Buy the Carlos Serres Crianza Rioja 2012 by the case, for drinking over the next year or two. A serres-riojablend of 85 percent tempranillo grapes and 15 percent garnacha, it embodies what seems to me are the primary characteristics of the tempranillo grape, a combination of slightly dried black and blue fruit, new leather, dried herbs and iodine-washed minerality; the garanacha lends a lift of red cherries and currants and bright acidity. The wine aged 14 months in French and American oak barrels, followed by six months of bottle aging. The color is medium ruby shading to a delicate transparent rim; black cherries, currants and a touch of blueberry are permeated by notes of smoke, ground cumin and sandalwood. The wine is fresh and lively, briery and peppery, dry and mildly tannic, and it goes down with lithe ease and suppleness. 13 percent alcohol. I consumed a glass or two of this wine with an egg scrambled with bits of diced red onion, yellow bell pepper, tomato and borsellino salami. Very Good+. About $12, a Terrific Bargain.

Imported by Winesellers, Ltd., Niles, Illinois. A sample for review.

I wrote about the 2012 version of today’s selection about two years ago, but now it’s the turn for the Pfeffingen Dry Riesling 2013, from Germany’s bucolic Pfalz region, which extends 53 miles in a 301 Labellong peninsular shape south from Rheinhessen to the French border. In 2012, a chilly wet Summer in Germany was succeeded by warmth in September and October, allowing grapes to ripen nicely and providing many excellent wines. The opposite case prevailed in 2013, when a mild Summer yielded to rain in September and October, the bane of growers and winemakers. The result in this case is a very dry riesling that focuses on acidity and mineral elements rather than the forwardness of succulent fruit. Still, the medium gold-hued Pfeffingen Dry Riesling 2013, the basic offering from this estate that traces its origin to 1622, delivers plenty of advantages, if not charm. Initial (and quite pretty) aromas of jasmine, heather and honeydew melon, peach and lychee, lime peel and lemongrass open to the rigorous nature of burgeoning limestone and flint minerality that extends all the way down through the wine’s framework and foundation. Bright scintillating acid leads to a fairly bracing damp stone, sea-salt and grapefruit-pith finish. 12.5 percent alcohol. An essential accompaniment to fresh oysters and grilled shrimp or mussels, though we drank a glass or two with salmon, marinated simply in olive oil and lemon juice, salt and pepper, and seared in the cast-iron skillet. Now through 2018 or ’19. Very Good+. About $16, a local purchase.

Sarah’s Vineyard traces its history to the late 1970s, when Marilyn Clark and John Otterman 13-pinotnoir-estate-thumbnailbought a 10-acre property in the Santa Clara Valley, about 30 miles south of Santa Cruz. They produced their first wines in 1983. They sold the winery to polymath Tim Slater in 2001. The estate occupies 28 acres in the cool climate “Mt. Madonna” district of the southern Santa Cruz Mountains. I cannot offer details about winemaking and the oak regimen for this Chardonnay 2014 and Pinot Noir 2014 because the winery website is several vintages behind on information. I will say that if you love pinot noir, this one is Worth a Search.

These wines were samples for review.
The color of the Sarah’s Vineyard Estate Chardonnay 2014, Santa Clara Valley, is bright medium gold, and, in fact, that adjective “bright” applies to every aspect of this slightly too florid chardonnay. It’s a bold and spicy wine, golden with baked pineapple and grapefruit flavors elevated by notes of cloves, quince and ginger and touched with a hint of wood smoke and dried mountain herbs. Bright acidity provides an even keel for the richness of the macerated stone-fruit flavors emboldened by a limestone and oak structure that burgeons through the drying finish. 14.3 percent alcohol. Production was 198 cases. I would give this chardonnay another year in bottle to achieve balance and integration. Very Good+. About $32.
I have no such caveats about the Sarah’s Vineyard Estate Pinot Noir 2014, Santa Clara Valley. The color is perfect, a medium ruby hue shading to a transparent garnet rim; aromas of rhubarb and sassafras, black and red cherries and plums, cloves and sandalwood are beautifully balanced and integrated, as is, in truth, every element of the wine. While it’s ripe and delicious, even tending toward succulent, on the palate, this pinot noir pulls up loamy and briery qualities, along with foresty touches of moss and dry leaves, all of which animate a texture that’s both satiny and a little muscular. My final note was , “Lordy, how beautiful!” 13.5 percent alcohol. Drink now through 2019 to ’21. Production was 415 cases. Excellent. About $40.

Cadaretta is the upper-level label of Middleton Family Wines, a business that includes the cadaretta-sbClayhouse (Paso Robles) and Adobe (Central Coast) brands from California; Buried Cane (Washington State); and the imports Ad Lib (Larry Cherubino’s label from Western Australia) and MFW Wines of Italy. Wine of the Day, No. 192, is the Cararetta SBS 2015, from Washington’s Columbia Valley AVA. This is a blend of 89 percent sauvignon blanc and 11 percent semillon made entirely in stainless steel. The color is very pale straw-gold; the fresh, clean, many-layered and frankly beautiful bouquet peels back notes of lime peel, roasted lemon and spiced pear; grapefruit, lemongrass and green tea; caraway and melon; dried thyme and tarragon. Pretty darned heady stuff, all right, yet subtle, too, not extravagant or flamboyant. A lovely svelte, lithe texture is riven by star-bright acidity and bolstered by a distinct limestone and flint edge, all at the service of tasty elements of stone-fruit, fig and heather. 13.5 percent alcohol. A tremendously appealing expression of the grape, for drinking through the Summer of 2017. Excellent. About $23.

A sample for review.

Before Sonoma Mountain was approved as an American Viticultural Area in 1985, Patrick Campbell was producing excellent cabernet sauvignon wines from a vineyard 2,000 feet up the mountainside. lg_12_cp_beauty_webAfter 30 vintages, Campbell sold the winery and vineyards in 2011 to a group led by Bettina Sichel; Campbell still works as a consultant with a team that includes winemaker Randall Watkins and legendary California grower Phil Coturri and winemaker David Ramey. As is the case with many wineries, Laurel Glen offers several levels of products to make its wines more accessible, the instance here being its Counterpoint label. The Laurel Glen Counterpoint Cabernet Sauvignon 2014, Sonoma Mountain, is a blend of 90 percent cabernet and 10 percent merlot, sourced primarily from the winery’s organic estate vineyard as well as fruit from two other vineyards in the AVA. The wine aged 16 months in French oak (and a bit of American oak), 40 percent new barrels. The color is very dark ruby-magenta, basically opaque at the center; ravishing aromas of ripe and spicy black currants, cherries and blueberries shift to graphite and ink, iodine and iron that admit notes of lavender and licorice, loam and leather. Readers, you could eat it with a spoon. You feel the dense chewy structure on the palate, the bold, dust-inflected, finely-grained tannins; the bright and lively acidity; the suppleness of burnished oak; also, thank goodness, the deliciousness of black fruit flavors swathed in cloves, allspice and bittersweet chocolate, all driving toward a sturdy, mineral-packed finish. 14.4 percent alcohol. This is a beautifully crafted and balanced cabernet seemingly influenced by its slightly austere mountain roots, for drinking tonight with a medium rare ribeye steak, hot and crusty from the grill, or through 2024. Excellent. About $40.

A sample for review. The bottle image is two vintages behind the wine reviewed here.

Trying to be a good sport about this Merlot Month thing, so here’s a dependable example from PrintNapa Valley. The Flora Springs Merlot 2014, Napa Valley, derives from sustainable cultivated vineyards in Napa valley generally and from the St. Helena and Rutherford sub-AVAs. The wine aged 16 months in new and used French oak barrels. The color is a very dark ruby-purple that hews closely to the concept of ebony; those looking for a sensuous and seductive bouquet need look no farther than these aromas of rich and ripe black currants, cherries and plums infused with notes of cedar and mint, iodine and thyme, lavished with hints of licorice, lavender and violets and exotic woody spices. Lip-smacking acidity plows through the succulent black fruit flavors — abetted by a strain of blueberry — and long, lithe dusty tannins provide ballast and balance, all given freight by a load of penetrating graphite that gives the finish a slightly hard edge. 14.2 percent alcohol. Drink now through 2019 to ’22 with steaks and chops, braised short ribs and veal or lamb shanks. Winemaker was Paul Steinauer. Excellent. About $30.

A sample for review.

A perfect choice with last night’s pizza that featured pork shoulder barbecue as the meat, the qupe-central-coast-syrah-nv-800px1Qupé Syrah 2013, Central Coast, is a feisty red with spicy red and black fruit flavors and a vibrant structure. A bare two percent to the 98 percent syrah contains dollops of grenache, mourvèdre and tempranillo grapes; the wine aged 18 months in neutral French oak barrels. For the total geek, the wine is comprised 63 percent of grapes from cool vineyards in Santa Barbara County and Edna Valley (in San Luis Obispo County) and 37 percent from warmer vineyards in Paso Robles (also in SLO County), resulting in a pleasing sense of tension and balance in what is essentially a very appealing and palatable wine. The color is a glowing medium ruby hue; aromas of black and red currants and cherries are permeated with notes of dried thyme, leather and black olives, with a few moments in the glass bringing in hints of tobacco leaf, iodine and mint. All of these qualities segue seamlessly and deliciously into the mouth, where bright acidity gives the wine a keen edge that cuts through dusty, graphite infused tannins. The alcohol content is a moderate 13.5 percent. Drink now through 2018 with chops and burgers and hearty pastas and pizzas. Excellent. About $20, representing Good Value.

A sample for review.

Here’s another selection for International Merlot Month. The Ca’ Momi Winery is owned by the cm_merlotfacelabel_black_lrsame people who own the Ca’ Momi restaurants in Napa Valley, so perhaps it’s fitting that this wine — the Ca’ Momi Merlot 2014, Napa Valley — is as wildly exuberant as Italian cuisine can be. I would be interested in knowing what the oak regimen for this wine was, but rarely have I visited a winery website so disinclined to reveal actual information about the winemaking process, even in its trade pages. Be that as it may, the wine displays a very dark ruby hue, even unto an opaque, almost black center. It’s a deep, dynamic merlot that offers scents and flavors of spice-infused black currants, cherries and plums — there’s a touch of fruitcake — with top-notes of blueberry and pomegranate. Dusty graphite comes into play and a strain of damp loam that opens to granitic tannins harboring vibrant acidity for liveliness on the palate. After 30 minutes or so, the black fruit unfurls elements of cedar and tobacco, dried rosemary and thyme, and the flavors feel somewhat macerated and roasted; the structure builds through a feral, iodine-and-mint and mineral-packed finish. 13.5 percent alcohol. Drink this through 2019 to ’21 with steaks and chops, hearty pizza and pasta dishes or dry, mature cheeses. Excellent. About $20.

A sample for review.

As far as white wines are concerned, Spring and Summer tend to be the domains of bright, light, delicate wines that go down easy as aperitifs while we’re sitting out on the porch or patio or lounging in a bosky dell on a frolicsome picnic. Nothing wrong with those scenarios at all. Now that the weather is in transition, however, when there’s a touch of chilly, rainy uncertainty in the air and our thoughts are sliding toward more substantial fare than cucumber and watercress sandwiches — no crusts, please! — the logical choice would be white wines with a bit more heft, flavor and savor. The 10 examples under review today provide those qualities in diverse ways, because they are, naturally, diverse wines. Grapes include sauvignon blanc, riesling, roussanne and marsanne, vermentino, verdicchio and trebbiano. Some of the wines saw no oak while others received extended barrel aging. Their points of origin range from various spots in Italy and several regions in California, from Alsace in France to Pfalz in Germany. Above all, and I cannot emphasize this note too strenuously, every one of these wines was a joy to drink, first because they are so different each to each, and second because in their eloquent variations they reflect integrity of intentions in the vineyard and the winery, an integrity dedicated to the expressiveness of a location and grape varieties. Each wine mentioned here made me feel as if I were sipping liquid gold.
Unless otherwise noted, these wines were samples for review.
The pale gold Arrow&Branch Sauvignon Blanc 2015, Napa Valley, performs that gratifying task of balancing the utmost in a delicate, elegant character with a vivacious, appealing personality. Aromas of pea shoot, heather, cucumber and lime peel are infused with damp limestone and flint, roasted lemon and lemon balm and a hint of raspberry leaf. The wine is bright and crisp, dense but paradoxically ethereal, and it opens to touches of almond skin and pear skin, waxy white flowers and a hint of the wildly exotic and tropical. All of these exuberant elements are handily restrained by brisk acidity and the mild spicy/woodsy aura of a touch of French oak. 14.1 percent alcohol. A truly beautiful sauvignon blanc, made by Jennifer Williams, for consuming through 2018 or ’19. Exceptional. About $35.
The color of the Domaine Barmès-Buecher “Hengst” Riesling Grand Cru 2012, Alsace, is a slightly brassy medium gold hue of intense purity; the bouquet unfurls multiple layers of nuance as Platonic ripeness invests aromas of peach and quince touched with hints of lychee, musk-melon and apricot nectar, yielding to apples, green tea and lemongrass and an intriguing, lingering note of petrol. The wine is moderately sweet at entry but segues to dryness as it flows across the palate, reaching a finish that feels profoundly minerally with elements of iodine-washed limestone and flint. Between those points, a lithe silky texture is emboldened by vibrant acidity, a strain of savory, woodsy spices and macerated stone-fruit flavors. 14 percent alcohol. Drink now through 2020 to ’24. Excellent. About $36.
Imported by Petit Pois/Sussex Wine Merchants, Moorestown, N.J.
Hungarians are justly proud of their indigenous grape, furmint. Tasting through a few furmintexamples recently, I was impressed by the grape’s versatility and its capacity for making wines that are seemingly light-filled and weightless in affect yet layered in complexity of detail and dimension. The Béres Tokaji Furmint 2014, Szaraz, displays a light golden-yellow hue and subtle aromas of ripe lemons, apples and pears; a few moments in the glass unveil notes of straw, heather, thyme and peach. A particular sense of balance between the sweet ripeness of the stone-fruit flavors and the dry, bright acid and mineral structure creates an immensely satisfying effect, the entire package driving leisurely to a limestone and flint-packed finish. 13 percent alcohol. The sort of wine that makes you happy to drink. Now through 2018 or ’19. Winemaker was János Jarecsni. Excellent. About $19, representing Good Value.
Imported by New Wines of Hungary,
What a beauty this is! The Weingut Eugen Müller Forster Mariengarten Riesling Kabinett, forster2013, Pfalz, is a wild, meadowy, golden, sleek and crystalline riesling whose very pale straw hue almost shimmers in the glass; notes of peaches, lime peel and lychee feel a little slate-y and loamy, though there’s nothing earth-bound about the wine’s delicacy and elegance. A few moments in the glass bring in hints of green apples and cloves, while a sweet entry retains a modest claim of a fairly dry, limestone-etched finish. 9.5 percent alcohol. Now through 2021 to ’23. Excellent. About $19, a local purchase and Real Value.
A Terry Theise Estate Selection, Skurnik Wines, New York.
Rosemary Cakebread made only 180 cases of her Gallica Albarino 2015, Calaveras County, so you should call the winery right now and try to reserve a few bottles. The grapes derive from the Rorick Heritage Vineyard, located at about 2,000 feet elevation in the Sierra Foothills; the wine — including a touch of muscat blanc — aged nine months in stainless steel tanks and neutral French oak barrels. A pale yellow-gold hue presages aromas of yellow plums and pears, figs, acacia and heather that evolve to a slightly leafy, grassy quality. What a joyful, lively, expressive personality this wine offers; the texture is supple, suave and elegant, all elements defined by balance and seamlessness yet edging to wild, spicy, savory qualities in the chiseled finish. 14 percent alcohol. Now through 2019 or ’20. Excellent. About $36.
The Garofoli “Podium” 2013, Verdicchio dei Castelli di Jesi Classico Superiore, podiumincorporates no oak in its making and is all the better for it. Produced in Italy’s Marche region by a family that has been making wine since 1871, this 100 percent verdicchio offers a pure medium gold hue and ravishing aromas of tangerine and peach, jasmine and almond skin and — how else to say it? — rain on Spring flowers, yes, it’s that incredibly fresh and appealing. It’s also, somewhat paradoxically, quite dry and spare though warm, spicy and a bit earthy, enlivened by keen acidity and a scintillating quality of limestone and flint minerality. Again, it’s a wine that feels very satisfying to drink. 13 percent alcohol. Now through 2018 or ’19. Excellent. About $25.
Imported by Dalla Terra Winery Direct, Napa Calif.
My reaction on seeing that this white wine aged 22 months in new French oak barriques was a big “Uh-oh.” I mean, friends, that’s a whole heap of new wood influence. However, in the trebbianoMasciarelli Marina Cveti? Trebbiano Riserva 2013, Trebbiano d’Abruzzo, the eponymous winemaker manages to pull off a remarkable feat. The opening salvo is an attractive bright medium straw gold color; then come notes of candied tangerine and grapefruit peel, ginger and quince, cloves and a sort of light rain on dusty stones effect; after a few moments, the wine unfolds hints of lemon balm and roasted lemon, lilac and lavender. Yes, it’s pretty heady stuff. On the palate, this Trebbiano Riserva ’13 feels vital and vibrant, rich and succulent with spiced and slightly baked peach and apricot flavors, though its opulence is held in check by chiming acidity and a resonant chiseled limestone element. You feel the oak in the wine’s framework and foundation but as a supporting factor that lends shape and suppleness rather than as a dominant element. 14 percent alcohol. Quite an achievement for drinking through 2023 to ’25. Excellent. About $43.
Imported by Masciarelli Wine Co., Weymouth, Mass.
E&J Gallo acquired distribution rights to the venerable family-operated Soave producer Pieropan in March 2015, adding it to Allegrini and Poggio al Tesoro in the company’s Luxury Wine Group. The Pieropan Soave Classico 2015 is a blend of 85 percent garganega grapes and 15 percent trebbiano di Soave, derived from certified organic vineyards. The wine saw no oak but fermented and matured in glass-line cement tanks. The color is pale yellow-gold; aromas of roasted lemons and spiced pears are bright, clean and fresh and permeated by notes of almond blossom, acacia and grapefruit rind. The wine delivers amazing heft and presence for the price category, yet it remains deft and light on its feet; brilliant acidity keeps it lively on the palate, while a saline limestone quality lends depth and poignancy. 12 percent alcohol. Drink through 2018. Excellent. About $20, representing Great Value.
Steve Hall made the Troon Vineyard Longue Carabine 2014, Applegate Valley, Southern troon-carabineOregon, by co-fermenting different lots of marsanne, viognier, vermentino and roussanne grapes, with slim dollops apparently (depending on what infomation you read) of sauvignon blanc and early muscat. The final proportions of the blend are 38.5 percent vermentino, 33 percent viognier, 27 marsanne and 1.5 roussanne; information as to oak aging, type of oak and length of time is not available. The wine is seriously complex and intriguing. The color is pale straw-gold; the whole effect is spare, high-toned and elegant, with hints of baked peaches and pears, hints of grapefruit, fennel and celery leaf, bee’s-wax, lanolin and flowering heather, all robed in a tremendous acid-and-mineral structure that creates a sense of vital dynamism. above depths of dusty, flinty loam. These elements take time to blossom, the wine being fairly reticent at first. 12.5 percent alcohol. Production was 163 cases. Now through 2020 to ’22. Excellent. About $34.
The Two Shepherds Catie’s Corner Viognier 2014, Russian River Valley, offers a 2-shepspale straw-gold hue and beguiling, compelling aromas of jasmine and gardenia, peach and pear, bee’s-wax and lanolin over hints of lime peel and grapefruit pith; the wine sees only neutral French oak, a device that lends shape and suppleness to the structure without incurring undue wood influence. Riveting acidity and a remarkable shapeliness and heft in the texture give the wine tremendous personality and eloquence. Time in the glass bring in notes of heather and thyme, roasted lemon and sage, lemon balm and sour melon, all elements engaged in a remarkably poised feat of crystalline tension and resolution. 13.3 percent alcohol. Brilliant wine-making from William Allen. Now through 2018 or ’19. Production was 75 cases, so go online now. Exceptional. About $26.

What do you want, friends, charm or structure? You can have both and at a more than decent price bhrouge2015lin Les Vignes de Bila-Haut Rouge 2015, Côtes du Roussillon Villages, from a property in the Languedoc in the eastern foothills of the Pyrenees, owned by Michel Chapoutier since 1999. The wine is a blend of syrah, grenache and carignan grapes that sees no new oak or small barrels. The color is dark ruby shading to a vivid transparent magenta; an immediate impact of freshness and liveliness comes from bright and winsome aromas of ripe black cherries, raspberries and mulberries drenched in notes of rose petals and violets against a background of graphite and sun-baked stone. The texture is fairly dense and chewy, buoyed by vibrant acidity and lithe tannins, all focused on delivering tasty black fruit flavors through a dried herb-and-mineral burnished finish. 14.5 percent alcohol. Nothing complicated or thought-provoking here, just a delicious and well-structured red wine for drinking through 2018. Very Good+. About $15, representing Excellent Value.

Sera Wine Imports, New York. A sample for review.

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