Cabernet sauvignon


Fire up the grill! Here is a cabernet-based wine perfectly tuned to the broad strokes and the nuances induced by the kiss of flames upon beef, lamb, veal and pork. The Grgich Hills Estate Cabernet Sauvignon 2012, Napa Valley, is the product of one of those vintages that winemakers refer to with sighs of relief and giddy smiles. It’s a blend of 85 percent cabernet sauvignon, 8 percent merlot and 3.5 percent each petit verdot and cabernet franc that never sees a smidgeon of artificial herbicides, pesticides or fertilizers and is fermented with indigenous yeasts. The wine spent 21 months in French oak, 60 percent new barrels. The color is deep ruby from opaque center almost to the rim, where it shades delicately into a violet-magenta hue; to touches of cedar and rosemary, cloves and allspice, ripe and spicy black currants, cherries and plums, the wine adds grace-notes of black olive and bell pepper, creating a beautifully complicated bouquet that picks up on the slightly resiny woodiness of rosemary and the exotic slightly astringent woodiness of allspice; a few minutes in the glass bring in notes of lavender and licorice and a teasing wisp of roasted fennel. On the palate, this cabernet delivers weight and substance without being ponderous or overstated; while sustained by large dimensions of graphite and granitic minerality and deep but soft and finely sifted tannins, it embodies the vivid acidity to keep it engaging and animated and the gorgeous black fruit flavors — now feeling spiced and macerated — to make it eminently attractive. Still, this is a wine that focuses a good deal of attention on structure, and the finish, from mid-palate back, shifts toward a bastion of austerity and aloofness. 14.7 percent alcohol. Try tonight with something grilled or from 2017 or ’18 through 2025 to ’28. Excellent. About $65.

A sample for review.

The Dorgogne region is one of the oldest inhabited areas of France, as testified by numerous caves filled with wall paintings and etchings that date back 30,000 and 40,000 years. It’s also one of the country’s wildest and most beautiful areas, marked by rugged and towering cliffs, many topped by ancient castles; deep river valleys; rolling hills and forests; and a network of villages and towns that retain much of their medieval appearance. Recently, we spent a week in France’s Dordogne region, with LL’s son and his children, Julien, 14, and Lucia, 10, eating local food — dominated by foie gras, magret and confit of duck — and drinking local wines. We rented a centuries-old stone cottage outside the village of Beynac et Cazenac — pop. 560 — an almost mythically quaint hamlet perched right on a bank of the Dordogne River and winding up the cliff dominated by an immense castle, Chateau de Beynac, seen in this image from sourcedordogne.free.fr.

Our locale was at the southeastern corner of the Dordogne department, not wine-country itself but not too far from the appellations of Bergerac, Côtes de Bergerac, Montravel and Pécharmant, all cultivating the Bordeaux grape varieties and producing country cousin versions of cabernet sauvignon, cabernet franc and merlot for red, sauvignon blanc and semillon for white. About a two-hour drive to the east in the Lot department is Cahors, a traditional region for hearty wines made from the malbec grape, known as cot in that area. Though I had been offered visits to chateaus and wineries by some of my contacts in importing and marketing in the US, my determination was that this sojourn would be strictly vacation and that any wine we drank would come either from grocery stores, open-air markets or restaurant wine lists.

Our first dinner, at a hotel restaurant in Beynac, was mediocre, but we enjoyed the wines. These were a 2011 rouge, in a 500-milliliter bottle, and a 2013 blanc, in a 375 ml bottle, from Chateau Court-Les-Mûts, Côtes de Bergerac. The rouge offered a bright, seductive floral and spicy bouquet but was fairly rude and rustic on the palate; the more palatable blanc was fresh, young and zesty, with yellow fruit and dried herbs. Each cost 14 euros, about $15.66 at today’s rate. Far more successful, in both food and wine, was our dinner the following night, a Sunday, at La Petite Tonnelle, just a few yards up the street from the restaurant of the previous night. Built right into the cliff that dominates this strategic site overlooking the Dordogne river, the restaurant was pleasing in every aspect. Our waiter, a young woman, was friendly and accommodating; the restaurant served the silkiest foie gras, smoked magret and confit of duck I have ever tasted; and the wine list emphasized regional products highlighting sustainable, organic and biodynamic methods. With the hearty fare, we drank a bottle of the Chateau Masburel 2010, Montravel, a predominantly merlot wine with dollops of cabernet sauvignon. The restaurant owner came over and nodded his approval, telling us that it was a powerful wine. Powerful indeed and robust, but sleek too, packed with dusty tannins, graphite-tinged minerality, black fruit flavors and vibrant acidity. It cost 42 euros, about $46 at today’s rate.

Both in cafes and at our rented house, we consumed a great deal of rosé wine, not just because we love rosé but because the weather was unseasonably hot, with temperatures going to 100 and higher every afternoon. Rosés in the Dordogne are made from cabernet sauvignon, merlot and malbec and typically are more robust than their cousins in Provence. For example, in Les Eyzies-de-Tayac-Sireuil, generally just called Tayac, home to the National Museum of Prehistory and the center of a cluster of caves with prehistoric art, we ate lunch at Cafe de Mairie and downed a 500 cl bottle of the delightful Clos des Verdots 2014, Bergerac Rosé, at 14 euros. Other rosés we tried during our sojourn included La Fleur de Mondesir 2014, Domaine de Mayat 2014 and Domaine de Montlong 2013, all Bergerac, and the simple but tasty Mayaret 2014, Vin du Pays Perigord. Tayac is absolutely worth a visit. We were too late to get admittance to the cave called Font de Gaume, which features wall paintings, so we drove to the cave of Les Combarelles, a few minutes away, and saw the exquisite series of rock engravings executed 10,000 to 12,000 years ago. The town itself, with many of its houses and buildings carved directly into the cliffs, is a UNESCO Heritage Site.

Other red wines we tried, back at the house with various dinners, included Chateau des Hautes Fargues 2010 and Domaine La Closerie 2011, both from Pécharmant, and, from Bergerac, the excellent Domaine Maye de Bouye 2010, and the best red wine of our time in the Dordogne, Clos de Gamot 2008, a superb, deeply characterful Cahors that cost all of 12.5 euros, about $13.70. Clos de Gamot is owned by the Jouffreau family and has been in operation since 1610. The grapes derive from two vineyards, one over 120 years old and the other with vines 40 to 70 years old. The wines age 18 months to two years in large old oak casts.

The way to explore this ancient region is to drive to as many of the towns and villages as possible, preferably one each day, park the car (hopefully in the shade) and then wander through the plazas and narrow streets, stopping to walk through churches, alleys and courtyards. If there’s a chance, for a few euros, to tour a castle or old mansion, do that; the rewards in history, esthetics and emotional satisfaction are immense. We particularly enjoyed Sarlot, Domme and the medieval section of Soulliac, and we visited two castles that were traditional enemies during the Hundred Years’ War, Chateau Beynac, “our” castle, and just up-river, Castelnaud-la-Chapelle.


The Achaval Ferrer estate in the Mendoza region produces a handful of Argentina’s finest red wines, especially focused on malbec, the single-vineyard versions of which retail at $120 to $140. Today, however, we look at the more accessible and far less expensive Achaval Ferrer Cabernet Sauvignon 2013, a 100 percent varietal wine made from vineyards at 2,297 and 3,608 feet above sea-level. Notice that no new oak is involved; the grapes fermented in cement tanks and the wine aged nine months in two-year-old French oak barrels. Though an “entry-level” wine for this producer, it reveals its pedigree and character in its intensity and concentration, its unassailable tone and presence. The color is dark ruby-magenta; the bouquet seethes with notes of red and black cherries and plums permeated by mineral dust, lavender and bitter chocolate, with undertones of allspice (with the attendant woodsy austerity) and graphite. As often occurs with high-altitude red wines, tannins feel slightly chiseled, and the profound acidity runs deep and faceted. Yes, you could say that the emphasis is on the wine’s structure, but it’s also quite approachable for its dark spicy and alluring black fruit flavors; the dynamic finish is packed with graphite, potpourri and some rooty smoky black tea. 14 percent alcohol. Drink now through 2020 or ’23. The question as to whether this wine would serve as superb accompaniment to a medium rare ribeye steak, hot and crusty from the grill, need not be broached. Excellent. About $25.

Imported by Stoli Wine Group, New York. A sample for review.

While other wineries attempt to be all things to all consumers — “Maybe we better make a moscato, they’re hot now!” — Jordan Vineyard and Winery goes right on doing what it has always done since starting in 1976, producing chardonnay and cabernet sauvignon wines from its estate vineyards, Alexander Valley for cabernet, Russian River Valley for chardonnay. These are not opulent, flamboyant, super-ripe or over-oaked wines. Alcohol levels are kept low — see the wines reviewed below — and new oak is employed thoughtfully. Jordan’s wines drink exceptionally well with food, and while in some quarters such an assertion is greeted with disdain, that factor seems to me to be the highest purpose and achievement of wine. Jordan also fields a website almost unparalleled in California for its usefulness, range and flow of information and accessibility. Pay heed, all you wineries that cannot manage to get your latest releases on your websites.

These wines were samples for review.
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Two-thirds of the Jordan Chardonnay 2013, Russian River Valley, was barrel-fermented, one-third fermented in stainless steel. The wine aged six months in French oak, 40 percent new barrels; only 18 percent of the wine went through “malo” — the so-called malolactic fermentation that transforms sharp malic (“apple-like”) acid to creamier lactic (“milk-like”) acid — thus retaining most of the wine’s crisp, vibrant character. The color is bright but pale gold; classic aromas of pineapple and grapefruit are highlighted by notes of cloves, quince and ginger, with tinges of mango and jasmine lingering in the background. This is quite fresh, lively and appealing, poised among spicy citrus and slightly roasted stone-fruit flavors, a scintillating limestone element and a texture just lush enough to add some sensuality to its spare elegance. 13.7 percent alcohol. Drink now through 2019 or 2020 with seared salmon or swordfish, trout with brown butter and capers, seafood risottos. Excellent. About $30.
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The Jordan Cabernet Sauvignon 2011, Alexander Valley, is a blend of 79 percent cabernet sauvignon, 17 percent merlot, 3 percent petit verdot and 1 percent malbec. Interesting that 85 percent of the grapes derived from Alexander Valley; 14 percent came from Mendocino County and a scant 1 percent from Dry Creek Valley; this is called choosing your sources carefully. The wine aged 12 months in 73 percent French oak barrels and 27 percent American oak, a total of 37 percent being new barrels; it spent 22 months resting in bottle before being released. The color is a transparent medium ruby with a slightly lighter rim; the wine is unusually intense and concentrated on structure, with aromas of briers and brambles and loam permeating notes of black currants, cherries and plums, accented by hints of cloves and allspice, with the latter’s element of exotic woodsy astringency. On the palate you taste the spicy black fruit flavors wrapped around a firm core of iodine and iron etched with lavender and violets and a touch of bitter chocolate; the texture is lithe and supple, while the whole package, animated by bright acidity, is dense and chewy with dusty, graphite-tinged tannins. While this cabernet may display a tad less elegance than Jordan cabernets typically do, it feels imbued with more dignity and character; consider it a triumph from a difficult year. 13.8 percent alcohol. Try with steak or grilled veal or pork chops from 2016 through 2022 to ’25. Excellent. About $53.
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By “all over the map,” I don’t mean that every sub-AVA of the Napa Valley is represented in this post, seventh in a series. True, Mount Veeder is here and Howell Mountain and Rutherford, but what I actually refer to is the technical and stylistic map upon which these examples of Napa Valley cabernet sauvignon play their part. Seven of these wines are from 2012, one each from 2011 and 2010. The alcohol levels range from a mild 14.2 percent to a soaring and unmanageable 15.7. The use of oak barrels for aging varies enormously. The intention of the wines feels vastly different, with some wineries going whole-hog for the opulent and super-ripe, others tracking more toward the structured and elegant. In this panoply of approaches, do we discern a Napa Valley style? It’s difficult to say. To my mind — and my palate — the Sequoia Grove, Robert Mondavi and S.R. Tonella 2012s and the Napa Vintage 2011 adhere to a kind of general Napa-ness in their balance of fruit, tannin, acidity and mineral qualities and their pleasing herbal qualities, texture and depth. The other five feel more anomalous, marred by high alcohol or strenuous deployment of oak barrels. Of course no one would want Napa Valley to be homogenous nor its many wineries to operate on identical practices. We celebrate the place and the individuality together. These wines were samples for review.

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Sequoia Grove Cabernet Sauvignon 2012, Napa Valley. There really are towering sequoias — I guess that’s redundant — at Sequoia Grove Winery; one feels rather dwarfish in their company. The winery, founded in 1979, occupies salubrious geography in the Rutherford appellation, in the heart of Napa Valley. President and director of winemaking Mike Trujillo has been at Sequoia Grove since the early 1980s, was appointed assistant winemaker in 1998 and in 2001 took the position he has now. Winemaker is Molly Hill. The winery is owned by its national distributor, Kobrand Corp. Sequoia Grove, while making a variety of wines, focuses on chardonnay and cabernet sauvignon, and it’s to the latter that we turn today.

The blend for the Sequoia Grove Cabernet Sauvignon 2012 is 77 percent cabernet sauvignon, 11 percent cabernet franc, 10 percent merlot and 1 percent each petit verdot and malbec, meaning that it employs, even if only in dollops, all five of the classic Bordeaux grape varieties. The wine aged 20 months in barrels, 60 percent French oak, 40 percent American oak. The color is opaque ruby with a tinge of magenta at the rim; the aroma profile begins with dusty leather and graphite and unfolds notes of ripe black currants and plums with a hint of blueberry, all permeated by cloves and allspice and a background of walnut shell and wheatmeal; top-notes are wild and slightly exotic. This is a dense, chewy and dry cabernet that coats the palate with dusty, velvety tannins; it’s loamy and rooty, a bit granitic, and yet bright acidity keeps it lively and boldly ripe and slightly fleshy and roasted black and blue fruit flavors make it delicious. Still, it could use a year or two to meld. 14.2 percent alcohol. Drink from 2016 or ’17 through 2022 to ’24. Beautifully crafted and balanced. Excellent. About $38.
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Flora Springs Winery and Vineyard Trilogy 2012, Napa Valley. Trilogy is the flagship wine for Flora Springs. The winery was founded in 1978 on the site of an abandoned 19th Century “ghost winery” by Jerry and Flora Komes, though the real work of establishing the facility and vineyards went to their children John Komes and his wife Carrie and Julie Garvey and her husband Pat Garvey; now the third generation is poised to take command. Winemaker is Paul Steinauer. I generally enjoy the wine of Flora Springs and last year made the Chardonnay 2012 and the Soliloquy Sauvignon Blanc 2013 Wines of the Week. I have a quibble, however, with the Trilogy 2012.

The blend is 82 percent cabernet sauvignon, 6 percent each merlot, malbec and petite verdot. The wine aged 22 months in French oak barrels, 60 percent new, 40 percent one-year-old. The color is dark but vivid ruby-magenta with an opaque center. The bouquet — indeed the entire package — is centered to an obtrusive degree on the graphite, smoke and charcoal-tinged character of oak. You know how I feel about these matters; if a wine smells like oak and tastes like oak, there’s too much oak! Bright glimmers of ripe and spicy black currants, cherries and raspberries emerge, with notes of lavender and licorice and undertones of loam and aged fruitcake, and the wine certainly offers an almost rapturously supple and lithe texture, verging on plush but balanced by clean acidity, dusty tannins and a slightly chiseled granitic structure, but the oak kills it for me. 14.2 percent alcohol. Perhaps a few years in bottle will tame it; try from 2016 or ’17 through 2022 to ’24. Very Good+. About $75.
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Napa Vintage Cabernet Sauvignon 2011, Howell Mountain, Napa Valley. Sean Piper grew up in Napa Valley, and after a career in the Coast Guard, he returned to, first, start Wine Consumer Magazine and, now, establish his own wine label, Napa Vintage. The initial outing is sourced from Howell Mountain and is an example of a successful cabernet sauvignon produced in a chilly rainy year. The wine is 100 percent cabernet sauvignon, aged 20 months in all new French oak barrels. The color is inky ruby-purple, and the whole package reflects the intensity and concentration available from mountain-grown fruit, with its attendant notes of walnut shell and dried porcini, classic touches of cedar and rosemary (with the herb’s hint of resiny earthiness) and burgeoning elements of black currants and plums highlighted by a hint of pomegranate; a few minutes in the glass bring in notes of cloves and allspice, with the latter’s touch of exotic astringency. This is, no surprise, quite dry, replete with densely buttressed tannins, and thoroughly oaked, yet well-balanced and integrated. All these elements are wrapped around a fervent core of lavender, licorice and bitter chocolate. 14.3 percent alcohol. Production was 414 cases. The Napa Vintage Cabernet Sauvignon 2011 seems to me to be a model of an upper-altitude Napa cabernet, displaying its rooted firmness and supple flexibility in fine style. Drink now with a medium rare rib-eye steak, hot and crusty from the grill, through 2020 or ’21. Excellent. About $42.
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S.R. Tonella Cellars Cabernet Sauvignon 2012, Rutherford, Napa Valley. There’s little doubt that Napa Valley’s Rutherford Bench is one of the most advantageous pieces of earth on which to grow cabernet sauvignon grapes. Lying at the heart of the Napa Valley, west of Highway 29 and bordered (approximately) on the north by Zinfandel Lane, just above the town of Rutherford, and on the south by Oakville Grade, just below the town of Oakville, this area backs up to the foothills of the Mayacamas range in the west. The soil on this alluvial fan is well-drained gravelly loam. André Tchelistcheff, famed winemaker for Beaulieu Vineyards and guiding spirit of its George de Latour Private Reserve, called wines from the bench “dusty,” a term now accepted, perhaps too easily, as “Rutherford dust.” The cabernet wines that originate from the area undeniably often display a dry, dusty granitic aspect but not so uniformly as to make that characteristic applicable in every instance.

Steve Tonella’s heritage goes back a century in Rutherford. His great-uncle, Joseph Ponti, came from Italy to San Francisco after the earthquake in 1906, traveled up to Napa Valley, and became superintendent and winemaker at Beaulieu Vineyards, founded in 1900. Ponti’s nephew, Louis Tonella, joined Ponti at BV when he was 17. From his uncle, Louis Tonella inherited vineyards in the Rutherford area to which his son, Raymond Tonella, added purchased acreage. The Neibaum-Tonella Vineyard in Rutherford is the winery’s estate vineyard; Morisoli-Borges, owned by Mike Morisoli, a fourth-generation grower, lies at the heart of the Rutherford Bench. From these sources, Steve Tonella makes his cabernet-based wine.

There’s five percent merlot in the S.R. Tonella Cellars Cabernet Sauvignon 2012; the wine aged 28 months in French oak, 75 percent new barrels. The color is opaque ruby-magenta; the wine is deep in its dimensions, intense and concentrated, full-bodied and flush with dense, dusty, lithic tannins. Aromas of walnut-shell, dried porcini, loam and graphite yield little space to hints of ripe black currants and black cherries that carry classic notes of cedar, tobacco and mocha. It’s a cool yet savory and spicy cabernet wrapped around a tight core of bitter chocolate and lavender buoyed by vibrant acidity; the finish, not surprisingly, is focused, dynamic and granitic. 14.4 percent alcohol. Despite it’s size and substance, the S.R. Tonella Cellars Cabernet Sauvignon 2012 feels well-balanced, filled with energy and personality. Fewer than 500 cases were made. Try from 2017 or ’18 through 2028 to ’30. Excellent potential. About $74.
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Robert Mondavi Cabernet Sauvignon 2012, Napa Valley. Robert Mondavi wasn’t the first person to think that the Napa Valley was capable of producing world-class cabernet sauvignon wines, but after he founded his winery in 1966, he brought the full force of his conviction, enthusiasm and larger-than-life personality to the task. Barrels of ink and puncheons of pixels have been spilled in outlining and commenting on the history of Robert Mondavi — the man, the family and the winery — so I will forgo that endeavor for this post. The winery continues to turn out excellent products under the ownership of Constellation (since late in 2004) and the tutelage of winemaker Genevieve Janssens, though I’ll say that this admittedly well-made cabernet felt almost too typical of its place and intention; it could have used a bit more individuality. On the other hand, it’s not a single vineyard or sub-appellation cabernet, so perhaps we should all just enjoy it.

The wine employs all five of the “classic” Bordeaux red wine varieties: 88 percent cabernet sauvignon, 6 percent cabernet franc, 4 percent merlot and 1 percent each petit verdot and malbec. Thirty percent of the grapes came from the famous To Kalon vineyard in the Oakville AVA, with 14 percent derived from Mondavi’s Wappo Hill vineyard in the Stags Leap District, with the rest, I assume, grown in other estate or nearby vineyards; the intention obviously was to create a “Napa Valley” style cabernet sauvignon without reference to a particular sub-AVA. The wine aged a very sensible 16 months in French oak, only 15 percent new barrels. The color is a rich dark ruby with a magenta tinge; aromas of cassis and black cherry are permeated by notes of cedar, tobacco and dried thyme, with deeper hints of lead pencil, briers and brambles and loamy graphite. Tannins are dry, a bit earthy and leathery, firm yet unobtrusive; fleet acidity keeps the wine energetic and thirst-quenching; a subtle oak influence shows up in the wine’s supple, lithe texture and in a wafting of exotic spice.The sense of balance and integration is well-nigh perfect. Alcohol content is the now New World average of 14.5 percent. What’s not to like? Drink now through 2020 or ’22. Excellent. About $29.
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Petar Kirilov made 50 cases of his Kukeri Cabernet Sauvignon 2010, Mount Veeder, Napa Valley, aging it 36 months — yes, My Readers, three years — in French oak. Come now, sir, this is not Brunello di Montalcino, but Kirilov believes in oak, so oak it is, and the inky dark wine wears its oak on its sleeve. Aromas of cedar, tobacco and dried rosemary are drenched with notes of walnut shell, dried porcini, leather and loam, with all the attendant resinous, foresty, underbrushy elements we would expect. Fruit? Yes, there are glimmers. Acidity? Oh, sleek and dynamic. I still wouldn’t touch this wine, though, for five more years. The 2011 is the current release, made in 79 cases. 14.5 percent alcohol. Rating? Anybody’s guess, but time will be the ultimate judge, as it is in all matters concerning these sublunary precincts. About $79.
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Jamieson Ranch Double Lariat Cabernet Sauvignon 2012, Napa Valley. Jamieson Ranch Vineyards is the southernmost winery in the Napa Valley. Formerly known as Kirkland Ranch Winery and Reata Vineyard, the company changed its name to Jamieson Ranch in 2013. The history of the property is tangled, involving dubious business decisions going back to the late 1990s and bankruptcy filings, but it is owned now by Madison Vineyard Holdings of Greenwood Village, Colorado, a company involved in myriad enterprises including high-end art storage in New York. Jamieson Ranch produces about 35,000 cases annually under its eponymous label, retaining the Reata name for some pinot noirs and chardonnays, and uses the Light Horse brand for inexpensive products. Winemaker is the Chilean Juan Jose Verdina.

About 2/3s of the grapes for this wine went through “flash détente,” a process much used in Europe, South America and Australia but fairly new to California. Before fermentation, grapes are heated to about 180 degrees and then sent to a vacuum chamber where they are cooled and the grape skins burst from the inside. The result — don’t ask me how — is better extraction of skin tannins and anthocyanins, the phenolic compounds responsible for the color of red grapes. That’s the simplified version, believe me, and doesn’t begin to approach the complications inherent in the process or the opportunities for manipulation they present.

The blend for the Jamieson Ranch Double Lariat Cabernet Sauvignon 2012 is 86.5 percent cabernet sauvignon, 9 percent merlot, 4.5 percent — surprise! — petite sirah. The wine aged 18 months in French oak barrels, amount of new oak not specified. A dark ruby-purple color is fresh and vibrant; aromas of ripe and spicy black currants, raspberries and plums are wreathed with notes of leather and lavender and a touch of graphite. Slightly dusty and granite-tinged tannins are well-integrated in a lithe texture that’s animated by bright acidity, while black fruit flavors are deep and rich; the finish brings in the oak influence. 14.8 percent alcohol. A well-made and enjoyable but not compelling cabernet sauvignon. Drink now through 2019 to ’22. Very Good+. About $40.
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Priest Ranch Somerston Estate Cabernet Sauvignon 2012, Napa Valley.

Perhaps it’s the 14.9 percent alcohol, but I found this cabernet to be inchoate and unbalanced. It’s 100 percent cabernet sauvignon grapes, aged 22 months in French oak, 35 percent new, 65 percent neutral, a regimen with which I fully agree. It displays a dark ruby-mulberry hue and all the austere elements of wheatmeal, walnut shell and dried porcini mushrooms over loam, dusty tannins and a startlingly high yet hollowed-out level of acidity. On the other hand, the black and blue fruit flavors are not only very ripe but sweet and jammy, making, altogether, for a package that does not cohere. Perhaps a few years in bottle will calm the wine down, but I’m not hopeful. Not recommended. About $48.
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Signorello Estate Cabernet Sauvignon 2012, Napa Valley. The story begins in 1977, with Ray Signorello’s purchase of 100 acres on the Silverado Trail in eastern Napa Valley. Originally intending to grow grapes to sell to other wineries, the emphasis shifted to making wine in 1985. Ray Senior died in 1998, and Ray Signorello Jr. operates the estate now. He is listed as proprietor/winemaker and Pierre Bierbent as winemaker/vineyard manager. This is a luxury wine estate, with packaging and prices to match its aspirations.

A touch of cabernet franc — 6.5 percent — completes what is otherwise all cabernet sauvignon in this large-framed and fairly lumbering wine. Fermented with native yeast, yes, that’s nice; aged 21 months in French oak. all new barrels, okey-dokey, but 15.7 percent alcohol? Please! The color is motor-oil-opaque with a purple-violet rim; it’s a vivaciously ripe wine, with sweet scents and succulent notes of cassis, black raspberry jam, brandied cherries, fruitcake and a hint of zinfandel-like blueberry tart. By contrast, potent tannins and truckloads of dusty graphite define a structure that becomes formidably dry and austere, leading to a feeling that the wine is at war with itself; imbalance and lack of integration personified. Give it a few years if you so desire, but don’t invite me when you eventually open a bottle. Not recommended. About $90.

What’s disheartening about this wine is that I rated the Signorello Estate Cabernet Sauvignon 2009 (the last I tasted) as Excellent and named it as one of my “50 Great Wines of 2012.” It came in at 14.7 percent alcohol. The cabernet under review today feels as if it had been given different marching orders.
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In days gone by, we legions of wine-writers would lament the fact that nobody but us appreciated rosé wines and how wonderful they are and how versatile. We would deplore the notion that everyone in America associated rosé wines with sweetness — and the worst were sweet — when actually the best rosés are quite dry. That’s not the case now, when rosés have grown immensely popular and many wineries all over the world turn out the things as major or side projects, sometimes very seriously. Rosé wines have improved too, being generally made in clean, fresh, crisp mineral-infused fashion. Don’t worry about rosés, friends, they can take care of themselves. I offer today 10 examples of rosé wines made from a variety of grapes in differing styles, most tending toward pleasure and delight, although a couple invite more thoughtful contemplation. They’re not just for Spring and Summer either; several of these models carry enough heft and character to be consumed throughout the year, though you can’t beat them for picnics and backyard fetes in fine weather. Enjoy! In moderation, of course.

These wines were samples for review.
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Domaine Saint-Aix AIX Rosé 2014, Coteaux d’Aix en Provence, France. 12.5% alc. Grenache, cinsault, syrah, counoise. Very pale pink, like the inside of a seashell; ineffable fragrance of dried strawberries and red currants assisted by mild notes of cloves and thyme; brisk acidity blows through it like a sea-breeze on damp limestone; lavender and orange zest in the background, all delicately chiseled and faceted. Excellent. About $19.
Imported by Massanois LLC, Scarsdale, N.Y.
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Chateau Notre Dame du Quatourze Rosé 2014, Languedoc, France. 13% alc. Cinsault, grenache, syrah. Salmon-peach color; peach and strawberry, nicely ripe, slightly dusty terra cotta touch; pomegranate with a notes of cloves; limestone and dried herbs. Tasty and attractive. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Chateau de Jonquieres Cuvee Cersius Rosé 2014, Languedoc, France. …% alc. Cinsault, grenache, syrah. A pale pink shimmer; delicate and elegant, fine bones; rose hips and strawberries, notes of raspberries and orange zest; crystalline acidity and gravel-like minerality; quite dry but distinctly though ethereally flavorful. Lovely. Very Good+. About $NA .
Imported by Val d’Orbieu America, New York.
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Los Vascos Rosé 2014, Colchagua, Chile. Les Domaines Barons de Rothschild (Lafite) 13.5% alc. 90% cabernet sauvignon, 10% syrah. Light salmon-pink color with a tinge of magenta; a summery burst of pure strawberry and raspberry; warm and spicy, racy acidity; a touch of plums garnished with dusty graphite and a dash of dried thyme; lovely shape and presence. Excellent. About $14, representing Great Value.
Pasternak Wine Imports, Harrison, N.Y.
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MacPhail Family Wines Rosé of Pinot Noir 2014, Sonoma Coast. 14.5% alc. 100% pinot noir. 492 cases. Brilliant copper-salmon color; tomato skin and lime leaf, strawberries, raspberries and rose petals, hints of graphite and sea-salt, briers and brambles; a spicy, savory and fairly robust rose that doesn’t neglect delicacy and elegance in the upper register; lively, supple finish drenched with red fruit (hinting at the tropical) and mineral undertones. A superior rose. Exceptional. About $22.
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Il Poggione Brancato 2014, Rosato di Toscana, Italy. 12.5% alcohol. 100% sangiovese. Vivid smoky topaz hue; strawberries, raspberries and peaches; a dusty, dusky minerality, like paving stones warmed by the sun; hints of cloves and dried thyme; beautiful balance between bright acidity and a moderately lush texture, but altogether spare and elegant. A gorgeous rosé, very much a presence on the palate. Excellent. About $18.
Imported by Terlato Wines International, Lake Bluff, Ill.
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Chateau Ribaute “Senhal d’Aric” Rosé 2014, Corbiéres. 12.5% alc. Carignane, grenache, syrah, mourvèdre. Smoky topaz hue, slightly darker than onion skin; peach and strawberry, with a touch of raspberry in the background; warm and stony, damp roof tiles drying in sunlight — the whole “South of France” thing; ethereal but with a grounding in loam. Nicely layered for a rose. Excellent. About $NA.
Imported by Val d’Orbieu America, New York.
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Stemmari Rosé 2014, Sicily. 12% alc. 100% nero d’avola grapes. Entrancing light ruby color with violet undertones; red fruit all round, with prominent strawberry and raspberry followed by notes of cherries and currants and touches of tart pomegranate and pink grapefruit; sunny, leafy, warm and spicy; refreshing and attractive; finish emphasizes brisk acidity and limestone-like crispness (with a hint of orange candied orange peel). Very Good+. About $10, a Real Bargain.
Prestige Wine Imports, New York.
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Toad Hollow Vineyards “Eye of the Toad” Dry Rosé of Pinot Noir 2014, Sonoma County. 11.5% alc. 100% pinot noir. Vivid salmon-copper hue; notably fresh, clean and crisp; strawberries and rose petals, notes of pert cranberries and pomegranate; hint of orange rind; flinty texture for under-tones of minerality but lovely satiny flow on the palate. Very Good+. About $12, marking Great Value.
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Two Shepherds Grenache Rosé 2014, Sonoma Coast. % alc. 100% grenache. 90 cases. The blissful incarnadine of bright ruby-cherry hue; pure raspberry with a suffusion of cherry-berry, melon ball and sour cherry; marked limestone minerality, very dry yet drenched with tart, slightly candied red fruit flavors; almost tannic yet never less than delightful and ethereal in the high notes and gradually unfolding depth unusual in a rose; finish brings in hints of apple, dried cranberry and thyme. Perfection. Exceptional. About $24.
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I have used Wordsworth’s lines so often — “The world is too much with us, late and soon, getting and spending, we lay waste our powers” — that I won’t allude to them on this occasion but merely issue an apology and assert that sometimes I just can’t keep up with tasting and writing. In fact, this post is probably the first in a series of “mea culpa” catch-up entries that I will issue over the next few weeks — if I have time. Ha-ha! These wines, a miscellaneous dozen from California, 11 red, one white, were all samples for review.
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Amapola Creek Monte Rosso Vineyard “Vinas Antiguas” Zinfandel 2011, Sonoma Valley. Winemaker Dick Arrowood mixed 5 percent petite sirah to this zinfandel derived from one of Sonoma County’s legendary vineyards, where the zinfandel vines are 118 years old. The wine aged 15 months in a combination of new and used French and American oak barrels. Generally, I have been a fan of Arrowood’s efforts at Amapola Creek, rating everything I have tasted either Excellent or Exceptional. The exception, however, will be this example, because the heat and sweetness from 15.5 percent alcohol tip the wine off balance and render it into a clunky blockbuster. That’s a shame, because such details as its melange of ripe and spicy black currants and blueberries, cloves, sandalwood and smoked fennel and a chiseled granitic quality would have been gratifying in a different package. Production was 310 cases. Not recommended. About $42.
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Amici Pinot Noir 2012, Russian River Valley, Sonoma County. There’s an aspect of darkness about this (nonetheless) winsome pinot noir: a dark ruby color; a certain dark shading in its spicy elements of cloves and sandalwood; the smokiness of its black cherry scents and flavors hinting at currants and raspberries; the earthiness of its brier-brambly structure. The lovely texture, though, is all warm satin, while bright acidity keeps it lively and quaffable. Alcohol content is 14.8 percent. Production was 1,300 cases. Very Good+. About $35.
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Bonny Doon Vineyards Le Cigare Blanc reserve 2011, Arroyo Seco. The blend for this highly aromatic wine is 62 percent grenache blanc and 38 percent roussanne, from the Beeswax Vineyard; the grapes were fermented together in stainless steel and aged in five-gallon glass carboys, also called demijohns or bonbonnes, of the sort typically employed in home brewing and winemaking. The color is very pale gold, and it seems to shimmer in the glass. All of the lemon kingdom has assembled here in its guises of roasted lemon, lemon balm and lemon curd, highlighted by notes of quince and ginger, lanolin, lilac and camellia. It’s a savory and saline wine, spare, lean and supple and quite dry yet generous with its citrus flavors that delve a bit into stone-fruit. The entire package is animated by crystalline acidity and crackling limestone minerality. Alcohol content is a pleasing 12.5 percent. Production was 480 cases. Excellent. About $54.
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Daou Reserve Cabernet Sauvignon 2011, Paso Robles. The wine is a blend of 79 percent cabernet sauvignon, 7 percent cabernet franc, 5 percent merlot and 9 percent petit verdot that spent 19 months in French oak barrels, 80 percent new. The color is very dark ruby-purple, almost opaque; seductive aromas of spiced, macerated and slightly roasted black cherries and raspberries are permeated by notes of graphite, cedar and tobacco and a hint of rosemary’s brash resiny quality; a few moments in the glass bring in touches of black olive and loam. This is a solid, tannic, granitic-based wine, spare and dusty and quite dry but with plenty of ripe black and blue fruit flavors; fairly rock-ribbed presently, it needs a lot of air to unfurl its attractions. 14.2 percent alcohol. Try from 2016 or ’17 through 2021 to ’25. Excellent. About $56.
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Davies Vineyards Nobles Vineyard Pinot Noir 2012, Sonoma Coast. This pinot noir, which aged 15 months in 41 percent new French oak barrels, originated from an area of the Sonoma Coast region recently designated as the Fort Ross-Seaview AVA. Don’t be surprised if in the coming years we see more segments of the vast Sonoma Coast fragmented into smaller AVAs; Petaluma Gap, anyone? The color is a beguiling medium ruby hue, though that limpidity is belied by the wine’s sense of power and muscularity; this is intensely spicy, bursting with ripe and macerated black cherry and plum fruit, while a few minutes in the glass bring up pungent notes of old leather and pomegranate. It’s a fairly dense and chewy wine, displaying incisive graphite minerality and acidity that I can only call flaring and buoyant. Quite a performance on pinot noir’s dark side. 14 percent alcohol. Production was 550 cases. Drink now through 2018 to 2020. Excellent. About $55.
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Davies Vineyards Ferrington Vineyard Pinot Noir 2012, Anderson Valley, Mendocino County. Here’s a pinot that’s a bit more to my taste than the Davies Vineyards Nobles Vineyard Pinot Noir 2012 mentioned above, at least in terms of style. This spend 15 months in French oak, 22 percent new barrels. The color is a transparent medium ruby, and the first impression is of the earth, with rooty and loamy aspects under briers and brambles; then come black and red cherries and currents segueing to dusty plums, smoky sassafras and exotic spices like sandalwood and cloves. Within this sensual panoply expands a core of nuance — lavender, violets, a bare hint of beet-root — and clean bright acidity. 14 percent alcohol. Production was 400 cases. Drink now through 2018 to 2020. Excellent. About $55.
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Dunstan Durell Vineyard Pinot Noir 2011. Sonoma Coast. The color is dark ruby with a mulberry tinge. I would say that this pinot noir displays glorious purity, intensity and clarity, but “glorious” implies an emphatic nature that I want to avoid; let’s say, instead, that it’s perfect and adorable in the expression of those qualities. Aromas of red and black cherries and currants are imbued with notes of cloves and sandalwood, sassafras, rose petals and violets, with undertones of briers, brambles and loam, all amounting to a seamless marriage of elegance and power. The texture is supremely satiny, rolling across the palate like liquid money, but the wine’s ripe and spicy black and red fruit flavors are buoyed by slightly leathery tannins and back-notes of polished oak, the whole effect enlivened by fleet acidity. 14.5% alcohol. Excellent. About $55.
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Gallo Signature Series Pinot Noir 2011, Santa Lucia Highlands, Monterey County. Gina Gallo employed grapes from the family’s Olson Ranch Vineyard to craft this well-made but not compelling pinot noir that aged eight months in a mixture of new and used French oak barrels. The color shades from dark to medium ruby at the rim; aromas of black cherries and cranberries, smoke and loam, cloves and pomegranate characterize the attractive bouquet, while on the palate the wine is satiny smooth and supple; a few minutes in the glass bring out pretty floral elements. 14.2 percent alcohol. Drink now through 2016 or ’17. Very Good+. About $35.
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Pedroncelli Mother Clone Zinfandel 2012, Dry Creek Valley, Sonoma County. The “mother clone” of this wine is a vineyard planted to zinfandel vines since 1904; some of those grapes are included here. Other parts of the vineyard represent the second generation of vines cloned from the original plants, all blended here with six percent petite sirah grapes. The wine aged 11 months in American oak, 30 percent new barrels. The color is dark ruby with a magenta rim; pungent aromas of black currants, blackberries and blueberries feel warm and spicy but with edges of graphite, briers and brambles. Bright acidity brings liveliness to dense dusty tannins and a slightly chiseled granitic minerality that testifies to the wine’s origin in an old hillside vineyard; however, black fruit flavors are equally bright and faceted, gradually opening to touches of lavender, licorice and bitter chocolate. Alcohol content is 14.8 percent. Drink now through 2018 to 2020. Excellent. About $18, representing Great Value.
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Sanctuary Bien Nacido Vineyard Pinot Noir 2012, Santa Maria Valley. This is a beautiful pinot noir in every sense, from its lovely transparent medium ruby-cherry hue, to its bouquet permeated by notes of spiced and macerated red and black currants and cherries, with hints of rhubarb and cranberry, tobacco leaf and cigarette paper, to its subtle undertones of loam and moss and brambles, to its seductive satiny texture. 14.5 percent alcohol. Production was 841 cases. Drink now through 2017 or ’18. Excellent. About $40.
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Silverado Vineyards Mt George Merlot 2010, Napa Valley. This classically balanced and structured wine is a blend of 77% merlot, 19% cabernet sauvignon, 4% malbec, 1% petit verdot. (Yeah, that’s 101 percent.) The color is very dark ruby-purple, verily, verging even unto motor-oil black; it’s quite pungent, unleashing penetrating aromas of ripe, meaty and fleshy black cherries and raspberries bursting with notes of cassis and black olives, bell pepper and tobacco. Chiseled and polished graphite rules the day, with hints of iodine and saline qualities, earth and loam; the texture is supple, lithe, dense and chewy, yet somehow refined and elegant, never forgetting its obligation to beautiful but not showy black and red fruit flavors. 14.9 percent alcohol. A terrific, finely-honed and tuned merlot that displays great character. Drink now through 2018 to 2022. Excellent. About $35.
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Steven Kent Winery Cabernet Sauvignon 2011, Livermore Valley. The blend here is 88 percent cabernet sauvignon, 5
percent each petit verdot and merlot and 2 percent cabernet franc; the wine aged 24 months in 60 percent new oak barrels, mostly French with a small portion of American oak from the Appalachians. A dark ruby hue transcends inky purple; the bouquet is clean and fresh, very cherry-berry with some raspberries and their sense of faint raspiness, briers and brambles in the background, with an intensifying element of violets, lavender and potpourri. This panoply of sensual pleasures doesn’t quite prepare your palate for the rush of dusty tannins, the wheatmeal and walnut-shell austerity, the espresso and graphite elements that characterize the wine’s passage through the mouth. Still, coming back to it in an hour or so reveals its expression of a more approachable side, so give it a chance. A nicely manageable 13.5% alcohol. Production was 983 cases. Excellent potential, 2016 or ’17 through 2020 to ’24. About $48.
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Because I am late with the Wine of the Week, I offer a pair of products to atone for my procrastination. These are two bargain-priced wines from Bordeaux and are definitely Worth a Search. Each, incidentally, was acquired within the past few years by Russian and Chinese companies. Imported by The Wine Trust, Mattituck, N.Y. These wines were samples for review.
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Chateau de Birot overlooks the Garonne River from its hillside in Cadillac Côtes de Bordeaux. Wine has been made on the estate for more than 200 years; the impressive chateau — the Dutch writer Hubrecht Duijker calls it “alluring” — dates from the second half of the 18th Century. Acquired by Eric and Hélène Fournier-Casteja in 1989, the estate was sold in December 2014 to the Chinese hospitality company New Century Tourism Group.

Blanc de Birot 2012, carrying a Bordeaux designation, is a blend of 65 percent sauvignon blanc grapes and 35 percent semillon; it aged 12 months in French oak, 20 percent new barrels. The color is pale gold; speaking of “alluring,” an extraordinary bouquet of lemongrass, pineapple, fig, lime peel and jasmine teases and tantalizes the nose; on the palate, the wine is clean and fresh, tart with lemon and grapefruit flavors and scintillating with bright acidity and crushed gravel/limestone minerality. The whole effect offers gratifying balance between sassy briskness and a soft talc-like texture. 13 percent alcohol. A wine that practically gets down on its knees and begs for a platter of just-shucked oysters, though it also serves handily as aperitif. Drink through 2016. Very Good+. About $13 or $14, a Bargain of the Decade.
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The red wine of this pair is Les Sources de Livran 2009, Medoc, the second label of Chateau Livran, an estate that traces its long history back to 1280, when King Edward I of England granted the right to brother knights Arnaud and Beraud de Got to build a fortress on the land, a few kilometers west of the Gironde estuary. Their more famous brother was Bertrand de Got, who served as Pope Clement V from 1305 to 1314. Nothing of that fortress remains, but the estate itself has produced wine for hundreds of years. In 1889, the property was acquired by the Englishman James L. Denman, and then in the mid-20th Century by Robert Godfren, under whose ownership the estate released what are usually described as “correct” and “adequate” wines. In 2008, however, Chateau Livran was purchased by a Russian investment firm, and if things can be turned around in a couple of harvests, that may have been the case here, because Les Sources de Livran 2009 is a lovely wine, not overly serious or weighty but delicious and satisfying, what the British call a “luncheon claret.”

This ’09 is a 50/50 blend of cabernet sauvignon and merlot, aged 12 months in oak. The color is dark ruby with a touch of garnet at the rim; aromas of dried currants and plums, cloves and sandalwood, violets and potpourri dominate a bouquet that meshes with dusty, woodsy notes, dried herbs and a hint of graphite. Animated by lip-smacking acidity and featuring a firm though not tight tannic grip, the wine is spare but not austere, slightly dusty and powdery in texture and decently furnished with black and blue fruit flavors that peel back touches of dried spices and lavender; in fact, the floral element grows as the moments pass. 13 percent alcohol. Drink this wine through 2016 or into ’17 with game terrines and patés, beef stew or leg of lamb. Very Good+. About $15 to $17, another Great Value.
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What could a former snowboarder and a former investment banker do but get together and make wine. Not just wine but cabernet sauvignon in Santa Ynez Valley, in the Central Coast’s southern Santa Barbara County? Jeff Tanner is the former investment banker and Rob DaFoe is the former snowboarding pro, and their enterprise is Tanner DaFoe Wines, a producer of minuscule amounts of very fine cabernet sauvignon wines first released from the 2009 vintage. I have simplified the story a great deal here, but suffice to say that the pairing of these partners was serendipitous — if you’re in the market for full-throated yet spare and lithe cabernets that cost $110 a bottle. Yes, these are luxury items, stylish and sophisticated in every sense, yet displaying none of the flamboyance, opulence and over-ripe/over-oaked character that many of California’s “cult” cabernets exhibit. Not easy to find, they’re definitely Worth a Search if you have the yen and the dollars.

These wines were samples for review.
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Tanner DaFoe Rogue’s Blend 2011, Santa Ynez Valley, could be called the producer’s entry-level wine, at least in terms of price. The wine is a blend of 72 percent cabernet sauvignon and 28 percent cabernet franc; it spent 28 months in French oak barrels. The color is deep ruby shading to a mulberry-hued rim; the initial impression is striking aromas of mint and minerals, ripe and spicy black currants and raspberries, lavender and crushed violets, with back-notes of fruitcake, tapenade, cedar and rosemary and hints of ancho chili and loam; the wine projects, in other words, a clearly and cleanly delineated bouquet of great complexity and appealing fervor. This is a wine of tremendous tone and presence, dense, supple and lithe, packed with dusty tannins and graphite minerality, a large-framed wine that nonetheless profits from its poised energy and whiplash acidity and liveliness. A bit rock-ribbed presently, in its dusty, velvety oak and tannins and its lithic character, it opens as the moments elapse to offer hints of dill seed, caramelized fennel and bitter chocolate. 14.4 percent alcohol. Production was 96 cases. Try from 2016 or ’17 through 2024 to ’26. Excellent. About $75.
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Tanner DaFoe Cabernet Sauvignon 2011, Santa Ynez Valley. The current release of the winery’s 100 percent cabernet sauvignon aged 28 months in French oak barrels. The color is dark ruby with a slightly lighter magenta rim; the raison d’etre here is structure and texture, with intense and concentrated but ripe and spicy cassis, blueberry and mulberry scents and flavors (with a high wild note of black cherry) deeply freighted by iron and iodine, piercing graphite minerality, lead pencil and a touch of cedar. The wine is sleek and chiseled, hewn from obsidian, it seems, supple and muscular, but for all that it offers fleshy and meaty notes of slightly roasted black and blue fruit and the animation of bright acidity. Mouth-filling and deeply savory, this 2011 feels potent, complete and confident, though it would benefit from a few years in the cellar; try from 2016 or ’18 through 2025 to ’29. 14.2 percent alcohol. Production was 167 cases. Excellent. About $110.
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Tanner DaFoe Cabernet Sauvignon 2010, Santa Ynez valley. The color is dark ruby with a violet rim; the first impression is of ripe, sweet, spicy black fruit aromas and flavors layered atop an incredible depth and reach of power and elegance; cassis, violets and potpourri, a trace of mint and touch of cedar, with hints of tobacco, sage and leaf smoke and back-notes of graphite, leather and underbrush characterize the seductive aromas. A supple, sinewy structure of lovely equilibrium yet stalwart framing and foundation — again, 28 months in French oak — supports juicy but understated flavors of black raspberry and blueberry; that structure includes dense, dusty, velvety tannins and potent acidity and leads to a polished finish packed with granitic minerality, exotic spices and woodsy accents. Completely gratifying weight, substance and bearing. I drank a great deal of this bottle with lamb chops rubbed with garlic and rosemary, with a smoked pimento and mint garnish; they made one of those transporting eating and drinking moments. 14.2 percent alcohol. Production was 141 cases. Consume now through 2025 to 2030. Exceptional. About $110.
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The Tanner DaFoe Cabernet Sauvignon 2009, Santa Ynez Valley, was the winery’s first release, and at a bit more than five years after harvest, it’s drinking beautifully. Every element of the wine feels precisely weighted and measured, finely sifted and balanced, and it flows across the palate like a dark, powdery essence of hillside cabernet grapes, all super-velvety and elegant, yet a little spare, though that description omits its sense of feeling slightly untamed, of being an untapped source of dynamism and power, like a brilliant luxury-status automobile idling before acceleration. I have no technical information about this wine, sold-out at the winery, but as an initial release, it’s a triumph, the best first-release cabernet I have encountered since the Phifer Pavitt Date Night Cabernet Sauvignon 2005. Drink through 2020 to 2025. Excellent. $NA.
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If you’re looking for a hearty robust red wine to drink with burgers, braised spare ribs or grilled pork chops, slide the cork out of a bottle of the Gundlach Bundschu Mountain Cuvée 2012, Sonoma County. The venerable winery began its modern period in 1973, under Jim Bundschu, though traces its history back to 1858; that’s ancient in terms of California. Understand, we’re not talking about finesse or elegance here but about power, grip and deep flavors. The color is dark ruby-purple; the bouquet of this cabernet sauvignon/merlot blend is ripe, meaty and fleshy, bursting with notes of black and red currants and cherries, a strain of graphite and hints of cloves, crushed violets, vanilla and slightly creamy oak. A mouthful of dusty, velvety tannins serves as backdrop for black fruit flavors that offer a tinge of blue and a core of tightly wound lavender, bitter chocolate and woody spices. The whole effect is gamey and a little feral, with qualities of wild berries and forest-floor that emerge in the finish. 14.2 percent alcohol. Drink now through 2016 or ’17. Very Good+. About $20.

A sample for review.

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