California


Today’s post is about wine and women, friendship and family. The wines are chardonnay and pinot barbara_0noir from Cambria Vineyards and Winery and WindRacer. The women include Barbara Banke, chairwoman and proprietor of Jackson Family Wines (image at right); her daughters, Katie and Julia Jackson; winemakers Denise Shurtleff and Elizabeth Grant-Douglas; and Banke’s longtime friend and business partner, Peggy Furth. Together, they carry on the legacy of Barbara Banke’s husband and Katie and Julia’s father, Jess Jackson (1930-2011), who founded what was known as Kendall-Jackson in 1982. Through fairly aggressive marketing and acquisitions and different manifestations of the company and its name, Kendall-Jackson eventually became Jackson Family Wines.

One of Jess Jackson’s purchases, occurring in 1986, was about 700 acres of the Tepusquet vineyard in Santa Barbara County’s Santa Maria Valley. The estate was the site of a Mexican land grant in 1838. Vines were planted here in 1970 and ’71 by the Lucas brothers, who sold to Jackson and Banke after financial reverses. In 1989, Jackson built a large winery at Tepusquet and named it Cambria. The vineyard, as in most of the rest of Santa Maria Valley, was planted primarily to chardonnay and pinot noir. The wines were issued as “Katherine’s Vineyard” for chardonnay and “Julia’s Vineyard” for pinot noir, though for the current releases reviewed below those designations became the catch-all “Benchbreak.” Katie and Julia Jackson are described on the winery’s website as “family spokespersons.” Winemaker is Denise Shurtleff.

WindRacer is a chardonnay-and-pinot-noir-only brand born of an on-going discussion between Barbara Banke and her friend Peggy Furth about the merits of those grape varieties in Anderson Valley and Russian River Valley, Banke championing Anderson Valley, Furth advocating for Russian River Valley. Furth is a partner with Banke in WholeVine Products, a company that produces grapeseed oil, gluten-free cookies and grapeseed and skin flours; she is former co-proprietor of Chalk Hill Vineyards. While the conventional view might be that Anderson Valley (in Mendocino County) is cooler, so the wines will be more focused on structure, and Russian River Valley is warmer, so the wines will be riper and richer, I found these chardonnays and pinot noir wines to be more complicated, with more wealth of detail and dimension, than that assessment would dictate. Winemaker is Elizabeth Grant-Douglas, who also makes excellent pinot noir at Maggy Hawk, another Anderson Valley pinot noir producer contained within Jackson Family Wine’s Spire Collection of top-flight labels.

These wines were samples for review. Image of Barbara Banke from jacksonfamilywines.com..
__________________________________________________________________________________________
BenchbreakChard_2
The Cambria “Benchbreak” Chardonnay 2014, Santa Maria Valley, derives from 15 vineyard blocks cultivated individually. The wine aged six and a half months in 76 percent French oak, 14 percent new barrels; we are not told but I assume the balance aged in stainless steel. The color is pale gold; pert aromas of green apple and spiced pear offer freshness and immediate appeal, while a few moments in the glass bring in deeper notes of pineapple and peach; a clean, earthly line runs through it. The wine is quite dry, riven by bright acidity and a scintillating limestone element, while delivering juicy citrus and stone-fruit flavors, with a bare hint at the tropical; the oak influence remains on the periphery, subtle but persistent. 14.5 percent alcohol. Drink now through 2019 or 2020. Very Good+. About $22.
_______________________________________________________________________________________________
BenchbreakPinot_0
The Cambria “Benchbreak” Pinot Noir 2013, Santa Maria Valley, aged eight months in French oak, 27 percent new barrels. The color is transparent medium ruby shading to a nearly invisible rim; this is an incredibly attractive pinot noir that opens with notes of black cherry, cranberry and rhubarb, cloves, sandalwood and potpourri, tied off with a tinge of violets; a few moments in the glass add hints of loam, pomegranate and sauteed mushrooms. The lovely texture drapes the palate with satiny grace, while a finger of acidity stirs in the depths; it’s a sleek, suave and delicious wine burnished by a backwash of bristly tannins, smoke and graphite. 13.5 percent alcohol. Now through 2018 to 2020. Excellent. About $25.
______________________________________________________________________________________________
______________________________________________________________________________________________
The WindRacer Chardonnay 2012, Anderson Valley, aged 14 months in French oak, 26 percent new ECM187824barrels. It offers a pale straw-gold hue and quickly noticeable aromas of pineapple and grapefruit, quince, talc and lilac, with a slender hint of mango. It’s a very dry chardonnay, enlivened by lip-smacking acidity and limestone-chalk minerality and altogether a wine of beautiful shape, presence and tone. It’s pretty dense on the palate, with a slightly powdery texture that remains crisp and clean and fresh. The oak lends nuance and layering, coming out more prominently on the finish. 13.8 percent alcohol. Production was 513 cases. Drink now through 2019 to 2022. Excellent. About $40.
__________________________________________________________________________________________
ECM305299
So, is the WindRacer Chardonnay 2012, Russian River Valley, a mirror of its Anderson Valley cousin, a simulacrum or its opposite? The color is pale gold, and the aromas of jasmine and mango open to more incisive elements of pineapple and baked grapefruit; the wine is a touch creamy, with notes of baked pear, roasted lemon and lemon balm. Still, I was pleased with the decisive acidity and limestone minerality that characterize this chardonnay’s structure and keep it from being too rich and lush; in fact, you detect the oak a bit more in this wine than in the previous chardonnay, particularly (but not dominantly) from mid-palate back through the shimmering, slightly sinewy finish. 14.6 percent alcohol. Production was 1,015 cases. Drink now through 2019 to 2022. Very Good+. About $40.
__________________________________________________________________________________________
Give the WindRacer Pinot Noir 2012, Anderson Valley, a few minutes in the glass and it becomes ECM187824extravagantly floral, displaying winsome notes of rose petals, lilac and lavender. Before that panoply — with its transparent medium ruby hue shading to a pale, delicate rim — the wine offers aromas of smoky black cherries and raspberries, permeated by cloves and pomegranate, sassafras and loam. The texture is dense, passionately satiny, intense and talc-like yet deeply imbued with elements of briers and brambles, graphite-tinged tannin and straight-arrow acidity; there’s a sense of interior rigor and energy that brings ultimate balance to the package. The finish is quite dry, layered with flint, dried blueberries and something dark, rooty and tea-like. 14.5 percent alcohol. The wine aged 15 months in French oak, 20 percent new barrels. Drink now through 2020 to ’22. Production was 1,007 cases. A marvel of nuance and expressiveness. Exceptional. About $50.
___________________________________________________________________________________________
ECM305300
And as to that wine’s Russian River Valley counterpart? While the WindRacer Pinot Noir 2012, Russian River Valley, is, as expected, bolder, denser and more exotic than its Anderson Valley stablemate, it’s also even more rigorous, with a healthy dose of dust and graphite, a woodsy, loamy pinot noir that’s supple and satiny and fairly surprising in its mineral-laden tannins. The wine practically smells velvety — the color is dark ruby with a glowing magenta rim — and it delivers seductive notes of smoky black cherry and raspberry with a touch of plum and hints of cloves and sandalwood, lavender and violets and an interesting bit of almond skin. The wine aged 15 months in French oak, 28 percent new barrels; you feel a dollop of that oak through the penetrating, vibrant finish. 14.5 percent alcohol. Production was 1,527 cases. Drink now through 2020 to ’22. Excellent. About $50.
____________________________________________________________________________________________

albarino2015250x450
Oak Farm Vineyards occupies the former estate of William Devries, who purchased the property in 1860, built a colonial-style mansion in 1876 and became a justice of the peace in addition to being a well-known wheat-farmer and raiser of cattle. He was, in others words, a force to reckon with in Lodi. Many of the original oak trees he planted still stand, as well as the restored house. Oak Farm Vineyards produces primarily red wines, which I’ll mention in a later post, but its albariño should not be missed. Deriving from the Silvaspoons Vineyard in Lodi’s Alta Mesa sub-AVA and the Wetmore Vineyard in the Jahant sub-AVA, the Oak Farm Albariño 2015, Lodi, made completely in stainless steel, displays a pale straw gold hue and enticing aromas of spiced pears and roasted lemons, heather and dried thyme, jasmine, almond skin and acacia flower. It’s a dry wine, wonderfully fresh and appealing, lively and engaging, but showing some of the grape’s slightly bristly, dusty limestone and flint character under tasty stone-fruit flavors, all buoyed by bright acidity. The whole package is extremely attractive. 13 percent alcohol. Drink through 2017 as aperitif or with seafood risottos, grilled fish or fresh oysters. Production was 410 cases. Excellent. About $19.

A sample for review.

The Zaca Mesa Viognier 2014, Santa Ynez Valley, contains 2.5 percent grenache blanc; it aged six Viognier 14 Front - 05-36337 COR viognier 14US 750Z_TTB_f months in neutral oak barrels, all eight years and more old. Winemaker is Kristin Bryden; director of winemaking and vineyard operations is Eric Mohseni. (Founded in 1973, Zaca Mesa is the third-oldest winery in Santa Barbara County.) The color is pale straw-gold; aromas of camellias and lilac are twined with notes of bee’s-wax and lanolin, peach and golden plum, all rounded by a slightly smoky and honeyed aura. These elements are delicate and refined; there’s nothing flamboyant here, no feather boas or rhinestone sneakers. A silky-smooth texture is riven by bright acidity, buoying subtle stone-fruit flavors that grow spicier through a talc-like finish that reveals a panoply of spare, honed mineral effects. 14.1 percent alcohol. A winsome aperitif, but the real motivation is as accompaniment to mild fish and seafood dishes. Excellent. About $18.

A sample for review.

Jordan Winery’s decision, all these years, to maintain a focus on only two wines — chardonnay and cabernet sauvignon — is one that I wish more producers would follow. Often I feel that Jordan-Winery-Russian-River-Valley-Chardonnay-2014-WebDetailwineries try to be all things to all consumers, dividing their attention and efforts into too many products at myriad levels of intent and price. That said, winemaker Rob Davis made a change in how the Jordan Chardonnay 2014, Russian River Valley, was treated in the winery. While the 2013 version, for example, aged six months in French oak, 40 percent new barrels, and only 18 percent of the wine went through “malo” — the so-called malolactic fermentation that transforms sharp malic (“apple-like”) acid to creamier lactic (“milk-like”) acid — this present release was barrel-fermented 60 percent in stainless steel tanks and 40 percent in new French oak, aged five and a half months in all new French oak and went through 30 percent ML. The result is a wine that is moderately richer and more full-bodied than the chardonnays from Jordan that I tasted in the past, while it retains the emphasis on elegance, purity and intensity. The color is brilliant medium straw-gold; classic aromas of slightly caramelized pineapple and grapefruit open to bare hints of mango, quince and ginger and, after a few minutes airing, to beguiling scents of honeysuckle and lilac. Supple and lithe, staying on the safe side of lushness, the wine displays a structure defined by bright acidity and a vibrant limestone element, resulting in very attractive heft and substance on the palate, all while delivering tasty and spicy citrus and stone-fruit flavors; a whiff of gun-flint and lavender emerges, as the finish concludes with a teasing sense of crystalline minerality. 13.7 percent alcohol. Drink now through 2020 to ’22 with seared salmon or swordfish, grilled trout with capers and brown butter or seafood risottos. Excellent. About $32.

A sample for review.

March seems to be making its egress in lamb-like fashion in our neck o’ the woods, after a month of torrential rain. The weather is balmy, the dogwoods are pushing out their bone-colored 2015RoseFrontblossoms, the birds are tweeting — even lacking opposable thumbs! — and the tree-frogs are tuning their lugubrious bagpipes. Sounds like the perfect opportunity to open a bottle of rosé wine and allow gratitude to flourish. Today I mention the Toad Hollow Dry Rosé of Pinot Noir 2015, Sonoma County — the grapes from Carneros — though since we rarely see sweet rosés any more, I wonder about the necessity of the qualifier “dry” in the wine’s title. As stated, then, this is indeed a dry rosé, lively, lithe and tasty. The color is medium salmon-copper; pert aromas of lightly spiced and macerated strawberries and raspberries carry notes of watermelon and pomegranate, with an undertone of flint. The texture offers some of the satiny quality of pinot noir, though enlivened by crisp acidity and burgeoning limestone minerality. The emphasis, however, is on ripe but spare red berry flavors that on the finish encompass hints of peach and almond skin. 11.5 percent alcohol. Drink through the end of 2016 as a charming aperitif or with such picnic fare as cold fried chicken, deviled eggs and cucumber sandwiches or with a duck and rabbit terrine, crusty bread and a wedge of cheddar cheese. Very Good+. About $14, marking Decent Value.

A sample for review.

Does Randall Grahm need four rosé wines among his current releases from Bonny Doon roseVineyard? One would have to take a dusky stroll through the shadowy, convoluted corridors of Grahm’s imagination to find an answer to that question. Sufficient to our task is the presence of these products — samples for review — not all of which are as straightforward as the term rosé would indicate. Two of these wines are based on Rhone Valley grape varieties, not a surprise since Bonny Doon specializes in wines made from such grapes, but another was made from ciliegiolo grapes, a distaff cousin or bastard child, as it were, to sangiovese, while the last is composed of grapes from France’s southwest region, tannat and cabernet franc. One of the wines produced from Rhone-style grapes aged in glass containers outside for nine months, a process that drained color from the wine and added a slightly oxidized, sherry-like character. Whatever the case, I guarantee that you will be intrigued and fascinated, if not delighted by these wines, which are arranged in order of hue from left to right, as indicated by the image above.
________________________________________________________________________________________
The Bonny Doon Vineyard Vin Gris de Cigare is always a favorite rosé in our 15_VinGris_Domestic_750house, and the version for 2015, carrying a Central Coast designation, is no different. A blend of 44 percent grenache grapes, 20 percent grenache blanc, 13 carignane, 10 mourvèdre, 7 cinsaut and 6 roussanne, the wine offers a hue of the most ineffable pale pink, like the blush on a nymph’s thigh, and delicate, breezy aromas of watermelon, raspberry, strawberry, thyme and wet flint. Crisp acidity keeps this rosé keen and lively, while its macerated red berry flavors make it delicious and easy to drink; a background of limestone provides structure. 13.5 percent alcohol. Drink now through the end of 2016. Exquisite poise, balance and freshness. Excellent. About $18.
_____________________________________________________________________________________________
Tuile is the French word for the curved roof-tiles ubiquitous in the South of France 14_SunWine_082415(and also the term for the curved cookies that resemble them). The pale orange-brick color of the Bonny Doon Vineyard Vin Gris Tuilé 2013, Central Coast, resembles the hue of those roofs, to some extent, but also refers to a relatively obscure practice of leaving young wine exposed to the elements to mature. Composed of 55 percent grenache grapes, 23 percent mourvèdre, 10 roussanne, 7 cinsaut, 3 carignane, 2 grenache blanc, this wine was left al fresco for nine months in glass demijohns or carboys; the result is a sherry-like wine that displays fresh and appealing aromas of almonds and orange peel, spiced tea, smoke and cloves. True to the red grapes from which it primarily originated — the grenache, mourvedre, cinsaut and carignane — the wine displays a rooty, foresty element that bolsters notes of spiced pear, hibiscus and apricot and an aura that’s altogether savory and saline. 13 percent alcohol. Drink now through 2018 or ’19. Intriguing and ephemeral, but with real spine. Production was 192 cases. Excellent. About $26.
____________________________________________________________________________________________
DCL15C_bottle_180x5791
Tracy Hills is a small AVA, approved in 2006 by the Alcohol and Tobacco Tax and Trade Bureau, that straddles San Joaquin and Stanislaus counties about 55 miles south-southeast of San Francisco in the Central Valley. The Bonny Doon Il Ciliegiolo Rosato 2015, Mt. Oso Vineyard, Tracy Hills, marks the first time I have seen this AVA on a label. The ciliegiolo grape, from the Italian for “cherry,” is related to sangiovese, but whether as a parent or off-spring is a matter of dispute. Made from 100 percent ciliegiolo grapes, this rosé exhibits a bright cerise hue and aromas of cherries, cherries, cherries in every form — fresh, dried, spiced and macerated — with notes of wild strawberries and raspberries, a flush of rhubarb and pomegranate, a hint of tomato skin. It’s a woodsy rosé, sun-drenched, a bit dusty, quite dry and delivering some graphite-tinged tannins from mid-palate through the finish. 12.4 percent alcohol. Drink now through 2018. One of the more interesting and complex rosés I have encountered. Production was 442 cases. Excellent. About $24. (A release for the winery’s DEWN Club.)
__________________________________________________________________________________________
14AProperPink_front
The Bonny Doon A Proper Pink 2015, California, joins the roster of the winery’s “Proper” brand, and while the wines are serious, the back-label verbiage is strictly faux-British tongue-in-cheek — and rather long-winded, old boy. Composed, unusually, of 61 percent tannat grapes and 39 percent cabernet franc, the wine offers a provocative cherry-red color shading to salmon; it’s a warm, sunny, fleshy rosé that features aromas of spiced and macerated raspberries and strawberries and notes of tomato leaf and almond skin; a few minutes in the glass bring in hints of briers, orange rind and sour melon candy. A lip-smacking texture is leavened by lively acidity and a dusty quality like damp roof tiles. 13 percent alcohol. Now through 2017. Very Good+. About $16.
____________________________________________________________________________________________

strong cab
The Sonoma County designation indicates the basic level of wine for Rodney Strong Vineyards, with the hierarchy, we’ll call it, rising through sub-AVAs like Russian River Valley and Knights Valley up to the powerful single-vineyard cabernet sauvignons. At the Sonoma County range, the wines tend to be well-made, tasty and mainly more solidly varietal than exciting, though I’m happy to make an exception for the Rodney Strong Cabernet Sauvignon 2013, Sonoma County, a product that bartenders and waiters could sell the hell out of in restaurant by-the-glass programs. Not to say that consumers wouldn’t enjoy it at home with a burger or steak or hearty pasta dish. The wine aged 15 months in American oak barrels (80 percent) with the balance in French oak. The color is a vibrant dark ruby-purple with a magenta cast; it’s a warm and spicy cabernet, bursting with aromas of black currants and raspberries, an inky aspect of iodine and iron, and notes of cedar, sage and tobacco. Lots of presence and heft here, ordered in terms both broad and elegant, with lively and spicy black fruit flavors highlighted by dusty tannins, a feeling of slightly chiseled graphite minerality and coursing acidity. 13.5 percent alcohol. Winemakers were Rick Sayre and Justin Seidenfeld. Drink now — I’m thinking grilled pork chops with a cumin-chili powder glaze — through 2017 or ’18. Excellent. About $20.

A sample for review.

The idea behind producing wines from one designated vineyard is that such a piece of land, its geology and geography, its soil, bedrock and micro-climate, will result in a wine distinctive in character from a different vineyard, say one across the valley or even down the road. That macphailprinciple drives the fame and fortune of Burgundy’s Côte d’Or, for example, because the reputation of that narrow region in eastern France rests on the individual nuances supposedly expressed by vineyards that lie across a country lane from each other or a ball-toss across an ancient stone wall. A slightly different tilt of a slope toward the southeast, a minute diversion in a vineyard’s elevation at exactly the perfect pitch on a hillside, a variation in the type of underlying limestone: These factors influence the quality and character of Burgundy’s renowned and rare Premier Cru and Grand Cru wines and help determine their stratospheric prices.

We must remember that these vineyards in the Côte d’Or, many of minute size, have been cultivated, discussed, parsed and celebrated for upwards of 1,000 years. That cannot be said of vineyards in California, yet the belief inheres in the state’s wine industry — and in Oregon and, to a lesser extent, in Washington — that wines from single vineyards are (potentially) superior to wines that derive from a more general regional application. The stature of such vineyards as Bien Nacido, Durell, Sangiacomo, Beckstoffer George III and To-Kalon, Old Hill and many others testifies to the efficacious effect of individual micro-climates on vines and grapes. The point, however, is that the wines produced from such hallowed areas honor not only the character of the vineyard but the nature of the grape. Great wines perform both functions, seamlessly, with balance and integration.

These remarks serve as prelude to reviews of a handful of single-vineyard pinot noirs produced by MacPhail Family Wines, a division of Hess Family Wine Estates. Three of these pinot noirs originate in the Sonoma Coast AVA, the other three from the Anderson Valley AVA in Mendocino County. The first wine is not single-vineyard designated, while the rest in this roster are.

James MacPhail launched his brand in 2002, focusing on pinot noir and chardonnay from Sonoma Coast and Anderson Valley. He built his winery in Healdsburg, in his backyard, in 2008. Hess Collection acquired the Macphail brand and inventory — but not the winery — in 2011, freeing James MacPhail to make wine and not concentrate on the business side of wine-producing and -selling.

I like these wines a great deal, though they emphasize the muscular and dimensional possibilities of the pinot noir grape rather than its elegance and delicacy. Still, in their wealth of detail and their thoughtful background, they remain fine examples of the potential of single-vineyard bottlings.

These wines were samples for review.
_____________________________________________________________________________________________
We begin with a wine that is not single-vineyard designated, the MacPhail Pinot Noir 2013, Sonoma Coast, drawing on eight vineyards from areas in the vast Sonoma Coast appellation, including the well-known Dutton, Pratt and Sangiacomo vineyards. The wine aged 11 months in French oak, 40 percent new barrels, 30 percent one-year-old and 30 percent two-years-old. The color is dark ruby shading to a transparent rim; cherries, cherries and cherries in every form — black and red, spiced and macerated, slightly fleshy and roasted — characterize the aromas and flavors here, with hints of plum, pomegranate, cranberry and sassafras. The texture is sleek, lithe and supple, while the wine’s structure feels large-framed, deep, a bit brooding, all leading to a finish packed with fruit and spice and dominated by graphite minerality. 14.5 percent alcohol. Production was 1,025 cases. Drink now through 2018 to 2020. Excellent. About $40.
______________________________________________________________________________________________
We’ll stay in Sonoma Coast — a widely diverse AVA more than 500,000 acres in extent — for the MacPhail Wildcat Vineyard Pinot Noir 2013, Sonoma Coast. The vineyard is owned by Steve MacRostie, no slouch himself when it comes to making pinot noir, and perches on a hillside in the Petaluma Gap, straddling Sonoma Valley and Sonoma Coast AVAs, where the maritime winds and fogs are a profound influence. A dark ruby hue shades to a transparent garnet rim; the first impression is of red and black cherries and currants infused with rhubarb, cranberry, sassafras and cloves, with high notes of graphite and mint and low tones of leather and loam, picking up, with air, interesting hints of melon and apple skin, iodine and iron. In other words, lovely and intriguing complexity but leaning toward the grape’s muscular potential, its darkness and power. 14.9 percent alcohol. Production was 225 cases. Now through 2020 to ’23. Excellent. About $49.
__________________________________________________________________________________________
Nineteen wineries make designated pinot noir from grapes purchased from Sangiacomo Vineyards in Petaluma Gap. The MacPhail Sangiacomo Pinot Noir 2013, Sonoma Coast, offers a luminous, transparent medium ruby color and aromas of ripe and slightly roasted red and black cherries and raspberries. The wine aged 11 months in French oak, 28 percent new barrels. A few moments in the glass bring up hints of violets, sassafras, smoke and tobacco and notes of plum and sour cherry. There’s a slight aura of dried herbs here — sage, cedar — and a tang of acidity to keep the wine lively and engaging. A silky-smooth texture benefits from a lift of graphite minerality and lightly dusted tannins. 14.5 percent alcohol. Production was 250 cases. Now through 2018 to 2020. Excellent. About $49.
____________________________________________________________________________________________
For the remaining wines, we move north to Mendocino County’s Anderson Valley. The MacPhail Toulouse Vineyard Pinot Noir 2013, Anderson Valley, aged 11 months in French oak, 40 percent new barrels, the rest one- and two-years old. Though the color is transparent medium ruby, there’s nothing shy or ephemeral about this pinot noir, which builds power, depth and presence in the glass. It’s a warm and spicy wine, bursting with notes of lightly braised cranberries, black and red currants and hints of cola, cloves and smoke, violets and lavender, briers and brambles, while a few minutes in the glass produce elements of leather and loam. This is a fleshy, full-bodied pinot noir, gushing with ripe, meaty, spicy red and black berry flavors in a structure that grows increasingly dense, chewy, velvety and tannic. 14.7 percent alcohol. Production was 525 cases. Try from 2017 through 2022 through ’24. Not my favorite style of pinot noir, but certainly well-made. Excellent. About $49.
____________________________________________________________________________________________
The MacPhail Anderson Creek Pinot Noir 2012, Anderson Valley, comes on rather strong for my taste, being a wine whose lip-smacking viscosity and keen acidity augment a lack of grace and elegance. It aged the standard 11 months in French oak, new barrels at 40 percent, if you believe the back label, or 50 percent, if you go by the printed technical sheet. (Let’s coordinate, team!) Pungent with aromas of pomegranate, rhubarb and sassafras, cherries and plums, the wine is supremely satiny and drapery-like on the palate, admitting touches of loam and mocha and a bit more oak than its cousins in this roster. 14.5 percent alcohol. Production was 225 cases. Try from 2017 through 2022 to ’24. Very Good+. About $49.
___________________________________________________________________________________________
OK, now we’re talking. The MacPhail Wightman House Pinot Noir 2013, Anderson Valley, derives from a two-acre vineyard planted to one clone, the Martini; it aged 11 months in French oak, 50 percent new barrels. The color is medium transparent ruby shading to an almost invisible rim; aromas of spiced and slightly macerated black cherries and raspberries are preceded by notes of iodine and beetroot, with hints of violets, lavender and cloves; the whole effect is exotic without being pushy or flamboyant. This is an intense pinot noir, dense and chewy with dusty, velvety tannins and enlivened by bright acidity that powers the wine from mid-palate back through the graphite-laced finish. Though it sounds as if the entire motif here rests on authority and substance, the wine achieves a fine balance between energy and the elegance of tendril-like effects centered on mint, black tea, delicate roots and filigrees of wild blueberries. 14.7 percent alcohol. Production was 100 cases. A great effort for drinking now through 2020 to 2024 or ’25. Exceptional. About $55.
____________________________________________________________________________________________

For this edition of Weekend Wine Notes, I offer a miscellaneous group of red wines from California, dominated by cabernet sauvignon, but with entries from the merlot and pinot noir camps. Truth is, I probably receive more samples of California cabernets to review than from any other region and any other grape variety. State-wide, today, we range from Russian River Valley in the north to Paso Robles in the south. As is usual in this series of Weekend Wine Notes, I dispense with the technical, historical, geographical and personal data that I dote on for the sake of incisive and, I hope, vivid reviews ripped, as it were, from the pages of my notebooks. These wines were samples for review. Enjoy, and always consume in moderation.
___________________________________________________________________________________________
2011_Aleksander
Aleksander 2011, Paso Robles. 13.3% alc. 80% merlot, 20% cabernet sauvignon. 840 cases. Glowing medium ruby color with a transparent magenta rim; a very impressive merlot exhibiting structural qualities of generous, supple tannins, clean acidity and ebon-like minerality; mint and thyme, lavender and violets, iron and iodine, black currants and raspberries with a trace of dark plum, smoky and dusty; a little resiny with notes of rosemary and cedar; lovely shape, tone and presence. Now through 2020 to 2023. Excellent. About $75.
____________________________________________________________________________________________
cage pinot
J. Cage Cellars Nunes Vineyard Pinot Noir 2014, Russian River Valley. 14.5% alc. 119 cases. Deep, vibrant ruby shading to lighter magenta; warm and spicy yet with a dark meditative aura; macerated red currants, cherries and plums, with a touch of cherry skin and pit; loam, briers and brambles; opens to notes of tar, violets and rose petals, pomegranate and sandalwood; a dense and sinewy pinot noir, enlivened by the influence of brisk acidity; elements of lithic dust, some root-like tea and a bare hint of orange rind. I’ll say, “Wow,” and “Please, bring on the seared duck breast.” Excellent. About $40.
_________________________________________________________________________________________
2013 Merlot-small
Ehlers Estate Merlot 2012, St. Helena, Napa Valley. 14.2% alc. With 8% cabernet franc. Opaque black-ruby shading to a vivid purple rim; very intense and concentrated, coiled power; black currants and plums infused with lavender, licorice and graphite; a scintillating core of granitic minerality that almost glitters, magnified by the wine’s bright acidity; lots of vibrancy and resonance, marred, unfortunately, by the taint of toasty oak that dominates from mid-palate back through the finish. You know what I always say, friends: If a wine smells like oak and tastes like oak, there’s too much damn oak. Now through 2020 to ’24. Very Good+. About $55.
_________________________________________________________________________________________
Tresor-2012_304x773
Ferrari-Carano Tresor 2012, Sonoma County. 14.5% alc. 71% cabernet sauvignon, 9% petit verdot, 7% each merlot and malbec, 6% cabernet franc. Dark ruby color with a tinge of magenta at the rim; warm and spicy but with a cool mineral core of graphite and iron; cassis, black raspberry and plum, with notes of cedar, lavender, violets, leather and loam; dusty, velvety tannins coat the palate midst intense and concentrated black fruit flavors and bastions of wheatmeal, walnut shell and burnished oak; how the finish manages not to be austere is a wonder. Try 2017 or ’18 through 2024 to ’28. Excellent. About $60.
______________________________________________________________________________________________
gp_pf_pinot_noir_front_label
Geyser Peak Pluto’s Fury Pinot Noir 2013, Russian River Valley. 14.4% alc. 1,379 cases. Medium transparent ruby color; first come spice and herbs: cloves, sandalwood, sage; slightly macerated black cherries and red currants, touch of pomegranate and rhubarb; sleek, supple, lithe and satiny; generous with burgeoning elements of violets and rose petals; a well-made pinot noir that lavishes fruit and bright acidity on the palate. Now through 2017 or ’18. Very Good+. About $36.
______________________________________________________________________________________________
grgich merlot
Grgich Hills Estate Merlot 2012, Napa Valley. 14.9% alc. With 5% cabernet sauvignon. Dark ruby hue from stem to stern; rooty and loamy, with finely sifted elements of forest floor, dried porcini and graphite; ripe raspberry and black currant aromas inflected by seductive notes of mocha, black licorice, allspice and sandalwood; very intense and concentrated on the palate, framed by sturdy tannins that feel slightly sanded and roughened; after an hour or so, the tannins and oak flesh out and take over, giving the wine a formidable, monumental quality. No punk-ass little merlot here; this one is for the ages, or through 2024 to ’28. Excellent. About $43.
____________________________________________________________________________________________
KRUG_FR_HM_11 5006
Charles Krug Family Reserve Cabernet Sauvignon 2012, Howell Mountain, Napa Valley. 15.2% alc. (!) 80% cabernet, 18% petit verdot, 2% merlot. Very dark ruby-purple with a bright violet rim; despite the soaring alcohol content, this is a beautifully balanced and harmonious wine, with perfect weight and presentation, yet plenty of structure for support and the long-haul; a full complement of dusty, graphite-laden tannins bolsters black currant, cherry and blueberry flavors inflected by notes of lavender, licorice, black tea and black olive; a few moments in the glass bring up hints of cedar, rosemary and tobacco; girt by a framework of granitic, mountain-side minerality, this classic cabernet is still a lovely drink, though built for aging through 2022 through 2028. Excellent. About $75.
____________________________________________________________________________________________
Mt. Brave Cabernet Sauvignon 2012, Mt. Veeder, Napa Valley. 14.5% alc. (Jackson Family Wines) brave logoOpaque black-ruby with a glowing purple rim; a focused line of graphite and granite defines the space for elements of spiced, macerated and roasted black currants, cherries and plums, permeated by iodine and iron, mint and lavender; a feral, ferrous and sanguinary cabernet, somehow both velvety and chiseled, seductive and lithic; it’s mouth-filling, dynamic, impetuous. Try from 2017 or ’18 through 2027 to ’30. Excellent. About $75.
__________________________________________________________________________________________
signorello
Signorello Estate Padrone 2012, Napa Valley. With 9% cabernet franc. Whoa, what is up with this 15.8 percent alcohol? That factor dominates this wine and throws it off balance, though initially it reveals deep, brooding qualities of cassis, bitter chocolate, briers and brambles, leather and loam that might blossom into harmony; sadly, the austere tannins, the astringent oak and, above all, the sweet, hot alcohol demolish that hope. Not recommended. About $150.
________________________________________________________________________________________
tongue dancer
Tongue Dancer Wines Pinot Noir 2013, Sonoma Coast. 14.5% alc. Production was 125 cases. Transparent medium ruby shading to an invisible rim; indelible and beguiling aromas of pomegranate and cranberry, red and black cherries and currants, anise and lavender, with bare hints of rhubarb, thyme and celery seed; a thread of loam and graphite runs through this wine’s supple satiny texture, creating a sense of superb weight and heft on the palate, yet expressing eloquent elegance and delicacy of effect. Now through 2018 to 2020. I could drink this pinot noir every day. Exceptional. About $45.
__________________________________________________________________________________________
Trione Vineyards and Winery River Road Ranch Pinot Noir 2013, Russian River Valley, Sonoma Trione-2012-Pinot-NoirCounty. 14.5% alc. 1,408 cases. Medium transparent ruby hue; dark and spicy with cloves and allspice (and a hint of the latter’s slightly astringent nature); black and red cherries and currants, notes of cranberries and pomegranate; turns exotic with violets, lavender, mint and sandalwood; a lively and engaging pinot noir, incredibly floral; a lithe texture, moderate oak with lightly sanded edges. Now through 2018 to ’21. Excellent. About $39.
The label image is one vintage behind.
___________________________________________________________________________________________
YI_2012_estate_cab_B.72
Young Inglewood Estate Cabernet Sauvignon 2012, St. Helena, Napa Valley. 14.8% alc. 612 cases. With some percentage of merlot and cabernet franc. Dark ruby color; redolent of graphite, iodine and mint, cassis and blueberry, cloves and sage and ancho chile; acidity that runs silent and deep through canyons of dusty, granitic tannins; plenty of spice and scintillating energy, gradually opens reservoirs of lavender, licorice and violets and stylish, polished oak that carries through the brooding but not austere finish. Touches all the moves in the Napa cabernet playbook — meaning that it’s an exemple rather than an individual — but still very impressive. Now through 2024 through ’28. Excellent. About $90.
__________________________________________________________________________________________

Bill Mosby is probably weary, weary of people describing his winery as “a little bit of Italy in Santa Ynez Valley,” but that’s the price you pay for adhering to a strict regimen of Italian grape varieties along California’s Central Coast. Today I write about four of his wines, from a roster of 17, as well as grappa, plum brandy and other distillates, all of which he produces in minute quantities. Mosby and his wife Jeri purchased property on the old Rancho de la Vega land grant in 1976, on the Santa Rosa Road south of Buellton — population 4,828 and home of OstrichLand USA — now somewhat a center of the winemaking industry in the valley. The winery features an adobe house built in 1853, the home of the Mosby family, and a carriage house from the 1880s, the winery’s tasting room.

We have to approach the problem of what wines should be like when they’re associated with a geography and climate far away, as in thousands of miles and different longitudes and latitudes. Santa Barbara County doesn’t much resemble, for example, Italy’s chilly mountainous Alto Adige or the hilly Piedmont, but here we are, with the Mosby family, growing gewurztraminer and dolcetto. Do we judge these wines on how closely they align with a sort of ideal version of those grapes grown in their homeland or on how “good” they are, relatively speaking, considering their Central Coast origin? We have to account for these immense variations yet also consider varietal character and integrity. I blow warm and cool of these four examples from Mosby Wines, which in several cases are quite enjoyable but don’t much conjure their regions in Italy. Still, what do we expect? The one I would go back to is the Dolcetto 2012. By the way, I admire Mosby for employing large oak barrels and a minimum of new oak in making these wines. The attractive labels were designed by Robert Scherer.

These wines were samples for review.
____________________________________________________________________________________________
traminer2010
Mosby Traminer 2014, Santa Barbara County, made completely in stainless steel. The color is pale straw-gold; the bouquet is intensely floral, with notes of jasmine, honeysuckle and camellia highlighting aromas of lemon and pear, quince and ginger. The wine is clean, bright and lively, with soft peach flavors and a snap of grapefruit bitterness on the finish. The wine is very dry
and quite earthy, more loamy, in fact, than is good for a great impression. Still, an enjoyable version of the gewurztraminer grape. 13.6 percent alcohol. Production was 158 cases. Drink up. Very Good+. About $18.
_______________________________________________________________________________________________
sagrantino
The sagrantino grape is indigenous to the region surrounding the incredibly quaint hill-town of Montefalco, in eastern Umbria, where it makes powerful, tannic wines with guts and grit. The Mosby Sagrantino 2011, Santa Barbara County, doesn’t measure up in that sense, though it’s pleasant enough in its way. The wine aged in large French oak barrels, 20 percent new. The color is dark ruby with a garnet rim; enticing aromas of ripe black cherries and raspberries are tinged with violets and lavender and a hint of graphite, while elements of briers, brambles and underbrush gradually emerge. What the wine lacks is sagrantino’s tannic pith and vigor. 14.8 percent alcohol. Production was 309 cases. Drink now through 2018 to 2020. Very Good. About $38.
______________________________________________________________________________________________
dolcetto
The Mosby Dolcetto 2012, Santa Barbara County, is a lovely expression of the grape’s character. It aged in large French oak barrels, 20 percent new. It offers a dark ruby-purple hue with a magenta rim and a full-blown bouquet of ripe black currants, raspberries and plums permeated by notes of loam, forest floor, violets and oolong tea. These qualities segue seamlessly to the palate, where the wine is dense, intense and velvety and delivers very ripe, sweet black fruit flavors marked by sufficient tannin for structure and acidity for balance. 13.5 percent alcohol. Production was 302 cases. Drink through 2017 to ’19. Very Good+. About $28.
_____________________________________________________________________________________________
seduzione
Lagrein is one of those grape that is fairly specific to a country or region, like poulsard in the Jura or zweigelt in Austria. Lagrein is native to Italy’s Trentino-Alto Adige area, in the mountainous northeast. The Mosby La Seduzione Lagrein 2011, Central Coast, is not as seductive as its makers would like it to be, being deep, dark, inky, tarry, dense and concentrated, with intense scents and flavors of black currants, cherries and plums, dusty and velvety tannins, notes of smoke, tobacco and cedar, and not quite enough acidity to shore up all these elements. If this personality sounds enticing to you, go for it. Again, the regimen is large French oak barrels, 20 percent new. Production was 206 cases. Now through 2020 or ’21. Very Good. About $38.
___________________________________________________________________________________________

« Previous PageNext Page »