Wine from Burgundy really increased in price over the last decade, or certainly during the brief course of the 21st Century, which has ecard_bourgogne_blanc_chardonnay_hq_labelturned out not to be one of the great centuries so far, so I am happy to offer My Readers a tasty and well-made Bourgogne Blanc at an amazingly reasonable price. No, the Maurice Ecard Bourgogne Chardonnay 2013 does not originate in a vineyard with a well-known name inside a prestigious appellation, it’s not a Premier Cru or Grand Cru wine. It is, on the other hand, very attractive and appealing in its amalgam of white flowers and yellow fruit, its crisp and lively nature aligned with a lovely talc-like yet lithe texture, its burgeoning limestone minerality, a feeling of damp stones and schist that persists through the crystalline finish. A few minutes in the glass bring up hints of quince and ginger and a note of pink grapefruit. The wine spent six months in oak barrels, a device that lent touches of spice and a supple structure. 13 percent alcohol. Drink now through 2016. You could sell the hell out of this wine in restaurant and bar by-the-glass programs. Very Good+. About $20.

Imported by Kysela Pere et Fils, Winchester, Va. Tasted as a local distributor’s trade event.

The Jackson family acquired the Arcanum estate, a 2,500-acre property in Tuscany, in 1994. Of that land, 223 acres are planted in arcanum_l1vines. The property is located at the southeast corner of the Chianti Classico region, near the city of Siena. (Jackson Family Wines also owns an estate in the Chianti Classico zone, Tenuta di Arceno.) No traditional Tuscan grapes are grown at Arcanum — I mean sangiovese; the focus is on cabernet franc and merlot, as if we were in St.-Emilion, that Right Bank appellation of Bordeaux famed for its wines based on those grapes. Cabernet sauvignon plays a minority position in these wines, and what’s also interesting is that all three age in French oak barrels only for a year. Winemaker is Pierre Seillan, yes, a Frenchman in Tuscany, who also makes the wine at Chateau Lassègue, Jackson Family Wines’ outpost in St.-Emilion, and at its Vérité estate in Sonoma County. The cultivated areas of Arcanum are divided into 63 small blocks of vineyard that range in elevation from 1,000 to 1,500 feet above sea level, each treated as a representative of its minute differences in micro-climate and soil. These are splendid wines, replete with authority, confidence and personality. I was especially taken with the merlot-dominate Valadorna 2009, though picking a favorite among these three is an exercise in folly. I use the phrase intense and concentrated in each of these reviews, a factor for which I will not apologize, because it summarizes the dense, substantial, coiled and slightly esoteric nature of the wines.
Sovereign Wine Imports, Santa Rosa, Calif. These wines were samples for review.
Il fauno is the cadet of the trio of wines produced by this estate, which is not to imply that there’s anything inchoate or faunosecondary about it. The blend for Il fauno di Arcanum 2010, Toscana I.G.T., is 56 percent merlot, 23 percent cabernet franc, 20 percent cabernet sauvignon and a bare 1 percent petit verdot; the wine spent a year in French oak barriques. The color is dark ruby shading to medium ruby at the rim; the bouquet mounts a wonderful evocation of dried black and blue fruit, flowers and spices in a heady and exotic amalgam pointed with graphite, lavender, roasted fennel, rosemary and that herb’s redolent resiny note. It’s quite a dry wine, and you feel the effect of spicy oak, dusty tannins and vibrant acidity all the way to the inky bottom, though that character does not negate the presence of intense and concentrated black currant, blueberry and plum flavors. 14.5 percent alcohol. Drink now — with a medium-rare ribeye steak, hot and crusty from the grill — through 2020 or ’22. Excellent. About $30.
Valadorna 2009, Toscana I.G.T, is a blend of 85 percent merlot, 8 percent caberet franc and 7 percent cabernet sauvignon; it aged in valadorna 09French oak barrels, 40 percent new, for 12 months. If only all merlot-based wines displayed this sort of integrity and character. The deep ruby hue seems to reflect the wine’s ferrous and sanguinary nature, its fleshy iodine and iron qualities; again, I’ll deploy the words intense and concentrated, not in the sense of tightly wound or unyielding but in the way of saying that it feels as if there’s more there packed into the wine then should be there by rights. Black and red currants and raspberries are deeply dyed with cloves, allspice — with the latter’s slight astringent element — lavender and licorice and notes of sage, espresso and ancho chile. Formidable tannins feel dusty, granitic and fathomless, while acidity strikes a spark through the whole resonant package. 14.5 percent alcohol. Drink now or wait a year or two through 2021 through 2025. Exceptional. About $80.
Arcanum is the flagship wine of the estate, a true vin de garde denoting dignity, station and longevity. Arcanum 2009, arcanumToscana I.G.T., combines 68 percent cabernet franc, 22 percent merlot and 10 percent cabernet sauvignon in a wine that aged 12 months in French oak barriques, 70 percent new. The color is dark ruby, opaque at the center, shading to mulberry at the rim; the wine’s primary attributes revolve around structure in the form of stalwart, lithic yet not hard tannins; blazing but not raw acidity; and a sense of dusty, spicy burnished wood. In addition to the familiar qualities of iodine and iron, Arcanum 09 displays loamy, briery and brambly attributes that grow more rigorous as the moments pass — I mean when you’re 30 to 40 minutes into the wine — and its dry, intense and concentrated nature barely opens to encourage notes of mocha and cocoa powder, white pepper and bay leaf, licorice and lavender and a pass at black and blue fruit flavors; there’s a tinge of cabernet franc’s blueberry, black olive and leather character. 14.5 percent alcohol. Try from the end of 2016 or into 2017 through 2027 to 2030. Excellent. About $100.

Eating at one of our favorite local fine dining restaurants Friday night, this wine, served as aperitif, was a revelation. The Schloss Gobelsburg “Gobelsburger” Riesling 2013, Kamptal, Austria, originates from an estate that can date its heritage back to 1171, when the schloss-gobelsburg-gobelsburger-riesling-kamptal-austria-10224971monks of Zwettl Monastery were granted the right to plant vines. In the 900 or so years that followed, the property changed hands many times, sometimes owned by the church, often by private owners, until 1996, when Schloss Gobelsburg and the whole estate were taken on a long-term lease by Willi Bründlmayer and Michael Moosbrugger. The center of the estate is the castle, actually a Renaissance palace updated during the Baroque period. The property consists of six vineyards encompassing 35 hectares spread over terraced hillsides of mica-schist and gneiss and hollows between hills where the soil is more loess and loam. These vineyards are treated separately as expressions of individual terroir and micro-climate. Fifty percent of the grapes cultivated are gruner veltliner, along with 25 percent riesling with the rest in red grapes, 8 percent zweigelt, 7 percent St. Laurent, and 5 percent each blauburgunder (pinot noir) and merlot.

The Schloss Gobelsburg “Gobelsburger” Riesling 2013 is perhaps the most radiantly pure and intense riesling I have tasted this year. The color is a beguiling pale straw-gold hue that practically shimmers in the glass; notes of lemon balm and lime peel, lemongrass and peach are seamlessly woven with a bare hint of lychee and touches of dusty limestone. These elements segue deftly onto the palate, where the wine’s mineral character burgeons into a simmering and scintillating — but never overwrought — attitude of stony rectitude that does not preclude an almost winsome citrus and stone-fruit nature decked with the subtlest quality of cloves and jasmine. The inextricable amalgam of flowers, fruit and talc-like minerality, energized by bright and piercing acidity, is delicious, provocative and unforgettable. NA% alcohol. Drink now through 2018 to 2020. Excellent. According to, the average national price is about $18, marking a Rare Unimpeachable Value.

A Terry Theise Selection, imported by Michael Skurnik Wines, Syosset, N.Y.

Do I have to defend the right or necessity to drink rosé wines all year around? Do I have to man the barricades, go to the wall, belly up to the bar to convince nay-sayers that a shimmering, scintillating, beautiful rosé wine — dry, vibrant, fruity, subtle: not sweet — is appropriate in every month and season? If I have to do that, then my case may be hopeless, as far as the die-hard opposition goes, but those who have followed this blog for a considerable period will require no further persuasion, gentle or not. A clean dry rosé may serve as a refreshing aperitif in December as well as June, and few wines go better with fried chicken, for example, or various terrines or the egg-based dishes that front the sideboard for big family breakfasts during the upcoming holidays. Thanksgiving dinner itself is a good test for rosé wines. No, friends, do not neglect the rosé genre, from which I offer 10 models today. The Weekend Wine Notes eschew detailed technical, historical and geographical data (which we all adore) for the sake of incisive reviews ripped, almost, from the very pages of my notebooks, though arranged in more shapely fashion. These eclectic wines were samples for review. Enjoy!
billa haut
Bila-Haut Rosé 2014, Pays d’Oc (from M. Chapoutier). NA% alc. Grenache and cinsault. Pale copper-salmon hue; orange zest, strawberries and raspberries; a pleasing heft of limestone minerality with cutting acidity; juicy and thirst-quenching, but dry as sun-baked stones; a finish delicately etched with chalk and dried thyme. Very Good+. About $14.
An R. Shack Selection, HB Wine Merchants, New York.
blair rose
Blair Vineyards Delfina’s Vineyard Rosé of Pinot Noir 2014, Arroyo Seco. 13.3% alc. 117 cases. Bright peach-copper color; ripe strawberries macerated with cloves, raspberries, hints of tomato skin and pomegranate; paradoxically and deftly fleshy and juicy while being quite crisp and dry and tightly tuned with limestone and flint. A superior rosé. Excellent. About $22.
Bonny Doon Vin Gris de Cigare 2014, Central Coast. 13% alc. 35% grenache, 18% mourvedre, 16% grenache blanc, 12.5% roussanne, 8% carignane, 8% cinsault, 1.5% marsanne, 1% counoise. Very pale onion skin hue with a topaz glow; quite delicate, almost fragile; dried strawberries and raspberries with a touch of peach and hints of lavender and orange rind; gently dusty and minerally, like rain-water drying on a warm stone; a note of sage in the finish. Elegantly ravishing. Excellent. About $18.
bridge lane
Bridge Lane Rosé 2014, New York State (from Lieb Cellars). 11.9% alc. Cabernet franc 63%, merlot 21%, pinot blanc 8%, riesling 5%, gewurztraminer 3%. Ethereal pale peach-copper color; delicate notes of peach, strawberry and raspberry with a touch of watermelon and spiced pear; a hint of minerality subtle as a river-stone polished with talc; incisive acidity for liveliness; develops more floral elements as the moments pass: lavender, rose petal, violets, all beautifully knit. Excellent. About $18.
heintz rose
Charles Heintz Vineyards Rosé of Pinot Noir 2014, Sonoma Coast. 13.5% alc. 250 cases. Beautiful salmon scale-light copper hue; blood orange, tomato skin, strawberries and raspberries, hints of violets and lilac, a note of cloves and damp limestone; red fruit on the palate with an undertone of peach; quite dry and crisp, lithe on the palate, but with appealing red fruit character and an element of stone-fruit and chalk-flint minerality. A gorgeous rosé. Excellent. About $19.
cornerstone corallina
Cornerstone Stepping Stone Corallina Rosé 2014, Napa Valley. 13.1% alc. 100% syrah. Very pretty pink coral color; strawberries and raspberries, hint of pomegranate and a fascinating note of spiced tea and apple peel compote; a few minutes in the glass bring in touches of tomato aspic and red currants; full-bodied for a rose, with a texture that would be almost lush save for the bristling acidity that keeps the whole package energized. Drink through 2016. Excellent. About $18.
Crossbarn Rosé of Pinot Noir 2014, Sonoma Coast (from Paul Hobbs). 12.5% alc. Pale copper-salmon color; intriguing musky-spicy note, crossbarn roselike rose hips, camellias, pomegranate, cloves and sandalwood macerated together; strawberries and orange rind; hints of pink grapefruit and peach; lively and crisp, with a chalk and flint edge to the supple texture; gains a fleshy and florid character on the finish. Very Good+. About $18
loomis air
Loomis Family “Air” Rosé Wine 2013, Napa Valley. 12% alc. 41% grenache 36% mourvedre 13% counoise 10% syrah. 125 cases. Light copper-salmon hue; dried strawberries and raspberries, notes of lavender and red cherry; hints of watermelon and cloves; incisive acidity and limestone minerality bolster juicy red fruit flavors and an elegant and supple texture that retains a crisp chiseled character; a fillip of grapefruit rind and lemongrass provide interest on the finish. Drink through 2016. Excellent. About $18.
Santa Cristina Cipresseto Rosato 2014, Toscano IGT. 11% alc. Sangiovese, cabernet sauvignon, merlot, syrah. (An Antinori brand since 1946.) Light pink-peach color; delicately floral and spicy, notes of raspberries and red currants and a hint of dried thyme and heather; clean acidity and limestone minerality offer gentle ballast for tasty but spare red fruit flavors. Very Good+. About $14.
stinson rose
Stinson Vineyards Rosé 2014, Monticello, Va. 13% alc. 100% mouvèdre. 175 cases. Classic onion skin hue with a tinge of darker copper; pink grapefruit, rose petals, cloves; raspberries and strawberries delicately strung on a line of limestone minerality and bright acidity; from mid-palate back notes of cranberry, pomegranate and grapefruit rind leading to a tart finish; lovely balance and integrity. Excellent. About $19.

As with so many estates in European wine regions, Weingut Leitz has an interesting story. Though official records place the Leitz family in the winemaking industry of the Rheingau as far back as 1744, it wasn’t until the early 1960s that Josef Leitz rebuilt a leitzwinery damaged by Allied bombing near the end of World War II. His grandson, Johannes Leitz, took over the estate in 1985, turning the family’s interests primarily to the reisling grape. Starting with the 2.9 hectares the family owned — 7.16 acres — Johannes expanded the Leitz holdings to 43 hectares — about 106 acres — in 2014. Of that quantity, spread over a dozen individual vineyards, the area that produced the wine under review today, the Leitz Rudesheimer Berg Schlossberg Riesling Trocken 2013, Rheingau, measures exactly 1.17 hectares. The slope of Berg Schlossberg is 58 degrees, meaning that tending the vines and harvesting grapes can be extremely taxing, if not downright hazardous. The soil that supports (if that’s the word) this vineyard is a very hard and rocky red slate clay with quartzite mixed in, meaning that the vines have to struggle to root downward and find water and nutrients. The stress causes the vines to reduce the size and number of grapes, but those grapes exhibit great aromas, body and character. The Leitz Rudesheimer Berg Schlossberg Riesling Trocken 2013 offers a very pale gold hue and enticing scents of lemon balm, lime peel and peach that open to notes of quince and crystallized ginger; touches of cloves and talc add to the perfume. You must prepare yourself for what happens next, because this is a wine of palate-shattering acidity and scintillating chalk and limestone minerality; the words lively and crisp scarcely begin to describe the shimmering vibrancy that animates this exceptionally dry riesling. If that were all there was to it, we could take our puckery mouths and go elsewhere, but fortunately the wine also embodies touches of stone-fruit flavors, hints of baking spice and slightly candied flowers and an almost subliminal breeze of fresh seacoast salinity. The alcohol content is an eminently manageable 12.5 percent. Drink now through 2020 to 2025. We had this wine with swordfish seared in a cast-iron skillet in a coffee rub with urfa and maresh peppers. Excellent. About $20, an Amazing Value.

Imported by Schatzi Wines, Milan, N.Y. A sample for review.

While no one would try to assign a date to when vineyards were first planted in Tuscany or Burgundy, Rheinhessen or Bordeaux, it’s a pretty safe assertion that grape-growing in the Willamette Valley began in 1966, when David Lett came from California to Oregon and planted pinot noir vines in the Willamette Valley, specifically in the Red Hills of Dundee. Lett was followed two years later by Dick Erath, who also planted pinor noir in the Red Hills. (Lett had planted pinot noir vines further south, near Corvallis, in 1965, and transplanted them the next year.) Both of the pioneering wineries they launched — Eyrie Vineyard and Erath Vineyards (originally Knudsen-Erath) — thrive today, as well as about 400 more. Willamette Valley, lying between the Oregon Coast Range to the west and the Cascade Mountains to the east, stretches from just north of Portland to south of Eugene and is influenced by Pacific winds that flow through gaps of the coastal mountain ranges. Few of the wineries, mostly family-owned, produce more than 20,000 cases a year, with many releasing numbers well below that, facts that contribute to the general feeling in the region that they’re more authentic and artisanal and less greedy than their counterparts in California. The primary red grape, by far, is pinot noir. Chardonnay was widely planted in the 1960s and ’70s, usually in the wrong sites, and was replaced by pinot gris and riesling, though chardonnay is making something of a comeback, more carefully sited.

In addition to the broad Willamette Valley AVA (American Viticultural Area), approved by the federal government in 1983, the region encompasses six smaller and more geologically and geographically focused AVAs: Yamhill-Carlton (approved in 2005), Ribbon Ridge (2005), McMinnville (2005), Dundee Hills (2005), Chehalem Mountains (2006) and Eola-Amity Hills (2006), all north of Salem. Of the nine wines considered in this post, seven carry Willamette Valley designations and two more specific AVAs. All display, to greater or lesser degree, an element that to me is a constant and essential feature of Willamette Valley pinot noirs, and that is a vein of deeply rich brambly loaminess that ties the wines to the earth whence they came.

I received these wines as review samples in conjunction with the 50th anniversary of David Lett’s first planting of pinot noir vines, a bold and visionary act that launched an industry.
The grapes for the Adelsheim Elizabeth’s Reserve Pinot Noir 2012, Willamette Valley, were drawn 70 percent from eight Printestate vineyards, with the remaining 30 percent coming from selected vineyards throughout the Willamette Valley. The wine aged 10 months in French oak barrels, 31 percent new. The color is medium ruby with a magenta-mulberry tinge. At first, the impression is of something delicate and ethereal, tissues of nuances; as moments pass, however, the wine takes on weight and character, deepening and broadening its appeal with elements of spiced and macerated black and red cherries and currants and notes of smoke and loam, cloves and sandalwood and some exotic rooty tea. This sense of dimension and detail is shot through with vibrant and fairly tart acidity that keeps the wine lively and alluring, while moderately dense graphite-laced tannins contribute to overall structure. …. percent alcohol. Production was 2,261 cases. Drink now through 2019 to 2022. The winery produced its first vintage in 1978. Winemaker is Dave Paige. Excellent. About $60.
The Broadley Vineyards Pinot Noir 2013, Willamette Valley offers a radiant transparent medium ruby hue and shape- broadley-vineyardsshifting scents of underbrush and loam, cranberries and raspberries and hints of black tea, sassafras and cloves. The wine aged nine or 10 months in neutral French oak barrels, meaning that the barrels had been used during enough wine-making cycles that the wood influence is not just minimal but subliminal, a sculpting rather than a dominating influence. This is a lean and lithe (and tasty) pinot noir in which acidity cuts a swathe on the palate and mineral elements build through the finish. 13.5 percent alcohol. Production was 3,000 cases. I think that this is a terrific pinot noir, and the price makes it irresistible for drinking through 2018 to 2020. Excellent. About $20, so Buy It by the Case.
The winery was founded in 1982 by Craig and Claudia Broadley. Winemaker is their son, Morgan Broadley.
The Chehalem Ridgecrest Vineyards Reserve Pinot Noir 2012, Ribbon Ridge, brings out the exuberant and forceful aspect of chehalemthe grape. The wine aged 11 months in French oak barrels, 39 percent new, 39 percent 1-year-old and the rest, uh, older, I guess. The color is dark ruby-mulberry with a lighter magenta rim; this is all loam-infused black and red cherries permeated by cloves and black pepper, touches of sandalwood and lavender and a potent edge of graphite. The wine is very dry, intensely smoky, woodsy and mossy, with a super satiny, supple texture that doesn’t conceal a thoughtful interpretation of pinot noir’s robust and powerful side. 14 percent alcohol. Drink now through 2019 or 2020. Production was 440 cases. First vintage was 1990. Winemaker is Wynne Peterson-Nedry. Excellent. About $50.
The Cooper Mountain Pinot Noir 2012, Willamette Valley, made from organic and biodynamic grapes, displays a brilliant deep ruby hue shifting to mulberry-purple. The wine aged in French oak, 32 percent new barrels for an unspecified amount of time. It’s a very — perhaps even excessively — dark, rooty, loamy and spicy pinot noir that sacrifices nuance and finesse for earthy power, feeling a bit too syrah-like for its own good. A year or two of aging may bring this wine to rights. Production was 2,800 cases. Winemaker was Gilles de Domingo. The winery’s first vintage was 1987. Very Good. About $28.
The Lange Estate Winery & Vineyards Reserve Pinot Noir 2012, Willamette Valley, spent 11 months in neutral oak lange labelbarrels, so the focus is on the grape’s purity and intensity, which this wine possesses in spades. The color is dark ruby shading to transparent magenta at the rim; notes of cloves, sandalwood and sassafras permeate elements of black cherries and plums that feel slightly macerated and roasted, while a few moments in the glass bring in hints of loam, mocha, tobacco and tea leaf. This is one of those pinot noirs that so dexterously melds delicacy, elegance and power — luxury married to spareness — that you wish it would take up residence in your mouth forever, though you have to spit it out or swallow eventually. Paradoxically, despite this sensual appeal, the wine is quite dry, fairly bristling with touches of rooty, mossy underbrush and bright acidity. 13.7 percent alcohol. Drink now through 2019 to 2022. Winemaker was Jesse Lange. The winery’s first vintage was 1987. Excellent. About $35.

Founded in 1974, Ponzi Vineyards is one of Willamette Valley’s stalwart pioneers. Grapes for the Ponzi Pinot Noir 2012, Willamette Valley, were drawn from sustainably farmed estate vineyards as well as a number of other sustainable vineyards in the region. The wine aged 11 months in French oak, 35 percent new barrels. Winemaker is Luisa Ponzi. The color is dark ruby with a mulberry-magenta cast; the first impression is of an exotic amalgam of cloves, sandalwood and sassafrass, pomegranate and rhubarb, all supporting high, bright scents of red and black fruit etched with slightly dusty graphite. The wine is fairly substantial on the palate, delivering a sleek, satiny texture that’s almost plush, while quite engaging and animated by clean acidity; a few moments in the glass bring in notes of briers, brambles and underbrush, leading to a finish pretty dense with roots and leather, though the wine is never less than deft and dexterous, but more untamed than elegant. The alcohol content is 13.5 percent. Production was 8,000 cases. Drink now through 2019 to 2022. Excellent. About $40.
rex hill
Gratifying largess and dimension characterize the Rex Hill Pinot Noir 2012, Willamette Valley, though there’s also pinpoint focus on detail that feels chiseled in stone. The color is a beguiling transparent medium to light ruby — nothing extracted here — while the wine practically smolders in the glass in embers of lavender, loam, sandalwood and spiced and macerated red and black cherries and plums; it’s all quite fleshy and meaty, almost feral in its primal dynamic, its piercing elements of briers and brambles and graphite-tinged tannins, yet in that lovely equilibrium of the best pinot noirs, it displays a balancing sense of delicacy and filigree, all this in a wine that aged 14 months in French oak, 28 percent new barrels. 14 percent alcohol. Production was 9,518 cases, so there’s plenty to go around. Drink now through 2019 to 2022. Rex Hill’s first release was from the 1983 vintage. Winemaker is Michael Davies. Excellent. About $35.
Let’s say upfront that the Saint Innocent Freedom Hill Vineyard Pinot Noir 2012, Willamette Valley, is a great pinot innocentnoir wine that delivers all the power and elegance, the earthiness and airiness that we expect from Willamette Valley in an excellent year. The color is medium transparent ruby; first come the loam and underbrush, deeply rooted, then more frangible layers of spiced and macerated black and red cherries and currants imbued with notes of moss, lavender and graphite. This is a lovely, lively, lithe and highly structural expression of a grape and vineyard that offers something essentially piney and and briery, as well as a fairly tannic element burnished with dusty graphite. It’s neither dense nor chewy, however, as the presence of tannins often implies, being, instead, dynamic and light on its feet. 14.5 percent alcohol. Production was 948 cases. Drink now through 2020 to 2022. A delightfully detailed wine worthy of meditation. Winemaker was Mark Vlossak. Exceptional. About $42.
When I read that a pinor noir wine underwent 16 months aging — as it happens in 40 percent new French oak — my heart sinks and the words “uh-oh” form in the thought-cloud above my head. Readers, that’s a lot of wood. However, the Sokol Blosser Pinot Noir 2012, Dundee Hills, managed to absorb that oak influence and emerge superbly sleek, satiny and supple. The color is a radiant, transparent light ruby hue; notes of cloves, sassafras and rhubarb are woven with elements of red cherries and raspberries, briers, moss and loam, the latter earthy qualities burgeoning in nose and mouth as the minutes pass. Despite the sleek and suave texture, this is a wine that offers a rigorously structured character and a demanding finish that seem to require some time to become more balanced and integrated, so try from the end of 2016 or into 2017 through 2021 through ’23. 14.5 percent alcohol. Production was 800 cases. Excellent potential. About $38.
The Sokol Blosser family planted five acres of grapes in 1971 and produced its first wine in 1977. The second generation operates the winery today, with Alex Sokol Blosser as winemaker.

I appreciated the style of this pinor noir wine from Australia’s Adelaide Hills appellation. In contrast to pinot noirs from various wakefield pinotregions of California and Oregon, which can be immodestly plush, luxuriously spicy and thoroughly oaked to a fare-thee-well — no, not every one all the time — the Wakefield Pinot Noir 2014 offers a spare, lean and lithe interpretation of the grape that satisfies the minimalist in me. The color is medium ruby; initially aromas of mint, tobacco and slightly resinous rosemary dominate the bouquet, followed by delicately spiced and macerated black and red currants and cherries that open to hints of cranberry and pomegranate. The wine aged in one-and two-year-old French hogshead barrels, a size generally (or sort of) agreed upon to equal about 63 U.S. gallons, slightly larger than the standard 59-gallon barrique in Bordeaux. (That’s your Fact of the Day.) The briery-brambly-underbrush elements come up quickly, and acid plows a furrow on the palate, all making for a pinot noir of essential liveliness and gradually burgeoning earthy dimension that doesn’t neglect pert currant and cranberry flavors. The texture is satiny and supple without being opulent or blatant, and the finish concludes on a tart, chiseled, minerally note. 14.4 percent alcohol. Drink now through 2016 into 2017. very Good+. About $17, representing True Value.

Imported by AW Direct, Novato, Calif. A sample for review.

Here’s a savory Spanish white wine to mark the transition from Summer to Fall. The Bodegas Terras Gauda O Rosal 2014, Rias Baixas, terras gaudacomes from Galicia, the country’s northwestern-most province that borders Portugal on the south and faces the Atlantic Ocean on the west and north. A blend of 70 percent albariño grapes with 15 percent each loureiro and caiño blanco, the wine was fermented with native yeasts and made entirely in stainless steel tanks for freshness and immediate appeal. The color is brilliant yellow-gold; aromas of hay, spiced pears and quince are bolstered by notes of bees’-wax, lanolin, dried thyme and figs; a few minutes in the glass bring in hints of honeysuckle, almond blossom and orange zest. Practically shimmering with vibrant acidity, O Rosal 2014 offers a lovely, lithe texture infused by stone-fruit flavors and a bracing, lively presence framed by sea-breeze salinity and heaps of limestone minerality. The alcohol content is 12.5 percent. Drink through 2017 or ’18 with fresh or grilled seafood or mildly spicy Thai or Vietnamese dishes. Excellent. About $24.

Imported by Aveníu Brands, Baltimore, Maryland. A sample for review.

Readers, today’s Wine of the Day — after somewhat of an unintended hiatus — is not a great wine, but it is a great value. The rocks“Rocks!” label comes from Cornerstone Cellars, preeminently a producer of high-toned and powerful Napa Valley cabernet sauvignon wines as well as a second label, Stepping Stone, for a wider range of less expensive products. Rocks! is the bargain tier, offering now a white, a red and a rosé. Let’s look at the Rocks! White Wine 2014, California, a secret blend of chardonnay, sauvignon blanc, viognier and orange muscat. The latter two grapes don’t require a high percentage of physical presence to make an impact, and you feel them in the wine’s aura of honeysuckle, honeydew melon, bee’s-wax, spiced pear and fig and in the element of sweetness that’s fortunately balanced on the palate by a spine of clean bracing acidity. The wine offers notes of freshly mowed hay and lemongrass with fillips of lime peel and kumquat (with that peculiar bitter sharply citrus quality), while the finish is quite dry and accented by a savory and saline hit of cloves, grapefruit and limestone. The alcohol content is 12.5 percent. Drink up. Served quite chilled with fairly spicy Thai food, grilled shrimp or chicken salad. Very Good+. About $15.

A sample for review.

You know how we wine taster-writer-bloggers are, always scurrying around trying to find cool, excellent expressive wines that nobody has ever heard of, so we say recommend as Wine of the Day or whatever some product fashioned from a totally obscure grape by an 2014-Fume_304x773ancient family in an isolated valley in the foothills of an undiscovered mountain range in eastern France where normally grapes aren’t even grown and 100 cases are imported by a company in Minnesota with no national distribution and we can say: “Definitely Worth a Search!” And it costs $85 a bottle. Well, today I’m not doing that. In fact, I’m recommending a wine that is so well-known and widely available and so ubiquitous on restaurant wine lists of a certain order that you may fall down laughing, so boo-hoo-hoo to you. The wine is the Ferrari-Carano Fumé Blanc 2014, Sonoma County, produced in the amount of 85,000 cases and as tasty and reliable a sauvignon blanc as you will encounter on a daily basis. This is thoughtfully made, 60 percent in stainless steel and 40 percent in older French oak barrels, so the wood influence is subtle, almost subliminal, and acts as a shaping rather than a dominating factor. (Winemaker is Sarah Quider.) The color is pale gold; aromas of honeysuckle, lime peel, spiced pear and lemongrass are infused with notes of fig, fennel and dried thyme. The wine is quite lively on the palate, with bracing acidity and a scintillating limestone and flint element, and it asserts its dry yet delicious presence with an effect that’s both authoritative and tender. A lithe and supple texture leads to a finish drenched in grapefruit, mango and attentive salinity. 13.8 percent alcohol. Profound? Multi-dimensional? Revelatory? Of course not. Savory? Appealing? Satisfying? Absolutely. Very Good+. About $14, representing Terrific Value.

A sample for review.

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