Thu 31 Jul 2014
…might be called the Isabel Mondavi Deep Rosé Cabernet Sauvignon 2013, Napa Valley, and in case any of you winemakers out there are thinking, “What a great name! I think I’ll use ‘deep rose’ for my label,” there’s a little trademark symbol that protects the name from other use. Anyway, this is 100 percent cabernet sauvignon, from vineyards in the Altas Peak, Rutherford and Howell Mountain AVAs, made all in stainless steel after a long cool fermentation. The color is an entrancing medium ruby-magenta hue, a little darker and richer than the color of most rosé wines. The impressions are fresh and grapey, with notes of red currants and raspberries and a lift of just-cut Braeburn apple; hints of cranberry and rhubarb linger in the background. The freshness, bright berryish qualities and element of earthiness remind me of Beaujolais-Villages, particularly in the bouquet, but in body and dark spicy red and blue fruit flavors it feels like what in Bordeaux is called clairette, a wine that’s darker and exhibits slightly more heft than a Bordeaux rosé but is lighter than a “regular” cuvée. The combination of freshness, elegance and substance makes the Isabel Mondavi Deep Rosé 2013 a versatile match with all sorts of summertime fare. Alcohol level is a sane and manageable 13.2 percent. Winemaker for the Isabel Mondavi label is Rob Mondavi Jr. Drink now into 2015. Excellent. About $20.
A sample for review.
Wed 30 Jul 2014
Posted by Fredric Koeppel under Uncategorized  Comments
In June I spent three days in North Yuba, a sub-appellation of the Sierra Foothills, about an hour’s drive north of Sacramento, for a brief immersion into the situation of Renaissance Vineyard and Winery and the other wineries and properties in the area. The first task of my visit was devoted to a day-long tasting of RVW library wines, a fairly astonishing collections of thousands of bottles going back to the early 1980s. Not surprisingly, the winery would like to sell these wines, which themselves are a pretty astonishing reflection of quality, integrity and single-minded devotion to an ideal. The winery staff was quite open in its expectation for my visit and looked to me for recommendations about how to market these wines and for the direction RVW should take to make their products more appealing to consumers. This sort of consulting work is not typically the position I find myself in when visiting a vineyard and wine region, but I felt that I had to take these expectations seriously. Here, by the way, are links to my two-part posting on the tasting: Cabernet-based reds and White table and dessert wines.
(Image of Sierra Foothills counties from 1916, courtesy of quarriesandbeyond.org.)
How is the winery going to divest itself of this tremendous store of library wines dating back to the early 1980s? By conveying a sense of a narrative that focuses on the winemakers, the terroir of the property and the quality and character of the wines. It’s a truism of today’s wine market that consumers, especially under the age of 35, are attracted to wines that possess a back-story, whether it’s a unique history or location, whether there’s an interesting aspect to the personalities involved or to the winemaking process. To reach to the contemporary audience, Renaissance needs to do what it has never done in its almost 40-year chronicle: Hire an outside marketing agency to craft this narrative and package the wines for sale to a particular stratum of restaurants and retail outlets. The advantage for restaurants would be that they could offer aged wines on their lists without having to serve them before they’re ready to drink or store them for a decade, the latter a prospect that few restaurants have the space for or can afford. Imagine being able to recommend the Renaissance Late Harvest Sauvignon Blanc 1989 or the Riesling 2002 or the Estate Cabernets from 1994, ’93 and ’91, all drinking perfectly now, to discerning palates.
This marketing agency could create, indeed with no embellishment, a fascinating narrative about a succession of fanatical winemakers dedicated to low alcohol content, little or no new oak, Old World techniques and organic methods. Imagine the appeal to collectors of a package that included cabernet-based wines from the 1980s, 90s and 2000s made by original winemaker Carl Werner; his wife Diana, who became winemaker when Werner died in 1988; and Gideon Beinstock, winemaker from 1994 to 2011, or of the winery’s late harvest dessert wines. The ability to taste such wines and compare them is invaluable. The fact that Carl Werner’s cabernets from years such as 1983 and 1984 are just coming round to a drinkable state, having shed their considerable tannins, creates a unique opportunity in California. It doesn’t hurt that Renaissance is located not in Napa Valley or Sonoma but in North Yuba in the Sierra Foothills, a region that may lack the glamor and recognition of better-known areas but offers the attraction and authenticity of laboring in obscurity and even a tinge of stubbornness.
A variety of ways exist through which a wine-savvy marketing agency could package and promote these wines to retailers and the restaurant trade, but Greg Holman, president of RVW, and his staff would have to be receptive to suggestions and new ideas and willing to make the financial outlay necessary.
And what about the future?
First, trim the line. RVW offers four cabernet sauvignon or cabernet-based wines — the “regular” cabernet sauvignon, a Reserve bottling, the Claret Prestige and the Vin de Terroir — and four Rhone-inspired red wines, a single-variety syrah and the blends La Provencal, Mediterranean Red and Granite Crown. Asking consumers to understand the differences among these wines and their motivations leads to confusion and indifference. Perhaps limiting these labels to a regular and reserve cabernet and one Rhone-style blend in addition to the syrah would clarify matters.
Second, engage in a major label revamp, another task for a marketing or design firm. Let’s face it, while the Renaissance label may be dignified, it’s also stodgy and bland. I don’t advocate changing a label design whenever the vagaries of fashion seem to dictate, and I admire wineries like Grgich Hills, for example, for staying with an uncluttered, elegant and easily identifiable label. The retention of the Renaissance label, however, feels more like habit than devotion, and I would say that it’s time for a shake-up. Keep the initial “R,” or a version of it, with its hint of antique finery, but clarify, simplify and modernize the rest.
Third, update the winery website with better graphic elements, a more compelling design, pictures of the winery and the estate, and, speaking selfishly, a section for Trade & Press where images and technical information can easily be obtained. A website and an active blog increasingly are part of a winery’s story.
Mon 28 Jul 2014
Gewurztraminer might not be as off-putting to so many people if its name were changed to Steve or Samantha, but there it is, a grape that can be made into one of the most beautiful wines in the world with a name that is almost unpronounceable. So be it. Gewurztraminer thrives in Alsace, where France nestles uneasily against Germany, and to some extent in the northeastern Italian region of Alto Adige, in the Tyrol Alps just south of Austria. There are outposts in other countries, such as Australia and New Zealand, and also in the states of Oregon and California, and it’s to the latter that we turn for today’s Wine of the Week, the Gundlach Bundschu Estate Vineyard Gewurztraminer 2013, Sonoma Coast. The vineyard lies at a fairly low elevation in the southwestern foothills of the Mayacamas range. Ninety percent of this clean, fresh, crisp wine was made in stainless steel, the rest in neutral oak barrels. The color is very pale gold; aromas of rose petals, lychee and spiced pear are highlighted by notes of white pepper, peach and lime peel, all subtly and delicately woven. Acidity is essential to the success of gewurztraminer — as in any wine, truly — to balance the potentially overpowering floral and fruity elements, and this example has acidity in spades, a factor that contributes to its appealing liveliness and its deft poise. Citrus and stone-fruit meld seamlessly in the mouth, while the spicy, limestone-laced finish brings in a hint of grapefruit pith bitterness, savory, astringent and exciting. 14.3 percent alcohol. Drink now through 2019 to ’22 with — I know this is the cliche — moderately spicy Thai or Vietnamese cuisine, with grilled shrimp or mussels, with seafood risotto. Excellent. About $22.50.
A sample for review.
Sat 26 Jul 2014
In the ancient Occitan language of the South of France, picho means “petit,” hence la pitchoune is a diminutive for “little one.” That’s the name that Julia Child and her husband Paul gave to the cottage they built in the village of Plascassier in Provence, now a cooking school. And that’s the name of a small-production winery, founded in 2005, that makes tiny amounts of wine from Sonoma Coast grapes. Winemaker and partner is Andrew Berge, and he turns out, at least in the samples I was sent, wines of wonderful finesse and elegance.
The color of La Pitchoune Vin Gris of Pinot Noir 2012, Sonoma Coast, is vivid copper-salmon. A bouquet of slightly fleshy strawberries and raspberries opens to notes of watermelon, spiced tea and flint; this is bone-dry but juicy and tasty with raspberry, melon and dried red currant flavors, a rosé of nuance and delicacy enlivened by crisp acidity, a slightly leafy aspect and a finish drenched with damp limestone minerality. 14.2 percent alcohol. Production was 39 cases. I could drink this all Summer long. Excellent. About $30.
La Pitchoune Pinot Noir 2012, Sonoma Coast, offers a transparent medium ruby color and enticing aromas of rhubarb, cranberry and pomegranate wreathed with sassafras and cloves, rose petals and lilac. The texture feels like the coolest, sexiest satin imaginable, riven by acidity as striking as a red sash on a blue coat; the resulting sense of tension, resolution and balance is the substance of which great wines are made. Oak is subliminal, a subtle, supple shaping influence, so the wine feels quite lithe and light on its feet; flavors of spiced and macerated black cherries and plums emit a curl of smoke and a wisp of ash as prelude to a lively finish permeated by notes of briers, brambles and loam. 14.2 percent alcohol. Production was 279 cases. Sublime pinot noir for drinking through 2017 or ’18. Exceptional. About $60.
Fri 25 Jul 2014
Posted by Fredric Koeppel under Uncategorized  Comments
The Jameson brand represents the largest-selling Irish whiskey in the world. The company was founded in Dublin in 1780 by (of all things) Scotsman John Jameson. Its parent entity is Irish Distillers Corp, formed in 1966, which in turn was acquired by Pernod-Ricard in 1988. Pernod-Ricard encompasses 36 spirits and wine brands that include Absolut, Chivas Regal, Ballantine’s Scotch, Beefeater Gin, Jameson, Kahlua, The Glenlivet, G.H. Mumm and Perrier-Jouet. Let me know if you haven’t heard of any of those names. The company owns 96 production sites in 23 countries, according to its annual report for 2012-13. Total assets currently are $8.72 billion, according to Market Watch. Pernod-Ricard is, in other words, a company that possesses worldwide depth and breadth, mega-clout and the dinero to back up its claims.
Jamieson Ranch Vineyards is a winery located in the Napa Valley, in fact the southernmost winery in the appellation. Formerly known as Kirkland Ranch Winery and Reata Vineyard, the company changed its name to Jamieson Ranch in 2013; it happens to be located on Jameson (not Jamieson) Canyon Road. The history of the property is tangled, involving dubious business decisions going back to the late 1990s and bankruptcy filings, but it is owned now by Madison Vineyard Holdings of Greenwood Village, Colorado, a company involved in myriad enterprises including high-end art storage in New York. Jamieson Ranch produces about 35,000 cases annually under its eponymous label, retaining the Reata name for some pinot noirs and chardonnays, and uses the Light Horse brand for inexpensive products. Prices for the Jamieson and Reata wines range from about $24 to $60. Assets of Madison Vineyard Holdings, according to the company’s website, are $250 million.
Early this year, Irish Distillers sent a cease-and-desist letter to Madison Vineyard Holdings, asserting that “Jamieson” is “confusingly similar” to “Jameson” and is “likely to cause consumer confusion and/or the appearance that your client’s business originates from or is endorsed or authorised by Irish Distillers,” the use of which is likely to dilute the mark “Jameson.” Madison Vineyard Holdings responded by filing suit against Irish Distillers for declaratory relief, a term that is totally meaningless to me but I assume implies that there’s no danger to Jameson Irish Whiskey from Jamieson Ranch Winery and that Jameson should leave Jamieson the hell alone.
It seems to me that only people who lack the intellectual prowess to tell the difference between, say, Lady Gaga and Little Lulu — meaning lawyers — would find the labels, intentions and products of Jameson Irish Whiskey and the wines of Jamieson Ranch Vineyard “confusingly similar.”
Let’s examine the evidence.
Jameson Irish Whiskey is a distilled spirit made from grain. The alcohol content is 40 percent. It’s a rich amber-brown color. It looks and tastes nothing like wine.
The products of Jamieson Ranch Vineyards are fermented from grapes. Alcohol contents tend to be about 13.5 to 14.5 percent. Colors range from ruby-purple to pale gold. They look and taste nothing like Irish whiskey.
Additionally, distilled spirits and wine are stored in different sections of retail stores, none of which want to muddy the waters by keeping whiskey next to wine. I cannot conceive that any person would set a bottle of one next to the other and think, “Oh ho, these brands must be the same.” Despite these factors, lawyers for Pernod-Ricard are tallying the billable hours in going after a harmless gnat with a baseball bat. This rigamarole makes as much sense as a case I mentioned three years ago in which the giant Anheuser-Busch InBev went after a tiny winery in Argentina called Budini because their label would “dilute” the effect of Budweiser. The result was than Budini became Bodini. Money counts, as if you didn’t know.
Thu 24 Jul 2014
The Madeira Archipelago, an autonomous region of Portugal, sits in the North Atlantic Ocean about 625 miles southwest of the European continent and 466 miles west of Morocco. It is the outermost reach of the European Union. Encountered primarily by shipwrecked sailors until the 15th Century, the islands were claimed by Portugal in 1419. Situated advantageously in the sea-lanes that ships used to journey to Africa, South America and India, Madeira and its capital of Funchal became a natural port-of-call and supply station for shipping companies. The islands’ major agricultural product was sugar cane and its industry sugar refineries, though when those activities migrated to the New World, vineyards and winemaking developed, and that’s where this post is concerned.
Madeira became a fortified wine sometime toward the end of the 16th Century, that is to say that, like Port, alcohol was added to the wine to strengthen it for long sea voyages; with fermentation stopped, the wine retained residual sugar and became sweet to varying degrees. Madeira was very popular in North America in the 17th and 18th centuries, as well as Brazil, North Africa, Great Britain and Russia. In fact, the Russian Revolution of 1917 dealt a severe blow to the Madeira industry, though from the mid-19th Century double whammies came from powdery mildew and phylloxera. From the 30 shippers working in Madeira at the end of the 17th Century, now there are six, with several of the better-known companies, such as Blandy and Cossart Gordon and other brands, gathered under the rubric of the Madeira Wine Company, of which the Symington family of Oporto has controlling interest.
The island of Madeira is mainly vertical, meaning that vineyards are allocated on steep and narrow terraces that must be tended and harvested by hand. The climate is subtropical, the rainfall high, so the altitude of the vineyards, some over 5,000 feet, helps alleviate problems of mildew and rot. What makes Madeira unique is that the wine is deliberately oxidized through a process called estufagem in which the wines in barrels are exposed to induced heat for periods ranging from at least 90-days — for bulk wines in stainless steel — to six months to a year in 158-gallon wood casks for better Madeiras to periods as long as 20 years for the finest products, these aging in the lodges in Funchal heated by the sun. While a number of lesser grapes made be grown in Madeira for the bulk wines, the best products are made from sercial, verdelho, bual and malvasia grapes; these are listed on labels as an indication of the relative dryness or sweetness of the wine.
Today, we look at seven Madeiras from Blandy’s, founded by John Blandy, who arrived at the island in 1808. His descendents still run the firm, though now in partnership with Symington.
Imported by Premium Ports & Madeiras, San Francisco. These wines were samples for review. Image of terraced vineyards from madaboutmadeira.org.
Blandy’s Sercial Madeira Aged Five Years. The color is light golden-amber; initial aromas are dominated by toasted almonds, hay, dried thyme and caramelized fennel, opening then to toffee and honey. This Madeira is dry yet filled with a strain of slightly honeyed and roasted peaches, enlivened by cloves and allspice, with the characteristic astringency of the latter; it’s quite vibrant and resonant, with vivid acidity cutting through the salted caramel flavor and a lovely satiny texture. The finish is dry and clean but slightly earthy. 19 percent alcohol. Delectable. Excellent. About $24.
Blandy’s Verdelho Madiera Aged Five Years. Here the color is medium amber with a hint of green; here toasted almonds are married to toasted coconut with touches of almond skin and orange zest, cloves and ginger. The dense, chewy silky texture is seductive, though buoyed by brisk acidity, while the finish brings in notes of sea salt, salt-marsh and salted caramel; the impression is of shapely sweetness that tapers to dryness from mid-palate back. 19 percent alcohol. Excellent. About $24.
Blandy’s Bual Madeira Aged Five Years. The color is burnished medium to dark gold-amber; hints of maple syrup and pine resin, toasted walnuts and coconuts, cloves and sandalwood waft from the glass. This Madeira is undeniably sweet, at least on the entry, but is neither cloying nor opulent; it’s quite lively and vibrant, spicy, wild, sleek, yes, dense and chewy and imbued with toffee and creme brulee flavors. The finish is clear, clean and lively. 10 percent alcohol. Very Good+. About $24.
Blandy’s Malmsey Madeira Aged Five Years. Now the color is brilliant dark amber with a golden rim; aromas of toasted almonds and hazelnuts, fruitcake, orange zest, cloves and quince jam are finely-knit yet generous. This Madeira is rich and honeyed, thick and chewy, viscous but not heavy; it flows like money across the tongue in the denominations of baked peaches, spiced pears, salted toffee and crystallized ginger. 19 percent alcohol. Excellent. About $24.
Blandy’s introduced the Alvada 5 Year Old Rich Madeira in 2002 as a different expression of the wine designed to appeal to younger consumers who don’t know anything about Madeira or believed that it’s the domain of crusty of English gentleman. In a radical move for the island, Alvada is a blend of Malmsey and Bual. The color is medium gold-amber; rich and smoky aromas of fruitcake and figgy pudding, toasted almonds and coconut, cloves, allspice and orange zest are woven in an alluring amalgam that subtly reveals a ghostly hint of bacon-wrapped dates grilled over an open fire. Dense, chewy, viscous, of course, but with high notes of roasted peach, toffee and caramel-apple, all wrapped in sea salt and almond skin. 19 percent alcohol. Pretty riveting stuff.. Excellent. About $18 for a 500-milliliter bottle.
Blandy’s Sercial Madeira Aged 10 Years. A medium golden-amber hue seems both dense and transparent; this is an earthy Madeira, with dark notes of autumn leaves and moss under a surface of toffee, smoke and tobacco and the typical toasted coconut and almonds. A few minutes in the glass bring in notes of orange zest, bitter chocolate and candied grapefruit rind. This is dense and chewy, deeply satiny, but given resonance by blinding acidity and a dry, spicy finish. 19 percent alcohol. Very Good+. $29 for a 500-milliliter bottle.
Blandy’s Malmsey Madeira Aged 10 Years. The color is an entrancing tobacco-amber hue with a copper-gold rim; notes of buttery toffee and roasted caramel are blended with an aroma that personifies the best fruitcake, with all that implies of dried fruit and exotic spices and a sort of dark rum-imbued wheatmeal; this is rich, savory and saline, a Madeira that’s lively and vibrant, with a core of strong lapsang souchang tea, bitter chocolate, macerated peaches and maple syrup nestled in a luxurious texture that’s viscous without being heavy or cloying. The finish is surprisingly dry and vivid. 19 percent alcohol. Deliriously attractive and sensuous, and a few sips suffice. Excellent. About $30 for a 500-milliliter bottle.
Mon 21 Jul 2014
You’ll have to do a little searching for this beauty, My Readers, because the production is limited, but if you’re a fan of rosé wines, this is worth a phone call or visit to the winery website. The MacPhail Family Wines Rosé of Pinot Noir 2013, Sonoma Coast, offers a radiant copper-salmon color and bright aromas of dried red currants and strawberries with a hint of peaches and orange zest. The wine is clean, fresh and dry, but nor austere; an earthy, slightly brambly background encompasses notes of wild berries and cloves, over a dusty limestone element; there’s even a touch of tannic power under the vivid acidity, but this is not one of those serious rosés that neglects its higher purpose: to be delightful and pleasurable and vivacious. 14.5 percent alcohol. 400 cases. James MacPhail founded the winery in 2002; it is now part of Hess Family Estates. Excellent. About $22.
A sample for review.
Sat 19 Jul 2014
Posted by Fredric Koeppel under Albarino
, Cabernet sauvignon
, Casablanca Valley
, Central Coast
, Cheap Wine
, Grenache blanc
, North Coast
, Paso Robles
, Pinot noir
, Rose wines
, Weekend Wine Notes
, mourvedre 1 Comment
Your eyes do not deceive you, My Readers. Today’s Weekend Wine Notes offer 10 wines priced under $20, in actuality, from about $12 to $19. We flaunt our eclectic nature today, reaching from various regions of California to Germany, Spain, Portugal, Italy, Argentina and Australia, and embracing many grape varieties and styles of wine. As usual with the Weekend Wine Notes I dispense with large quantities of technical, historical and geographical data to bring you quick incisive reviews meant to pique your interest and titillate your taste buds. Remember, please, that all wines are not available in all areas of our country nor even in all retail stores in the same city. That’s just the mechanics of distribution and consumer interest. In any case, enjoy these selections where you find them, in moderation, of course. Except for one wine, these were samples for review.
Adobe Pink 2013, Paso Robles. 46% syrah, 37% grenache noir, 17% mourvèdre. 14.5% alc. Brilliant salmon-peach color with a tinge of copper; pure strawberry and raspberry and lightly curranty, hints of tangerine and candied kumquat; watermelon and raspberry in the mouth, quite dry but ripe and juicy; snappy acidity, plenty of limestone minerality and a slightly earthy, austere finish. Drink up. Very Good+. About $14.
Bonny Doon Albariño 2013, Central Coast. 100% albariño. 13.2% alc. Pale gold color; seductive bouquet of roasted lemon and lemon balm, quince and ginger, notes of camellia, almond blossom and lime peel; quite dry and spare, savory, saline, bracing acidity; large component of limestone and oyster shell minerality; attractive, vibrant and resonant. Now through 2016 or ’17. Excellent. About $18.
Isabelino 2012, Rueda, Spain. 85% verdejo, 15% viura. 13% alc. Bright straw-yellow; earthy, savory and briny, seashell and limestone; roasted lemon and yellow plum, a hint of spiced pear and overripe peach and a shade funky; lovely silken texture riven by vibrant acidity. Line up the oysters fresh from the deep. Drink up. Very Good. About $12.
Poggio Anima Belial 2011, Toscana I.G.T., Italy. 100% sangiovese. Medium ruby color, tinge of garnet; red and black currants and cherries, cloves and allspice; violets and potpourri; orange zest, oolong tea, slightly earthy and leathery; very dry with rousing acidity and lip-smacking tannins, lots of presence and personality for the price. Through 2015. Very Good+. About $16 (Discounted to $13 at the retail shop where I purchased it.)
Reichsgraf von Kesselstatt “RK” Riesling, 2012, Mosel, Germany. 100% riesling. 10% alc. Pale gold color; lemon and lychee, rubber eraser, heather and hay, wisps of jasmine and honeysuckle; modestly sweet entry then bone-dry from mid-palate through the finish; spiced peach and pear, slightly earthy; lithe and lively and with scintillating limestone minerality balanced by moderate lushness in texture. A sleek, tasty beauty. Now through 2017 or ’18. Excellent. About $19.
Souverain Sauvignon Blanc 2012, North Coast. 100% sauvignon blanc. 13.5% alc. Light gold hue; lime peel, pink grapefruit, lemongrass, celery seed, hints of lilac and tangerine; quite bright, fresh, crisp and lively; lots of limestone and flint minerality; grapefruit rind and almond skin finish, with a hint of bracing bitterness. Super attractive. Now through 2015. Very Good+. About $13.
Vale do Bomfim 2011, Douro, Portugal. From the House of Dow’s. 14.5% alc. 40% tinta barroca, 25% touriga nacional, 25% touriga franca, 10% tinta roriz. Deep ruby-purple with a magenta rim; very engaging aromas: black cherries, blackberries and mulberries, lavender and potpourri, hints of graphite and blueberry jam; quite dry, sleek and supple, peppery, with raspy and briery tannins, touches of leather and woodsy spice. Now through 2015. Very Good. About $12.
Vina Robles White(4) 2013, Paso Robles. 14.9% alc. Viognier 46%, verdelho 19%, vermentino 19%, sauvignon blanc 16%. Very pale gold hue; mango, ginger and quince, citrus and stone-fruit with emphasis on rinds and stones; jasmine and yellow plums; spare and slightly astringent floral and mineral elements; lovely texture, shapely and silky, almost lush but cut by bright acidity for liveliness and crispness. Now through 2016. Very Good+. About $16.
Wakefield Promised Land Cabernet Sauvignon 2012, South Australia. 100% cabernet sauvignon. 13.5% alc. Dark ruby-purple; cedar, tobacco, dried rosemary; intense and concentrated notes of black currants, raspberries and cherries; hints of black olive, leather and loam; dense, chewy, sleek and lithe; ripe and tasty black fruit supported by earthy, leathery, very dry tannins and a touch of spicy oak. Grill a steak; open a bottle. Now through 2016 or ’17. Very Good+. About $13.
William Cole Columbine Special Reserve Pinot Noir 2012, Casablanca Valley, Chile. 100% pinot noir. 13% alc. Medium ruby color; pomegranate and rhubarb, cloves and sassafras, notes of leather, tomato skin, tobacco leaf and briers, a little rooty; smooth and satiny; smoke, black cherry, fairly earthy yet with a spare, ethereal character. An interesting interpretation of the grape. Now through 2015. Very Good+. About $17.
Wed 16 Jul 2014
My Readers, about two weeks about I posted to this blog a piece that concerned the cabernet-based red wines of Renaissance Vineyards and Winery, tasted during an all-day event at the winery. Those red wines ranged from 2012 back to 1983. Today, it’s the turn of the winery’s white wines, table wines first and then dessert wines going back to 1989. Remember that these wines are made in small, even minute quantities. Eddie Schulter has been winemaker since 2012. Gideon Beinstock was winemaker from 1994 to 2011. Original winemaker was Karl Werner. Renaissance frankly wants to figure out what to do with the surprisingly large quantities of library wines it possesses, an issue about which I will express an opinion in a few days. The appellation is North Yuba, Sierra Foothills.
Dry (or dry-ish) wines:
>Semillon 2013. Pale gold color; figs, roasted lemon; sunny and leafy; quince and ginger; rich, ripe, “golden,” but very dry and with spanking acidity. Lovely wine, seductive and elegant. .
>Roussanne 2013. Bright medium gold; straw, thyme, camellia; spiced pear; rich, viscous, creamy, balanced by clean acidity and an undertow of limestone minerality.
>Roussanne 2007. Bright yellow-gold hue; spicy and exotic, slightly honeyed, ripe and almost fleshy, more subtly floral; sandalwood, lilac, yellow plums and roasted lemon; quite dry with a close to austere finish. Needs three or four years.
>Late Harvest Roussanne 2006. Bright gold hue; lychee, mango and petrol (or call it diesel or rubber eraser); quince jam, crystallized ginger; slightly sweet entry but dry from mid-palate back; powerful and resonant acidity. Not so much a dessert wine as a notably intense and fruity table wine.
>Roussanne 2005. Medium gold color; quince, mango, fig and apricot; nougat and roasted honey, but dry, almost tannic in character; exquisite balance among fruit, acidity and limestone minerality; crystalline transparency and a dynamic presence. Drink now through 2020 or so.
>Roussanne 2002. Bright gold color; touch of maturity in notes of tobacco leaf, slightly overripe peaches and soft plums; bracing acidity, wet stone minerality and slightly bitter grapefruit and almond skin keep it honest.
>Viognier 2002. Medium gold hue; riesling-like nose, petrol, jasmine, bee’s-wax and lanolin; ripe and honeyed but lithe and sinewy on the palate; very dry, tremendous acidity. Lacks expression and balance.
>Riesling 2002. Medium gold color, green tinge; pure riesling: petrol, lychee, mango and pear, notes of camellia and jasmine; very intense, vibrant and resonance; wonderful supple texture buoyed by burgeoning acidity and a scintillating limestone element. In a restaurant with a sophisticated clientele, a canny sommelier could sell the hell out of this.
>Late Harvest Semillon 2006. Medium gold-amber color, not quite sweet, not quite dry, needs four to six years to come together.
>Late Harvest Sauvignon Blanc 1994. Medium amber color; maple syrup and toffee, pine, glazed peaches and apricots, candied lime; momentous acidity and limestone minerality. Drink now through 2020 to ’24.
>Late Harvest Riesling 1992. Entrancing medium gold-amber hue; jasmine and honeysuckle, baked peaches and pears, loads of cloves and sandalwood; caramelized grapefruit; seductive almost viscous texture but not cloying, cut by vibrant acidity; actually fairly light on its feet. Drink now through 2020 to ’24.
>Late Harvest Sauvignon Blanc 1991. Bright gold-amber color; orange marmalade and flan, caramelized peaches and apricots, generous dollops of cloves and nutmeg; all supported by scintillating acidity that keeps a fine balance between lush fruit and taut structure. Drink now through 2018 to 2022.
>Late Harvest Sauvignon Blanc 1989. Almost 25 years old and about as perfect as it gets. Medium gold-amber; cloves and allspice, orange zest and toffee; honeyed richness with a contrasting note of almond skin bitterness; nervy, lithe and supple; roasted peaches and hints of pears and grapefruit; lovely confidence and completeness. Now through 2019 to ’24.
>Late Harvest Riesling 1989. Dark amber-maple color; honeyed apricots, baked peaches, spiced pears, salted caramel and toffee, intensely floral; quite spicy and savory; very dense and viscous, slides across the palate like money, with brilliant acidity providing the saving grace. At its peak now but drink through 2019 to ’24.
Mon 14 Jul 2014
Posted by Fredric Koeppel under Italy
, Wine of the Week 1 Comment
Grilling a piece of fish for dinner? Searing salmon or tuna? Or preparing a seafood risotto or perhaps clam linguine? Open a bottle of the Rocca Sveva Soave Classico 2013, and you won’t be sorry. The wine, one of the most familiar Italian wines to American consumers, originates from a small area of the Veneto region, in the northeastern part of the country. While vineyards spread across the plains, the best Soave comes from about 2,800 acres planted on hillsides. Rocca Sveva Soave Classico 2012 is composed of 100 percent garganega grapes and was made completely in stainless steel. The color is pale greeny-straw-gold; aromas of almond blossom, hay, spiced pear and yellow plums are woven with notes of acacia, grapefruit and quince, altogether quite enticing. Stone-fruit and citrus flavors highlighted by hints of cloves and lime peel are nestled in a sleek lithe structure that balances brisk acidity and limestone minerality with an almost powdery talc-like texture. The entire package is savory, saline and delicious. Alcohol content is a sensible 12.5 percent. Drink through the end of 2014. Very Good+. About $15, representing Excellent Value.
MW Imports USA, White Plains, N.Y. A sample for review.
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