California


When I begin a post that way — “Worth a Search” — you know, My Readers, that the wines under review are limited in production. That’s certainly true of these three examples from Idlewild Wines, a project run by Sam Bilbro and Jessica Boone Bilbro. There’s a certain pedigree; Sam’s father, Chris Bilbro, started Marietta cellars in 1979, and Sam grew up in the wine business. Jessica has a degree in zoology but fell in love with winemaking and worked at Edgewood Estate, Armida Winery and Passalacqua. Idlewild is a small young winery at the vanguard of what’s most important in California now. No chardonnay or sauvignon blanc, no cabernet sauvignon or pinot noir is made here. Instead, we have out-of-the-way French and Italian grape varieties like grenache gris, arneis, cortese. Alcohol levels are moderate. New oak dares not show its face. Meticulous attention to detail is made, yet the wines are more nurtured and encouraged than manipulated. Prices are reasonable. I am, frankly, deeply enamored of these wines and wish that they were made in quantities to render them more accessible to My Readers. That not being the case, you’ll have to search them out. They’re lovely wines for drinking this Summer.

These wines were samples for review. Images from idlewildwines.com

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The Yorkville Highlands AVA, in Mendocino County, was approved in 1998. Its rocky outcroppings separate Mendocino’s Anderson Valley from Sonoma County’s Alexander Valley. The Idlewild Vin Gris 2013, Yorkville Highlands, is made completely from grenache grapes briefly macerated, slowly fermented in stainless steel tanks and aged four months in neutral oak barrels. The color is very pale onion skin, almost parchment; everything is subtle and nuanced; my comment on Facebook was “Tissues of delicacy woven on a steel loom,” and I stand by that assessment. Hints of peach and yellow plum, with some of the pithiness of the stone; notes of mandarin orange and grapefruit zest; summer flowers in a dry meadow; the whole package fresh and refreshing but offering pleasing density and impact on the palate; the texture is soft and appealing but enlivened by a slap of crystalline acidity. Does rose get any better than this? Not in my book. Alcohol NA. Drink into 2015. Production was 200 cases. Excellent. About $22.
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Grenache gris is a pinkish-gray mutation of the red grenache grape, rarely found even in the South of France and then usually not made into its own wine. It is not the same as grenache blanc. The grapes for the Idlewild Grenache Gris 2013, Mendocino, derive from vines at Gibson Ranch in McDowell Valley that are more than 100 years old. The grapes were foot-trod rather than crushed mechanically; after fermentation, the wine aged four months in neutral French oak barrels. The color is radiant mulberry-tourmaline; the nose is pure raspberry and black currants with hints of rose petals, rhubarb and pomegranate, summer meadows, pomander (cloves, allspice and citrus). A few moments in the glass bring in notes of tomato skin and slightly mushroomy earthiness; this is very much a wine of the garden and the fields, lightly herbal and savory and altogether wild and alluring. In style, it resembles a Bordeaux clairette, falling between a rose and a light-bodied red wine. 12.9 percent alcohol. Truly lovely and unusual. Drink through 2015. Production was 230 cases. Excellent. About $22.
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Not much arneis is grown in the U.S.A., but the wine that Sam Bilbro and Jessica Boone Bilbro make from the Fox Hill Vineyard, southeast of Ukiah, on Mendocino’s Talmage Bench, rivals many of the examples that I have tasted from Piedmont, the grape’s home. The color of the Idlewild Fox Hill Vineyard Arneis 2013, Mendocino, is brilliant light gold; aromas of bees’-wax, lanolin, honeysuckle and jasmine are wreathed with spiced pear, along with a slightly honeyed aura and almond notes. The wine is dry, silky and supple, laid over a foundation of dusky earthy and herbal elements, lime and roasted lemon flavors and a touch of grapefruit bitterness and limestone on the finish; some time in the glass brings hints of lychee and mango to the fore. A beguiling blend of limpid transparency and steel-like scaffolding. 13.6 percent alcohol. Production was 145 cases. Now through 2017 or ’18. Excellent. About $28.
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One truth that we hold self-evident is that wines made from the same grapes can be very different. The extreme example of this principle occurs in Burgundy, where producers who each own a few rows of vines in Premier Cru and Grand Cru vineyards make wine that may be wholly divergent from the wine of their neighbors. On a broad geographical scale, we would not expect pinot noir made in, say, Gevrey-Chambertin or Chambolle-Musigny to resemble pinot noir emanating from the Santa Lucia Highlands or Anderson Valley. History, heritage, geology and philosophy all mitigate against such resemblance. Let’s turn, then, to cabernet sauvignon, where obviously the same principle applies. A cabernet-based wine from Pauillac or St.-Estephe in Bordeaux has no reason to be much like a cabernet-based wine from Howell Mountain or Paso Robles, even though the blend of grapes might be similar — or with those cabs produced in Howell Mountain and Paso Robles themselves — and yet we expect a core of cousinage born of the character of the dominant grape, some sign that the origin prevails.

Today, in line with those thoughts, I want to look at two cabernet sauvignon wines produced in Napa Valley, the Paul Hobbs Cabernet Sauvignon 2011 and the Faust 2011. Last year, Forbes called Paul Hobbs “the Steve Jobs of winemaking,” and indeed Hobbs has a reputation for being meticulous, inventive and hardworking. He is winemaker for his eponymous winery as well as overseeing projects in Argentina and consulting in other countries. Hobbs favors emphatic wines that do not shy away from succulence while maintaining a firm hold on structure. Faust is a label from California veteran Agustin Huneeus and his son Agustin Francisco Huneeus, producers of the well-known Quintessa cabernet sauvignon. The Huneeus wines tend toward classic dignity and austerity whole maintaining, to continue the parallel, a firm hold on fruit. Let’s do a little comparison and contrast of these expressions of Napa Valley cabernet sauvignon and the vision of individual producers. Winemaker for Faust is Quintessa’s Charles Thomas.

These wines were samples for review. Image of cabernet sauvignon grapes in the Seven Oaks Vineyard at J. Lohr Winery from tripadvisor.com.

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The Paul Hobbs Cabernet Sauvignon 2011, Napa Valley, is a blend of 95 percent cabernet sauvignon grapes with three percent petit verdot and one percent each malbec and cabernet franc. The wine aged 20 months in French oak barrels, 65 percent new. This cabernet is immediately appealing, even gorgeous in the way that red wines made in Bordeaux tend not to be, but it is not elegant in the way that red wines made in Bordeaux often are. Vineyards that contributed grapes for Hobbs ’11 include Beckstoffer’s Dr. Crane and Las Piedras, just outside the city of St. Helena, and Stagecoach Vineyard, stretching from Pritchard Hill to Atlas Peak at elevations varying from 1,200 to 1,750 feet.
The color is deep ruby-purple that’s almost opaque in the center. Aromas of blackberries and black currants are permeated with notes of lilac and lavender, licorice and bitter chocolate, all drenched in dried baking spices and dried fruit over a grounding of tar and graphite; as bouquets go, this one is spectacular. In the mouth, the wine is rich and plummy, close to jammy — there’s a hint of lingonberry — but it’s held in check by a powerful granitic mineral element joined to iodine and iron, supple dusty tannins and spanking acidity. For a frankly opulent and sensuous cabernet sauvignon, this one is impeccably balanced, and it drinks fine now, especially, perhaps, with a hot and crusty ribeye steak or leg or lamb right off the grill, or over the next 10 or 12 years. 14.4 percent alcohol. Excellent. About $100.
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All right, notice this. As with the Paul Hobbs Cab ’11, the Faust Cabernet Sauvignon 2011, Napa Valley, contains three percent petit verdot and one percent each malbec and cabernet franc, though there the resemblance ends, because the balance of the Faust is 78 percent cabernet sauvignon and 17 percent merlot, the latter variety entirely absent from the Hobbs. Faust ’11 aged 19 months in French oak, 30 percent new barrels. The preponderance of grapes for this wine derived from Coombsville, east of the city of Napa, declared an American Viticultural Area in 2011; the rest of the grapes came from vineyards as widespread (within Napa Valley) as Yountville, Mount Veeder, Atlas Peak, St, Helena and Rutherford, which is to say, valley and mountains.
The color is deep ruby-purple with a magenta rim. If graphite and granite could be made into incense, this would be it, though with those aromas are woven notes of red and black cherries, black currants, cocoa powder and cloves. On the palate, Faust ’11 is dense and chewy, freighted with dusty, gritty mineral-laden tannins darkened by touches of slightly austere walnut shell and wheatmeal; structure is the raison d’etre, though depths of spicy black fruit flavors are not ignored. This strikes me as a cabernet not quite ready to drink, though even for all its emphasis on foundation and framing one feels its shapely aptitude and subtle elegance; try from 2016 through 2022 to ’25. Alcohol content is 14.2 percent. Excellent. About $50.
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Perhaps we should all be like the young doctor whose party in the Mississippi Delta we attended some 20 years ago. He poured magnums of Chateau Margaux 1981 as house wine, and folks were knocking it back as if the night would never end. As we were trying to leave, he insisted that we finish a bottle of Echezeaux ’59; I forget the name of the producer. (He wasn’t so happy with me the next morning, after he found out that I kicked a couple of ivories off his grand piano, but that’s another story. I did apologize.) The point is that some people in a highly elevated and rarefied realm can drink great wine all the time, while most people — including yours truly — make do with more ordinary vinous material. And isn’t that really as it should be? Would we not find a constant regimen of the world’s best wines cloying, tiring, demanding? Well, perhaps not, but most consumers are content with wines that don’t require deep thought and a fund of fiduciary prowess to obtain. Here, then, are eight decent quaffs — four white, four red — drinkable, enjoyable and not overly complicated wines to accompany all sorts of meals and occasions. Nothing flamboyant or brilliant here, just wines that you would not be unhappy to sip with friends and family around the table. No need for a lot of technical folderol; just read these brief reviews and go buy a selection to get you through the next few weeks. Enjoy!

These wines were samples for review.
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Alamos Torrontes 2013, Salta, Argentina. 13% alc. Very pale gold hue; jasmine and camellia, spiced pear, yellow plum and a hint of peach; notes of lilac, roasted fennel and ginger; spare, crisp, lively, very dry; shimmering acidity and limestone minerality. Quite tasty. Drink up. Very Good. About $13.
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Apothic White Winemaker’s Blend 2012, California. (A Gallo label.) 12% alc. Chardonnay, pinot grigio, riesling. Light gold color; jasmine and honeysuckle, spiced pear and slightly over-ripe peach; muscat-like muskiness, with a touch of lychee; sweet entry tamed by crisp acidity to a dry finish. Quite enjoyable. Drink up. Very Good. About $14.
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Wente “Louis Mel” Sauvignon Blanc 2012, Livermore Valley, California. 13% alc. Light gold color; fresh, clean and crisp; roasted lemon, notes of quince and ginger, lime peel and grapefruit, mildly grassy and herbal; spicy and savory; falls off a bit in the middle but offers nice follow-through with the spice-and-limestone-laced finish. Drink up. Very Good. About $15.
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Garzon Sauvignon Blanc 2013, Uruguay. 13% alc. Very pale gold; lime peel and grapefruit, pea shoot, lemongrass and celery seed, lilac and caraway; super fresh and refreshing; brings in notes of roasted lemon and fig; needs more verve and attitude in mid-palate but a delicious sip of sauvignon blanc. Drink up. Very Good. About $17.
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Pedroncelli friends.red 2012, Sonoma County. 13.9% alc. Merlot, syrah, zinfandel, petite sirah. Dark ruby-purple color; warmly stacked with cloves and allspice, ripe black currant, plum and mulberry scents and flavors; notes of briers, brambles and loam, touch of graphite; mainly supported by sleek tannins and a bit of oak. Easy-going with a hint of seriousness. Drink through 2014. Very Good. About $12, making Fine Value.
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Tercos Bonarda 2011, Mendoza, Argentina. 13.9% alc. 100% bonarda grapes. Dark ruby color; earthy, rooty and sappy; ripe and spicy black currants, plums and blueberries, with a touch of dried fruit, fruitcake and pomander; mouth-filling, dense and chewy, notes of tar and beet-root; tannic and savory. Intriguing character for the price. Drink through 2014. Very Good. About $13.
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Vino dei Fratelli Primitivo 2011, Puglia, Italy. 13% alc. 100% primitivo grapes. Dark ruby-purple color; currants, plums and blueberries, cloves and graphite; dusty tannins and a velvety texture; hints of zinfandel-like briers and brambles; tasty, substantial. Now through 2015. Very Good. About $15.
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Fratelli Chianti 2011, Toscana, Italy. 13.5% 100% sangiovese. Medium ruby color; warm and spicy, laden with graphite minerality and loam; red and black cherries and currants, smoky and a little plummy; chewy, satiny tannins, dark and spicy with notes of black olive, orange zest and bitter chocolate-covered black cherries. Lots of personality. Where’s the rabbit ragu? Through 2014. Very Good+. About $15, Excellent Value.
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I am averse to making a limited edition product the Wine of the Week because it just ain’t fair to My Readers. On the other hand, the Cornerstone Stepping Stone Corallina 2013, Napa Valley, is that rare rosé of such character and quality that I don’t want you to miss it, though it must be marked Worth a Search. Made completely from syrah grapes given a long cool fermentation in stainless steel tanks and aged five months in neutral French oak, this wine is designated Napa Valley, but it’s made from dedicated grapes grown in the Crane Ranch Vineyard in the Oak Knoll District. The color is that true coral, what the French call “eye of the partridge,” and while I’ve never looked a partridge in the eye, I’ll take their word for it. Aromas of strawberries and peaches are highlighted by orange zest, a hint of dried thyme and rosemary and a touch of flint; a few minutes in the glass unfurl a note of tobacco-leaf earthiness. The structure feels incisively chiseled from limestone, and there’s a deep cut of bright acidity under a texture lent suppleness and clove-like spice by the brief exposure to wood; all of this supports tasty and juicy yet spare strawberry and red currant flavors. Alcohol content is 13.1 percent. Winemaker was Jeff Keene. Production was 417 cases. Excellent. About $25.

A sample for review.

Mother’s Day is Sunday, so right now I offer six selections of sparkling wine and Champagne to honor your Mom, toast her presence or memory and basically perform your duty as a child, which you will always be as long as either or both of your parents are among the living. No beverage is more festive that Champagne or sparkling wine — the latter designation for such products made outside of France’s Champagne region — and lord knows, your Mom deserves some festivity and honor after what she put up with all these years, n’est-ce pas? Prices range from just under $20 to over $60, so I hope there’s a bottle of bubbles here that will suit varying budgets. I include two sparkling wines from Italy and two from California, each of diverse spirit, and two Champagnes, also made in different styles; three of these products are rosés, making them even more celebratory. The sparkling wines were samples for review; I bought the Champagnes. Enjoy! And be good to your Mom!
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Carpenè Malvolti Extra Dry (nv), Prosecco Conigliano Valdobbiadene, Italy. 11% alc. 100% glera grapes. Pale pale gold color; green apples, almond skin and lemon curd, hint of lime peel; slightly sweet entry but dry from mid-palate back through the tingly, modestly spicy finish; quite clean, crisp and lively. Enticing by itself, or use in a Bellini with peach nectar. Very Good+. About $19.
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Sofia Blanc de Blancs 2012, Monterey County, California. 12% alc. Pinot blanc 74%, riesling 16%, muscat 10%; Pale gold color with brisk effervescence; jasmine and orange blossom, spiced pears; hints of lime peel and orange rind, roasted lemon; sprightly, engaging, just off-dry; touch of limestone minerality; backnote of biscuits and toasted hazelnuts. Very pleasant for casual sipping. Very Good+. About $19.
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Berlucchi Cuvée 61 Franciacorta Rosé (nv), Lombardy, Italy. 12.5% alc. Chardonnay 50%, pinot noir 50%. Lovely copper-salmon color, persistent stream of frothy bubbles; pop the cork and you smell strawberries from a foot away; add orange rind, almond skin and honeysuckle; pert, tart and sassy (my law firm), slightly sweet in the beginning but quickly transitions to bone dry; notes of lemon and lemon curd balanced by the acidity previously referred to and more than a hint of seashell minerality. Quite charming and beautifully structured. Excellent. About $35.
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Inman Family Brut Rosé 2012, Russian River Valley, California. 12% alcohol. 100% pinot noir. Pale pale pink color, almost virginal; a torrent of tiny bubbles; dried strawberries and raspberries, hints of brambles and lightly buttered cinnamon toast; a spine of bright acidity supporting a framework of scintillating limestone minerality; very dry, with spare red currant and stone-fruit flavors, hint of spiced pear, all elements woven with steely delicacy and elegance. Delightful, marvelous sparkling wine. Excellent. About $56.
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Henriot Souverain Brut (nv), Champagne, France. 12% alc. Chardonnay 40%, pinot noir 60%. Medium straw-gold color, wildly effervescent; biscuits and fresh bread, pears, lime peel and ginger, notes of limestone and chalk that take on increased resonance; vivacious acidity, almost glittering limestone minerality; lovely personality and verve, refreshing balance of savory and saline elements; irresistibly appealing. Excellent. I paid $62, but prices around the country go as low at $42.
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Paul Bara Grand Rosé Brut (nv), Champagne, France. 12% alc. Pinot noir 80%, chardonnay 20%, all Grand Cru vineyards. Pure topaz in hue; billions of tiny glinting bubbles; macerated strawberries, cloves, orange marmalade, hint of brioche, notes of chalk and flint; full-bodied, lots of presence and a powerful limestone element, yet wreathed with ethereal touches of dried red currants and rose petals, slightly biscuity; bone-dry with chiming acidity; tremendous class and breeding. Excellent. I paid about $69, but it can be found as cheaply as $45 if you look.
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“NV” stands for “non-vintage,” though on the face of it, that’s a ridiculous proposition. All grapes are harvested in a particular year; hence those dates on wine labels and the notion that some vintages are better than others so the wines from those years are more valuable. However, wine does not have to be made from grapes harvested all in the same year. The great example of this concept occurs in Champagne, the famed French region of prestigious bubbles, where something more than 80 percent of the product is non-vintage, though the term “multi-vintage” is really more useful. Champagne producers maintain stores of reserve wines to blend with the wine from the current vintage being used (generally about three years old) to ensure a consistent house style. Other wines employ the multi-vintage trope, including, surprisingly, Portugal’s Vinho Verde, “surprisingly” because Vinho Verde tends to be a fresh young wine intended for immediate consumption. In France, bottles plucked from roadside stands, service stations and highway convenience stores are often multi-vintage (or really “nonvintage”) and fairly anonymous; examples I have tried range from truly awful to not too bad.

Anyway, today we look at three “nonvintage” products that happen to be remarkably diverse.
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The Calamares Vinho Verde nv, Portugal, offers a bright gold color and mild, almost subliminal effervescence. The blend of grapes is 40 percent arinto, 30 percent trajadura (also known as treixadura) and 30 percent loureiro. Enticingly fresh and clean, the wine delivers notes of roasted lemon and lemon balm, quince and ginger, green apple and lime peel in a saline, limestone-inflected setting; while it’s a wine of the moment, this Calamares is not ethereal, instead possessing gratifying body with an almost talc-like finish touched with candied grapefruit. Acidity is flagrantly crisp and flint-like. Nine percent alcohol. Drink up. Very Good+. About $7, and do I have to tell you to buy it by the case to drink this Summer?

Imported by Vision Wine and Spirits, Secaucus, N.J. A sample for review.
__________________________________________________________________________________________________________________ The Gaston Chiquet “Tradition” Brut, nv, Champagne, France, is one of our favorite Champagnes, and I was surprised to see that I have never written about it on this blog. It’s a blend of 40 percent pinot meunier grapes, 35 percent chardonnay and 25 percent chardonnay, all from Grand Cru and Premier Cru vineyards. The base wine of the present manifestation is from 2010, with the addition of eight percent each from 2009 and 2008. The color is medium straw-gold; the all-important bubbles are myriad, prolific and dynamic. My purpose in purchasing this Champagne was to balance a scallop dish rich in butter and cream, and the clean, incisive acidity of the Gaston Chiquet “Tradition” Brut and its scintillating limestone minerality did just that. (Plus, you know, it’s Champagne.) The bouquet offers notes of lemon, seashell, lightly buttered cinnamon toast and honeysuckle, all quite subdued, and threads of cloves and crystallized ginger; it’s fairly full in the mouth, but not heavy or obvious, leaning more toward a well-knit and elegant character enlivened by crispness and energetic effervescence. 12.5 percent alcohol. Excellent. I paid about $60.

A Terry Theise Estate Selection, imported by Michael Skurnik Wines, Syosset, N.Y.
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Now comes the wine that inspired this post, the Steven Kent Winery “Evening Vinesong” Grenache nv, Livermore Valley. Produced in a minute quantity and available only to the winery’s Collector’s Circle, a bottle came into my hands via a generous benefactor. The wine is 100 percent grenache — previous editions were a blend — with 60 percent of the grapes grown in 2010 and 40 percent in 2011. Depending on the “year,” the wine ages 24 to 36 months in second-use and neutral French and American oak barrels. The production was 139 cases. The members of the Collector’s Circle who snatch a few bottles or a case of Evening Vinesong Grenache are lucky indeed; this is a beautiful and pure expression of the grenache grape, fruity, spicy, a little raspy and briery. The color is medium ruby-garnet; aromas of red and black currants and cherries are highlighted by pert mulberry and winsome notes of anise, lavender, brambles and dried rosemary (with some of that herb’s pithy, piney quality). In the mouth, the wine is sapid and savory, deftly balanced and integrated; oak is a whisper here, and so is a hint of loam, both forming a background to the wine’s lithe suppleness and elegance. Red and blue fruit flavors are permeated by sandings of cloves and allspice, the whole enterprise ending with a fresh, wild note. I gave LL a glass of this when she came home from work one night; she took one sniff and one sip and said, “Wow, that’s wonderful!” There’s your review. Excellent. For information call (925) 243-6440 or visit stevenkent.com

Before we get into the qualities that made me like the quite beautiful Cade Sauvignon Blanc 2013, Napa Valley — well, that sort of gives it away, doesn’t it? — let’s look at the interesting technical data, because for a wine that radiates purity and intensity of varietal purpose, it took considerable thought to make it that way. Cade Estate Winery was founded on Howell Mountain in 2005 by partners Gavin Newsom, Gordon Getty — names with which to conjure, fiduciary-wise — and general manager John Conover. The most visible of the trio is Newsom, who was elected mayor of San Francisco in 2003 and 2007 and lieutenant governor of California in 2010 and whose business successes make me think that I just got off to the wrong start in life. First came the PlumpJack wine store in 1992, followed by PlumbJack Winery in Napa Valley and then a host of cafes, restaurants, resorts and retail outlets. Sheesh. And the guy is good-looking too.

Let’s turn, however, to Cade winemaker Danielle Cyrot, whose work I much admired when she was at St. Clement, and the regimen for this sauvignon blanc. In terms of grape origin, 39 percent of the grapes for this wine derived from Cade’s vineyard in Oakville; the rest came from growers in Oak Knoll, St. Helena, Calistoga and the Napa Valley AVA. Fermentation occurred in a combination of stainless steel tanks (71 percent), stainless steel drums (11 percent), French oak barrels (61. percent new and 11.8 percent used) and the remaining .1 percent in concrete eggs. That is, I will say, the most complicated fermentation process I have ever heard of. Oh, wait, of the portion that fermented in barrels, 80 percent of that was inoculated with yeast and 20 percent fermented on naturally-occurring yeasts. No malolactic (or secondary) fermentation occurred, leaving the wine with crisp acidity. The wine aged in tanks and barrels for five months. There’s a bit of a blend: 2.5 percent each semillon and viognier.

Did it actually require that much calibration to creative this wholly attractive sauvignon blanc? Whatever the case, this is a damned fine wine. The color is pale gold that almost shimmers in the glass; fresh, enticing yet spare aromas of lemongrass and lime peel, pert gooseberry and earthy celery seed, peaches, tangerines and notes of lilac and lemon balm characterize the bouquet. In the mouth, this sauvignon blanc elegantly balances vibrant, finely honed acidity with cloud-like lushness and a scintillating crystalline limestone element, all supporting citrus flavors etched with a slight sunny, leafy, herbal quality. 14.5 percent alcohol. We drank the Cade Sauvignon Blanc 2013 one night with chicken breasts first seared and then poached in white wine and the next night with a roasted tuna Nicoise. Now through 2015. Excellent. About $28, the upper limit of what I would recommend in these Wine of the Week posts.

A sample for review. The label image on the winery website has not caught up with the change to the 2013 vintage of this wine.

The immediately appealing factor about the Round Pond Estate Sauvignon Blanc 2013, Rutherford, Napa Valley, is that it bears no burden of exaggeration. Made completely in stainless steel and seemingly equal parts savory, saline and spicy, this pale-gold wine offers notable balance and integration of all elements. Don’t mistake it, though, for being mild-mannered or wimpy; plenty of crisp acidity and citrus fruit keeps this wine refreshing, lively and energetic. Hints of lemongrass, cloves, lime peel, quince and ginger permeate a background of roasted lemon and tangerine; crystalline limestone minerality lends shimmer and litheness to the structure, which supports bracing lemon and peach flavors that open to an intriguing edge of sunny leafiness and a ping of currant. The finish brings in more spice and a faint line of grapefruit bitterness. 14.5 percent alcohol. The Round Pond Estate Sauvignon Blanc 2013 will be terrific this Summer as aperitif or with grilled shrimp, chicken salad, cold fried chicken, watercress and cucumber sandwiches (crusts sliced off, please) and other patio and picnic fare. Founded in the early 1980s, the winery is now operated by the second generation of the MacDonnell family, brothers Ryan and Miles MacDonnell. Excellent. About $24.

A sample for review.

For these brief notes on 12 wines appropriate for accompanying pizzas and burgers, we look, first, for reasonable prices and, second, for robust, full-bodied wines with lots of flavors and good acid structures. Prices range from $12 to $25. I avoided the obvious candidates like cabernet sauvignon and zinfandel, except perhaps as part of a blend, mainly to give a chance to other equally worthy grape varieties. And speaking of variety, we touch down today in Tuscany and southeastern Italy, in France’s Rhone Valley, in Chile and Spain and Portugal, and a couple areas of California. As usual in these Weekend Wine Notes, I do not include much in the way of technical information, except for grapes, or historical and geographical data. The intent is to pique your interest and whet your palate quickly. Actually, I just realized what a great case of mixed red wines this group would make as a gift, to yourself or someone else, to consume through this Summer and into Fall. Enjoy!

These wines were samples for review.

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Vino dei Fratelli Montepulciano d’Abruzzo 2011, Montepulciano d’Abruzzo, Italy. 12.5% alc. 100% montepulciano grapes. Dark ruby color with a violet rim; young, intense, grapey; raspberries, plums, mulberries, hint of spice and brambles; goes down smoothly and easily but quite tasty; bright acidity with light tannins for structure. A decent quaffer with pizza or spaghetti and meatballs. Very Good. About $12, for buying by the case.
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Le Veli Passamante 2012, Salice Salentino, Italy. 13.5% alc. 100% negroamaro grapes. Dark ruby-purple color; black and red cherries and raspberries with a wild note of mulberry, hints of cloves and sandalwood; quenching acidity keeps you coming back for another sip, while barely perceivable tannins keep the wine upright; dry but delicious with deep black and red fruit flavors, fleshed out with spice and a hint of briers and graphite. A terrific pizza quaffer, now through 2015. Very Good+. About $12, a Can’t Miss bargain.
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Adobe Red 2011, Paso Robles, San Luis Obispo County. 13.7% alc. From the Clayhouse division of Middleton Family Wines. Zinfandel 23%, petite sirah 22%, cabernet sauvignon 21%, malbec 17%, petit verdot 10%, tempranillo 4%, syrah 3%. Dark ruby color; black cherries, plums, blueberries, undercurrents of briers, brambles and graphite; rollicking spicy element and bright acidity; very dry, moderate tannins, even-tempered and fun to drink. Now through 2015. Very Good+. About $14, representing Real Value.
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Cachette 2012, Cötes du Rhöne. 13.5% alc. 70% grenache, 10% each syrah, carignan and cinsault. Dark ruby color with a magenta tinge; ripe, meaty and fleshy; blackberries, blueberries, plums with a hint of wild berry; notes of leather, lavender and white pepper, loam and graphite; spicy black and blue fruit flavors, a vein of potpourri and bitter chocolate, hints of cedar and dried thyme; very dry, lively, spicy finish. Good job! Would make a respectable house wine for drinking into 2016. Very Good+. About $15.
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Coltibuono “RS” 2011, Chianti Classico, Italy. 14% alc. 100% sangiovese. Medium ruby color; potpourri and pomander; oolong tea; red and black currants and plums; amenable and amiable but does not lack an acidic backbone and deftly shaped slightly leathery tannins with a touch of dried porcini about them; very dry spice-and-mineral-laced finish. Now through 2015 or ’16. Particularly appropriate with sausage pizza. Very Good+. About $15.
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Prazo de Roriz 2010, Douro, Portugal. 13.5% alc. Tinta barroca 37%, “old vines” 18%, touriga nacional 16%, touriga franca 15%, tinta amarela 7%, tinta cao 7%. Dark ruby color; bay leaf, sage and cedar; a lift of spiced and slightly roasted currants, plums and raspberries with a wild, exotic note; background of graphite and bitter chocolate; serious structure, very dry with relentless yet soft and chewy tannins and a foundation of polished wood and granitic minerality; but delicious with a blend of fresh and dried raspberries and plums with a hint of fruitcake. You might want to forgo a burger for a medium rare ribeye steak in this case. Now through 2017 or ’18. Excellent. About $16, Great Quality for the Price.
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Viña Maquis Carménère 2011, Colchagua Valley, Chile. 13.5% alc. 100% carménère. Dark ruby-purple color with violet tones; ripe and fleshy, spiced and macerated black currants, raspberries and plums; briers and brambles, graphite, notes of lavender, bay leaf, thyme and black olive; very dry in the bitter chocolate, walnut-shell, dried porcini range of polished tannic density; arrow-straight acidity cuts a swath; black fruit flavors open with hints of exotic spice. Lots going on here; you’ll want that burger with bacon, grilled onions and jalapeño. Now through 2016 to ’17. Very Good+. About $19.
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Bonny Doon Clos de Gilroy Grenache 2013, Monterey County. 14% alc. 77% grenache, 18% syrah, 5% mourvèdre. Dark ruby-magenta color; grapey, plummy, notes of black currants and raspberries; cloves and pomegranate, bright acidity, undertone of loam and graphite but mainly tasty and delightful. Now through 2016. Very Good+. About $20.
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Garzon Tannat 2012, Uruguay. 13.8% alc. Dark ruby; robust and rustic, quite lively and spicy; deep and intense blackberry and currant scents and flavors, a bit roasted and fleshy; loam and mocha, a crisp pencil line of lavender and graphite minerality; gritty tannins make it dense and chewy; dry fairly austere finish. You’ll want that burger nicely charred, with a side of brimstone frites. Now through 2016. Very Good+. About $20.
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Vizcarra Senda del Oro 2012, Ribero del Duero, Spain. NA% alc. 100% tempranillo. Intensely dark ruby-purple; plums and mulberries, dried red currants, hints of iodine and iron; the whole shelf of exotic dried spices; potpourri and lavender; very tasty, deep flavors of black and blue fruit, with an acid backbone and mild tannins. Straightforward and hard-working. Now through 2016. Very Good+. About $20.
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Michael David Bechthold Vineyard Ancient Vine Cinsault 2011, Lodi. 13.5% alc. How “ancient”? These vines were planted in 1885; it’s the oldest producing vineyard in Lodi. 100% cinsault. Dark cherry color; cloves and sandalwood, red and black cherries and currants, hints of fruitcake, pomander and loamy graphite, but clean, bright and appealing; lithe and supple texture, black and red fruit flavors with touches of dried fruit and flowers, lively acidity and moderately dense tannins with a faint undertone of granitic minerality. As tasty as it sounds with a slight serious edge. Now through 2016 to ’18. Excellent. About $24.
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Vina Valoria Crianza 2010, Rioja, Spain. 70% tempranillo, 20% graciano, 10% mazuelo. Dark ruby color; a combination of fresh and dried fruit, plums, lavender, hints of sandalwood and coriander, touch of bay and black tea; leather, mulberries; slightly dusty graphite-flecked tannins with elements of walnut shell and dried porcini add depth and some austerity to the finish. Delicious, well-made, some seriousness to the structure. Now through 2017 or ’18. Excellent. About $25.
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Actually, it’s unseasonably chilly today in my neck o’ the woods, but that doesn’t stop me from drinking rosé wines and posting about them. Here we touch the South of France, Spain’s Rioja region and two areas of California for pale wines that are light-hearted yet versatile, quaffable yet good with all manner of fare, especially if you’re on a picnic or sitting on the porch or patio. These are quick notices, not intended to bother your pretty little heads about technical, historic or geographical data but desiring to picque your interest and whet the ol’ palate. Enjoy! These wines were samples for review.
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Marc Roman Rosé 2013, Vin de France; the postal code on the bottle indicates Caunes-Minervois, northeast of Carcassonne. 12.5% alc. 100% syrah. Pale pink-salmon color; ripe and fleshy, strawberries and raspberries, fairly spicy; notes of potpourri and orange rind; quite dry, with snappy acidity and a hint at a stony structure. I like this version of 2013 a bit better than the 2012. Very Good. About $11, a Fine Value.
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Pedroncelli Signature Selection Dry Rosé of Zinfandel 2013, Dry Creek Valley, Sonoma County. 13.2% alc. Bright rosy-pink color with a magenta tinge; robust for a rose, very spicy and floral, scents and flavors of red currants, raspberries and red cherries; hints of limestone and flint, enlivened by vibrant acidity; medium body woven of delicate supple strands; tasty, thirst-quenching; lots of personality and appeal. Excellent. About $12, a Great Bargain.
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El Coto Rosado 2013, Rioja, Spain. 13% alc. A 50/50 blend of tempranillo and garnacha. Medium salmon-copper hue; rose and violets, lightly macerated strawberries and raspberries with a touch of tea and orange zest; hint of dried thyme; clean, fresh, dry; good acidity though a moderately lush texture; could you a bit more tautness, still quite enjoyable and better than I remember. Very Good. About $13.
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Paul Jaboulet Aîné Parallèle 45 Rosé 2013, Côtes du Rhône. 13% alc. Grenache 50%, cinsault 40%, syrah 10%. Pale salmon-copper color; tender and robust, lithe, taut and tart; nervy, attractive; raspberries and red currants, blood orange, touch of what Keats calls “the warm South” in its dried herb, sunny, slightly saline nature; all qualities strung on a line of limestone and flint buoyed by brisk acidity. Very tasty. Excellent. About $15.
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M. Chapoutier Belleruche Rosé 2013, Côtes du Rhône. 13% alc. Unspecified blend of grenache, syrah and cinsault. Slightly ruddy onion skin hue; lively and engaging; cloves, spiced tea, orange zest; ripe and dried red currants, raspberries, hint of cherry; rose petal and lilac; good body, even a bit lush yet light on its feet and fleet with vibrant acidity; very clean and refreshing. Excellent. About $15.
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Bonny Doon Vin Gris de Cigare 2013, Central Coast. 13% alc. Grenache 55%, mourvèdre 23.5% roussanne 10%, cinsault 7% carignane 2.5%, grenache blanc 2%. Very pale pink color; beguiling aromas and flavors of strawberries, raspberries and red currants with a faint flush of blood orange and violets; a transparent filigree of limestone lends a crisp yet talc-like aura to the structure while tense acidity keeps it lively and appealing. Beautifully made. Excellent. About $18.
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