California


Ripped with white hot heat from the pages of my notebooks are these reviews of 10 pinot noir wines, primarily originating in California but including examples from Western Australia and Oregon’s Willamette Valley. I avoid technical, historical or geographical data in these reviews for the sake of brevity and immediacy, hoping to pique your interest and whet your palate. With one exception, duly mentioned, these wines were samples for review. Enjoy!
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Ad Lib Cruel Mistress Pinot Noir 2014, Pemberton, Western Australia. 14% alc. Medium ruby color shading to transparent magenta; pomegranate and cranberry, touch of sour cherry; sassafras and cloves; an intense core of lavender and violets; warm, spicy, satiny. Incredibly charming yet with pleasing heft and substance. Very Good+. About $17, marking Real Value.
Imported by Middleton Family Wines, Shandon, Calif.
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Argyle Spirithouse Pinot Noir 2012, Dundee Hills, Willamette Valley, Oregon. 13.5% alc. 850 cases. Lovely medium ruby-cerise color; enticing aromas of red cherries and currants, rose petals and lavender, cloves and sassafras, a hint of loam; more serious on the palate, very supple and satiny texture, deftly threads a fine line of acidity and flinty minerality, but you feel some austerity from mid-palate back through the finish, in which the oak makes itself known. Try from 2016 through 2019 or 2020. Very Good+ with Excellent potential. About $75.
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J Vineyards and Winery Pinot Noir 2013, Russian River Valley. 14.3% alc. This well-known producer, famous for its sparkling wines, was recently acquired by E&J Gallo. Translucent medium ruby hue; red and black cherries, cranberries; notes of cloves and sandalwood, mocha, tar and loam; nothing plush or opulent here, rather spare and reticent but with lively acidity and a lovely satiny drape on the palate and slightly exotic red and black fruit flavors. Now through 2016 to ’18. Excellent. About $40.
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VML Wines Pinot Noir 2012, Russian River Valley. 14.7% alc. VML is Virginia Marie Lambrix, owner and winemaker. Dark ruby-magenta hue; cranberry and pomegranate, hints of blueberry tart, cloves and cinnamon, notes of violets and rose petals; a little fleshy and meaty; quite lively and dynamic; sweet red cherries, rhubarb; loam and slightly dusty tannins; a finish of spice, sour cherry and graphite. Pinot noir as force of nature, exotic but true. Now through 2017 or ’18. Excellent. About $32.
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Paul Dolan Vineyards Pinot Noir 2012, Potter Valley, Mendocino County. 13.5% alc. Radiant and intense medium ruby color; black and red cherries and currants, touch of plum; cloves and sassafras, violets and potpourri, loam, briers and a top-note of tart cranberry; ripe and a little fleshy; quite dry, and it develops a surprising amount of tannin, becomes rather austere on the finish, with oak taking a dominant role. Now through 2018 or ’19. Very Good+. About $30.
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Les Cousins Pinot Noir 2011, Willamette Valley, Oregon. 13% alc. The second label of Beaux Freres Vineyard. Transparent medium ruby-garnet; macerated red currants and cherries permeated by notes of tobacco and cloves, apple peel, with undertones of cinnamon and sandalwood; supple and very satiny in the mouth, balancing the dry/juicy dichotomy with ripe and slightly roasted red fruit and clean acidity; a dry spicy finish and fillips of moss and loam. A pinot of lovely dimension and detail. Now through 2016 or ’17. Excellent. About $30, a local purchase.
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Reata Three County Pinot Noir 2013, Monterey 53 percent, Sonoma 31 percent, San Benito 16 percent. 14.3% alc. Bright cherry-magenta hue; black and red cherries, pert cranberry and spicy pomegranate, cloves and sassafras; briery and brambly earthiness; a woodsy pinot noir, with notes of allspice and sandalwood, moss and dried porcini; some graphite and mildly dusty tannins; lithe and slightly sinewy texture, quite dry. Now through 2018 to 2020. Very Good+. About $35.
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McIntyre Vineyards Estate Pinot Noir 2013, Santa Lucia Highlands, Monterey County. 14.5% alc. 368 cases. Absolutely entrancing mulberry-magenta color, limpid and transparent; every element that I adore about pinot noir but both generous and intense; ripe black cherries, currants and plums, violets and lavender, notes of cloves and sassafras; a touch of graphite and hints of leather and woodsy aromas; a few minutes in the glass bring in hints of tobacco and leaf smoke; a layer of briers and brambles underlies spicy and succulent black and red fruit flavors ensconced in a lithe and supple texture through which bright acidity cuts a swath; a sleek and elegant pinot but with a feral edge. Now through 2018 to 2020. Exceptional. About $42.
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Dolin Estate Pinot Noir 2012, Sta Rita Hills, Santa Barbara County. 14.3% alc. 485 cases. Transparent medium ruby color; smoke, cinnamon toast, rhubarb and sassafras, red currants and cranberries; underbrush and loam, vital and vibrant acidity, juicy with red and black fruit flavors yet spare, a bit chiseled; gradually unfolds notes of cloves and sandalwood, leather and slightly creamy oak, and you feel the oak influence etched along the circumference; lovely and dynamic presence and heft yet with a beguiling ephemeral quality, a bit elusive and tantalizing. Now through 2017 to ’19. Excellent. About $ .
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Kukeri Pinot Noir 2012, Russian River Valley, Sonoma County. 13.9% alc. 61 cases produced. Limpid medium ruby color; sandalwood, violets and cloves, macerated red currants and cherries with a hint of strawberries and some dried fruit in the background, notes of mint and tobacco leaf; sleek, subtle and satiny, quite dry; a few moments in the glass bring up touches of pomegranate and rhubarb, loam and old leather; an autumnal, woodsy feeling as the oak comes up through the finish. Not quite Excellent, because the oak in some measure mutes the wine’s sensual aspects; otherwise it’s quite beguiling, so, Very Good+, with final judgment withheld. About $42.
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While other wineries attempt to be all things to all consumers — “Maybe we better make a moscato, they’re hot now!” — Jordan Vineyard and Winery goes right on doing what it has always done since starting in 1976, producing chardonnay and cabernet sauvignon wines from its estate vineyards, Alexander Valley for cabernet, Russian River Valley for chardonnay. These are not opulent, flamboyant, super-ripe or over-oaked wines. Alcohol levels are kept low — see the wines reviewed below — and new oak is employed thoughtfully. Jordan’s wines drink exceptionally well with food, and while in some quarters such an assertion is greeted with disdain, that factor seems to me to be the highest purpose and achievement of wine. Jordan also fields a website almost unparalleled in California for its usefulness, range and flow of information and accessibility. Pay heed, all you wineries that cannot manage to get your latest releases on your websites.

These wines were samples for review.
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Two-thirds of the Jordan Chardonnay 2013, Russian River Valley, was barrel-fermented, one-third fermented in stainless steel. The wine aged six months in French oak, 40 percent new barrels; only 18 percent of the wine went through “malo” — the so-called malolactic fermentation that transforms sharp malic (“apple-like”) acid to creamier lactic (“milk-like”) acid — thus retaining most of the wine’s crisp, vibrant character. The color is bright but pale gold; classic aromas of pineapple and grapefruit are highlighted by notes of cloves, quince and ginger, with tinges of mango and jasmine lingering in the background. This is quite fresh, lively and appealing, poised among spicy citrus and slightly roasted stone-fruit flavors, a scintillating limestone element and a texture just lush enough to add some sensuality to its spare elegance. 13.7 percent alcohol. Drink now through 2019 or 2020 with seared salmon or swordfish, trout with brown butter and capers, seafood risottos. Excellent. About $30.
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The Jordan Cabernet Sauvignon 2011, Alexander Valley, is a blend of 79 percent cabernet sauvignon, 17 percent merlot, 3 percent petit verdot and 1 percent malbec. Interesting that 85 percent of the grapes derived from Alexander Valley; 14 percent came from Mendocino County and a scant 1 percent from Dry Creek Valley; this is called choosing your sources carefully. The wine aged 12 months in 73 percent French oak barrels and 27 percent American oak, a total of 37 percent being new barrels; it spent 22 months resting in bottle before being released. The color is a transparent medium ruby with a slightly lighter rim; the wine is unusually intense and concentrated on structure, with aromas of briers and brambles and loam permeating notes of black currants, cherries and plums, accented by hints of cloves and allspice, with the latter’s element of exotic woodsy astringency. On the palate you taste the spicy black fruit flavors wrapped around a firm core of iodine and iron etched with lavender and violets and a touch of bitter chocolate; the texture is lithe and supple, while the whole package, animated by bright acidity, is dense and chewy with dusty, graphite-tinged tannins. While this cabernet may display a tad less elegance than Jordan cabernets typically do, it feels imbued with more dignity and character; consider it a triumph from a difficult year. 13.8 percent alcohol. Try with steak or grilled veal or pork chops from 2016 through 2022 to ’25. Excellent. About $53.
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By “all over the map,” I don’t mean that every sub-AVA of the Napa Valley is represented in this post, seventh in a series. True, Mount Veeder is here and Howell Mountain and Rutherford, but what I actually refer to is the technical and stylistic map upon which these examples of Napa Valley cabernet sauvignon play their part. Seven of these wines are from 2012, one each from 2011 and 2010. The alcohol levels range from a mild 14.2 percent to a soaring and unmanageable 15.7. The use of oak barrels for aging varies enormously. The intention of the wines feels vastly different, with some wineries going whole-hog for the opulent and super-ripe, others tracking more toward the structured and elegant. In this panoply of approaches, do we discern a Napa Valley style? It’s difficult to say. To my mind — and my palate — the Sequoia Grove, Robert Mondavi and S.R. Tonella 2012s and the Napa Vintage 2011 adhere to a kind of general Napa-ness in their balance of fruit, tannin, acidity and mineral qualities and their pleasing herbal qualities, texture and depth. The other five feel more anomalous, marred by high alcohol or strenuous deployment of oak barrels. Of course no one would want Napa Valley to be homogenous nor its many wineries to operate on identical practices. We celebrate the place and the individuality together. These wines were samples for review.

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Sequoia Grove Cabernet Sauvignon 2012, Napa Valley. There really are towering sequoias — I guess that’s redundant — at Sequoia Grove Winery; one feels rather dwarfish in their company. The winery, founded in 1979, occupies salubrious geography in the Rutherford appellation, in the heart of Napa Valley. President and director of winemaking Mike Trujillo has been at Sequoia Grove since the early 1980s, was appointed assistant winemaker in 1998 and in 2001 took the position he has now. Winemaker is Molly Hill. The winery is owned by its national distributor, Kobrand Corp. Sequoia Grove, while making a variety of wines, focuses on chardonnay and cabernet sauvignon, and it’s to the latter that we turn today.

The blend for the Sequoia Grove Cabernet Sauvignon 2012 is 77 percent cabernet sauvignon, 11 percent cabernet franc, 10 percent merlot and 1 percent each petit verdot and malbec, meaning that it employs, even if only in dollops, all five of the classic Bordeaux grape varieties. The wine aged 20 months in barrels, 60 percent French oak, 40 percent American oak. The color is opaque ruby with a tinge of magenta at the rim; the aroma profile begins with dusty leather and graphite and unfolds notes of ripe black currants and plums with a hint of blueberry, all permeated by cloves and allspice and a background of walnut shell and wheatmeal; top-notes are wild and slightly exotic. This is a dense, chewy and dry cabernet that coats the palate with dusty, velvety tannins; it’s loamy and rooty, a bit granitic, and yet bright acidity keeps it lively and boldly ripe and slightly fleshy and roasted black and blue fruit flavors make it delicious. Still, it could use a year or two to meld. 14.2 percent alcohol. Drink from 2016 or ’17 through 2022 to ’24. Beautifully crafted and balanced. Excellent. About $38.
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Flora Springs Winery and Vineyard Trilogy 2012, Napa Valley. Trilogy is the flagship wine for Flora Springs. The winery was founded in 1978 on the site of an abandoned 19th Century “ghost winery” by Jerry and Flora Komes, though the real work of establishing the facility and vineyards went to their children John Komes and his wife Carrie and Julie Garvey and her husband Pat Garvey; now the third generation is poised to take command. Winemaker is Paul Steinauer. I generally enjoy the wine of Flora Springs and last year made the Chardonnay 2012 and the Soliloquy Sauvignon Blanc 2013 Wines of the Week. I have a quibble, however, with the Trilogy 2012.

The blend is 82 percent cabernet sauvignon, 6 percent each merlot, malbec and petite verdot. The wine aged 22 months in French oak barrels, 60 percent new, 40 percent one-year-old. The color is dark but vivid ruby-magenta with an opaque center. The bouquet — indeed the entire package — is centered to an obtrusive degree on the graphite, smoke and charcoal-tinged character of oak. You know how I feel about these matters; if a wine smells like oak and tastes like oak, there’s too much oak! Bright glimmers of ripe and spicy black currants, cherries and raspberries emerge, with notes of lavender and licorice and undertones of loam and aged fruitcake, and the wine certainly offers an almost rapturously supple and lithe texture, verging on plush but balanced by clean acidity, dusty tannins and a slightly chiseled granitic structure, but the oak kills it for me. 14.2 percent alcohol. Perhaps a few years in bottle will tame it; try from 2016 or ’17 through 2022 to ’24. Very Good+. About $75.
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Napa Vintage Cabernet Sauvignon 2011, Howell Mountain, Napa Valley. Sean Piper grew up in Napa Valley, and after a career in the Coast Guard, he returned to, first, start Wine Consumer Magazine and, now, establish his own wine label, Napa Vintage. The initial outing is sourced from Howell Mountain and is an example of a successful cabernet sauvignon produced in a chilly rainy year. The wine is 100 percent cabernet sauvignon, aged 20 months in all new French oak barrels. The color is inky ruby-purple, and the whole package reflects the intensity and concentration available from mountain-grown fruit, with its attendant notes of walnut shell and dried porcini, classic touches of cedar and rosemary (with the herb’s hint of resiny earthiness) and burgeoning elements of black currants and plums highlighted by a hint of pomegranate; a few minutes in the glass bring in notes of cloves and allspice, with the latter’s touch of exotic astringency. This is, no surprise, quite dry, replete with densely buttressed tannins, and thoroughly oaked, yet well-balanced and integrated. All these elements are wrapped around a fervent core of lavender, licorice and bitter chocolate. 14.3 percent alcohol. Production was 414 cases. The Napa Vintage Cabernet Sauvignon 2011 seems to me to be a model of an upper-altitude Napa cabernet, displaying its rooted firmness and supple flexibility in fine style. Drink now with a medium rare rib-eye steak, hot and crusty from the grill, through 2020 or ’21. Excellent. About $42.
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S.R. Tonella Cellars Cabernet Sauvignon 2012, Rutherford, Napa Valley. There’s little doubt that Napa Valley’s Rutherford Bench is one of the most advantageous pieces of earth on which to grow cabernet sauvignon grapes. Lying at the heart of the Napa Valley, west of Highway 29 and bordered (approximately) on the north by Zinfandel Lane, just above the town of Rutherford, and on the south by Oakville Grade, just below the town of Oakville, this area backs up to the foothills of the Mayacamas range in the west. The soil on this alluvial fan is well-drained gravelly loam. André Tchelistcheff, famed winemaker for Beaulieu Vineyards and guiding spirit of its George de Latour Private Reserve, called wines from the bench “dusty,” a term now accepted, perhaps too easily, as “Rutherford dust.” The cabernet wines that originate from the area undeniably often display a dry, dusty granitic aspect but not so uniformly as to make that characteristic applicable in every instance.

Steve Tonella’s heritage goes back a century in Rutherford. His great-uncle, Joseph Ponti, came from Italy to San Francisco after the earthquake in 1906, traveled up to Napa Valley, and became superintendent and winemaker at Beaulieu Vineyards, founded in 1900. Ponti’s nephew, Louis Tonella, joined Ponti at BV when he was 17. From his uncle, Louis Tonella inherited vineyards in the Rutherford area to which his son, Raymond Tonella, added purchased acreage. The Neibaum-Tonella Vineyard in Rutherford is the winery’s estate vineyard; Morisoli-Borges, owned by Mike Morisoli, a fourth-generation grower, lies at the heart of the Rutherford Bench. From these sources, Steve Tonella makes his cabernet-based wine.

There’s five percent merlot in the S.R. Tonella Cellars Cabernet Sauvignon 2012; the wine aged 28 months in French oak, 75 percent new barrels. The color is opaque ruby-magenta; the wine is deep in its dimensions, intense and concentrated, full-bodied and flush with dense, dusty, lithic tannins. Aromas of walnut-shell, dried porcini, loam and graphite yield little space to hints of ripe black currants and black cherries that carry classic notes of cedar, tobacco and mocha. It’s a cool yet savory and spicy cabernet wrapped around a tight core of bitter chocolate and lavender buoyed by vibrant acidity; the finish, not surprisingly, is focused, dynamic and granitic. 14.4 percent alcohol. Despite it’s size and substance, the S.R. Tonella Cellars Cabernet Sauvignon 2012 feels well-balanced, filled with energy and personality. Fewer than 500 cases were made. Try from 2017 or ’18 through 2028 to ’30. Excellent potential. About $74.
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Robert Mondavi Cabernet Sauvignon 2012, Napa Valley. Robert Mondavi wasn’t the first person to think that the Napa Valley was capable of producing world-class cabernet sauvignon wines, but after he founded his winery in 1966, he brought the full force of his conviction, enthusiasm and larger-than-life personality to the task. Barrels of ink and puncheons of pixels have been spilled in outlining and commenting on the history of Robert Mondavi — the man, the family and the winery — so I will forgo that endeavor for this post. The winery continues to turn out excellent products under the ownership of Constellation (since late in 2004) and the tutelage of winemaker Genevieve Janssens, though I’ll say that this admittedly well-made cabernet felt almost too typical of its place and intention; it could have used a bit more individuality. On the other hand, it’s not a single vineyard or sub-appellation cabernet, so perhaps we should all just enjoy it.

The wine employs all five of the “classic” Bordeaux red wine varieties: 88 percent cabernet sauvignon, 6 percent cabernet franc, 4 percent merlot and 1 percent each petit verdot and malbec. Thirty percent of the grapes came from the famous To Kalon vineyard in the Oakville AVA, with 14 percent derived from Mondavi’s Wappo Hill vineyard in the Stags Leap District, with the rest, I assume, grown in other estate or nearby vineyards; the intention obviously was to create a “Napa Valley” style cabernet sauvignon without reference to a particular sub-AVA. The wine aged a very sensible 16 months in French oak, only 15 percent new barrels. The color is a rich dark ruby with a magenta tinge; aromas of cassis and black cherry are permeated by notes of cedar, tobacco and dried thyme, with deeper hints of lead pencil, briers and brambles and loamy graphite. Tannins are dry, a bit earthy and leathery, firm yet unobtrusive; fleet acidity keeps the wine energetic and thirst-quenching; a subtle oak influence shows up in the wine’s supple, lithe texture and in a wafting of exotic spice.The sense of balance and integration is well-nigh perfect. Alcohol content is the now New World average of 14.5 percent. What’s not to like? Drink now through 2020 or ’22. Excellent. About $29.
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Petar Kirilov made 50 cases of his Kukeri Cabernet Sauvignon 2010, Mount Veeder, Napa Valley, aging it 36 months — yes, My Readers, three years — in French oak. Come now, sir, this is not Brunello di Montalcino, but Kirilov believes in oak, so oak it is, and the inky dark wine wears its oak on its sleeve. Aromas of cedar, tobacco and dried rosemary are drenched with notes of walnut shell, dried porcini, leather and loam, with all the attendant resinous, foresty, underbrushy elements we would expect. Fruit? Yes, there are glimmers. Acidity? Oh, sleek and dynamic. I still wouldn’t touch this wine, though, for five more years. The 2011 is the current release, made in 79 cases. 14.5 percent alcohol. Rating? Anybody’s guess, but time will be the ultimate judge, as it is in all matters concerning these sublunary precincts. About $79.
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Jamieson Ranch Double Lariat Cabernet Sauvignon 2012, Napa Valley. Jamieson Ranch Vineyards is the southernmost winery in the Napa Valley. Formerly known as Kirkland Ranch Winery and Reata Vineyard, the company changed its name to Jamieson Ranch in 2013. The history of the property is tangled, involving dubious business decisions going back to the late 1990s and bankruptcy filings, but it is owned now by Madison Vineyard Holdings of Greenwood Village, Colorado, a company involved in myriad enterprises including high-end art storage in New York. Jamieson Ranch produces about 35,000 cases annually under its eponymous label, retaining the Reata name for some pinot noirs and chardonnays, and uses the Light Horse brand for inexpensive products. Winemaker is the Chilean Juan Jose Verdina.

About 2/3s of the grapes for this wine went through “flash détente,” a process much used in Europe, South America and Australia but fairly new to California. Before fermentation, grapes are heated to about 180 degrees and then sent to a vacuum chamber where they are cooled and the grape skins burst from the inside. The result — don’t ask me how — is better extraction of skin tannins and anthocyanins, the phenolic compounds responsible for the color of red grapes. That’s the simplified version, believe me, and doesn’t begin to approach the complications inherent in the process or the opportunities for manipulation they present.

The blend for the Jamieson Ranch Double Lariat Cabernet Sauvignon 2012 is 86.5 percent cabernet sauvignon, 9 percent merlot, 4.5 percent — surprise! — petite sirah. The wine aged 18 months in French oak barrels, amount of new oak not specified. A dark ruby-purple color is fresh and vibrant; aromas of ripe and spicy black currants, raspberries and plums are wreathed with notes of leather and lavender and a touch of graphite. Slightly dusty and granite-tinged tannins are well-integrated in a lithe texture that’s animated by bright acidity, while black fruit flavors are deep and rich; the finish brings in the oak influence. 14.8 percent alcohol. A well-made and enjoyable but not compelling cabernet sauvignon. Drink now through 2019 to ’22. Very Good+. About $40.
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Priest Ranch Somerston Estate Cabernet Sauvignon 2012, Napa Valley.

Perhaps it’s the 14.9 percent alcohol, but I found this cabernet to be inchoate and unbalanced. It’s 100 percent cabernet sauvignon grapes, aged 22 months in French oak, 35 percent new, 65 percent neutral, a regimen with which I fully agree. It displays a dark ruby-mulberry hue and all the austere elements of wheatmeal, walnut shell and dried porcini mushrooms over loam, dusty tannins and a startlingly high yet hollowed-out level of acidity. On the other hand, the black and blue fruit flavors are not only very ripe but sweet and jammy, making, altogether, for a package that does not cohere. Perhaps a few years in bottle will calm the wine down, but I’m not hopeful. Not recommended. About $48.
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Signorello Estate Cabernet Sauvignon 2012, Napa Valley. The story begins in 1977, with Ray Signorello’s purchase of 100 acres on the Silverado Trail in eastern Napa Valley. Originally intending to grow grapes to sell to other wineries, the emphasis shifted to making wine in 1985. Ray Senior died in 1998, and Ray Signorello Jr. operates the estate now. He is listed as proprietor/winemaker and Pierre Bierbent as winemaker/vineyard manager. This is a luxury wine estate, with packaging and prices to match its aspirations.

A touch of cabernet franc — 6.5 percent — completes what is otherwise all cabernet sauvignon in this large-framed and fairly lumbering wine. Fermented with native yeast, yes, that’s nice; aged 21 months in French oak. all new barrels, okey-dokey, but 15.7 percent alcohol? Please! The color is motor-oil-opaque with a purple-violet rim; it’s a vivaciously ripe wine, with sweet scents and succulent notes of cassis, black raspberry jam, brandied cherries, fruitcake and a hint of zinfandel-like blueberry tart. By contrast, potent tannins and truckloads of dusty graphite define a structure that becomes formidably dry and austere, leading to a feeling that the wine is at war with itself; imbalance and lack of integration personified. Give it a few years if you so desire, but don’t invite me when you eventually open a bottle. Not recommended. About $90.

What’s disheartening about this wine is that I rated the Signorello Estate Cabernet Sauvignon 2009 (the last I tasted) as Excellent and named it as one of my “50 Great Wines of 2012.” It came in at 14.7 percent alcohol. The cabernet under review today feels as if it had been given different marching orders.
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In days gone by, we legions of wine-writers would lament the fact that nobody but us appreciated rosé wines and how wonderful they are and how versatile. We would deplore the notion that everyone in America associated rosé wines with sweetness — and the worst were sweet — when actually the best rosés are quite dry. That’s not the case now, when rosés have grown immensely popular and many wineries all over the world turn out the things as major or side projects, sometimes very seriously. Rosé wines have improved too, being generally made in clean, fresh, crisp mineral-infused fashion. Don’t worry about rosés, friends, they can take care of themselves. I offer today 10 examples of rosé wines made from a variety of grapes in differing styles, most tending toward pleasure and delight, although a couple invite more thoughtful contemplation. They’re not just for Spring and Summer either; several of these models carry enough heft and character to be consumed throughout the year, though you can’t beat them for picnics and backyard fetes in fine weather. Enjoy! In moderation, of course.

These wines were samples for review.
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Domaine Saint-Aix AIX Rosé 2014, Coteaux d’Aix en Provence, France. 12.5% alc. Grenache, cinsault, syrah, counoise. Very pale pink, like the inside of a seashell; ineffable fragrance of dried strawberries and red currants assisted by mild notes of cloves and thyme; brisk acidity blows through it like a sea-breeze on damp limestone; lavender and orange zest in the background, all delicately chiseled and faceted. Excellent. About $19.
Imported by Massanois LLC, Scarsdale, N.Y.
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Chateau Notre Dame du Quatourze Rosé 2014, Languedoc, France. 13% alc. Cinsault, grenache, syrah. Salmon-peach color; peach and strawberry, nicely ripe, slightly dusty terra cotta touch; pomegranate with a notes of cloves; limestone and dried herbs. Tasty and attractive. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Chateau de Jonquieres Cuvee Cersius Rosé 2014, Languedoc, France. …% alc. Cinsault, grenache, syrah. A pale pink shimmer; delicate and elegant, fine bones; rose hips and strawberries, notes of raspberries and orange zest; crystalline acidity and gravel-like minerality; quite dry but distinctly though ethereally flavorful. Lovely. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Los Vascos Rosé 2014, Colchagua, Chile. Les Domaines Barons de Rothschild (Lafite) 13.5% alc. 90% cabernet sauvignon, 10% syrah. Light salmon-pink color with a tinge of magenta; a summery burst of pure strawberry and raspberry; warm and spicy, racy acidity; a touch of plums garnished with dusty graphite and a dash of dried thyme; lovely shape and presence. Excellent. About $14, representing Great Value.
Pasternak Wine Imports, Harrison, N.Y.
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MacPhail Family Wines Rosé of Pinot Noir 2014, Sonoma Coast. 14.5% alc. 100% pinot noir. 492 cases. Brilliant copper-salmon color; tomato skin and lime leaf, strawberries, raspberries and rose petals, hints of graphite and sea-salt, briers and brambles; a spicy, savory and fairly robust rose that doesn’t neglect delicacy and elegance in the upper register; lively, supple finish drenched with red fruit (hinting at the tropical) and mineral undertones. A superior rose. Exceptional. About $22.
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Il Poggione Brancato 2014, Rosato di Toscana, Italy. 12.5% alcohol. 100% sangiovese. Vivid smoky topaz hue; strawberries, raspberries and peaches; a dusty, dusky minerality, like paving stones warmed by the sun; hints of cloves and dried thyme; beautiful balance between bright acidity and a moderately lush texture, but altogether spare and elegant. A gorgeous rosé, very much a presence on the palate. Excellent. About $18.
Imported by Terlato Wines International, Lake Bluff, Ill.
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Chateau Ribaute “Senhal d’Aric” Rosé 2014, Corbiéres. 12.5% alc. Carignane, grenache, syrah, mourvèdre. Smoky topaz hue, slightly darker than onion skin; peach and strawberry, with a touch of raspberry in the background; warm and stony, damp roof tiles drying in sunlight — the whole “South of France” thing; ethereal but with a grounding in loam. Nicely layered for a rose. Excellent. About $NA.
Imported by Val d’Orbieu America, New York.
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Stemmari Rosé 2014, Sicily. 12% alc. 100% nero d’avola grapes. Entrancing light ruby color with violet undertones; red fruit all round, with prominent strawberry and raspberry followed by notes of cherries and currants and touches of tart pomegranate and pink grapefruit; sunny, leafy, warm and spicy; refreshing and attractive; finish emphasizes brisk acidity and limestone-like crispness (with a hint of orange candied orange peel). Very Good+. About $10, a Real Bargain.
Prestige Wine Imports, New York.
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Toad Hollow Vineyards “Eye of the Toad” Dry Rosé of Pinot Noir 2014, Sonoma County. 11.5% alc. 100% pinot noir. Vivid salmon-copper hue; notably fresh, clean and crisp; strawberries and rose petals, notes of pert cranberries and pomegranate; hint of orange rind; flinty texture for under-tones of minerality but lovely satiny flow on the palate. Very Good+. About $12, marking Great Value.
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Two Shepherds Grenache Rosé 2014, Sonoma Coast. % alc. 100% grenache. 90 cases. The blissful incarnadine of bright ruby-cherry hue; pure raspberry with a suffusion of cherry-berry, melon ball and sour cherry; marked limestone minerality, very dry yet drenched with tart, slightly candied red fruit flavors; almost tannic yet never less than delightful and ethereal in the high notes and gradually unfolding depth unusual in a rose; finish brings in hints of apple, dried cranberry and thyme. Perfection. Exceptional. About $24.
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Newspaper reporter Davis Bynum began making wine at home in Berkeley in 1951. He became sufficiently adept that in 1973 he purchased 84 acres in Sonoma County’s Russian River Valley that turned into the home of his eponymous winery. Ready to retire in 2007, after making wine for some 60 years, Bynum sold the brand to Tom Klein, owner of Rodney Strong Vineyards. Present winemaker is Greg Morthole, with the ubiquitous David Ramey serving as consulting winemaker. The Davis Bynum winery today focuses on pinot noir and sauvignon blanc from Jane’s Vineyard and chardonnay from the River West Vineyard. I’m a fan of the pinot noirs, both the “regular” bottling and the clonal selections, and the cool, clean, crisp and herbal sauvignon blanc from Virginia’s Block; I am not a fan of the over-wrought chardonnay, as you will see in the review that follows. Jane’s Vineyard lies on Fulton Road, west of Highway 101, northwest of the city of Santa Rosa. The soil is gravelly loam, shallow and fast-draining. The vine rows run east-west, so clusters on the south side receive more sunlight than those on the shadier north side of the rows. These sorts of nuances of exposure lend complexity to the final product.

These wines were samples for review.
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Let’s get the unpleasantness out of the way first. The Davis Bynum River West Vineyard Chardonnay 2012, Russian River Valley, was made in exactly the manner that produces chardonnays that set my teeth on edge. The grapes were barrel-fermented; the wine went through full malolactic fermentation, the chemical process that transforms crisp malic (“apple-like”) acid into soft creamy lactic (“milk-like”) acid; the wine aged 11 months in French oak barrels, of which 29 percent were new, not a bad regimen, but the wine rested sur lie, on the residue of spend yeast cells, and received “plenty of batonnage,” that is, stirring to agitate the lees and promote richness in the wine. The result is a chardonnay that is bold, bright, brassy, stridently spicy and imbued with dessert-like qualities of creme brulee, lemon meringue pie and caramelized pineapple. At the same time, a paradoxical austerity from mid-palate through the finish contributes to the wine’s fundamental lack of balance, integration and integrity. This is a chardonnay that’s not about a vineyard and the grapes but about pumping up an extraneous character through the devices of its making. 14.5 percent alcohol. Not recommended. About $25.
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Now, on to happier matters.
The Davis Bynum Jane’s Vineyard Pinot Noir 2012, Russian River Valley, derives from selected blocks within the vineyard. The wine spent 10
months in French oak barrels, 30 percent of which were new. The color is a limpid medium ruby-garnet hue; aromas of black and red cherries and plums are highlighted by notes of sour cherry candy and melon ball, with hints of cloves, sassafras and exotic sandalwood and a burgeoning element of violets and rose petals, altogether a most enticing bouquet. On the palate, the wine offers a super satiny and polished texture for its spicy and moderately succulent cherry and currant flavors, while earthy underpinnings in the form of fresh loamy qualities provide foundation. 14.5 percent alcohol. Drink now through 2016 or ’17. A real pleasure. Very Good+. About $ .
_____________________________________________________________________________________________________________________The Davis Bynum Dijon Clone 115 Jane’s Vineyard Pinot Noir 2012, Russian River Valley, aged 10 months in French oak, 31 percent new barrels. The color is an entrancing medium ruby with a light cerise robe; scents and flavors of cranberries and pomegranate, with a hint of cherry and plum compote, are riven by bristling elements of briers and brambles and undertones of loam; a few moments in the glass bring up notes of violets and lilac and a beguiling whiff of talcum powder. Lovely drag and flow over the tongue induce a feeling like silky static, and while the wine is darkly tasty, it’s quite dry and almost tannic in effect; the wine grows earthier and more burnished as time passes. 14.5 percent alcohol. Production was 480 cases. Drink now through 2018 to 2020. Excellent. About $55.
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The oak treatment for the Davis Bynum Dijon Clone 667 Jane’s Vineyard Pinot Noir 2012, Russian River Valley, is slightly different from that of its Clone 115 stablemate mentioned above; for this wine, it’s 11 months in French oak, 32 percent new barrels. Another difference is that this pinot noir is a bit more reticent, rather more spare and structured than the 115. The color is medium ruby with a transparent rim; aromas of cranberries, black cherries and plums open to subtle notes of lavender and sage and nuances of violets and cloves. Surprisingly, the wine is fairly tight on the palate, with a prominent display of slightly dusty tannins and an earthy, almost granitic and austere finish. 14.5 percent alcohol. Production was 507 cases. Try from 2016 or ’17 through 2020 to ’24. Excellent. About $55.
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I have used Wordsworth’s lines so often — “The world is too much with us, late and soon, getting and spending, we lay waste our powers” — that I won’t allude to them on this occasion but merely issue an apology and assert that sometimes I just can’t keep up with tasting and writing. In fact, this post is probably the first in a series of “mea culpa” catch-up entries that I will issue over the next few weeks — if I have time. Ha-ha! These wines, a miscellaneous dozen from California, 11 red, one white, were all samples for review.
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Amapola Creek Monte Rosso Vineyard “Vinas Antiguas” Zinfandel 2011, Sonoma Valley. Winemaker Dick Arrowood mixed 5 percent petite sirah to this zinfandel derived from one of Sonoma County’s legendary vineyards, where the zinfandel vines are 118 years old. The wine aged 15 months in a combination of new and used French and American oak barrels. Generally, I have been a fan of Arrowood’s efforts at Amapola Creek, rating everything I have tasted either Excellent or Exceptional. The exception, however, will be this example, because the heat and sweetness from 15.5 percent alcohol tip the wine off balance and render it into a clunky blockbuster. That’s a shame, because such details as its melange of ripe and spicy black currants and blueberries, cloves, sandalwood and smoked fennel and a chiseled granitic quality would have been gratifying in a different package. Production was 310 cases. Not recommended. About $42.
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Amici Pinot Noir 2012, Russian River Valley, Sonoma County. There’s an aspect of darkness about this (nonetheless) winsome pinot noir: a dark ruby color; a certain dark shading in its spicy elements of cloves and sandalwood; the smokiness of its black cherry scents and flavors hinting at currants and raspberries; the earthiness of its brier-brambly structure. The lovely texture, though, is all warm satin, while bright acidity keeps it lively and quaffable. Alcohol content is 14.8 percent. Production was 1,300 cases. Very Good+. About $35.
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Bonny Doon Vineyards Le Cigare Blanc reserve 2011, Arroyo Seco. The blend for this highly aromatic wine is 62 percent grenache blanc and 38 percent roussanne, from the Beeswax Vineyard; the grapes were fermented together in stainless steel and aged in five-gallon glass carboys, also called demijohns or bonbonnes, of the sort typically employed in home brewing and winemaking. The color is very pale gold, and it seems to shimmer in the glass. All of the lemon kingdom has assembled here in its guises of roasted lemon, lemon balm and lemon curd, highlighted by notes of quince and ginger, lanolin, lilac and camellia. It’s a savory and saline wine, spare, lean and supple and quite dry yet generous with its citrus flavors that delve a bit into stone-fruit. The entire package is animated by crystalline acidity and crackling limestone minerality. Alcohol content is a pleasing 12.5 percent. Production was 480 cases. Excellent. About $54.
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Daou Reserve Cabernet Sauvignon 2011, Paso Robles. The wine is a blend of 79 percent cabernet sauvignon, 7 percent cabernet franc, 5 percent merlot and 9 percent petit verdot that spent 19 months in French oak barrels, 80 percent new. The color is very dark ruby-purple, almost opaque; seductive aromas of spiced, macerated and slightly roasted black cherries and raspberries are permeated by notes of graphite, cedar and tobacco and a hint of rosemary’s brash resiny quality; a few moments in the glass bring in touches of black olive and loam. This is a solid, tannic, granitic-based wine, spare and dusty and quite dry but with plenty of ripe black and blue fruit flavors; fairly rock-ribbed presently, it needs a lot of air to unfurl its attractions. 14.2 percent alcohol. Try from 2016 or ’17 through 2021 to ’25. Excellent. About $56.
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Davies Vineyards Nobles Vineyard Pinot Noir 2012, Sonoma Coast. This pinot noir, which aged 15 months in 41 percent new French oak barrels, originated from an area of the Sonoma Coast region recently designated as the Fort Ross-Seaview AVA. Don’t be surprised if in the coming years we see more segments of the vast Sonoma Coast fragmented into smaller AVAs; Petaluma Gap, anyone? The color is a beguiling medium ruby hue, though that limpidity is belied by the wine’s sense of power and muscularity; this is intensely spicy, bursting with ripe and macerated black cherry and plum fruit, while a few minutes in the glass bring up pungent notes of old leather and pomegranate. It’s a fairly dense and chewy wine, displaying incisive graphite minerality and acidity that I can only call flaring and buoyant. Quite a performance on pinot noir’s dark side. 14 percent alcohol. Production was 550 cases. Drink now through 2018 to 2020. Excellent. About $55.
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Davies Vineyards Ferrington Vineyard Pinot Noir 2012, Anderson Valley, Mendocino County. Here’s a pinot that’s a bit more to my taste than the Davies Vineyards Nobles Vineyard Pinot Noir 2012 mentioned above, at least in terms of style. This spend 15 months in French oak, 22 percent new barrels. The color is a transparent medium ruby, and the first impression is of the earth, with rooty and loamy aspects under briers and brambles; then come black and red cherries and currents segueing to dusty plums, smoky sassafras and exotic spices like sandalwood and cloves. Within this sensual panoply expands a core of nuance — lavender, violets, a bare hint of beet-root — and clean bright acidity. 14 percent alcohol. Production was 400 cases. Drink now through 2018 to 2020. Excellent. About $55.
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Dunstan Durell Vineyard Pinot Noir 2011. Sonoma Coast. The color is dark ruby with a mulberry tinge. I would say that this pinot noir displays glorious purity, intensity and clarity, but “glorious” implies an emphatic nature that I want to avoid; let’s say, instead, that it’s perfect and adorable in the expression of those qualities. Aromas of red and black cherries and currants are imbued with notes of cloves and sandalwood, sassafras, rose petals and violets, with undertones of briers, brambles and loam, all amounting to a seamless marriage of elegance and power. The texture is supremely satiny, rolling across the palate like liquid money, but the wine’s ripe and spicy black and red fruit flavors are buoyed by slightly leathery tannins and back-notes of polished oak, the whole effect enlivened by fleet acidity. 14.5% alcohol. Excellent. About $55.
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Gallo Signature Series Pinot Noir 2011, Santa Lucia Highlands, Monterey County. Gina Gallo employed grapes from the family’s Olson Ranch Vineyard to craft this well-made but not compelling pinot noir that aged eight months in a mixture of new and used French oak barrels. The color shades from dark to medium ruby at the rim; aromas of black cherries and cranberries, smoke and loam, cloves and pomegranate characterize the attractive bouquet, while on the palate the wine is satiny smooth and supple; a few minutes in the glass bring out pretty floral elements. 14.2 percent alcohol. Drink now through 2016 or ’17. Very Good+. About $35.
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Pedroncelli Mother Clone Zinfandel 2012, Dry Creek Valley, Sonoma County. The “mother clone” of this wine is a vineyard planted to zinfandel vines since 1904; some of those grapes are included here. Other parts of the vineyard represent the second generation of vines cloned from the original plants, all blended here with six percent petite sirah grapes. The wine aged 11 months in American oak, 30 percent new barrels. The color is dark ruby with a magenta rim; pungent aromas of black currants, blackberries and blueberries feel warm and spicy but with edges of graphite, briers and brambles. Bright acidity brings liveliness to dense dusty tannins and a slightly chiseled granitic minerality that testifies to the wine’s origin in an old hillside vineyard; however, black fruit flavors are equally bright and faceted, gradually opening to touches of lavender, licorice and bitter chocolate. Alcohol content is 14.8 percent. Drink now through 2018 to 2020. Excellent. About $18, representing Great Value.
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Sanctuary Bien Nacido Vineyard Pinot Noir 2012, Santa Maria Valley. This is a beautiful pinot noir in every sense, from its lovely transparent medium ruby-cherry hue, to its bouquet permeated by notes of spiced and macerated red and black currants and cherries, with hints of rhubarb and cranberry, tobacco leaf and cigarette paper, to its subtle undertones of loam and moss and brambles, to its seductive satiny texture. 14.5 percent alcohol. Production was 841 cases. Drink now through 2017 or ’18. Excellent. About $40.
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Silverado Vineyards Mt George Merlot 2010, Napa Valley. This classically balanced and structured wine is a blend of 77% merlot, 19% cabernet sauvignon, 4% malbec, 1% petit verdot. (Yeah, that’s 101 percent.) The color is very dark ruby-purple, verily, verging even unto motor-oil black; it’s quite pungent, unleashing penetrating aromas of ripe, meaty and fleshy black cherries and raspberries bursting with notes of cassis and black olives, bell pepper and tobacco. Chiseled and polished graphite rules the day, with hints of iodine and saline qualities, earth and loam; the texture is supple, lithe, dense and chewy, yet somehow refined and elegant, never forgetting its obligation to beautiful but not showy black and red fruit flavors. 14.9 percent alcohol. A terrific, finely-honed and tuned merlot that displays great character. Drink now through 2018 to 2022. Excellent. About $35.
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Steven Kent Winery Cabernet Sauvignon 2011, Livermore Valley. The blend here is 88 percent cabernet sauvignon, 5
percent each petit verdot and merlot and 2 percent cabernet franc; the wine aged 24 months in 60 percent new oak barrels, mostly French with a small portion of American oak from the Appalachians. A dark ruby hue transcends inky purple; the bouquet is clean and fresh, very cherry-berry with some raspberries and their sense of faint raspiness, briers and brambles in the background, with an intensifying element of violets, lavender and potpourri. This panoply of sensual pleasures doesn’t quite prepare your palate for the rush of dusty tannins, the wheatmeal and walnut-shell austerity, the espresso and graphite elements that characterize the wine’s passage through the mouth. Still, coming back to it in an hour or so reveals its expression of a more approachable side, so give it a chance. A nicely manageable 13.5% alcohol. Production was 983 cases. Excellent potential, 2016 or ’17 through 2020 to ’24. About $48.
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One of the most reliable red wines in California is the Dry Creek Vineyard Heritage Vines Zinfandel, which for 2013 lives up to its reputation for delicious dependability. “Heritage Vines” doesn’t mean that the vines in question are old themselves but that they were grafted onto rootstock from “historic pre-Prohibition vineyards,” thus, in a way, preserving a connection to Sonoma County’s tradition of old zinfandel vines. At 76 percent zinfandel, this wine barely qualifies as varietal, the federal government requiring 75 percent of a grape variety in order for it to be declared on the label. (The ratio rises to 85 percent for estate wines.) The rest of the Dry Creek Vineyard Heritage Vines Zinfandel 2013, Sonoma County, consists of 21 percent petite sirah, two percent primitivo and one percent carignane. The sharp-eyed among My Readers will immediately exclaim, “But primitivo and zinfandel are the same grape, n’est-ce pas? DNA has spoken.” Actually, DNA testing revealed that the Italian primitivo grape and the zinfandel grape, originating in Europe but grown primarily in California, are clones of the rare Croatian grape named Crljenak. Hence they are very similar — some references assert that zinfandel is closer to the parent grape — but not exactly identical, though they tend to be regarded as synonymous. American labeling laws, however, do not allow the names to be used interchangeably, so grapes from primitivo vines grown from Italian cuttings must be cited separately. Got that?

Dry Creek Vineyard Heritage Vines Zinfandel 2013 aged 15 months in French, American and Hungarian oak barrels. The color is a radiant dark ruby with a violet-purple edge; aromas of blackberries and blueberries are infused with notes of graphite, mint, lavender and burgeoning elements of iodine and sandalwood; a few moments in the glass bring in touches of tapenade and fruitcake. Over a lithe and supple texture, just hinting at muscularity and moderately dusty tannins, the wine offers faceted, spiced and peppery flavors of blackberries and blueberries with undertones of black raspberry and plum; from mid-palate through the finish the wine takes on effects of briers and brambles and slightly chiseled mineral qualities. This is about as classic as zinfandel gets. 14.5 percent alcohol. Drink through 2017 with pizza — which we did — burgers and steaks, braised meat dishes, hearty pastas, fajitas. Excellent. About $20, marking Great Value.

A sample for review.

Winemakers in California often have little side projects that involve specialties near and dear to their hearts. When I was in Napa Valley recently, I met with Rebekah Wineburg and Erica Kincaid to try the initial effort from their Post & Vine label. I didn’t realize until we started talking that Wineburg is winemaker for Buccella Winery, a producer of limited edition, high-end wines, released in very self-consciously designed packages. The Buccella wine that I reviewed a couple of years ago, a cabernet sauvignon from 2009, cost $145 a bottle. I suppose one needs to unwind a bit from such monumental endeavors. Wineburg and Kincaid met while working at Rudd Winery; they decided to partner for Post & Vine, with Wineburg making the wine and Kincaid handling operations.

The Post & Vine Testa Vineyard Old Vine Field Blend 2012 is a blend of 42 percent zinfandel, 37 percent carignane and 21 percent petite sirah grown at the Testa Vineyards, founded in 1912 in Mendocino County near the hamlet of Calpella (pop. 679) by Italian immigrants Gaetano and Maria Testa and operated now by the fourth generation. As with many of the old Italian vineyards in Mendocino and Sonoma, the Testa Vineyard is planted to a mixture of carignane, petite sirah, zinfandel, barbera, grenache and charbono grapes; a neaby vineyard supplies cabernet sauvignon. The family makes wine under its own label as well as selling grapes.

The Post & Vine Testa Vineyard Old Vine Field Blend 2012 spent 18 months in mostly neutral oak barrels and was bottled unfined and unfiltered. The color is a vibrant dark lavender-violet hue; aromas of spiced and macerated red cherries and mulberries with a hint of blueberries (and raspberry raspiness) are couched in notes of slightly dusty graphite and a touch of mint; a few moments in the glass bring in elements of rose petals and loam. On the palate, the wine delivers a lively, resonant flow of blue and red fruit flavors permeated by earthiness, a tinge of briers and brambles and wisps of exotic spices — sandalwood, allspice — all energized by a lithe, supple texture and a structure that features clean lines and good bones, as one used to say about Audrey Hepburn’s face. 14.4 percent alcohol. There’s so much life and vibrancy in this wine that I found it irresistible. In its purity and intensity, it reminded me of one of my favorite wines from last year, the Clos Saron Out of the Blue 2013, 90 percent old vine cinsault, made by Gideon Bienstock in the Sierra Foothills. I don’t want to oversell the Post & Vine Testa Vineyard Old Vine Field Blend 2012 — nor the version for 2013, which contains less zinfandel and 11 percent grenache, tasting a barrel sample. These are not deeply profound potentially long-lived wines, though this 2012 should drink nicely through 2018 or ’20; they are, on the other hand, exactly the kinds of authentic and individual wines that I love to drink. Wineburg made 143 cases of this wine, so you’ll have to do a little digging to find some. I hope you will. The website is PostAndVine.com. Excellent. About $28.

Sojourn Cellars was launched in 2001 with 100 cases of cabernet sauvignon. The winery, based in the town of Sonoma, was founded by Craig and Ellen Haserot with winemaker Erich Bradley. The (not uncommon) idea was to produce limited quantities of pure and intense chardonnay, cabernet sauvignon and pinot noir wines from excellent vineyards. Judging from my experience with a selection of chardonnays and pinot noirs from 2010 — link to my reviews here — and these examples from 2012, the team succeeds in their aim. As you will see, the chardonnay from the Durell Vineyard in the Sonoma Coast AVA was a bit flamboyant for my palate, but I find the pinot noirs to be perfect models of the grape’s delicate yet tensile marriage of power and elegance. All the wines are fermented by native yeasts; the pinots see 50 percent new French oak barrels. Though the length of time in oak was not specified in the technical information I received with these samples, the influence of the span spent in the new and used barrels resulted in wines of lovely suppleness and nuance.
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The Sojourn Cellars Durell Vineyard Chardonnay 2012, Sonoma Coast, is a “3 Bs” chardonnay: Not Bach, Beethoven and Brahms, but bold, bright and brassy. The color is luminous medium gold; forthright aromas of lightly roasted and caramelized pineapple and grapefruit are permeated by notes of cloves and ginger and hints of mango and orange rind; a quadrille of ripe and macerated stone-fruit parades across the palate, and I wish it revealed a bit more of a limestone and flint element and brisk acidity to balance the richness. Still, it’s not blatantly tropical, it’s not dessert-like, it’s not stridently spicy, though it’s a little over the top for my taste. The wine was barrel-fermented in 40 percent new French oak and underwent malolactic fermentation while aging. 14.3 percent alcohol. Production was 275 cases. Very Good+. About $54.
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The color of the Sojourn Cellars Wohler Vineyard Pinot Noir 2012, Russian River Valley, is an entrancing medium ruby-mulberry hue, while the hypnotic bouquet wreathes notes of cranberry and sassafras, black and red cherries, lavender and crushed violets with undertones of oolong tea and orange rind and hints of loam and mushrooms. These intoxicating elements segue seamlessly onto the palate, where they drape and flow like a dense satiny fabric of luxurious cost, though there’s nothing heavy or obvious here; this is a pinot noir that whatever its heft retains an essential grasp on the ineffable. The aromas deepen as an hour or so passes, and the wine grows increasingly floral and spicy; it’s quite dry, however, with a long finish that’s surprisingly mineral-flecked and tannic. Exquisite proportions, 14.2 percent alcohol. Production was 550 cases. Drink now through 2017 to ’20. Excellent. About $40.
____________________________________________________________________________________________________________________ The Sojourn Sangiacomo Vineyard Pinot Noir 2012, Sonoma Coast, is characterized by racy acidity, and while the wine is delicate and elegant, it offers plenty of vitality and cut. The color is medium ruby-magenta; aromas of cloves and sassafras, red cherries and currants blend with hints of pomegranate and cranberry and notes of dried fruit and sandalwood, yes, there’s incense-like pungency in the glass. Despite a touch of cherry-berry succulence, the wine pulls up an element of briery-brambly earthiness and underbrush-infused loam for depth under its savory, slightly macerated black and red fruit flavors. Despite those factors, the wine feels poised, graceful and delectable. 14.5 percent alcohol. Production was 1,150 cases. Drink now through 2017 or ’18. Excellent. About $54.
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The Sojourn Ridgetop Vineyard Pinot Noir 2012, Sonoma Coast, offers a limpid medium ruby-mulberry hue with a transparent rim; this is the earthiest of this trio of single-vineyard pinot noirs, displaying a full complement of briers, brambles and loam under layers of redness: I mean red cherries and raspberries, a hint of cranberry, a touch of red licorice. Vibrant acidity cuts a swath on the palate, making for a texture that’s spare and lithe though not meager; this, like its stablemates, remains generous and expansive in terms of fruit and spice while making rather serious demands in terms of its tannic and mineral-flecked structure, making it the most Burgundian of these examples, not that the comparison matters, but it indicates to me a certain style and philosophy. 14.4 percent alcohol. Production was 450 cases. Best from 2016 through 2020 to ’22. Excellent. About $59.
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The idea behind Rotation Wines is to produce drinkable cross-vintage blends and sell them at reasonable prices. No sneakiness enters into the concept. It is acceptable to the TTB — widely recognized abbreviation for Federal agency, the Alcohol and Tobacco Tax and Trade Bureau — that if a vintage wine carries a general “California” designation, it must contain at least 85 percent of wine from stated vintage, or only 85 percent — see the TTB code: §4.27(a)(2). A vintage wine that displays a specific American Viticultural Area (AVA), like Russian River Valley or Paso Robles, must contain at least 95 wine from the stated vintage. So, the Rotation Red Blend 2012, California, is a blend of 60 percent merlot and 30 percent zinfandel from 2012 and 10 percent ruby cabernet from 2010; the zinfandel was briefly aged in oak barrels. The grapes derived from Napa Valley and “nearby areas.” One does not often see ruby cabernet mentioned as a grape on a label, and indeed its use even as a blending grape in California is diminishing. It’s a cross between carignan and cabernet sauvignon produced at the University of California, Davis, in 1936. And what about the wine under consideration today? The Rotation Red Blend 2012 offers an intense, dark ruby color and fleshy, meaty aromas of spiced and macerated black and red cherries and currants; the spice notes involved lean toward the woodsy side of cloves and sandalwood; there’s also a touch of lavender and graphite. On the palate, the wine is simple and direct, very tasty with black fruit edged with red (both ripe and slightly baked) and bolstered by moderate tannins and lively acidity. Drink through the end of this year or into 2016 with burgers and pizzas, with hearty pasta dishes and fajitas. Very Good. About — and here’s the great part — $9 to $10.

A sample for review.

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