Cabernet sauvignon


I can’t say a great deal about most of these wines, because they were tasted on the fly or at a buffet lunch or dinner during my sojourn in the High Plains AVA (indicated in the map) back in the month of May. And My Readers throughout the country will recognize that the enterprise is inherently unfair in relationship to their curiosity because very few wines produced in the Lone Star State are available beyond its irregular borders. Naturally, this circumstance disturbs winemakers in Texas, because they know that many of the wines that issue from their doors are fine enough to stand up to any in the U.S.A. (No state, of course, has a monopoly on mediocre wines.) Texas has slightly more than 200 wineries; 95 percent of the wine is consumed inside the state. Obviously in a three-day visit, the main purpose being to tour vineyards and interview owners and growers, I could experience only the tiniest fraction of vinous products and those primarily relating to High Plains grapes. Still, I thought that it would be friendly and decent to give a shout-out to the wines that stood above the pack. I’ll say that some of the pricing structure seems inflated, if not downright grandiose. If you’re passing through Texas, however, you might want to investigate some of these wines at retail stores or perhaps visit the wineries. Most will be happy to ship for you if the state you live in allows the practice.
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McPherson Les Copains Rosé 2013, Texas, about $11. A delicate blend of 55 percent cinsault, 30 percent mourvèdre and 15 percent viognier. Kim McPherson is the son of “Doc” McPherson, one of the founders of seminal High Plains winery Llano Estacado, in Lubbock. McPherson Cellars is also in Lubbock and occupies an old Coca-Cola bottling plant from the 1930s. This is one of the best rosés I’ve had all year.
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It’s a consensus ( or fervent hope) in the High Plains of Texas AVA that tempranillo is the grape that will turn the tide and bring national attention to the region, though there’s a back-bench movement for montepulciano. This belief indicates a general segue in High Plains away from “classic” grapes like chardonnay, merlot and cabernet sauvignon to grapes that reflect the hot dry climate and its similarity to some areas of Spain, Italy and southern France. I probably tried more wines made from tempranillo grapes (or blends) while I was in High Plains than all the other wines combined; these four were certainly the best:

1. Becker Reserve Tempranillo 2012, about $19
2. Lewis Wines Newsom Vineyard Tempranillo 2011, High Plains. About $32(?). Neal Newsom is a prominent grower in High Plains.
3. Lost Oak Tempranillo 2012, about $33. (The winery is in Burleson, south of Fort Worth.)
4. Inwood Estates Vineyards Cornelious Reserve 2012, 100 percent tempranillo from the Inwood Block at Newsom Vineyards. About $69. (See next entry for more about Inwood.)
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Dan Gatlin is a wine pioneer in Texas, an outspoken and controversial figure. There’s no denying, though, that he is a brilliant winemaker or that his Inwood Estates wines, authentic and highly individual, are difficult to forget once you taste them. Gatlin’s chardonnays undergo no barrel-fermentation or malolactic and have what he called “a brief exposure to oak.” Both the 2012 and ’13 are notable chardonnays, the ’12 deftly balanced between elegance and weight, with prominent stony minerality and hints of pineapple, cloves and baked peaches; the ’13 suave, supple yet a little earthy, almost briery, showing chalky-flint elements. These are from Dallas County; they run about $40. Despite the movement toward Mediterranean basin grapes, cabernet sauvignon is still grown in High Plains; Gatlin’s Inwood Estates Mericana Cabernet Sauvignon 2010, Newsom Vineyards, about $70, was definitively the best that I tasted.
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As testament to the affinity of Texas High Plains climate to the grapes of southern France and Spain, I tasted these three wines on every occasion they were offered and kept going back for more. The “Reddy” refers to Vijay Reddy, a prominent grower in High Plains.

1. Bending Branch Reddy Vineyard Mourvèdre 2011, Texas Hill Country, 145 cases, about $28.
2. Brushy Creek Reddy Vineyards Tannat 2008, Texas, about $20.
3. Brushy Creek Rachel’s Reserve Carignane 2010, Martin’s Vineyards, Texas. About $25.
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One truth that we hold self-evident is that wines made from the same grapes can be very different. The extreme example of this principle occurs in Burgundy, where producers who each own a few rows of vines in Premier Cru and Grand Cru vineyards make wine that may be wholly divergent from the wine of their neighbors. On a broad geographical scale, we would not expect pinot noir made in, say, Gevrey-Chambertin or Chambolle-Musigny to resemble pinot noir emanating from the Santa Lucia Highlands or Anderson Valley. History, heritage, geology and philosophy all mitigate against such resemblance. Let’s turn, then, to cabernet sauvignon, where obviously the same principle applies. A cabernet-based wine from Pauillac or St.-Estephe in Bordeaux has no reason to be much like a cabernet-based wine from Howell Mountain or Paso Robles, even though the blend of grapes might be similar — or with those cabs produced in Howell Mountain and Paso Robles themselves — and yet we expect a core of cousinage born of the character of the dominant grape, some sign that the origin prevails.

Today, in line with those thoughts, I want to look at two cabernet sauvignon wines produced in Napa Valley, the Paul Hobbs Cabernet Sauvignon 2011 and the Faust 2011. Last year, Forbes called Paul Hobbs “the Steve Jobs of winemaking,” and indeed Hobbs has a reputation for being meticulous, inventive and hardworking. He is winemaker for his eponymous winery as well as overseeing projects in Argentina and consulting in other countries. Hobbs favors emphatic wines that do not shy away from succulence while maintaining a firm hold on structure. Faust is a label from California veteran Agustin Huneeus and his son Agustin Francisco Huneeus, producers of the well-known Quintessa cabernet sauvignon. The Huneeus wines tend toward classic dignity and austerity whole maintaining, to continue the parallel, a firm hold on fruit. Let’s do a little comparison and contrast of these expressions of Napa Valley cabernet sauvignon and the vision of individual producers. Winemaker for Faust is Quintessa’s Charles Thomas.

These wines were samples for review. Image of cabernet sauvignon grapes in the Seven Oaks Vineyard at J. Lohr Winery from tripadvisor.com.

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The Paul Hobbs Cabernet Sauvignon 2011, Napa Valley, is a blend of 95 percent cabernet sauvignon grapes with three percent petit verdot and one percent each malbec and cabernet franc. The wine aged 20 months in French oak barrels, 65 percent new. This cabernet is immediately appealing, even gorgeous in the way that red wines made in Bordeaux tend not to be, but it is not elegant in the way that red wines made in Bordeaux often are. Vineyards that contributed grapes for Hobbs ’11 include Beckstoffer’s Dr. Crane and Las Piedras, just outside the city of St. Helena, and Stagecoach Vineyard, stretching from Pritchard Hill to Atlas Peak at elevations varying from 1,200 to 1,750 feet.
The color is deep ruby-purple that’s almost opaque in the center. Aromas of blackberries and black currants are permeated with notes of lilac and lavender, licorice and bitter chocolate, all drenched in dried baking spices and dried fruit over a grounding of tar and graphite; as bouquets go, this one is spectacular. In the mouth, the wine is rich and plummy, close to jammy — there’s a hint of lingonberry — but it’s held in check by a powerful granitic mineral element joined to iodine and iron, supple dusty tannins and spanking acidity. For a frankly opulent and sensuous cabernet sauvignon, this one is impeccably balanced, and it drinks fine now, especially, perhaps, with a hot and crusty ribeye steak or leg or lamb right off the grill, or over the next 10 or 12 years. 14.4 percent alcohol. Excellent. About $100.
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All right, notice this. As with the Paul Hobbs Cab ’11, the Faust Cabernet Sauvignon 2011, Napa Valley, contains three percent petit verdot and one percent each malbec and cabernet franc, though there the resemblance ends, because the balance of the Faust is 78 percent cabernet sauvignon and 17 percent merlot, the latter variety entirely absent from the Hobbs. Faust ’11 aged 19 months in French oak, 30 percent new barrels. The preponderance of grapes for this wine derived from Coombsville, east of the city of Napa, declared an American Viticultural Area in 2011; the rest of the grapes came from vineyards as widespread (within Napa Valley) as Yountville, Mount Veeder, Atlas Peak, St, Helena and Rutherford, which is to say, valley and mountains.
The color is deep ruby-purple with a magenta rim. If graphite and granite could be made into incense, this would be it, though with those aromas are woven notes of red and black cherries, black currants, cocoa powder and cloves. On the palate, Faust ’11 is dense and chewy, freighted with dusty, gritty mineral-laden tannins darkened by touches of slightly austere walnut shell and wheatmeal; structure is the raison d’etre, though depths of spicy black fruit flavors are not ignored. This strikes me as a cabernet not quite ready to drink, though even for all its emphasis on foundation and framing one feels its shapely aptitude and subtle elegance; try from 2016 through 2022 to ’25. Alcohol content is 14.2 percent. Excellent. About $50.
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Our ideal of and faith in the minuteness of soil variations is formed by Burgundy, where vineyards separated by only a stone wall or the width of a country lane are assumed to evince subtle differences in wines made from the same grapes, either pinot noir or chardonnay. Why, then, wouldn’t a difference in 200 feet elevation produce some deviation in wines made from cabernet sauvignon grapes, all other aspects being equal?

That’s the question that two 100 percent cabernet wines from Anakota in Knights Valley asks. Winemaker Pierre Seillan, who also makes the Verite wines for Jackson Family, produces these wines from the Helena Dakota vineyard, which lies at 750 feet elevation, and the Helena Montana vineyard, 200 feet higher at 950 feet elevation. Knights Valley, nestled in the western reaches of the Mayacamas range, is the warmest AVA in Sonoma County as well as the most isolated and least populated, at least by wineries and vineyards. The landscape is dominated by the 4,339-foot peak of Mount St. Helena, located just west of the cusp where Lake, Sonoma and Napa counties meet. In the 1840s, the vast area of what was then Mallacomes Valley formed the hunting grounds of Jose de los Santos Berryessa, whose lodge still stands. When California became part of the United States in 1850, Berryessa returned to Mexico; Thomas B. Knight purchased a large portion of the ranch and eventually the valley was named after him. Beringer and Kendall-Jackson own most of the vineyard acreage. Just north of Anakota is the Peter Micahel Winery and its Les Pavots Estate Vineyard.

While only 200 feet — 2/3 of a football field — separate Helena Dakota and Helena Montana, they are also divided by Yellowjacket Creek and a rocky ridge, geographical or geological factors that must have some influence on the make-up of the vineyards. Below the creek, Helena Dakota consists of red-brown silty loam, and vine roots tend to be deeper; above the creek, Helena Montana contains yellow-white sandy soil and gravelly loam, and the vines are shallow and stressed. Both wines — this pair is from 2009 — see 15 months aging in new French oak barrels; both exhibit 14.5 percent alcohol. The first vintage of these wines was 2001.

These wines were samples for review. The label images below display previous years.
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The color of the Anakota Helena Dakota Vineyard Cabernet Sauvignon 2009, Knights Valley, is deep ruby-purple with an opaque center; aromas of dust, briers and graphite, cloves and allspice, lavender and bitter chocolate are tightly wound around notes of intense and concentrated dark plums, currants and cherries. This is a deep, dark and dusty cabernet, gird by polished tannins, granitic minerality and a slightly austere finish with a hint of a charcoal edge, yet the whole package is vibrant and resonant. I knocked the cork back in the bottle and reopened the wine 24 hours later; it had opened beautifully, adding more spice, more graphite minerality, though also softer and more macerated fruit and a touch of anise. Still, the structure was forthright and rigorous. Try from 2015 or ’16 through 2025 to ’30. Excellent. about $75.
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So, a clamber over the rocks, jumping the mountain stream and a short stroll upward, and here’s the Anakota Helena Montana Vineyard Cabernet Sauvignon 2009, Knights Valley, not so much a different wine as an intensification of all the virtues of its lower elevation cousin. The same opaque ruby hue, yes, but a wine that’s deep and powerful yet expressive, almost elegant in its litheness and sleekness, its chiseled minerality — this sounds like the guy you don’t want to work out next to at the gym; you certainly feel the dusty mountain roots, translated as leather and loam and earth, and something cool and distant, aloof, even; yet the wine is wrapped around a seductive ash, lavender, bitter chocolate core that only hints, sparely and obliquely, 24 hours later, at the ripeness of its intense black and blue fruit character. Try from 2016 or ’17 through 2028 to ’30. Excellent. About $75.
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Founded in 1883, Wente Vineyards is the oldest family-operated wine operation in California; winemaker is the fifth-generation Karl D. Wente. I say “operation” rather than “winery,” because Wente owns vast tracts of vineyards not only in Livermore Valley, where German immigrant Carl H. Wente (1851-1934) was a pioneer, but in Monterey County, where in the 1960s the family also was an early developer. Wente was the first winery to bottle varietally-labeled chardonnay and sauvignon blanc and for several decades both before and after Repeal sustained a reputation as the finest producer of white wines in California. Naturally, in a company with a 130-year history there have been ups and downs, and for Wente Bros. — the name was changed to Wente Vineyards in 1996 — the down occurred during the expansion and acquisitions of the 1980s, when quality slipped. More rigorous standards apply today, though, and Wente offers a range of attractive and fairly serious red and white wines from all its properties.

Today’s Wine of the Week hails from the red side of the roster. This is the Wente Vineyards “Southern Hills” Cabernet Sauvignon 2011, Livermore Valley, San Francisco Bay*, and if you don’t find the aromas entrancing, you just don’t have a heart. The color is dark ruby with a medium ruby rim; notes of star anise, lavender and graphite, black olive, cedar and a hint of caramelized fennel leap from the glass, amid a welter of ripe, spicy black cherries and currants. The wine aged 14 months in a combination of neutral** French, American and Eastern European*** oak barrels, a tactic that lends supple and mildly spicy support to tasty blue and black fruit flavors nicely balanced by vibrant acidity, lightly dusted tannins and some slightly ashy iron/iodine minerality on the finish. 13.5 percent alcohol. Loads of personality and just gets down on its knees and begs to be drunk with a fat juicy bacon-cheeseburger. Drink now through 2015 or ’16. Very Good+. About $18.

A sample for review.

*The ridiculously far-ranging San Francisco Bay AVA was approved in 1999, largely due to the efforts of Wente Vineyards. It gathers under one region not only the counties of San Francisco, San Mateo, Santa Clara, Contra Costa and Alameda and parts of San Benito and Santa Cruz but the city of San Francisco and San Francisco Bay. You can leave your heart in San Francisco and sell your wine everywhere else.

**Meaning already used, as many as two or three times, so the wood influence is very subtle.

***”Eastern European” oak generally refers to Romanian, Slovakian, Slovenian or Hungarian oak barrels.

Three pinot noirs, two cabernet sauvignons, one syrah; a nice sense of symmetry, n’est-ce pas? Five from California, one from Oregon’s Willamette Valley. All rated Excellent. One more costly than most of us can afford, the others more reasonable. All offering many virtues and confidences of the vineyard, the grape, the winemaker’s gentle and genial art. Quick notices here, eschewing technical matters and such geographical and historical information as much stimulate our fancies; the idea is that these notes — not as full-bodied as actual reviews — will inspire your interest and whet your palates. Enjoy!

These wines were samples for review.
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Olema Pinot Noir 2012, Sonoma County. 14.2% alc. (The second label of Amici Cellars.) Radiant ruby-magenta color; plums, mulberries and cranberries, brier rose; hints of cloves, rhubarb and pomegranate; dense, supple and satiny; ripe and lightly spiced red and blue fruit flavors; a few moments in the glass bring in notes of roses and violets, leather and tobacco; undertones of graphite, earth and mild tannins. Really lovely. Now through 2016. Excellent. About $20, marking Great Value.
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Elizabeth Chambers Cellar Winemaker’s Cuvée Pinot Noir 2011, Willamette Valley, Oregon. 13.9% alc. Transparent medium ruby color; quite spicy and lively, with macerated red currants and cherries, seductively ripe but balanced by a spare structure and long elegant lines; hints of cloves, cola and rhubarb, leather and loam, subdued oak; lovely satiny texture, but again that sense of reserve and delicacy, with acidity that lays an arrow across the palate. I could drink this one all day long and almost did. Now through 2015 or ’16. Excellent. About $32.
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Ramey Wine Cellars Syrah 2011, Sonoma Coast. 14.5% alc. With 5% viognier. 780 cases. Dark ruby color; deliriously spicy; notes of
macerated and slightly fleshy black currants, blackberries and raspberries, roughened by brambles and underbrush elements; robust, dynamic, powered by bright acidity, graphite minerality and sleek tannins; quite dry but flavorful, deft balance of spareness and rigor with generosity and expressiveness; finish packed with woody spices, granite and lavender. Perfect with pork chops coated with cumin, urfa pepper and chili powder. Now through 2017 or ’18. Excellent. About $40.
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Gary Farrell Russian River Selection Pinot Noir 2011, Russian River Valley. 14.2% alc. Entrancing ruby-magenta hue; nicely layered aromas of cloves and allspice, hint of sandalwood; macerated red currants, plums and cranberries; notes of rhubarb and pomegranate; gently sifted tannins over loam and slightly granitic minerality; a touch of lightly candied red cherry; lithe, supple, sinewy; exhibits terrific confidence and authority without being ostentatious. Now through 2016 or ’17. Excellent. About $45.
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Smith-Madrone Cabernet Sauvignon 2009, Spring Mountain District, Napa Valley. 13.9% alc. With 8% each merlot and cabernet franc. 1,302 cases. Dark ruby color; rigorous structure with mountain roots but such a pretty surface, violets and lavender, cassis, plums and black cherries, note of licorice; stout, robust tannins and dusty oak bastions; walnut shell and underbrush; gets dustier and more austere but still scrumptious; lithic chambers of blueberries, sweet smoke, soy sauce and barbecue; iodine, iron, resonant acidity. Drink 2015 or ’16 through 2025 to ’30. Always one of Napa Valley’s best and most characterful cabernets. Excellent. About $45, representing Great Value for the Quality.
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Hestan Vineyards Cabernet Sauvignon 2010, Napa Valley. 14.7% alc. 400 cases. An exemplary Napa Valley cabernet, and at the price it ought to be. Dark ruby-purple hue; iron and iodine, lavender and violets; black currants, black cherries and raspberries with a graphite/ancho chili edge, a hint of black olive, a dusting of dried rosemary; glossy tannins and a polished oak superstructure, all enlivened with brisk and elevating acidity; a long, dense yet lithe finish. If you have on hand a medium-rare ribeye steak, hot and crusty from the charcoal grill, introduce it to this wine. Now through 2020 to 2025. Excellent. About $110.
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With last night’s pizza, which combined the basil/radicchio/red onion food group with the roasted eggplant/caramelized tomato/bacon food group, I opened a bottle of the Graffigna Centenario Elevation Red Blend 2012, from Argentina’s San Juan region, abutting Mendoza to the south and similarly located in the Andean foothills, though San Juan tends to be hotter and drier than Mendoza. The winery was founded in 1870 by Italian immigrant Santiago Graffigna and remained in the family until 1980, when it was sold to Allied Domecq, in turn acquired in 2005 by Pernod Ricard. The term “Elevation” isn’t used trivially; these vineyards average 4,600 feet about sea-level. Graffigna Centenario Elevation Red Blend 2012 is an equal five-part blend of bonarda, cabernet sauvignon, malbec, syrah and tannat grapes. You would not be surprised, then, that it’s a robust and rustic red wine, offering a dark ruby color and aromas of ripe, fleshy black currants, blackberries and plums thoroughly imbued with graphite, lavender, bitter chocolate and cloves. The wine is sleek and supple, though full-bodied, borne by healthy, slightly shaggy tannins and bright acidity under tasty blue and black fruit flavors, all devolving to a cast of moderately astringent dried porcini, underbrush and brambly elements. 14 percent alcohol. Drink now through 2015 with such hearty fare as burgers, grilled pork chops, braised shanks or spaghetti and meatballs. Very Good+. Suggested retail price is $15, but I have seen it marked down as low as $10.

Imported by Pernod Ricard USA, Purchase, NY. A sample for review.

…. and it’s not from Napa Valley or Alexander Valley or Paso Robles. No, it hails from the Clare Valley in South Australia, a region that I associate more with superb riesling than cabernet sauvignon, but I’m happy to have my horizons expanded. The Taylor family, wine merchants in Sydney, searched for the right location in keeping with their idea of well-balanced wines and found what they were looking for in 1969, a 178-hectare vineyard — about 380 acres — near the Wakefield River in Clare Valley, about 120 kilometers north of Adelaide. Mitchell Taylor is managing director and third-generation winemaker; chief winemaker is Adam Eggins.

So, the Wakefield St Andrews Single Vineyard Release Cabernet Sauvignon 2010, Clare Valley, offers a transparent medium ruby color and beguiling aromas of mint and iodine, cassis and blueberry, lavender and violets, all borne on deeply rooted elements of briers, loam and graphite. Black and blue fruit flavors are distinctly spicy in the cloves, allspice and mocha range, with a lingering hint of sandalwood; tannins are finely sifted and polished, while any wood influence, from 18 months in French oak barrels, 50 percent new, the rest two and three years old, is firm, subtle and supple. There’s energy and eloquence here, expressed in a feeling of resonance bolstered by vibrant acidity, yet nothing flamboyant or opulent; rather a sense of elementary power married to deftly balanced elegance. The finish is long and packed with dried spice, notes of underbrush and granitic minerality, bringing in a touch of austerity. 14.5 percent alcohol. Now through 2018 to ’20. We gladly drank this with grilled pork chops and mashed sweet potatoes and pan gravy. 250 cases were imported. Excellent. About $60.

Imported by AW Direct, Novato, Calif. A sample for review.

One of the most gratifying aspects of the job, the vocation, the quest of writing about wines on this blog is the sort of email I receive in which small wineries, mostly in California, ask if they may send products for me to review. This is a great way to learn about the wide diversity of wineries and the efforts of individuals or families that make amounts of wine that might not otherwise get attention. (I always emphasize that I cannot guarantee the outcome of a tasting or review.) One of those messages arrived recently from Ryan Sherman, winemaker for Fields Family Wines in Lodi. This winery defines what we mean by “small” and “family-owned.” The total number of cases produced for the four wines mentioned in this post is 625. The winery is owned by Russ Fields, an attorney in Sacramento, and his wife Melinda; Sherman, a real estate agent, is a partner, and both families and their children are involved in running the company. The wines receive very little or no new oak; they are bottled unfined and unfiltered. Alcohol levels are kept fairly low, for this group of wines 14.2 to 14.8 percent. Finally, these reds lean more toward elegance, refinement and nuance than blatant qualities of over-ripeness and blockbuster tannins; balance and harmony are the keywords. Those interested in purchasing any of these wines — I recommend the Old Vine Zinfandel 2011 and the Tempranillo 2011 — should contact the winery at https://fieldsfamilywines.com or call 209-896-6012.

These wines were samples for review.
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The vines mentioned in the Fields Family Wines Old Vine Zinfandel 2011 are 55 to 60 years old and are found in the Sherman Family Vineyards in the Mokelumne River American Viticultural Area, located in the southwestern part of the overall of Lodi AVA. Mokelumne River was established as an AVA in 2006, though it was the first region in the county to be planted to vines. The wine aged in French and Hungarian oak barrels, less than 35 percent new; the number of months is not specified. The Fields Family Old Vine Zinfandel ’11 offers a dark ruby-mulberry color and pungent scents of briers and brambles, white pepper, spiced and macerated black and red currants and cherries with an undertow of plum; a few moments in the glass bring in notes of lavender and lilac, cloves and sandalwood. Moderate tannins keep her steady as she goes, providing plenty of foundation for bright acidity and delicious black and red fruit flavors but never as a dominating factor. Lovely balance and integration. 14.8 percent alcohol. Production was 200 cases. Drink now through 2017 or ’18. Excellent. About $24.
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The Fields Family Tempranillo 2011, Lodi (Mokelumne River), evinces the transparent and radiant ruby color you see in glasses of wine in Dutch still-life paintings. The wine aged 20 months in neutral French barriques, a process that lent almost subliminal subtlety and suppleness to the structure. This is ripe and meaty, delivering red and black currants and raspberries, both fresh and dried, with smoky, roasted notes and hints of pomander and potpourri, then conjuring fruitcake and toasted walnuts. A silky texture and mellow but spicy black fruit flavors belie the leathery and slightly dusty tannins that take an hour or so to emerge, along with a hint of graphite minerality for backbone. 14.2 percent alcohol. Production was 100 cases, so good luck, though this wine was my favorite of the quartet. Now through 2018 or ’19. Excellent. About $22.
_____________________________________________________________________________________________________________________The Fields Family Il Ladro 2011, Lodi, is an unspecified blend of sangiovese, cabernet sauvignon and merlot grapes, 10 percent from Napa Valley. The wine aged in used French and American oak barrels. The color is dark ruby-purple. The wine begins with attractive scents of spiced and macerated red and black currants and plums highlighted by orange zest and black tea, lavender and potpourri. There’s lovely delicately velvet-like weight and texture (moderately dense and dusty) balanced by lip-smacking acidity and slightly tarry, leathery tannins, all in the service of tasty black and red fruit flavors. 14.4 percent alcohol. Production was fewer than 175 cases. Now through 2017 or ’18. An enjoyable blend, certainly, but I wish it offered more stuffing and complexity. Very Good+. About $25.
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There wouldn’t be a darned thing wrong with the Fields Family Syrah 2011, Lodi (Mokelumne), if it were, say, a particularly intense pinot noir from Santa Lucia Highlands. What I’m sayin’ is that this is a thoroughly enjoyable and delicious wine but not very syrah-like, not even in the sense of a more restrained syrah. The wine aged about 16 months in French oak, less that 25 percent new barrels. The color is a deep purple-magenta; the bouquet teems with quite spicy red and black cherries underlain by hints of smoke, tar and violets. It’s rich and succulent and satiny, a bit too sophisticated for syrah, but — I’ll say it again — quite a tasty glass of wine. 14.2 percent alcohol. 150 cases were made. Now through 2016 to ’18. Very Good+. About $22.
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Building on last week’s Weekend Wines Notes devoted to cabernet sauvignon or cabernet-based wines from California, here are 10 more. Several are absolutely splendid, several more are well-made and enjoyable, a couple I do not wholeheartedly recommend and there are a couple of disappointments, but I’ll get over it. That’s the breaks in BTYH Land. These are brief reviews, ripped, as it were, from the cramped and crabbed penmanship of my notebooks, not intended to go into complete technical, historical or geographical detail but to pique your interest and, where appropriate, whet your palate. These were samples for review, and in the case of a few of them, I’m damned lucky that they were. Enjoy!
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Amapola Creek Cabernet Sauvignon 2009, Sonoma Valley. 14.9% alc. 1,475 cases. With 7% petit verdot. Deep ruby-purple color with a mulberry rim; pure iodine and iron, sanguine and savory; unfolding layers of licorice and lavender, cassis, black cherries and raspberries, cloves and sandalwood; a paradoxical marriage of remarkable intensity and concentration with generosity and expressiveness; smoke, graphite minerality; acidity plows a furrow through bastions of sleek dense tannins; brings up notes of bitter chocolate, loam and shale; a long finish packed with spice and fruit compote; pinpoint balance and integration. Now through 2022 to ’25. Exceptional. About $70.
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Atalon Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. (Jackson Family Wines) 76.2% cabernet sauvignon, 14.8% merlot, 4.9% malbec, 2.8% petit verdot, 1.3% cabernet franc. Lovely transparent ruby color; bouquet of graphite, lavender and violets, black currants and red cherries, hints of cedar, black olive and plum; mild tannins but very dry, bitter chocolate and exotic spice at the core, fairly austere finish, ending on a woody note; not badly-made but not compelling. Now through 2018 to ’20. Very Good+. About $35.
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Beaulieu Vineyards Rutherford Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. With 4% petit verdot, 3% merlot. Dark ruby purple color; a cool and confident cabernet, very well-balanced and harmonious, every element under control; needs a bit of wildness and recklessness to be really interesting, something to ruffle the feathers and wake it up. Now through 2018 to ’20 Very Good+. About $32.
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Flora Spring Trilogy 2011, Napa Valley. 14.2% alc. 75% cabernet sauvignon, 10% each merlot and petit verdot, 5% malbec. Dark ruby color; very intense and concentrated, very dry, highly structured, defined by stalwart grainy tannins and lots of dusty oak; the finish is austere, densely packed with wood and graphite elements; doubtless a well-made wine but so typically Napa Valley that you want to give it a shake. Try from 2016 through 2025. Very Good+. About $75.
The label image is one vintage behind.
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Gallo Signature Series Cabernet Sauvignon 2010, Napa Valley. 14.8% alc. With 2% petit verdot. The signature on the label is that of winemaker Gina Gallo. Deep ruby-purple with an opaque center; ripe, fleshy, pungent; cassis and plums, notes of black raspberry, lively with cloves and allspice, lots of graphite minerality; pinpoint tannins and acidity bolster moderately dense and pliable tannins; really lovely depth and breadth; gratifying personality and character. Now through 2019 to ’22. Excellent. About $40.
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Halter Ranch ancestor Estate reserve 2010, Paso Robles. 15.5% alc. 900 cases. 39% cabernet sauvignon, 35% petit verdot, 26% malbec. I’m generally a fan of Halter Ranch’s products, but this wine is a disappointment. Dark ruby tinged with magenta; very intense, very concentrated, quite powerful; needs a moderating component and some coherence; lots of toasty oak, slightly over-ripe black and blue fruit flavors and sweet with alcohol; not much pleasure here, perhaps a few years aging will bring out the nuances. Very Good. About $50.
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Hooker Rugby Club “Old Boys” Cabernet Sauvignon 2010, Napa Valley. (Lawler Family Winery) 15.4% alc. 203 cases. Deep ruby-purple color; a real mouthful of lavender and violets, graphite, smoke and bitter chocolate; black currants, raspberries and plums with a touch of blueberry; quite rich, robust and plush, and you feel the oak too much from mid-palate through the finish, with that almost gritty charcoal-like edge; the 15.4% alcohol creates some heat on the finish too. If that’s yer cuppa tea, go ahead. About $32.
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J. Davies Cabernet Sauvignon 2010, Diamond Mountain District, Napa Valley. 14.5% alc. With 9% malbec. (From the owners of Schramsberg Vineyard, the sparkling wine producers.) Profound in every sense. Deepest of ruby-purple hues with a violet rim; earth, loam, black tea, cocoa powder; intense and concentrated cassis, black cherry and plum scents and flavors; penetrating graphite and granitic minerality; rich, expansive, enveloping yet shapely and supple, a monument with elegantly rounded edges chiseled by keen acidity; dusty, rock-ribbed tannins that manage to provide foundation and framework without being ponderous or austere. A real beauty. Try from 2015 through 2025 to ’30. Exceptional. About $90.
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Steven Kent Winery Home Ranch Cabernet Sauvignon 2010, Livermore Valley, Alameda County. 14.1% alc. 100% cabernet. 189 six-pack cases. Dark ruby color but not opaque or extracted; spiced and macerated black currants and plums; graphite, leather, loam; lavender and licorice, oolong tea and sandalwood; dense and almost chewy, solidly built, spicy oak in the background, yet not heavy or obvious; notes of winsome wildness, mint, black pepper, rose petal; long steady finish. Both profound and delightful. Now through 2020 to ’24. Excellent. About $65.
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Steven Kent Winery Folkendt Vineyard Cabernet Sauvignon 2010, Livermore Valley. 14.2% alc. 100% cabernet. 143 six-pack cases. Definitely darker ruby (than the preceding SKW cabernet) with a mulberry edge; piercing minerality of graphite and ferrous elements; firm, powerful, lithe and muscular; tremendous presence and vivacity; black currants and plums, bitter chocolate, cedar, black olive and dried thyme; ascendent oak spreads its dusty influence, grainy tannins penetrate deep; a finish densely packed, sleek and supple. Try from 2016 through 2025 to ’28. Excellent. About $65.
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After the repeal of Prohibition in 1933, the cabernet sauvignon grape, in the hands of winemakers at Beaulieu Vineyards, Inglenook, Louis M. Martini and other Napa Vallery estates, raised California to world renown. Cabernet sauvignon continues to dominate the state’s prestige winemaking efforts, as properties established in the 1970s, ’80s and ’90s and some more recently, command top prices at retail, in restaurants and, in terms of wineries like Harlan Estate and Screaming Eagle, at auction. New labels appear every year; it’s a crowded and competitive field. Today, I offer nine examples of cabernet and cabernet-blend wines from producers that range from venerable (Mount Veeder, founded in 1973) to brand-new (Mt. Brave, on its third release) to an impressive debut wine with an impressive pedigree. Common threads include the fact that alcohol levels are comparatively low (compared to 20 and 30 years ago) at 13.7 to 14.7 percent; that none of these wines feels heavy with oak; that the emphasis is mainly on structure rather than ripeness. We touch several climes in Napa Valley, Sonoma County and, far to the south, Paso Robles. As usual in these Weekend Wine Notes, I primarily avoid technical, historical, geographical and personnel matters for the sake of immediacy, hoping to spur your interest and whet your palates. Enjoy!

These wines were samples for review.
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Amici Cellars Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. 100% cabernet sauvignon. Dark ruby with a magenta-violet rim; black currants, raspberries and cherries, juicy, spicy, lots of graphite and lavender; that gratifying blend of ripe fruit and a rigorously tannic and mineral-tinged structure; oak providing a firm framework and foundation; lithe, almost sinewy, quite dry, even a little austere but lively, attractive, with an engaging personality. Now through 2018 to ’20. Excellent. About $45.
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Cenyth 2009, Sonoma County. 14.5% alc. 47% cabernet sauvignon, 28% merlot, 10% cabernet franc, 8% petit verdot, 7% malbec. The debut release from this collaboration between Julia Jackson, daughter of the late Jess Jackson and his wife Barbara Banke, and Helene Seillan, daughter of Pierre Seillan, winemaker of Verite. You know how some wines just hit you first thing, and you know they’re great; such a one is this. Opaque purple, almost more a force that a color; brilliant purity and intensity, scintillating and penetrating graphite and granitic minerality, very intense and concentrated black and blue fruit; lean and supple, lively and energetic yet with a brooding, inward cast; broad, deep tannins but a deftly poised marriage of power and elegance. Try from 2015 through 2025 to ’30. Exceptional. About $60.
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Cornerstone Cabernet Sauvignon 2010, Napa Valley. 14.5% alc. With 13% merlot and 2% cabernet franc. 973 cases. Impenetrable dark ruby color; graphite, violets and lavender, bitter chocolate and walnut shell; very intense and concentrated black currant and raspberry fruit; densely packed with dusty tannins, dried spice and granitic minerality; yet manages to be open and generous, almost seductive, a sweet-talking brute, rigorous but buoyant. Try from 2015 through 2020 to ’25. Excellent. About $65.
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Cornerstone Howell Mountain Cabernet Sauvignon 2010, Napa Valley. 14.7% alc. With 10% merlot. 470 cases. Dark ruby-purple, motor-oil black at the center; ripe, fleshy and meaty on the one hand, rock-ribbed, granitic, intense and concentrated on the other; lavender, potpourri, sandalwood, black currants, raspberries and plums; dense dusty tannins, fluent acidity, lithe and supple texture; tremendous presence, vibrancy and resonance. Try from 2015 or ’16 through 2028 to ’30. Were I the sort of person who bought wine by the case to drink it over the years of its development and maturity, this would be one. Exceptional. About $80.
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Daoa Cabernet Sauvignon 2012, Paso Robles. 13.9% alc. 78% cabernet sauvignon, 8.5% merlot, 7.5% cabernet franc, 6% petit verdot. Dark ruby-purple color; clean, intense, concentrated; very earthy, with piercing graphite minerality; mint, eucalyptus, dried sage and rosemary; black cherries and currants and plums, ripe, macerated and roasted; hint of plum pudding; dusty tannins, quite dry, a little austere but well-balanced; great structure and personality, pretty damned irresistible. Try 2015 through 2020 to ’22. Excellent. About $28.
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Mt. Brave Cabernet Sauvignon 2010, Mt. Veeder, Napa Valley. 14.4% alc. With 3.5% merlot, 3% cabernet franc. (The former Chateau Potelle property.) Intense purple-black color, opaque at the center, a magenta rim; ripe and fleshy with black currants, raspberries and plums, notes of rosemary and cedar, lavender and licorice, hint of new leather; very dense and chewy, laden with graphite and polished, grainy tannins, deeply flavorful over a foundation of penetrating granitic minerals and bright vibrant acidity; brings in notes of moss, loam and underbrush; great presence and resonance. Try from 2015 or ’16 through 2025 to ’30. Excellent. About $75.
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Mount Veeder Cabernet Sauvignon 2011, Napa Valley. 14% alc. With 5% merlot, 2% petit verdot, 1% each malbec and syrah. Dark ruby-purple color, slightly lighter rim; cloves and sandalwood, bay leaf and sage, black olive and rosemary; intense and concentrated notes of black currants and plums; deeply, stalwartly tannic, dense and dusty; graphite and shale, but well-knit and balanced; a nicely done if predictable performance. Try from 2015 or ’16 through 2020 to ’22. Very Good+. About $40.
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Olema Cabernet Sauvignon 2010, Sonoma County. 14.5% alcohol. Second label of Amici Cellars. With 7% merlot. Dark ruby color, lighter at the rim; graphite, cloves, black currants and plums, an undertow of briers, underbrush, dusty tannins and keen acidity; ripe and flavorful, goes down smoothly. Now through 2015 or ’16. Very Good+. About $22.50.
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Ravenswood Pickberry Red Wine 2011, Sonoma Mountain. 13.8% alc. 750 cases. 66% merlot, 35% cabernet sauvignon, 9% malbec. Medium ruby color with a light magenta cast; a seamless and gratifying blend, ripe, spicy, floral and deeply fruity, all edged by graphite and dusty tannins and dense oak that emerges after an hour in the glass; elements of loam, briers and brambles bring in the earthy note. I didn’t find this as exciting as some of the other selections in this post, but it’s immensely enjoyable as well as revealing a serious character. Now through 2018 or ’19. Excellent. About $50.
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