery tannins and earthy graphite-like minerality. 14.6 percent alcohol. Excellent. About $35.
__________________________________________________________________________________________________________________ Sometimes you encounter wines that seem such an embodiment of grace and elegance, purity and integrity that you would like to drink them forever. It’s fitting that the labels of Chris Weidemann’s Pelerin Wines feature the profile of an elderly pilgrim depicted as if part of an ancient mural; that sense of classical decorum and timelessness is intrinsic in Weidemann’s wines, all of which carry the Santa Lucia Highlands designation. He specializes in chardonnay, pinot noir and red and white Rhone Valley grape varieties and produces about 2,200 cases annually.

The Pelerin Paraiso Vineyard Les Tournesols 2010 is a blend of 58 percent viognier and 42 percent roussanne grapes; the wine spent six months in neutral oak barrels, that is, barrels used several times before. What a completely lovely, perfectly balanced wine, with notes of jasmine, fig, melon and roasted lemon and a hint of lime peel and limestone; audacious acidity and a firm but limpid limestone element support a structure and texture of beguiling shading and dimension. 14.4 percent alcohol. Now through 2014. Excellent. About $27. The Pelerin Sierra Mar Vineyard Chardonnay 2010 offers a bright gold color and grapefruit-pineapple scents and flavors that hint at the tropical without falling into the trap of overstatement or ungovernable ripeness; it’s a beautifully balanced and harmonious chardonnay, smooth, subtle and supple but with an edge of spice and flint, ginger and quince that raises the level of discourse a notch or two. 14.4 percent alcohol. Now through 2014 or ’15. Excellent. About $42.

People often say, “Words fail,” an assertion I find ridiculous, because words and language are adequate for all purposes; it’s not the words that fail, it’s us and our imaginations. So, words don’t fail at the prospect of describing the Pelerin Sierra Mar Vineyard Pinot Noir 2009, but they certainly stand rather awe-struck. Not that there’s anything super-dimensional about the wine; just the opposite, and if you’re weary of pinot noir wines from California that push the limits with extraction and richness and ripeness and alcohol, then this pinot noir is what you have been longing for. The fruit profile is red and blue, as in red currants and plums and blueberries with a hint of the tartness of cranberries and notes of cola and cloves; supple, satiny, yes, but spare, elegant and understated, except for the essential crisply-etched acidity that plows a row on the palate and a seemingly fathoms-deep element of graphite-like minerality and earthy briers and brambles, all this panoply subdued in honor of divine harmony. 14.5 percent alcohol. Now through 2014 or ’15. Exceptional. About $42.

Finally, the Pelerin Paraiso Vineyard Les Violettes Syrah 2008 is a model of balance, purity, intensity and utter drinkablility, yet behind that sapid facade, with its tasty black and blue fruit flavors, lingers a savory bastion of tar and tapenade, leather, black pepper and graphite. 14.3 percent alcohol. Now through 2014 to ’16. Excellent. About $36.
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Seven white wines and one rosé; seven Californians and one Spanish wine (not the rosé). Several chardonnays and a viognier made exactly in the fashion I like best. And some irresistible bargains. I do it all for you. No technical data, no paeans to place, no exploring the byways of personnel and personality; just brief reviews designed to perk up your interest and whet your thirst. Enjoy. These were samples for review.
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Pepi Chenin Blanc Viognier 2011, California. 13% alc. 66% chenin blanc, 34% viognier. Pleasant enough and drinkable but the grape varieties get lost in each other; a little citrusy, a little spicy, pleasing texture; no great shakes, but you can’t beat the price. Good to sip when you don’t want to hurt your brain too much. Good+. About $10.
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Sumarroca Temps de Flors 2011, Penedes, Spain. 12% alc. 48% xarel-lo, 40 % muscat, 12% gewurztraminer. Pale straw-gold color; very attractive but with some spareness and slight astringent factor, like little white mountain flowers that don’t take any crap from you, thank you v. much; pear, yellow plum, hint of white peach; acacia with a touch of honey and bees’-wax; lovely, lively, lithe and totally charming. Now into Spring 2013. Very Good+. About $14, offering Great Value.
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St. Clement Chardonnay 2010, Carneros, Napa Valley. 14.6% alc. Pale straw-gold color; just lovely; slightly smoky and steely pineapple- grapefruit scents and flavors, clove and limestone-flecked and with a beguiling trace of honeysuckle; spiced apples and pears, hint of citrus, sleek, smooth, supple and tingling with brisk acidity, superb balance between tense and teasing nervous energy and lightly honed richness, the finish laved with damp limestone and flint. My style. Now through 2014. Excellent. About $19, a Terrific Value.
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Ventana Dry Rosato 2011, Arroyo Seco, Monterey. 13.5% alc. 500 cases. 90% grenache, 10% syrah. Pale melon color; strawberry, dried cranberries and mulberries, hint of dusty limestone; supple texture with crisp acidity; a delightfully delicate and well-knit rosé with pleasing heft for drinking through Summer 2013. Very Good+. About $22.
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Ventana Sauvignon Blanc 2011, Arroyo Seco, Monterey. 14.2% alc. Pale straw-gold color; notably clean and fresh; lemon and pear, dried thyme and tarragon, hints of honeysuckle, lemongrass and gooseberry; vibrant, lively, spicy, engaging, but dry, spare, almost elegant. Now through 2013. Very Good+. About $22.
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Ventana Chardonnay 2010, Arroyo Seco, Monterey. 14.2% alc. Pale gold color; pineapple and grapefruit, a bit of mango, a few minutes bring up notes of greengage and quince and cloves; crisp and lively, texture moderately lush but tempered by acidity and a burgeoning limestone element; very nicely balanced, holds the richness of fruit in check for the essential structure. Through 2013. Excellent. About $22.
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Chamisal Estate Bottled Chardonnay 2010, Edna Valley. 13.9% alc. Very pale gold color; fresh clean aromas of candied quince and ginger, grapefruit and pineapple with a backnote of mango and delicately smoky oak; flavors of green apple and pineapple are boldly framed by baking spice, slightly woody dried spices (and a trace of dried flowers) and a hint of baked lemon; all held in check by bright acidity and a scintillating limestone element. This qualifies as radiant. Now through 2014. Excellent. About $28.
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Stags’ Leap Winery Viognier 2011, Napa Valley. 14.1% alc. Pale gold color; vibrantly clean, fresh, lissom, elegant; a wine of stones and bones with a hint of jasmine and tarragon laid over tart lemon and pear flavors bolstered by taut acidity and a bracing sea-salt and grapefruit finish; paradoxically, the texture is seductive and enveloping. For people weary of the overwhelming floral style of viognier. Now through 2013 or ’14. Excellent. About $30.
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Though the concept of an etude could legitimately refer to any area of technical study, we are mainly familiar with its use in the realm of music, where an etude is a miniature piece designed to exercise a particular aspect of skills, such as, for the piano, playing runs with double octaves or developing speed and accuracy in chromatic passages. The most famous sets of etudes are Chopin’s Opus 10 and Opus 25, published in 1833 and 1837 respectively, brief works of fiendish difficulty and often ravishing melody, though some of the pieces are profound in their depths of fervor and bravado. It’s almost a paradox, then, that when well-known winemaker and consultant Tony Soter launched Etude Wines in 1985 he named the winery for an idea based on exercises that seek for mechanical proficiency, though Chopin demands emotional and psychological commitment from his performers, as Soter always did, in a sense, from his consumers. Whatever the case, these examples of a chardonnay and pinot noir from Etude reveal an extremely high level of proficiency and dedication. Winemaker is Jon Priest. Soter sold Etude’s brand and inventory — there was no winery facility — to Beringer Blass in 2001. Through a demerger from the Fosters Group in 2011, Etude (and a host of other interesting or important brands in California and Australia) is owned by Treasury Wine Estates.

These wines were samples for review.
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The Etude Chardonnay 2010, Carneros, rated a “just beautiful” as my first note; this is exactly what I want chardonnay to be: cool, spare, elegant, pure and transparent yet displaying inner richness and succulence restrained by dazzling acidity and scintillating mineral elements. The wine aged 10 months in neutral French oak, meaning barrels that have been used for aging wine several times so that their effect on a wine is subtle and nuanced. Notes of green apples, spiced pears and grapefruit are buoyed by hints of limestone and flint and a bit of jasmine; this is wonderfully suave, smooth and supple, with an abundance of intensely ripe and spicy stone fruit and citrus flavors that are both off-set and highlighted by a crisp vibrant acid presence and an almost crystalline edge of limestone and chalk. Now through 2015 or ’16. Excellent. About $32.
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All right, so my first note on the Etude Pinot Noir 2009, Carneros, was “OMG!” As with the Etude Chardonnay 2010 reviewed just above, this exemplary model embodies exactly what I want a New World pinot noir to be: satiny and savory, with power and elegance married in equal measure and with a sense of delicacy bringing restraint to its intent and purposefulness. Many of the Etudes in Chopin’s Op. 10 and Op. 25 deliver a metaphorical sense of ineffable tinsel supported by the backbone of tensile strength, and this eminently drinkable yet somewhat age-worthy pinot noir feels the same. Under the lovely effects of pure and intense black cherries, black currents and plums permeated by hints of rhubarb and pomegranate, blueberry and sassafras, this wine delivers a lash of vivacious acidity and an undercoat of graphite and shale, all leading to a finish packed with the resonance of deep, spicy black and blue fruit flavors — there’s a hint of fruitcake, too, and a whiff of smoke and a bit of lavender — and the welcome earthiness and slight austerity of briery, brambly qualities. Now through 2015 or ’17. Excellent. About $42.
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