Thomas George Estates specializes in pinot noir and chardonnay wines from single vineyard sites in Sonoma County’s george-pnRussian River Valley, but winemaker John Wilson also produces these varieties under a general Russian River designation. Our Wine of the Day is the pinot noir from that overall AVA, and, Readers, it’s a honey. The Thomas George Estates Pinot Noir 2012, Russian River Valley, aged 11 months in French oak, only 37 percent new barrels — in oak except for six percent in concrete. The color is transparent medium ruby that shades infinitesimally to an invisible rim; aromas of sweet black and red cherries and currants are permeated by piquant notes of pomegranate and cranberry, sassafras and sage, with tantalizing hints of tobacco and wood-smoke. It’s all just really lovely, and it gets lovelier, as some time in the glass brings in touches of red licorice and lavender, new leather and oolong tea. On the palate, this pinot noir is lithe, supple and satiny, flowing across the tongue in a manner that’s a little quiet and studied yet also animated by bright acidity; red and black fruit flavors carry a slight graphite edge that precedes a glimpse of lightly dusted and sanded tannins. Exquisitely balanced, with grace and elegance. 14.3 percent alcohol. Drink now through 2018 to 2020. I have not tasted the single vineyard offerings from Thomas George Estates, but I cannot imagine them being any better than this. Production was 2,398 cases. Excellent. About $43.

A sample for review.

Lordy, I haven’t posted a “Whither Napa Valley Cabernet” entry since June 30. That’s totally remiss for two reasons: First, I receive a ton of samples in that genre, and, second, California’s Napa Valley is one of the best places in the world for producing excellent cabernet sauvignon wines. Not that Napa Valley has a lock on delivering great cabernet-based wines in California; such an assessment would be unfair to Sonoma County’s Alexander Valley, Sonoma Valley and Knights Valley, to Paso Robles in San Luis Obispo County, and other pockets of congenial micro-climate here and there in the Golden State. Today’s post looks at nine examples of cabernet sauvignon and cabernet-based wines, mostly from 2013, with a few from 2012 and one from 2014. It’s a miscellaneous group falling under the general Napa Valley designation; two of these display more specific appellations, Oakville and Rutherford. Prices range from $45 to $90, an upper range that reflects not only supposed standards of quality but perceived reputation and the cost of doing business, as in the prices of grapes, cultivated acreage and new French oak barrels. The wines also reflect similarities and differences in philosophy and winemaking techniques. Oak regimens and blending percentages vary widely as does the scale of alcohol content. As with any consumer product, you pays yer money and you takes yer choice.

These wines were samples for review.
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The Acumen Wines Mountainside Red Wine 2013, Napa Valley, feels indeed as if it had been hewn from granite outcroppings, and in fact the grapes derive from organically farmed vineyards in Atlas Peak. The wine is a blend of 74 percent cabernet sauvignon, 14 percent malbec and 12 percent merlot that aged 18 months in French oak, 72 percent new barrels. The color is dark ruby with a glowing purple rim; notes of black currants, black cherries and blueberries are imbued with elements of graphite, iodine and iron that after a few minutes in the glass emit hints of rosemary, cedar and celery seed and an intense aroma of wood smoke. Steep gritty tannins and profound granitic minerality make for an experience that feels as if you’re drinking architecture, and these qualities inform the austere finish. Still, you sense the balance here, the shifting tectonic plates of structure gradually transforming itself to something equitable. A refreshing 13.3 percent alcohol. Try 2018 or ’19 through 2029-’33. Production was 1,200 cases. Winemaker was the well-known Steve Matthiasson. Excellent potential. About $45.
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The Amici Cellars Cabernet Sauvignon 2012 carries a Napa Valley designation but the grapes derive from specific AVAs amici_cs_napawithin the valley: 67 percent from Rutherford, 20 from Atlas Peak, 9 from Coombsville, 3 percent from Calistoga and a smidgeon of 1 percent from Spring Mountain. In other words, the wine is a canny blend of grapes from cool and warm districts, from flat areas and mountain slopes, all helping to establish a general “Napa Valley’ character to the wine. The blend is 85 percent cabernet sauvignon, 11 merlot, 3 cabernet franc and 1 petit verdot; the wine aged 20 months in French oak, 50 percent new barrels. Winemaker was Tony Biagi. The color is very dark ruby-purple with a magenta rim; while the emphasis is on dimension and circumference defined by dusty, velvety tannins, burnished oak and vibrant acidity, the wine allows classic notes of black olive, cedar and tobacco, ripe black currants and raspberries to assert themselves. A few moments in the glass bring in hints of plums and cloves, black pepper and mocha, as well as a graphite edge, so the wine feels both warm with spice and cool with minerals, all etched by chiseled minerality that extends through the finish. 14.5 percent alcohol. Drink now — with a medium-rare ribeye steak, hot and crusty from the grill — through 2022 to ’24. Excellent. About $45.
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One of the flagship wines for Franciscan Estate is the Magnificat red wine blend based on cabernet sauvignon with franciscan-estate-2012-magnificat-meritage-label-frontcontributions from the other “noble” Bordeaux grape varieties. For 2012 and 2013, the wines received the same oak treatment, 20 months in French oak, 70 percent new barrels. The blends differ slightly, with the 2012 being 73 percent cabernet sauvignon with 19 percent merlot, three percent each petit verdot and malbec and two percent cabernet franc; the 2013 is also 73 percent cabernet sauvignon, with 24 percent merlot, two percent malbec and one percent cabernet franc, eliminating the dollop of petit verdot. Winemaker was Janet Myers. Not surprisingly, or perhaps disappointingly, these “meritage” wines are quite similar, the ’12 being slightly softer and more approachable than the ’13 but both focused on structure and foundation to a degree that feels not only solid but stodgy. The Magnificat 2012 displays real depth and breadth in its dark granitic minerality and sturdy tannins but not much in the way of the detail that makes a wine compelling and alluring, even at a relatively young age. The Magnificat 2013 feels like an ancient cathedral of a wine, very dense and intense, with dry austere tannins and profound granitic minerality; something slightly warm and spicy lends a touch of appeal but this is essentially a stout, rock-ribbed edifice established on palate-scouring tannins and acidity. After tasting this pair of cabernets, I wanted to say, “Hey, lighten up, even powerful and structured wines can be made with more deftness than these were.” Each features 14.5 percent alcohol. Each I rate Very Good+ with the admonition not to touch for five years. Each costs about $55.
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In the Galerie “Pleinair” Cabernet Sauvignon 2013, Napa valley, Laura Diaz Muñozcrafted a 100 percent varietal wine whose potential lies two or three years ahead. Aged 20 months in French oak, 53 percent new barrels, bottled unfined and unfiltered, this cabernet displays a deep opaque ebony hue and profound intensity and concentration. Its initial phase of iodine, iron and graphite segues into spiced and macerated currants, raspberries and plums opening to notes — after an hour — of walnut shell, cloves and allspice, roasted fennel and caraway seed. The wine is dense and chewy but lithe and supple, dark with rooty-loamy elements, woodsy and mushroomy, and a little knotty with aspects of briers, brambles and forest floor; the black and red berry flavors course over the palate animated by bright acidity. 14.5 percent alcohol. 2018 through 2028 to ’30. Production was 1,616 cases. Excellent. About $50.
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The Grgich Hills Estate Cabernet Sauvignon 2013, Napa Valley, reveals a gratifying consistency cs-2013-front_750-alcwith its cousins from previous vintages, while expressing a sense of individuality accorded by a great year. The blend is 79 percent cabernet sauvignon, 11 percent merlot, 5 petit verdot, 4 cabernet franc; the wine aged 21 months in French oak, 60 percent new barrels. The color is dense ruby-purple, while the whole package reflects that intensity and concentration; the initial impressions are all structural: earth, loam and walnut shell; dusty, graphite-laden tannins; a dense and chewy texture; a deep austere finish. Yet the wine is also vibrant, dynamic, resonant and strangely appealing, with its hints of tightly-packed and spicy black fruit flavors. Try from 2018 through 2028 to ’30. 14.6 percent alcohol. Excellent potential. About $69.
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The Grgich Hills Estate Miljenko’s Selection Cabernet Sauvignon 2013, Rutherford, is 100 percent2013-csrf_front_with-alc cabernet sauvignon that aged 18 months in French oak, 80 percent new barrels. The color is motor oil opaque shading to a medium ruby-hued rim; as with its stablemate mentioned just above, this wine is immense in structure, deep, intense and concentrated, which character does not prevent it from delivering classic notes of cedar, rosemary and tobacco, black olive and a hint of bell pepper, all buoying a finely-chiseled melange of black currants, raspberries and plums. In fact, for all its size and dimension, this cabernet offers a ripe, spicy, meaty and fleshy aspect not quite belied by its formidable dusty, loamy tannins and its tremendous dignity and authority. 14.3 percent alcohol. Try 2018 or ’19 through 2030 or ’33. Excellent potential. About $90.
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The Jayson label is the second line from Pahlmeyer Vineyards and comes in as slightly less jay-cabexpensive than the top tier, though these are not inexpensive by any means. The Jayson Cabernet Sauvignon 2014, Napa Valley, sees 5 percent cabernet franc with the balance cabernet sauvignon; the wine aged 17 months in French oak, 65 percent new barrels. The color epitomizes the entire experience of this wine, from its intense inky center fading to the transparent ruby-tinged rim, that is, from tremendous depth and dimension to an element of elegance and even delicacy. Most apparent, though, is the wine’s immense honed and chiseled granitic structure, abetted by polished oak and plush, dusty, rigorous tannins; it feels carved from mountainsides. Aromas of iodine and iron open to deliriously attractive notes of black currants, cherries and plums, highlighted by hints of blueberry and pomegranate, tapenade and ancho chili and wild notions of cedar and rosemary, wood smoke, lilac and lavender. Yes, this is damned heady stuff, richly layered and nuanced. The whole project is, not surprisingly, quite serious on the palate, yet its structure of wood and acidity, tannin and graphite-infused minerality does not advance on the punishing scale; the totality is balanced and integrated, though deep and multi-dimensional. 15.1 percent alcohol. Try from 2018 or ’19 through 2030 to ’34. Winemaker was Kale Anderson. This wine feels to me like the essence and apex of Napa Valley cabernet sauvignon. Exceptional. About $75.
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The Robert Mondavi Oakville Cabernet Sauvignon 2013, Napa Valley, utilizes the five classic Bordeaux red grapes: 81 percent cabernet sauvignon, 13 percent cabernet franc and 2 percent each malbec, merlot and petit verdot; the wine aged 22 months in French oak, 72 percent new barrels. The color could not be a more dark, dense and radiant ruby-purple that shades to a glowing magenta rim; in its incisive granitic minerality and dusty graphite-tinged tannins, the wine feels absolutely true to the Oakville model; it offers ripe and slightly fleshy notes of currants, raspberries and plums infused with cedar and rosemary — with a hint of the latter’s feral, woodsy astringency — black olives and lavender melded in a seamless array of superb balance and integration. It’s quite dry, and the chiseled mineral aspects bolster the long finish. 14.5 percent alcohol. Now through 2022 to ’25. Director of winemaking for Robert Mondavi is Geneviève Janssens. Excellent. About $60.
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More time in oak but less new oak than the previous wine was the regimen for the Robert Mondavi BDX 2013, Oakville, aging 29 months in French wood, 32 percent new barrels. BDX stands for Bordeaux; this wine is a blend of 68 percent cabernet sauvignon and 32 percent cabernet franc. I was impressed by the wine’s lovely balance and integration, for all its size and substance. A dark ruby hue shades to a bright magenta rim; aromas of ripe black currants, raspberries and plums are permeated by notes of iodine, iron and mint, making for a ferrous, sanguinary and slightly herbaceous red wine highlighted by touches of lavender and violets, cedar and tobacco. Yep, it’s a big one, quite dry and cushioned by supple dusty tannins, while animated by a beaming line of bright acidity; the finish is packed with graphite tinged minerality and an array of spicy black fruit flavors. 14.5 percent alcohol. You could drink this wine tonight with a steak or braised short ribs or wait a couple of years; it should develop beautifully through 2027 to ’30. Excellent. About $65.
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If readers live in the New York area or perhaps in New England generally, they should look for lenzthe Lenz Winery Cuvee 2012, from an estate founded in 1978 in the North Fork of Long Island. (That’s the AVA.) Made from 100 percent pinot noir grapes, hence technically a blanc de noirs, this well-made sparkling wine offers a pale gold hue shimmering with an energetic fountain of tiny glinting bubbles; notes of roasted lemons and spiced pears, quince and ginger are lent pertness by lively acidity and a scintillating seashell-limestone element; these contribute a bit of bracing salinity to the finish. Touched with slightly yeasty brioche, but clean, fresh and vivid, this sparkler is quite dry though tasty with hints of lemon balm and willow, smoke and steel, ultimately delicate and elegant. 12 percent alcohol. Winemaker was Eric Fry. Drink now through 2018 to ’20. Excellent. About $40.

A sample for review.

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Wines under the “Coltibuono” label from the Badia a Coltibuono winery are not made from estate grapes but from vineyards throughout Tuscany with which the Stucchi Prinetti family has long-term relationships. That estate, by the way, has been owned by the family since 1846, though the monastery on which it is founded goes back more than a thousand years. So, the Coltibuono “RS” Chianti Classico 2014 — the initials stand for Roberto Stucchi — is composed of 100 percent sangiovese grapes and aged briefly in a combination of French oak casks and barriques. The wine brings its sangiovese character right to the front, with a lovely light transparent ruby hue and enticing aromas of red cherries and raspberries, black tea, orange rind and cloves, with undertones of leather, loam and graphite. These qualities segue seamlessly onto the palate, where the wine is quite dry, even a bit austere from mid-point back, and freighted with a texture that’s lithe and sinewy and animated by bright acidity. A few moments in the glass bring in hints of talc, lilac and violets. 13.5 percent alcohol. We drank this wine with spaghetti and meatballs — not exactly a Tuscan dish — to which it made a fine accompaniment. Now through 2018. Very Good+. About $15, representing Real Value.

Dalla Terra Winery Direct, Napa, Calif. A sample for review.

Beaujolais, like all of Gaul, is divided into three parts, or perhaps the better word would be categories. The basic level is just “Beaujolais,” widely available, the darling of the bistro carafe, and made from grapes grown on the flatter areas in the western part of the region. (This is south of Burgundy, abutting the Côte Mâconnais.) Straight Beaujolais should be simple, grapy and agreeable. Next higher on the scale and presumably better quality is the category of Beaujolais-Villages, made from vineyards in the hills to the north. Best are the Cru Beaujolais, derived from 10 communes that occupy privileged locations in these northern hills. The red grape here is the Gamay Noir à Jus Blanc; a minuscule amount of Beaujolais Blanc is made from chardonnay grapes. Also, of course, there is Beaujolais Nouveau, the fresh, just-after-harvest quaffer of which altogether too much is made every November. The Cru commune wines are Brouilly, Chénas, Chiroubles, Côte de Brouilly, Fleurie, Juliénas, Morgon, Moulin-à-Vent, Regnié and Saint-Amour. The name on the label will be the name of the commune; the term “Beaujolais” frequently is not mentioned. Today, we look at two examples from Côte de Brouilly and Juliénas, each representing Good Value.

Imported by Kermit Lynch Wine Merchants, Berkeley, Calif. Samples for review.
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The grapes for the Domaine Chignard “Beauvernay” Juliénas 2014 were grown in vineyards 60 years old and more. The estate was founded in julienas_12_web 1900 and produces only 3,000 cases annually. The wine aged 13 months in old foudres, that is to say, large barrels of various dimensions. The color is light transparent ruby; on the nose, a glorious melange of strawberries and mint, iodine and loam, smoke, briers and brambles weaves a spell, unfolding, as the moments pass, notes of red licorice and a distillation of rose petals. Yeah, it’s pretty damned heady stuff, but with undertones of darkness, the rasp of raspberry leaf, the tug of graphite on the palate and brisk acidity, yet, withal, a model of elegance and delicacy. 12.5 percent alcohol. Drink now through 2019 to ’21. Excellent. About $22.
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Established in 1877, this domaine harvests grapes from vineyards that average 50 years in age and are situated on slopes of 48 degrees; thivin_cotedebrouilly_novintage10_12dot5alc_web
people, that’s steep. The Chateau Thivin Côte de Brouilly 2014 aged six months in old foudres. A medium ruby hue fades to a lighter, almost transparent rim; the wine features a fresh cherry-berry nose that deepens with aspects of iodine, loam and dried thyme, raspberries and black cherries. On the palate, the wine displays appealing silky heft and substance; it’s lively and dynamic, imbued with earthy, rooty notes of leather and oolong tea and bringing in shadings of woody spices, heather, forest flowers and blueberries. 13 percent alcohol. A lovely Cru Beaujolais that shyly offers a serious side. Drink now through 2020 to ’22. Excellent. About $22.
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As we head into the biggest sparkling wine season of the year, I’ll remind My Readers from time to time about Champagnes and other albrechtsparkling products worthy of consideration. An annual treat for us is the Cremant d’Alsace Brut Rose from the venerable estate of Lucien Albrecht, established in 1425, among the oldest family-owned wineries in Europe and still in the hands of the founding family. This non-vintage — i.e., multi-vintage — sparkling wine is made from 100 percent pinot noir grapes in the Champagne method of second fermentation in the bottle; this one spends 14 to 16 months in the bottle on the lees before being disgorged and resealed. The color is a lovely ruddy copper-salmon hue, highlighted by a surging fountain of tiny glittering bubbles; aromas of fresh raspberries and lime peel, blood orange and orange blossom are infused by notes of heather, spiced tea and limestone. Bright, brisk acidity lends this an almost tart character, though it flows on the palate with a full, round quality; the whole effect is delicate, elegant and steely, concluding in a slightly austere, saline, mineral-laced finish. Pure delight, with real style and a racy nature. 12 percent alcohol. Winemaker was Jerome Keller. Excellent. About $22, representing Good Value.

Pasternak Imports, Harrison, N.Y. A sample for review.

The Ridge Vineyards Three Valleys red wine blend is a perennial visitor to our Thanksgiving table, this year being no different. Whereas Ridge typically focuses on single-vineyard ridge-three-valleysbottlings, the Three Valleys derives from a variety of vineyards in Sonoma County. seeking to achieve a sort of overall Sonoma character, if such a thing is possible. The wine was first produced in 2001. The Ridge Three Valleys 2014, fermented by native yeast, is a blend of 65 percent zinfandel, 17 percent petite sirah, 14 carignane and 4 grenache. The wine aged 15 months in American oak, a scant six percent new barrels, 43 percent one-to-two-year-old barrels, 51 percent three-to-six-year-old barrels. In other words, the effect of new oak is negligible, while the general wood influence is subtle and supple in its shapeliness. The color is intense dark ruby with a vibrant cherry rim; aromas of sweet, smoky currants, blueberries and plums gradually open to notes of spiced and macerated red cherries, lavender and violets. This is dense and chewy in the mouth, permeated by graphite-infused tannins that provide plenty of grit and resistance on the palate; black fruit flavors are ripe and spicy but reticent, yielding place to bright acidity, briery and brambly forest floor elements, and a strain of granitic minerality that persists through the warm but sculptured finish. In other words, a wine that delivers equal measures of pleasure and structure. 14.5 percent alcohol. Drink now through 2019 or ’20 with big-hearted, two-fisted cuisine. Excellent. About $26.

A local purchase.

Let’s relax and think about the inevitable: Thanksgiving leftovers. We had eight people at our table last night but prepared enough food for at least 20. Not surprisingly, the refrigerator is crammed with plastic vessels containing an immense amount of leftover selections, though, curiously, not much pie. People tend to eat pie even when they’re aching with surfeit. All over the country, on Thanksgiving, Americans are saying, “Wow, I couldn’t eat another bite! Oh, well, sure, I guess I could manage some of that pecan pie.” Anyway, whether you’re making a hugelsandwich of turkey, dressing and cranberry sauce or just settling down to a plateful of food that bears a remarkable resemblance to what you ate yesterday, here’s a wine that makes a terrific accompaniment. The Famille Hugel Classic Riesling 2015, Alsace, from the winemaking family that goes back 13 generations in the region, was fashioned all in stainless steel to ensure its sense of freshness and immediate appeal. The color is pale gold with a faint green tone; enticing aromas of green apple and ripe peaches are wreathed with scents of lychee, jasmine and honeysuckle and a prominent element of petrol, or you could call it rubber eraser, in either case a typical note and always intriguing touch from the riesling grape. The wine is silky smooth but slightly chiseled on the palate, encompassing ripe and spicy and juicy stone-fruit flavors enlivened by fleet and lithe acidity and scintillating limestone minerality. The finish is clean, bright, spicy and floral and nicely faceted. A classic, all right, and a real crowd-pleaser. 12.5 percent alcohol. Drink now through 2018. Excellent. About $25.

Imported by Frederick Wildman & Sons, New York. A sample for review.

During the next six weeks or so, My Readers will doubtless be invited to an endless round of parties, dinners, open-house events and other fetes celebrating various holiday preoccupations. And many of you will doubtless carry along a bottle of wine as a gift for your hosts. What bottle to give, however, what price to pay, how to proceed are issues I will address for you today.

First, don’t blow your credit card limit on a bottle of great wine, even if it’s intended for a dear friend or family member and especially if they’re not particularly crazy about or don’t know anything about fine vintages. It doesn’t make sense to stand at the threshold of an 3-beautiful-handmade-wine-bottle-gift-wrap-ideas_642x640open-house and hand over to your host a bottle of, say, Chateau Lafite-Rothschild 2000 that cost you an arm and a leg and say, “Here, I think you’ll enjoy this.” Even someone who likes or knows something about wine will appreciate a more modest offering. I think a reasonable category would be $20 to $30; plenty of terrific wines are available in that range.

Second, if you know that your host has wine preferences — pinot noir or sauvignon blanc, for instance, or interesting wines from unusual grapes or places — definitely go in that direction. That way, you’ll be able to say, “I know you like Willamette Valley pinot noir. This is from a winery I just found out about” or “Here’s a grenache blend from a little appellation in the Pyrenees. I think you’ll like it.”

Remember that half of the impact of a gift lies in its thoughtfulness and appropriate nature. Following that sentiment, don’t just pick up a $10 bottle of malbec that anyone could buy at any retail shop or grocery store, as if you were in a rush and couldn’t be bothered, unless, of course, your hosts would be grateful for that $10 malbec. And don’t make ironic gifts, like taking that $10 malbec as a joke to someone who appreciates and collects the best wines, handing it over with an embarrassed smirk. Ho-ho, asshole.

If you don’t know your host’s preferences, choose something that you like and offer it by saying, “This is one of our favorite wines. We hope it will be one of your favorites, too.” Of course a sparkling wine is always welcome, and it doesn’t have to be Champagne. Plenty of excellent bubblies are available from France, Italy, Spain and California priced under $30.

If you happen to be a collector or own a cellar filled with wine, it makes a wonderful gift-wrap-wineimpression to give a bottle that reflects your personal taste or style, especially if the recipient is equally knowledgeable about wine. The point is not that you shouldn’t waste a bottle of fine wine on the undeserving but that you don’t want to create a sense of pressure or obligation. Don’t hand over a bottle that will make your hosts nervous and wonder what the hell they’re supposed to do with it.

Do put the wine in an attractive presentation sleeve or sock or carrying bag, even wrapped (neatly) in tissue and tied with a ribbon. It’s just nicer that way, as my late mother would have said. The simpler, the better, please; you don’t have to go all Martha Stewart.

And remind the recipients that the wine is intended for them, not for general consumption at the party or dinner. Always say something like, “The wine is for you. Let’s put it on the table over here so it doesn’t get opened at the bar.”

Remember, the idea is not to show off your wine acumen or fiduciary prowess, but to display your kindness and generosity with a bottle of wine that says “Thanks for inviting us to your party.”

Top image from coupons.com; lower image from publix.com.

As you make your celebratory imbibing plans for the holiday season that runs from Thanksgiving to Epiphany — and happens to include my birthday — don’t forget Schramberg Vineyards, a Napa Valley-based producer of sparkling wines that has been around for 50 years and might be in danger of flying under the radar of all the other sparkling wine makers in California that emerged after its pioneering efforts. I rated three of these recent releases Excellent and one Very Good+, a better than decent outcome. In fact, I enjoyed these wines immensely and heartily recommend them for your Yuletide revels. Samples for review.
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The Schramsberg Blanc de Blancs 2013, North Coast, is 100 percent chardonnay, a blend of grapes from Napa County (63 percent), Sonoma (30 percent), Mendocino (4 percent) and Marin (3 percent), hence the North Coast designation. A blanc de blancs is the first sparkling wine that the producer made, in 1965, and the touch remains deft and fluent. The color is very pale gold, and the tiny, glinting bubbles are exuberantly effervescent; beautifully layered aromas of roasted lemon, lemon balm, spiced pear and toasted and lightly buttered brioche are twined with acacia blossom and almond skin. A few moments in the glass bring up a bright edge of flint and chalk bolstered by vivid acidity, both elements lending this sparkling wine tremendous verve and appeal, while notes of slightly candied quince and ginger round out the citrus-stone fruit flavor profile. 12.7 percent alcohol. Drink now through 2020 to ’23. Excellent. About $39.
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The opposite of blanc de blancs — “white from white” — is blanc de noirs — “white from black” — through the Schramsberg Blanc de Noirs 2012, North Coast, blends 12 percent chardonnay with the balance of pinot noir. Counties of origin are Sonoma (44 percent), Mendocino (33 percent), Napa (19 percent) and Marin (4 percent). The color is very pale gold, enlivened by a surging flurry of tiny bubbles; this is pure lemon in all its aspects, married to fresh bread, cloves, ginger and quince, with a dry scent like dusty heather and a deep bell-note of currant. It’s a high-toned and elegant sparkling wine, vibrant with energy, full-bodied, almost lush except for the rigor of prominent limestone-flint minerality and a seam of resonant acidity. 12.7 percent alcohol. Drink now through 2020 to ’22. Excellent. About $41.
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The Schramsberg Brut Rosé 2013, North Coast, is composed of 61 percent pinot noir and 39 percent chardonnay. The county make-up is 41 percent Sonoma, 26 percent Mendocino, 25 percent Napa and 8 percent Marin. The ravishing color is pale copper salmon, with abundant bubbles swirling upward; aromas of macerated strawberries and raspberries open to notes of dried red currants, lime peel, melon and sour cherry, with follow-up hints of cloves and orange rind. You might think that this sparkling wine is all about sensual appeal, which it obviously does not lack, but there’s real structure, too, with elements of chiseled limestone and chalk minerality borne by chiming acidity; it flows across the palate with crisp vitality. 13 percent alcohol. Now through 2019 through ’23. Excellent. About $44.
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The Schramsberg Crémant Demi-Sec 2012, Napa Valley — a departure from the winery’s usual North Coast designation — is a blend of 74 percent flora grapes, 16 percent pinot noir and 10 percent chardonnay. Flora is a crossing of gewürztraminer and semillon, created in 1938 by Harold P. Olmo (1909-2006), a professor of viticulture at University of California, Davis, who pioneered the crossing of vinifera grapes for warm climate regions; among his other creations are ruby cabernet and symphony. To 85 percent Napa Valley grapes, this sparkling wines adds 10 percent from Sonoma and 5 percent from Mendocino; that 85 percent allows the Napa Valley designation. The color is pale straw-yellow; the bubbles are tiny but gentle, a stream but not a froth. Scents of green apple, peach and apricot are delicately floral and lead to a sweet entry — in fact sweeter than I thought it would be. This sparkling wine offers elegance in body and texture, a lively impression from clean acidity and flint-limestone minerality for background and a touch of dryness from mid-palate through the finish. 13.5 percent alcohol. Now through 2020 or ’22. At 2,387 cases, this product has the smallest production of this quartet. Very Good+. About $40.
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The wine aged ……… The color is pale straw-yellow

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